Mary Carroll-Hackett's Blog, page 59

May 7, 2017

Daily Prompt Catch-Up <3 Wind, and Grace, and Hypocrisy

5 May 2017


Make art about what’s carried on the wind.


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6 May 2017


Make art about being in the presence of Grace.


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7 May 2017


Make art about hypocrisy.


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Published on May 07, 2017 08:19

May 4, 2017

Daily Prompt Love <3 Inspired by Congress

4 May 2017


Make art about


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Published on May 04, 2017 07:26

May 3, 2017

Better Late Than Never Daily Prompt Love <3 Beautiful Creatures

3 May 2017


Every day I sling the door open to my classroom, and enter, looking across the room at those amazing students, and greet them with”Good morning, you beautiful creatures!”


I hadn’t thought much about it, until apparently I missed a day greeting them this way, and I heard about it

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Published on May 03, 2017 19:53

May 2, 2017

Daily Prompt Love <3 Ignorance

2 May 2017


Make art inspired by this quote. 


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Published on May 02, 2017 04:52

May 1, 2017

Daily Prompt Love <3 Shame

1 May 2017


Read a story this morning about lunchrooms shaming poor children.



I cried for an hour. The scars of shame run so deep, follow us into adulthood, undermine the beauty and power of who we are at every turn, if it’s not healed. 


“I look in the mirror through the eyes of the child that was me.”― Judy Collins


Make art about childhood shame, about seeing that hurt child in your adult eyes, about healing shame. 


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Published on May 01, 2017 08:43

Monday Must Read! Natural State by Jon Tribble

[image error]Jon Tribble‘s first collection of poems, Natural State, was published by Glass Lyre Press in 2016. His second collection of poems, And There Is Many a Good Thing, will be published by Salmon Poetry in 2017. His poems have appeared in print journals and anthologies, including Ploughshares, Poetry, Crazyhorse, Quarterly West, and The Jazz Poetry Anthology, and online at The Account, Prime Number, and storySouth. He teaches at Southern Illinois University Carbondale, where, aside from being an excellent person and amazing literary citizen, he is the managing editor of Crab Orchard Review and the series editor of the Crab Orchard Series in Poetry published by SIU Press.


Buy  Natural State!


Praise for Natural State


One of the poems in Jon Tribble’s Natural State observes that “the finest / moment of our lives may not matter at all.” That’s a devastating truth, but Tribble’s poems about growing up in Arkansas make every moment he renders matter, and matter deeply. Natural State may be Tribble’s first collection, but it’s as polished, mature, and wise as most poets’ fourth or fifth, and it not only matters, its publication is one of contemporary poetry’s finest moments. – David Jauss, author of You Are Not Here and Glossolalia: New & Selected Stories


More from Jon Online


StorySouth


Connotation Press


Atticus Review


Ghost Town


The Account


The Museum of Americana


The Whale


Prime Number


Rhino


 


Video


Interview & Reading! Literary Power Couple: Jon Tribble & Allison Joseph


 


and, in gratitude for all of the years of service Jon has given to our community–


Support Crab Orchard Review


 


Happy reading!


xo


Mary


 


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Published on May 01, 2017 06:29

April 30, 2017

Daily Prompt Love <3 Ways of Knowing

30 April 2017


I asked for a dream before going to sleep last night, a dream that would help me to solve a problem, answer a question I had. In the ways in which I was raised, dreams were just one of multiple ways of learning, ways of knowing.


Unlike mainstream Western culture, which tends to limit ‘knowing’ to what is categorized as ‘rational,’ indigenous cultures across the globe recognize multiple sources of knowledge an individual or community possess and can access, including traditional wisdom, dreaming, land knowing, symbols and images, shared knowledge through connectivity, and story, among others.


Make art about ways of knowing. 


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Published on April 30, 2017 05:24

April 29, 2017

“Traveling as Family,” Still, and Always, No Matter the 100 Days

from Citizen, VI [On the train the woman standing]




Claudia Rankine







On the train the woman standing makes you understand there are no seats available. And, in fact, there is one. Is the woman getting off at the next stop? No, she would rather stand all the way to Union Station.


The space next to the man is the pause in a conversation you are suddenly rushing to fill. You step quickly over the woman’s fear, a fear she shares. You let her have it.


The man doesn’t acknowledge you as you sit down because the man knows more about the unoccupied seat than you do. For him, you imagine, it is more like breath than wonder; he has had to think about it so much you wouldn’t call it thought.


When another passenger leaves his seat and the standing woman sits, you glance over at the man. He is gazing out the window into what looks like darkness.


You sit next to the man on the train, bus, in the plane, waiting room, anywhere he could be forsaken. You put your body there in proximity to, adjacent to, alongside, within.


You don’t speak unless you are spoken to and your body speaks to the space you fill and you keep trying to fill it except the space belongs to the body of the man next to you, not to you.


Where he goes the space follows him. If the man left his seat before Union Station you would simply be a person in a seat on the train. You would cease to struggle against the unoccupied seat when where why the space won’t lose its meaning.


You imagine if the man spoke to you he would say, it’s okay, I’m okay, you don’t need to sit here. You don’t need to sit and you sit and look past him into the darkness the train is moving through. A tunnel.


All the while the darkness allows you to look at him. Does he feel you looking at him? You suspect so. What does suspicion mean? What does suspicion do?


The soft gray-green of your cotton coat touches the sleeve of him. You are shoulder to shoulder though standing you could feel shadowed. You sit to repair whom who? You erase that thought. And it might be too late for that.


It might forever be too late or too early. The train moves too fast for your eyes to adjust to anything beyond the man, the window, the tiled tunnel, its slick darkness. Occasionally, a white light flickers by like a displaced sound.


From across the aisle tracks room harbor world a woman asks a man in the rows ahead if he would mind switching seats. She wishes to sit with her daughter or son. You hear but you don’t hear. You can’t see.


It’s then the man next to you turns to you. And as if from inside your own head you agree that if anyone asks you to move, you’ll tell them we are traveling as a family.





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Published on April 29, 2017 05:51

Daily Prompt Love <3 Strange Courage

29 April 2017


“It’s a strange courage

you give me ancient star:

Shine alone in the sunrise

toward which you lend no part”

― William Carlos Williams


Make art about a moment calling for strange courage. 


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Published on April 29, 2017 05:30

April 28, 2017

Friday Call for Submissions Love <3 Cahoodaloodaling: Solitude’s Spectrum

Cahoodaloodaling


A quarterly themed journal 


Website: http://cahoodaloodaling.com/


Guest Editor James H. Duncan

______________________________________________________

“The world breaks everyone, and afterward, some are strong at the broken places.” —Hemingway
 
Solitude—whether alone on the road in a car, train, motel room, or a forest trail, or even secluded and tucked away in your home, whether it’s a welcomed moment of peacefulness or a lonely state of despair—times of solitude shape us, recharge us, and break us down to our essence. Sometimes we choose to step away from the world. Sometimes the world breaks us and casts us aside. In those moments alone, if we make the choice to continue and create, true artists are born. We cross a border we cannot uncross and heal through our words, finding ourselves—and sometimes finding new selves in the process. As Hemingway said, sometimes we’re strong in those broken places, and sometimes we’re not. Sometimes that jagged broken part affects us forever afterward.

This fall issue we are interested in capturing both the positive, reaffirming pieces about solitude along with those that reveal pain, heartbreak, and introspection. We seek to investigate those breaking point moments, those halting discoveries, those empowered decisions that compel us to walk away from the world and to let the silt settle in the pool of water in our soul. Whether you enjoy locking yourself away or you had to in order to save yourself from hell, we want to hear how these moments lead to creative revelations and re-energized focus, or how they still haunt you to this day.

 


 
Submissions due 9/9/17. Issue live 10/31/17.  Read guidelines for submissions at:


http://cahoodaloodaling.com/about/

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Published on April 28, 2017 05:38

Mary Carroll-Hackett's Blog

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