Anne Frasier's Blog, page 15

CRAZY CAT LADY

I've been working on what I call my cat romance, and I think it will be ready in about a month.


A not-so-brief history:
Several years ago I wrote The Orchard and my agent at that time didn’t think it was worth submitting so I decided to put it away and work on a romance since many loyal romance readers had been after me to write another romance. I wasn't sure I had another romance in me, but I came up with this cat concept that I really liked. A trilogy about cats from the same litter, each book to feature one of the cats.  So I pitched the idea to my agent, he liked it, and I wrote a few sample chapters. Then he didn't like it. Ha. So at that point I sadly made the decision to leave my agent of 20 years.  Really, really hated to do that.  Was in no-agent limbo for about a year and a half.  Couldn't get any agents to read The Orchard. One agent finally read a few chapters and wanted me to add a murder and turn it into fiction.  He said it wouldn't sell as a memoir because I wasn't a celebrity, which is kind of true. That relationship lasted a few months.  And he never read the cat story.  At that point, I queried a few agents about the cat trilogy. One lone agent bit and asked for three chapters and a synopsis.
 Her response once she read it: "That was definitely the weirdest thing I've ever read. I'll have to pass."
Me: "I also have a memoir. Would you like to see that?""No."
So the first book of the cat trilogy has been languishing on my laptop for years.  This spring I decided to finish it and publish it myself.  I'm almost done with the final polish, will send it to a copyeditor, then bug friends to proof it. Then it will be available on Amazon, and later B&N and iTunes, ebook only. And if people like it I will write the other two books.
The cover is being designed right now, so stay tuned. It's pretty cute. And yeah, this is a light, quirky book about a funky librarian and her cat. And the guy her matchmaking cat brings home to her.
And if you are an editor dying for a cat trilogy, call me. 

HER CIRCLE INTERVIEW

Interviews are such an art.  I love when I'm asked questions that no one has asked me before. Questions that make me think and analyze and speculate. The interview with Her Circle was just such an interview. 
Her Circle is a magazine of women's creative arts and activism. What an honor to be featured there. 


Her Circle Interview

5-2: CRIME POETRY WEEK

April is National Poetry Month, and I'm participating in Thirty Days of Poems, the brainchild of Gerald So and Poetic Justice Press.  In honor of Thirty Days, I'm showcasing  a poem published by Poetic Justice Press. So many good poems to choose from! Here's one I really liked:
Peter IveyJENNY BROWN

Who knows about Jenny Brown,
That woman who went missing
On the other side of town,

Walking across Essex Square,
To catch the bus at the deli,
And meet her sister there,

Who knows about Laura Lee,
That lady who went missing
Down by Essex and Eastern Quay,

Whistling her way past the water,
Her arm clutching a gift
To give to her daughter,

Who knows about Heidi Jones,
That girl who disappeared
While on her way back home—

Somebody knows, and somebody lied,
About the underground homicide,
And nobody sees, and nobody knows,
The monster who stalks our lovers so;

Reduced to a few lines on page six,
A girl's shade lingers,
And the clock ticks, and ticks.

Read more about Poetic Justice Press and poems on crime.

My poem, Home (Anne Frasier), was published in The Lineup 3, which is now available on Kindle and Nook. 

NEW RELEASES AND NEW COVERS

What a lovely cover for the paperback  of The Orchard, coming September 4, 2012. Writes of Spring will be available in a couple of weeks.  All  royalties go to Memorial Blood Centers. Memorial Blood Centers is an independent non-profit that saves lives by supplying blood products and biomedical services. This book was compiled and edited by Gary Shulze and Pat Frovarp, owners of Once Upon a Crime bookstore in Minneapolis.  Published by Nodin Press. If you're in the area, stop by the for the big book launch party April 7, 2012.  My short story, Red Cadillac, is included in the anthology.  The Man Who Left is now available in digital format through Amazon and B&N. Some people are calling this a prequel to The Orchard, others are calling it a companion. But it can definitely stand alone. Early readers are saying they like it as much or more than The Orchard. 

MAILING LIST

I've gotten so bad about posting to my blog!  I'm going to try to write a few newsletters a year, along with blogging. Couldn't get Mail Chimp to accept my mailing list, so I'm starting over with this newish thing called TinyLetter. Sign up over there:
                                                                    
--------------------------------------------------------------->  

THE DEVIL AND THE DIVA

I moved from southeast Iowa to the Twin Cities in…I think itwas spring of 2000. My son had settled in the area a few years earlier, and Ifell in love with the place after just a few visits. I had to remain in Iowauntil all of our aging animals were gone, one being a horse. If you read mymemoir, you will have met him. Mr. Red. My daughter ended up at the Universityof Minnesota, so it was wonderful when our small family was once again reunited. 
I can't explain why I love the Twin Cities. I've tried. Howcan you love a city that is oftentimes dark and ugly and full of crime? A placewhere your car is destroyed right in front of your house? When you get muggedleaving a venue? When your pocket is picked at a gas station?  When cops throw people over car hoodsand arrest them steps from your door? When you sometimes wonder if you justheard gunshots. Pretty sure those were gunshots. 
I love it because there's magic here.  There's this wonderful energy, thischarge of creativity that's in the air and in the buildings and in the sidewalkunder your feet. It's in the snow that falls and pisses you off because youcan't get anywhere.  If you couldflip a switch and actually see the creativity, it would look like flying sparks settling in your hair and inside your boots, catching on youreyelashes. When you inhale, you breathe sparks into your lungs.
I set a book in the Twin Cities, but I was unable to conveymy love of the place, or why I loved it.
Well my friends… If you want to understand why Minnesota iswonderful, if you want to know how in the hell people can stand it here when adark winter night bottoms out at -40 (that's not wind chill), download a copyof the Devil and the Diva by David Housewright and Renee Valois.  You will understand.  You will want to move here. Even if youalready live here, you will want to move here.


Here's my short blurb:
Mysterious, lush, and lovely; a present-day gothic taledrenched in love for a magical land called Minnesota.

It's rich, it's lush, it's romantic, it's smart, it's funny.It's a mix of genres, a Beauty and the Beast tale.  Mystery. Crime fiction. Intrigue. Gothic romance.  Inside the pages we visit Minneapolis, St.Paul, Duluth, the North Shore, all in winter. Winter!  A masked man. Dark wool capes that flow over deep snow. Ahouse like a castle. A woman in a white gown holding a candelabra.
READ MORE ABOUT THE BOOK: THE DEVIL AND THE DIVA
Full disclosure: David is a friend of mine and contributed ashort story to the Halloween anthology Deadly Treats. He's also an Edgarwinner. So there ya go!

WONK-O-MANCE INTERVIEW

One of the more interesting interviews I've ever done is going on over at a new place called  Wonk-o-Mance.  What is Wonk-o-Mance? To boil it down, it's when two messed-up people meet and fall in love.  






From the Wonk-o-Mance manifesto:




We are the mythical readers, the undermarketed writers, who like our protagonists less conventional, our conflicts less tidy, our endings less certain. We want escapism, but we want it with a nice, stiff shot of human frailty. Give us Scarlett and Rhett, yes, yes, but can we also have Harold and Maude? Atticus Finch, mmm-hmm, but also Boo Radley? Nick and Nora, absolutely, but also that broody, effed-up Philip Marlowe? We want the whole messy spectrum of human behavior, packaged up for consumption in romance novel form.


Boy, did this strike a chord with me.  Because I've been writing wonk my entire career, feeling like a freak and kind of a loser because as much as I tried to conform, I simply couldn't do it. Even when I tried. Because I just don't do normal. I don't even know what normal looks like. I do remember at times thinking, Okay, this is boring. Maybe this is normal. 


So to have wonk recognized, embraced, understood, and given a name— yay!


Come on over. And just for fun, I'm giving away a copy of The Orchard. Which, by the way, is also wonk.


WONK-O-MANCE

WRITING TIPS

I'm going to talk a little bit about building suspensearound and under your suspense, about building suspense even if you aren't writingsuspense.  I think all storiescontain suspense no matter the genre. The basic formula of romance is suspense, or rather the question orquestions that carry the reader along. With romance, we can boil it down to onebasic thing: Will these two people get together? And how? Even though almostall romances end in happily-ever-after, the question is always there in everyromance, and the reader plays along even though she knows it will most likelyend in a satisfactory way.  WithThe Orchard, one of the big questions: Will this person stay in thisrelationship? A lot of readers hoped she wouldn't, and they wanted to see herbreak free. I say she because I don't think of that person as me. I'm no longerthat person.
The big question is closely tied to conflict, and can often be the conflict. EVERY STORY HAS CONFLICT.  I don't carewhat you're writing.  I don't knowhow many times I've heard this: "I'm not writing suspense so I don't needconflict."
 Conflict doesn't need to be external. Good suspense (thegenre) has both internal and external conflict.
  I'm alwaystalking about unpublished writers not giving the reader enough information.Thinking the reader will magically figure it out. Or worse, the writer thinksshe's creating suspense with this lack of information. So it's a delicatebalance. It's knowing what to use and what to keep in your pocket for later.


 Inmy book Play Dead, I hinted at something that had happened to one of the homicide detectives.  We knew he was on medication, knew he had a drinking problem,  and we knew he'd been sent to Savannah to start fresh.  But I didn't reveal exactly what had happened to him until maybe the halfway mark.


  But you can wait too long. If you waittoo long, the reader becomes impatient and annoyed. You keep dropping thesetantalizing hints, but the payoff comes too late. The reader is alreadyannoyed.  So annoyed that she mightnot even care anymore. Someone who often waits too long for the payoff is JossWhedon. IMO. Love him, but the payoff comes after the annoyance hits.  You're engaging us, and we're followingyou, but you can't keep slamming the door.  And once our annoyance is engaged, the payoff andsatisfaction isn't as strong. And sometime we actually forget what the questionwas in the first place. Oh, yeah.I remember being really curious about that in episode one. And episode two. Andepisode three. But episode eight? Not so much. Which reminds, me, you mightneed to remind the reader at well-placed intervals (part of pacing). But anyway, rambling here. Again.Every story should have questions that keep the reader turning the page.
Note-to-self: Plant some questions for the reader. Itdoesn't have to be anything big. It can be the history of the character. It canbe something that happened recently.  It can be something that the character has been unable toface, maybe something she will have to deal with in order to grow.
Note-to-self: Don't forget that readers are reading becauseof the characters. Even in suspense, readers are reading because of thecharacters. Yes, they want a good mystery, but they really want to live withthese people.
The reason I'm saying note-to-self is because I tend to getcaught up in the storytelling and I sometimes forget to employ these importantstory-telling devices. They tend to hide under the surface of the story, anddon't seem that important, when in reality they could be what keeps the reader(or agent or editor) turning the pages. THE DEVICES DON'T CHANGE THE STORY, but they change how the reader engages with the story.


What is this about?
story structure
pacing
conflict
characterization
building suspense
creating tension

REISSUED ROMANCES

I've been working hard, getting my old romances formatted for Kindle. I've got two more uploaded.  It's been weird editing these old titles. By editing, I mean proofing them for scanning errors. I didn't change anything. But it's weird, because it takes me back there, to the time I wrote them. These two titles feel like three or four lifetimes ago.



I actually think One Fine Day might be my best romance.  Forever is the prequel to One Fine Day, and it's...well, not so great. So it's weird to have a sequel that's good, and a prequel that's okay. I think One Fine Day can stand alone, but people might want to read them both.
Which is why I'm offering them both for free for a couple of days. Grab 'em while you can.  (Click on titles to take you to the Amazon page.)
I love the new covers designed by my daughter! Gorgeous!!
Below is my current take on each book:

FOREVER







First printing: 1990Reissued by Belfry PressThis is a hybrid of romance and women's fiction; it containssex scenes.Heat rating: 5 out of 10
 From the author:This book kind of makes me squirm. Which is really weirdconsidering the fact that I wrote it. Twenty-two years ago. When I was a kid.I'd loved the play Flowers for Algernon,and the movie Charly, starring Cliff Robertson. If you recall, he was a guy witha low IQ who drank (shot up?) some scientific formula while wearing reallydorky clothes like shirts with big collars and beige stretch pants, and he becamesuper smart, then fell in love with his doctor and they had sex. And he was sosmart that he figured out he would eventually become unsmart again.  So anyway, Forever has that icky thinggoing where it's a patient/doctor relationship that makes you feel a littleuncomfortable.  Kind of yeah, doit. Then wait, she's his doctor.  And mentally he's nineteen.  But at least he's not twelve like Tom Hanks in Big.
And the title. Don't get me going about the title. Well,I'll get going about the title.  The original title was FORVER YOUNG.  Remember the Bob Dylan song? Not theRod Stewart song? May your heartalways be joyful,May your song always be sung,May you stay forever young.
 Because it'sabout a GUY WHO LOSES HIS MEMORY AND GETS A SECOND CHANCE BECAUSE LOSING HISMEMORY MAKES HIM YOUNG AGAIN. THAT'S WHAT THE STORY IS ABOUT. But the publishing house changed it toFOREVER, and they blurbed it with stuff about these two people meeting andfalling in love. And I'm guessing they were so much in love that theirrelationship probably lasted FOREVER. ******From the book: Sammy looked up at her, an all-too-familiar bleakness in hisdark eyes. "Funny, isn't it? The way we thought we were so indestructible. Thatnothing could touch us." He shook his head, seeming stunned by it all. "Wethought we'd stay young forever."******YOUNG FOREVER!!!!!! Ding!!

I might have rated this higher years ago, but here's my 2012rating for FOREVER:
3 out of 5 starsFYI: FOREVER (YOUNG) is the prequel to ONE FINE DAY, whichis a better book.


ONE FINE DAY



Vintage romance
First printing 1994
Reissued by Belfry Press
This is a romance: it contains sex scenes
Heat rating: 8 out of 10

This is the second of two books. The first is Forever, but One Fine Day easily stands alone. During the early nineties, romance publishers were experimenting with hybrids, books that were a combination of romance and women's fiction. One Fine Day was one of those books. This experiment didn't go over that well, because the hybrids stepped too far outside traditional romance for many romance readers, while at the same time containing too much romance for women's fiction readers.

From the author:
It's been odd proofing these old titles. Brought back a lot of memories, some not so pleasant. I recalled that One Fine Day was the book that broke me. That broke my writer's heart. I poured so much into this book, and even today I would say it's a fairly strong read except for a chapter I call the sexcation. I was tempted to remove it this time around, but decided to keep the original book intact, flaws and all. So skip the sexcation if you like. You'll know it when you get there.

The publishing house I was with at the time of writing One Fine Day wasn't supporting my titles. They felt kind of meh about me and just as meh about my books, especially One Fine Day. Another house wanted to publish One Fine Day, but after some hand-wringing I decided to stay with the house that felt meh about it. A bird in the hand and all that. I'd already experienced moving to a new house only to have the editor depart as soon as my contract was signed, so I was gun-shy when it came to being courted. But in retrospect, I can see that staying was a bad idea. The book was released with no backing, and from that point on I didn't try. I just couldn't put myself out there any longer. I couldn't connect with the stories knowing I was writing more throw-away titles---as these neglected books were called in the biz. This sounds horribly melodramatic, but it's hard to write with a broken heart. Other writers will understand what I'm talking about.

I wrote five more romances after OFD, but I kept my distance and stuck to tried and true formulas. And I erased this book from my mind. Tried not to think about it ever again. The other writers who were doing these hybrids with little success either quit writing and vanished, moved into suspense, or moved into straight romance. I eventually moved into suspense.

Romance readers are always asking if I'll ever write another romance. It's really hard to go back there, even for a few days, so I don't know. I'm working on a trilogy about cats. It's kind of a romance, but not in the traditional sense.

My rating: If the sexcation were removed from One Fine Day, I would rate this book 5 out of 5. With the sexcation, 4 out of 5.

PHOTOS FROM MY TRIP

Had such a great time in Georgia. Love that place. I uploaded 140 pics to Flickr, and also made a slideshow that I uploaded to YouTube. Same photos both places. All were taken with my iPhone, most using Hipstamatic lenses.  The above photo is one of my favorites, taken in South Carolina near the area where I plan to set a Play Dead sequel.


The short story I wrote on Tybee Island is almost done. Just need to give it a final proof and polish, and then I'll send it to the mermaids at Mermaid Cottages.



Flickr Photos