Larry D. Marshall's Blog, page 24

Sketching My Stuff

Yvan and Claudette came to visit this week and we spent the afternoon sketching my stuff.  I’ve got a bunch of stuff, mostly obtained at flea markets for purposes of drawing and we put some of it to good use.  As is too often the case, my hand was hurting me but we nevertheless had a great day.

Yvan drew the front of a plaster rabbit so I drew the back and found it hard to make the foreshortened ears sufficient to give the rabbit a real rabbit look.  Some views are better than others I suppose.  Claudette did a really great drawing of a large Japanese woman’s head and it turned out great.

Arches cold press, DeAtramentis Document Black,

We took a break, had coffee and the obligatory talk of drawing and watercolors.  We decided to draw something else.  I have two really nice Japanese figures that I’ve drawn several times and Yvan chose to draw the male figure so I grabbed the female (that didn’t come out right).  I’d never drawn her from behind so I decided to do so, drawing in pencil in a Stillman & Birn Nova.  In the end I wish I’d used ink but this is the result.

Stillman & Birn Nova, mechanical pencil (2B)

Some Fun Museum Sketching

I was at our civilisation museum the other day and my joints were bothering me.  It was hard to draw and, even more, it was hard to concentrate because of the pain.  But I sat, stared at, and drew an Inuit stone carving of an Inuit stalking a seal.  I loved how a complete scene was captured in the rock.

Sketching Hands At Yvan’s House

Here in Quebec City we’re still waiting for the opportunity to get out of our igloos so we can sketch outside.  Until the snow starts melting, however, we get together at someone’s house and sketch.

Stillman & Birn Nova

 

Stillman & Birn Nova

A favorite in that regard is Yvan’s place because he has a great studio that’s filled with an artist’s version of a cabinet of curiosities so there’s lots of stuff to draw.  When several of us gathered there I chose to draw plaster casts of hands.  I had a lot of fun with these but I made the mistake of using a water-based felt pen to shade them.  I know lots of people love felt markers but I can’t understand why.  Whenever I use one the results are streaky and splotchy.

 

Book Review: Shari Blaukopf’s Working With Color

If you’re a sketcher you know something about the Urban Sketching Handbook series.  These books look like a 6×9 Moleskine sketchbook, complete with the elastic band holding its covers together.  There were five of them.  Now there are six, the latest written by Shari Blaukopf and titled “Working with Color.”

If you’re a sketcher who uses watercolors, you probably also know that it would be great if you could spend time talking with Shari and asking her questions about watercolor.  Most don’t get that opportunity, so she’s written Working with Color and  owning a copy is the next best thing (grin).

I binge-read my copy, which means it took me three days to get through it.  No, I don’t read that slowly but Shari’s book is written, as are the other Urban Sketching Handbooks, as a bunch of small sections full of guidance and tips.  It seemed that each one had me doodling and pushing paint around, trying out the things she talks about.  Not only did I have a ball, I learned a lot.

Like most books on watercolor, the early pages cover materials.  This book emphasizes materials that facilitate sketching on location.  I confess that I rarely get anything from such sections but it was interesting to see Shari’s palette choices.

Very quickly, however, Shari moves on to color mixing and color and value in general.  Subjects covered include: mixing darks, mixing greens, shadow colors and a discussion of values.  Each of these subjects are supported by sketches that illustrate each subject.

There is a section on limiting your color(s), from selectively choosing a single color to discussions of the use of a limited palette.  This later subject was time-consuming for me as Shari suggests several triads and, of course, I had to try them all (grin).

There are a couple different sections on using color to express mood and atmosphere and I have to read them again as there is much to think about in these sections.

There’s also a large section on mixing and using neutrals.  This is an area that is important to the watercolorist, but an area where I understand very little.  Mixed into this section is the notion of using warm and cool grays in an urban setting and it all seems like its the core of what I should know.  Wish I did.  This book is helping quite a bit.  I need to do a bunch more doodles and neutrals mixing though.

I do think that if you just read all the tips and look at the pictures, very little will change in your art.  This is stuff that you have to do if you’re going to begin to incorporate the ideas and methods into your art.  But heck, that’s the fun part and I can’t recommend Working with Color enough to anyone wanting to better understand how watercolors work and how they can be used in a sketching environment.

 

 

Sketching An Inukshuk

Inukshuks are common across northern Canada.  Seen principally as a product of the Inuits, other Native American groups also make them.  They are said to have been used as navigation markers, or markers of significant locations.  They commonly represent of Canada itself and some have deemed them a symbol of hope.  You can buy tiny inukshuks as souvenirs, sold right next to the beaver and moose figurines.

In any case their structure is meant to represent a human form and larger ones even have legs and arms.  Most have outward projections that represent arms in some way.  Mostly, though, they are a pile of rocks and I love drawing rocks.

We were at the museum the other day and in the Native American exhibit there is a small inukshuk that sits behind some large display cabinets.  You can see all of it if you’re standing in front of those display cabinets but I had to sit across the aisle from them so I would have light to see my paper.  This meant that I couldn’t see the bottom half of it.  I drew it anyway, direct with ink, and this is the result.

Stillman & Birn Nova (5.5x.8.5), J. Herbin Lie de Thé ink

I really had fun drawing this inukshuk and I remembered that I’d drawn one before, an inukshuk that resides on the Quebec Parliament grounds.  I decided to see if I could find that sketch.  I rarely look at my old sketches but  I did find it and I learned a couple things.  First is that this older sketch was done in 2012, only a few months after I decided to learn how to draw.  The second thing I learned is that I have actually improved as I’ve accumulated pen miles.  That made me happy.  Maybe inukshuks do represent hope.

Learning To Sketching Rabbits

I recently posted a sketch of a rabbit skeleton and talked about drawing Beatrix Potter rabbits and then sketching my way to wanting to understand their insides.  I was asked “Where are the other sketches?”

Truth is, they were in my garbage can, where most of my “let’s try this” doodles end up.  I dug through the can and found a couple of the sheets with rabbits on them and, with some embarrassment, I’ll show them to you.  Laugh if you like.  I don’t mind.

These sheets are cheap card stock from Staples and so they don’t take watercolor well at all but I have such sheets sitting next to my computer and I’m always doodling something.

Some feeble attempts at drawing stuff from Beatrix Potter’s Peter Rabbit book.

 

This hodge-podge of scribbles is typical of my doodle sheets. This one contains some feeble attempts at rabbits.

I thought I should include a serious, though not entirely successful, attempt at a rabbit just to redeem myself somewhat.  I think she’s cute.

100 People In Five Days

It’s BACK!!  Marc Taro Holmes and Liz Steel are, once again, leading the challenge to draw 100 people in five days.  I’m not a people sketcher but I did this last year and it was a lot of fun.  My advice is to set aside Monday and, draw, draw draw 30-40 people.  This makes the rest of the week easier as you’re less likely to fall behind and get stressed (grin).  Then, post your results with the tag #oneweek100people2019.

To demonstrate some ways of achieving the goal, here are some examples of how I drew 100 people.  None of these people captures took more than a minute or so (adding color not included) because these were real people, doing real things and they didn’t wait around for me to draw them (grin).

These were captured one at a time as they ordered coffee.

These floating heads were gleaned from TV.

 

These were people standing around in the mall.

Sketching Rabbit/Hare Structure

On Tuesday, Yvan, Claudette and myself headed to the hunting and fishing museum.  We’d just had a huge snowstorm that was a real struggle to clean up because the 11-12 feet of the stuff that has preceded it made it nearly impossible to find a place to put the new snow.  Anyways, it felt really good to head out for a day of sketching.

Unfortunately (for me), that same storm was beating up my joints.  I was limping a bit, but the real problem was my left hand and wrist which made it very hard (impossible?) to draw.  We had fun and I did three sketches, all of which were so full of errors and attempts to fix lines that went off willy-nilly that I’d be too embarrassed to share them.

We were drawing rabbits, however, and that got us discussing the structural underpinnings of a rabbit.  When they sit back on their hind legs, they start looking like a ball of fur and it’s hard to make out what’s really going on inside.  When we got home Yvan and I asked Mr. Google if he could provide us with a rabbit skeleton to study.  He obliged and this morning I drew a rabbit skeleton, well sort of.  My hand was a bit better this morning but it’s still hard to get my lines to flow.  But I do understand lagomorph anatomy just a bit better.

Stillman & Birn Beta (10×7), Pilot Falcon, Sketch Ink Thea (grey)

Sketching Bobinette

Long before Sesame Street, baby boomers cheered on puppets of one form or another as they came to our houses via television.  Television was new back then and we didn’t seem to mind that the shows were goofy, didn’t have any super-heros and not a single explosion upset the simplistic dialog of these shows.

Remember Howdy Doody and Buffalo Bob?  The people of Quebec didn’t see them, but they had Bobino and Bobinette and I never saw the Bobino show, so never got to see the marionette Bobinette perform.

Bobinette now stands in our civilization museum, next to Bobino’s suit coat and bowler hat, and while a blizzard was dumping yet another foot of snow on us, I drew her.   I probably should have used color to show off her pink dress and big blue eyes but I settled for a Pilot Kakuno and a brown/black mix of DeAtramentis Document ink.  I hope she’ll make you smile.  We need more smiling these days.

 

Getting My Brain Back Into Sketching

My brain is rusty.  While I’m still having trouble with my drawing hand, it’s my brain that has fallen out of practice and needs some line miles to return my sketching to the miserable quality it once was.  So when Yvan and I made another trip to the hunting an fishing museum I was determined to make a lot of lines.

Instead of trying to create a detailed, well-proportioned drawing, I decided to sketch quickly (for me) so I could cover more ground – make more marks.  No pencil block in, no holding my pencil out to get proportions.  The goal was to make lines – lines that, hopefully, would look something like a duck.  Here’s what I managed to put to paper.

Stillman & Birn Nova (5.5×8.5), not sure what pens I used

Errors abound, of course, but they do look like ducks and generally they look like the ones I was looking at.  I label this a success with the caveat that I need to do a lot more of it to get my lines to flow better.  After a short break I decided to do the same thing with a bunch of fishing lures.  The drawing here was pretty “sketchy” (pun intended) so I added some color to add some life to the spread.

We say all the time that it’s the process, not the product.  Getting back into sketching is reward enough for me.