Evan Stuart Marshall's Blog: MARSHALL ARTS, page 2
February 17, 2025
Artist Spotlight: Marcia Miele Branca
Marcia Miele Branca is a practicing artist proficient in printmaking, drawing, and painting. Her work has been shown throughout the New York/New Jersey metropolitan area and has been reviewed by Eileen Watkins, former art critic for The Star-Ledger; Dan Bischoff, current art critic for The Star-Ledger; and Barry Schwabsky of The New York Times. She has received scholarships from the New Jersey State Council on the Arts, the Arts Education Alliance, the Geraldine R. Dodge Foundation, Sugar Maples Center for Creative Arts, and the 14th International Encaustic Conference.
Ms. Miele Branca received First Place in the 1999 Hunterdon Museum Members Show. In 2005, she was awarded first place in the Monmouth County (NJ) Arts Council Annual Juried Show at the Monmouth Museum. She is an active member of Studio Montclair (NJ) and the West Essex (NJ) Art Association. After teaching in the Belleville (NJ) School System and Essex County (NJ) College, she now works in her studio at Manufacturer’s Village in East Orange, New Jersey.
For more information, please visit her website: www.mielefinearts.com.
Description of your art in one sentence?
My work derives its form from a mysterious innate pleasure.
What inspired you to start creating art?
It came naturally to me at a young age. I had a wonderful art teacher who showed us slides in first grade of the Fauves. It excited me that trees didn't have to be green and the sky didn’t have to be blue in the world of the Fauves. Opened up a new way to look at things!
What’s your creative process like?
My creative process is very random in terms of ideas, materials, and processes. I like to experiment to see what works with what and how it can be fine tuned.
What’s one piece of advice you would give to an emerging artist?
Keep on doing it! Visit museums, galleries, artists' studios, etc., for ideas and inspiration. Find inspiration from your dreams. Keep your senses fine-tuned. Art is everywhere.
Where can people see your work and follow you?
People can visit my website: www.mielefinearts.com.
They can follow me on Instagram @mmbranca
February 13, 2025
Artist Spotlight. I'll Go First: Evan Stuart Marshall
Tell us about your journey to becoming a professional artist.
Like many artists, I’ve always loved creating things. Though my education was not in art, I always enjoyed arts and crafts, but only as a hobby. I my early fifties I decided to get serious. I began taking painting courses. These were in traditional representational art in oils—still life, landscape, and so on. Though I think my paintings were workmanlike, they didn’t excite me. I knew something was missing. Finally I realized I needed to be painting in a whole new genre, and I tried abstracts. I was hooked! Abstracts excited me in a way representational painting hadn’t. Especially intriguing was experimenting with mixed media.
I realized I needed to learn how the art business works. I joined several local art organizations and read books about the business of art and the lives of famous artists. Gradually, as I entered my work in shows, it started winning awards and people started buying it! That first sale was a wonderful feeling. I continued to work to enhance my art practice. I created a website with a shopping cart (www.evanstuartmarshall.com), joined several social media platforms, designed marketing materials, entered more shows to increase my exposure, began giving talks and demonstrations. I always find that one thing leads to another; people approach the people whom others have approached. For instance, a local art organization, the Livingston (NJ) Arts Association, saw that I was winning awards and selling my work, and asked me to teach mixed-media abstract art in their school—something I have been enjoying immensely. Being a teacher led to my being asked to judge an art exhibition. This led to other organizations asking me to judge, something I now do regularly. I also give a lot of demos to local art groups. Today I am at a point where I am building on my strengths to grow my practice. I find there is always something to learn, something to do to improve, whether it’s a technique or a business practice.
Tell us about your work.
I work primarily in acrylics with additions such as inks, pastels, paper, fabric, found objects…I have even created a painting entirely out of makeup! I love combining vivid, highly saturated colors in unexpected combinations. Invariably, people call my art “happy art” because it makes them happy. I am a happy, optimistic person and this is how my work always comes out. I can’t help it!
Tell us about your process.
I basically create two different kinds of paintings. First there are my more customary abstract paintings. I usually begin one of these paintings by creating an interesting background. It might consist of amorphous clouds of color, highly textured patterns, or interesting combinations of collage papers. Over this background I will put down a shape, usually a large one, in a color that pleases me at the moment. Then I sit back and think about what to do next. I am a strong believer in the concept of the “adjacent possible”: the idea that each thing we do determines the next thing we do, and so on and so on. In this way my process with this kind of painting is an iterative one.
The other kind of paintings I create I call my “Storyteller” paintings. These fanciful works usually consist of a loose grid that presents a certain place or milieu in great detail, often showing activity behind the scenes or under the ground. Some of my subjects so far have been Victorian London, Havana, New York City, the Salem witch trials, and the New York City art world. I design these paintings so that each time someone stops to look, they discover something new.
When you are looking for inspiration, what resources do you turn to?
For my more customary abstract works, I often go online and look at the work of artists whose work I admire. I will often find that a color scheme or pattern of shapes or lines inspires me to begin my own work.
Walk us through a typical day in your studio. What is your routine?
Mornings are for “housekeeping”: adding new art to my website, online galleries and social media; adding posts to my blog; sending out invitations to shows; recording sales details; preparing entries for shows; sending out my newsletter. I write books for artists and art collectors (my latest is Building Your Art Business), and I will often do some writing on one of these. Afternoons are for creating, and I find this creating much easier knowing that my “housework” is done!
Finding the right rhythm to be productive in the studio can be a challenge, what advice do you have for staying productive and focused?
I believe creating abstract art is more difficult than creating representational art, because rather than having a still life setup or outdoor view to reproduce, we are faced with a blank white canvas. I use the “adjacent possible” concept: just intuitively put down a line or a shape, then sit back, study it, and decide on what your next step will be. One step leads to the next.
I separate business from the creativity. I find it very difficult to mix them up and can’t do either one well this way. You can do business on a certain day or days, confine it to mornings or afternoons, or even certain weeks.
Finally, I do something relating to the creative end of your art every single day. That can range from creating an entire painting to forcing yourself to put down a few shapes on a canvas. Even if you don’t feel particularly creative, force yourself to do at least one thing!
What is your advice for combating creative block?
When I am not feeling particularly creative, I look online or peruse books of work by artists I admire. Sometimes I go for a walk with my Instax camera and take closeup photos of patterns in nature I find interesting, such as rocks, tree trunks, leaves, and even the sky. I also keep an eye out for more human-made patterns, such as peeling paint, rusted metal, interestingly engineered metal doors or panels, and so on. Once I am back in my studio, I pick a photo and start converting it into an idea for an abstract book. Yet another method I use to fight creative block is to read about an artist’s career. It needn’t be a famous artist. Learning about how others have progressed in their careers and learning about all the hard work they have put in makes me want to keep going on my own art career.
As an artist, how do you measure your success? Can you recall a specific event or milestone(s) in your career that made you feel successful?
When I first got serious about being an artist, I wondered to myself whether I could ever have a solo show. When I was first offered one, I felt I had achieved a level of success: someone liked my work enough to feel it deserved to be viewed by a number of people. Today, my greatest measure of success is whether painting is making me happy. I am pleased to say that it is! Another measure of success for me is selling my work. I am not in this for the money, but seeing my work go into other people’s homes and offices gives me a thrill.
How do you see the art market changing? Where you do see yourself in this transition?
Even from when I first got serious about being an artist not that many years ago, the whole art world has changed. The biggest change is that the “gatekeepers’ are gone. Artists no longer need traditional galleries in order to reach collectors. One example is working with TurningArt, which has been a highly enjoyable experience for me. Many artists now sell through online art platforms or through their websites without the “middleman.” Though I would love to work with a traditional bricks-and-mortar gallery someday, I have been successful on my own by taking advantage of the many methods now available, mostly thanks to the internet.
What advice do you have for artists who are beginning to build their careers? Have there been any habits or strategies that you have adopted that you feel have created more opportunities or visibility for your work?
Don’t try to copy anyone else’s work. This is easier said than done. You have to clear your mind of all outside influences and create work that is truly unique, truly you. I tell my students, “Being YOU is the only marketing edge you have.”
Say yes to everything you can. I have never said no to a solo show offer, even if it coincided with a number of other commitments. I have found that if you say no, people usually don’t return to ask you again.
Within reason, take advantage of free platforms to show your work and gain exposure. I post my work on Facebook, Instagram, Pinterest and X (formerly Twitter) and have sold a number of pieces this way. But even if I hadn’t sold, I still got my work in front of more eyeballs.
Create an art website and include a mailing list / newsletter signup! Your mailing list is your most valuable possession. The people on this list know you, or have already bought from you, or are simply interested in following you. As this list grows, use it to reach these people directly with news of new work, awards you have won, shows you are participating in, and so on.
Do you consider yourself, and all artists, to be entrepreneurs? Why or why not?
Not necessarily. It depends on what the artist’s goals are. Some of my artist friends create art simply for the pleasure of it and have no desire sell it. Some refuse to let go of their work at all. I don’t consider these people entrepreneurs.
Artists who want to sell their work must become entrepreneurs, just as anyone trying to sell a product must do. People can’t buy something they don’t know about. It’s this way with art. We have to get our art in front of people so that they can know about it, fall in love with it, perhaps buy it!
Failure is an inevitable part of success in any field. Do you have advice for overcoming setbacks?
For me, the heart of this issue is that any creative endeavor is subjective. I may dislike the art, books, movies, plays, food you love. If you don’t win an award, don’t sell a painting, aren’t accepted into a show, it’s all due to subjectivity. When these setbacks occur, you haven’t failed; you’ve simply approached the wrong people. You have to keep going in order to reach the RIGHT ones!
What does having your artwork in the workplace and other commercial or public spaces mean to you?
I love knowing that someone has selected my work believing it will have a positive effect on a large number of people. I think that’s the greatest compliment an artist can receive.
The Rise of Dystopian Art: A Reflection of Our Times
In times of political and social upheaval, people often turn to dystopian stories to make sense of the world around them. Sales of classic dystopian novels like 1984, The Handmaid’s Tale, and Brave New World have surged, and films and TV shows exploring bleak, authoritarian futures remain popular. But dystopian art—visual depictions of societal collapse, oppression, or technological overreach—has also become a powerful medium for expressing contemporary anxieties.
Dystopian art presents visions of a future (or alternative present) where society is in decay, under extreme control, or facing existential threats. It often features themes of surveillance, environmental destruction, loss of individuality, or rebellion against oppressive forces. While literature and film have long explored dystopian ideas, visual artists have also played a key role in shaping how we imagine these unsettling futures.
Artists have been depicting nightmarish, dystopian worlds for centuries—long before the term “dystopia” was coined. Some key examples include:
Francisco Goya’s The Disasters of War (1810-1820) – This haunting series of etchings documents the brutality of war and the suffering of civilians, foreshadowing modern dystopian themes of unchecked violence and state oppression.
George Grosz’s works from Weimar Germany – His grotesque, exaggerated depictions of corrupt politicians and militarism in the 1920s captured a world teetering on the brink of authoritarianism.
Surrealists like Salvador Dalí and Max Ernst – While not explicitly dystopian, their distorted dreamscapes often reflected fears of societal collapse and totalitarianism.
Many modern artists explore dystopian themes, using their work to critique governments, corporations, and the digital world. Some notable examples include:
Banksy – The elusive street artist frequently tackles themes of surveillance, war, and consumerism in his work, such as his CCTV-inspired pieces critiquing government overreach.
Simon Stålenhag – This Swedish artist paints eerie, futuristic landscapes populated by abandoned machines, looming structures, and isolated human figures, blending nostalgia with dystopian anxiety.
Ai Weiwei – His politically charged installations, such as S.A.C.R.E.D., which depicts his own imprisonment in China, expose themes of state control and human rights abuses.
Dystopian art thrives in uncertain times. Today’s political climate—marked by concerns about government surveillance, climate change, and societal division—has made it particularly relevant. The rise of artificial intelligence, deepfakes, and digital manipulation has also inspired artists to question how technology might reshape reality in dangerous ways.
For some, dystopian art serves as a warning, urging viewers to prevent these grim futures from becoming reality. For others, it’s a form of catharsis, allowing them to process fears and frustrations through a creative lens.
Beyond gallery walls, dystopian aesthetics have also shaped popular culture, influencing:
Films like Blade Runner , Mad Max , and The Matrix
Video games such as Cyberpunk 2077 and The Last of Us
Graphic novels like V for Vendetta and Akira
The fusion of dystopian visuals across different media keeps the genre fresh and continually evolving.
Dystopian art isn’t just about bleak, hopeless futures—it’s a way for artists to challenge the present. Whether through paintings, street art, or digital media, these works remind us to stay vigilant, question authority, and imagine better alternatives to the futures they depict.
As dystopian themes continue to dominate our cultural landscape, one question remains: Are these artworks warnings...or are they simply documenting the world as it is?
What are your thoughts on the rise of dystopian art? Leave your ideas in the comments.
February 12, 2025
The Truth About Art Prints: A Budget-Friendly Way to Collect
Love art but not ready to spend thousands on an original painting? Art prints are a fantastic way to start collecting without breaking the bank! But there’s a lot of confusion about what a print really is. Some prints are valuable works of art, while others are just mass-produced copies. How can you tell the difference? Let’s break it down.
An art print is a printed image of an artwork. But not all prints are the same! Some are original prints, created by the artist using special techniques like etching, lithography, or screen printing. Others are reproductions, which are just digital copies of paintings.
Both have their place, but if you’re looking to collect something special, it’s important to know the difference.
Original Prints – These are made by the artist (or with their approval) using traditional printmaking methods. Each print is considered an artwork on its own. Artists like Rembrandt, Picasso and Warhol made famous prints this way.
Reproductions – These are simply photos of paintings printed onto paper or canvas. They look nice but aren’t considered original artwork.
How can you tell them apart? Look for a signature, a fraction (like 12/100), and high-quality paper. Original prints often have a unique texture because they’re made by hand or special presses.
You may have seen prints labeled “Limited Edition” with a number like 15/100. That means only 100 prints were made, and you have number 15. Limited edition prints are more valuable because they are rare.
On the other hand, “Open Edition” prints don’t have a set limit. They can be printed forever, which makes them more affordable but less collectible.
Giclée (pronounced zhee-clay) prints are high-quality digital prints made with special ink and paper. Some artists sell them as limited editions, signing and numbering them, which makes them more collectible.
But be careful—some sellers use the term “giclée” to make a cheap reproduction sound fancy. If an artist signs and numbers it, it’s more valuable. If it’s mass-produced, it’s just a copy.
If you want real art, buy from the artist, a gallery, or a trusted art website. Good places to look:
Artist websites
Online galleries like Saatchi Art or 1stDibs
Local art fairs and print shops
Avoid big-box stores selling prints in bulk—they’re just decorative posters.
Frame them properly – Use UV-protective glass to prevent fading.
Keep them out of direct sunlight – Sunlight can ruin prints over time.
Store unframed prints in a dry place – Keep them flat and away from moisture.
Absolutely! Prints are an affordable way to bring real art into your life. If you buy directly from an artist or choose a limited edition, you’re collecting something special. Even if you’re just starting out, prints let you enjoy art without spending a fortune.
Next time you see a print you love, check for these signs:
✅ Is it signed and numbered? Original prints usually have a signature and a number like 12/100 written in pencil. Mass-produced reproductions don’t.
✅ Does the paper feel special? Original prints are made on high-quality paper, sometimes thick or textured. Cheap copies are often printed on glossy or thin paper.
✅ Is there any texture from ink? If you can feel raised ink or a slight indentation from the printing process, it’s likely an original print. Reproductions are usually just flat images.
✅ Where is it sold? Buying directly from an artist, a gallery, or a reputable art website increases the chances of getting an authentic print. Big-box stores and mass-market sites mostly sell reproductions.
If you’re unsure, ask! A good seller or artist will always be upfront about what they’re selling.
Now that you know the difference, you can start collecting with confidence—and build an art collection you’ll be proud of!
February 11, 2025
The Art of Naming: How to Choose the Perfect Title for Your Painting
For many artists, titling a painting can feel like an afterthought—or even a challenge more daunting than creating the artwork itself. However, the right title can transform how viewers perceive your work, evoking emotion, curiosity, and deeper engagement. A well-chosen title can also make your painting more memorable, attract collectors, and enhance its marketability. But how do you choose the perfect title?
Let’s explore different strategies to help you move from "Untitled" to unforgettable.
A painting’s title does more than label your work; it serves as an entry point for the viewer. It can provide context, reinforce themes, or guide the viewer’s interpretation. For collectors, a strong title can create a personal connection, making a piece more appealing for purchase. Titles can also aid in marketing—helping potential buyers find your work through online searches or social media. You lose all of these advantages if you go with simply "Untitled." Here are some tips on how to choose a title for your painting.
When choosing a title, consider what you want it to achieve. Here are three primary approaches:
Literal Titles
Describe exactly what the painting depicts.
Example: "Still Life with Peaches" or "Sunset Over the Bay."
Best for: Realistic work, straightforward subjects, and when you want clarity.
Abstract or Evocative Titles
Use words that suggest emotions or themes rather than literal descriptions.
Example: "Whispers of Twilight" or "Resonance."
Best for: Abstract art, conceptual work, or when you want the viewer to bring their own interpretation.
Poetic or Storytelling Titles
Tell a story or hint at a deeper meaning.
Example: "The Silence Between Us" or "Echoes of a Forgotten Dream."
Best for: Narrative artwork, figurative paintings, or when you want to engage the viewer’s imagination.
If you’re struggling to name your painting, try these techniques:
Describe the Mood: What emotions does your painting convey? A peaceful landscape might suggest "Tranquil Reverie," while a bold abstract piece could be "Unbound Energy."
Use Metaphors or Symbolism: Think beyond the literal and consider what your painting represents.
Incorporate Color or Elements: "Scarlet Horizon" or "Golden Reflections" make use of visual elements.
Draw from Literature or Poetry: A well-placed literary reference can add depth.
Let the Viewer Interpret: If you want to encourage curiosity, a mysterious title can invite deeper exploration.
For collectors, a compelling title can be a deciding factor in purchasing a piece. A strong title makes a painting easier to remember, gives it personality, and can even enhance its perceived value. Titles also play a role in online discoverability—using keywords related to your painting’s theme, subject, or mood can help potential buyers find it through search engines.
Titling your artwork doesn’t have to be intimidating. Whether you choose a literal, poetic, or abstract approach, the goal is to enhance the viewer’s experience and connection to your work. Experiment with different strategies, and don’t be afraid to revisit a title later if a better one comes to mind. After all, just as your brushstrokes bring your painting to life, the right title can give it a voice.
February 10, 2025
How to Choose an Abstract Painting That Works with Your Décor (and Bring Positive Energy into Your Space)
Abstract art has the power to transform a space, but many people hesitate to invest in a piece because they’re unsure how to select colors that will work with their home. Beyond aesthetics, color also influences mood and energy—both through color psychology and the principles of feng shui.
Whether you want your artwork to complement your existing decor, make a bold statement, or enhance the energy in a space, this guide will help you choose the perfect abstract painting.
Before choosing an abstract painting, take a close look at your room’s existing color palette. Consider:
Wall color – Is it a neutral tone or something bold?
Furniture and textiles – What colors appear in your sofa, rugs, pillows, and curtains?
Accent pieces – Look at decorative objects, lamps, and other details that add color.
Room colors: Warm beiges, soft terracotta, and olive green. Art choice: The homeowners selected a large abstract painting with deep oranges, muted yellows, and hints of green to tie in with their color scheme. The result? The artwork feels like a natural extension of the room, enhancing the warm and inviting atmosphere.
Feng Shui Angle: Earthy tones represent the Earth element, which brings grounding and stability. A painting with warm yellows, browns, and terracotta enhances this energy, making the space feel cozy and secure.
In feng shui, color is more than just decoration—it influences the flow of energy, or chi, in your home. Each color corresponds to one of the five elements, which can be used to balance and enhance your space:
Fire (Passion & Energy): Red, orange, pink, deep yellow
Earth (Stability & Nourishment): Beige, sandy tones, light yellows, terracotta
Metal (Clarity & Focus): White, gray, metallics, pastels
Water (Flow & Intuition): Blue, black, deep navy
Wood (Growth & Vitality): Green, teal, turquoise
Pro tip: If a room feels too dull or unbalanced, an abstract painting in the right feng shui color can revitalize its energy without requiring a major redesign.
When selecting art, you can choose one of three approaches:
Match: Use colors already present in the room for a harmonious look.
Complement: Choose colors that are opposite on the color wheel for contrast.
Statement: Pick bold, contrasting colors to make the artwork the centerpiece.
Room colors: Black, white, and gray furniture with minimal decor. Art choice: Instead of sticking with neutrals, the owner chose a large abstract piece with deep reds and oranges. The bold colors made the artwork a stunning focal point, adding warmth and vibrancy to the space.
Feng Shui Angle: Red and orange bring the Fire element, which adds excitement and energy. This is perfect for a social space like a living room but may be too intense for a bedroom (where softer colors promote relaxation).
Different colors influence how a room feels:
Example: A Home Office Needing Focus and EnergyRoom colors: Gray walls, white desk, navy blue accents. Art choice: The homeowner wanted a piece that would keep the space professional yet creative, so they chose a blue and gold abstract painting. The gold added warmth, while the blue kept the room feeling grounded and focused.
Feng Shui Angle: Blue represents Water, which enhances clarity and wisdom—ideal for a workspace! Gold adds a Metal element, boosting productivity and precision.
If your home has neutral walls and furniture, an abstract painting can introduce color and personality without requiring a major design overhaul.
Room colors: White walls, light wood furniture, soft gray bedding. Art choice: A soft blue and lavender abstract painting was added above the bed. The cool tones kept the space peaceful, while the brushstrokes gave it a dreamlike quality.
Feng Shui Angle: Blue and lavender bring a Water element, perfect for relaxation. If the owner wanted a more passionate energy, they could add touches of red or pink for a Fire element.
If you’re unsure how a painting will look in your space, try these tricks: ✔ Hold up fabric swatches or paint chips in similar colors to see how they interact with your décor. ✔ Use apps that let you visualize artwork on your walls. ✔ Pay attention to how the colors shift in natural vs. artificial lighting.
Abstract art is incredibly versatile, and choosing the right colors can enhance your home’s overall aesthetic and energy. Whether you want your painting to blend in, complement your existing colors, or make a statement, the key is to trust your instincts.
What colors do you gravitate toward in your home? Have you ever chosen artwork based on feng shui principles? Let me know in the comments!
February 9, 2025
How to Start Collecting Art Without Spending a Fortune
When people hear "art collecting," they often picture wealthy buyers dropping thousands (or millions) at auctions. But the truth is, you don’t need deep pockets to start an art collection. I know because I did it myself—without spending a fortune.
One of the first ways I started collecting was by buying pieces from artist friends. Not only did this help me build my collection affordably, but it also supported artists I cared about. If you know artists personally, ask if they have smaller pieces or sketches for sale. Many artists offer affordable work that never makes it to a gallery or online store.
Discover Local Art Shows and FairsCommunity art shows, open studios and craft fairs are great places to find original work at reasonable prices. Many artists sell smaller, more affordable pieces at these events, and you can often chat with them about their process. My friend Lisa built her collection by setting a $50 budget every time she went to a local art fair. Over the years, she’s gathered an impressive mix of paintings, prints and ceramics—each one with a story.
Buy Art Directly from Emerging ArtistsUp-and-coming artists often sell their work for much less than established names. Instagram, Etsy and even local coffee shops that display art can be great sources. My neighbor Tom is especially resourceful when it comes collecting art without spending a fortune. He started his collection by following emerging artists on Instagram. He reached out to a few whose work he loved and bought small prints and original sketches directly from them. Now he has a growing collection of unique pieces without breaking the bank.
Consider Prints and Limited EditionsIf you love the work of an artist but can’t afford an original, look for prints or limited-edition pieces. Many artists offer high-quality prints that capture the essence of their originals at a fraction of the price. I have a framed print from a well-known abstract painter that cost me under $100, but it still brings me just as much joy as an original would.
Check Out Thrift Stores and Estate SalesYou’d be surprised at the treasures you can find at thrift stores, estate sales and flea markets. I know someone who found an incredible mid-century modern painting at a yard sale for $5. Even if you don’t stumble upon a hidden masterpiece, these places often have interesting and affordable artwork to add character to your collection.
Trade or BarterIf you have a skill—whether it's web design, photography or even a service like marketing—some artists may be open to trading art for your help. A friend of mine who’s a graphic designer has swapped logo design for paintings more than once. It’s a win-win for both parties.
Start Small, But Start SomewhereCollecting art doesn’t have to be intimidating or expensive. Start with small pieces, buy what you love and focus on building a collection that reflects your taste and personality. The best part? Every piece in your collection will have a story behind it—whether it’s a drawing from a friend, a print from an emerging artist or a surprise find at a flea market.
Do you have any creative ways you’ve started your own art collection? Let me know in the comments!For more detailed information about collecting art on a shoestring, check out my book Collecting Abstract Art on a Budget: Create a Collection You Love Without Breaking the Bank.
February 5, 2025
Reigniting Your Creative Spark: What to Do When You Feel Creatively Empty
Every artist, no matter how experienced or prolific, goes through periods of creative emptiness. That frustrating feeling when inspiration dries up, ideas feel stale, and motivation is nowhere to be found. It’s easy to fall into self-doubt, wondering if you’ve lost your artistic touch. The good news? Creativity isn’t something that disappears—it just needs the right conditions to thrive again.
Psychologists who study creativity often compare it to a muscle. If overworked, it becomes exhausted. If neglected, it weakens. But with the right strategies, you can bring it back to life. Here’s how to go about reigniting creativity
:
1. Give Yourself Permission to Rest
One of the biggest myths about creativity is that you must constantly be producing. But research in cognitive psychology suggests that taking breaks—real breaks, not just scrolling on your phone—can actually increase creative output. Stepping away from your work allows your subconscious mind to process ideas in the background, often leading to unexpected breakthroughs.
So, if you feel creatively drained, resist the urge to force inspiration. Instead, take a walk, spend time in nature, read, or engage in an unrelated activity. Trust that creativity will return when you give it space.
The brain thrives on novelty. Studies show that when we step outside our usual habits, our brain forms new connections, which can lead to fresh ideas. If your creative routine feels stale, shake things up. Try working at a different time of day, experimenting with a new medium, or even rearranging your studio.
If you normally paint in silence, try listening to a new genre of music or a thought-provoking podcast. If you typically work alone, consider joining a creative group or taking a class. Even a small shift can be enough to spark new inspiration.
Think back to why you started creating in the first place. Was it the excitement of self-expression? The joy of color? The thrill of problem-solving? Go back to those early inspirations. Look at the artists who first moved you, flip through old sketchbooks, or visit a gallery with the mindset of a beginner.
When we reconnect with the why behind our art, we often find our passion reignited.
Perfectionism is a creativity killer. When you’re in a rut, give yourself permission to create without any expectations. Psychologists call this “divergent thinking”—exploring possibilities without a fixed outcome.
Set a timer for 15 minutes and doodle freely. Use materials you wouldn’t normally work with. Try an exercise like painting with your non-dominant hand or creating a collage from scraps. The goal isn’t to make something “good”—it’s to rediscover the joy of creating.
Sometimes creative block comes from a lack of input rather than output. Just as our bodies need food, our creativity needs fresh inspiration. Read a book outside your usual genre, visit a museum, watch a documentary, or take a day trip somewhere new.
Psychologist Mihaly Csikszentmihalyi, who studied creativity extensively, found that highly creative people are often “information sponges”—constantly absorbing ideas from different fields, which later merge into something new.
Physical movement can have a huge impact on mental clarity and creative thinking. Studies have found that even light exercise, like walking, boosts problem-solving skills and stimulates new ideas. Some of the most famous creative minds—like Steve Jobs and Beethoven—swore by daily walks for inspiration.
If you’re feeling stuck, try taking a walk without distractions. Let your mind wander. You might be surprised at the ideas that emerge.
Sometimes, creative blocks stem from internal doubt or unresolved thoughts. Talking through your struggles with a fellow artist, mentor, or even a friend outside your field can help shift your perspective.
Verbalizing your frustrations often makes them feel smaller. Plus, fresh insight from someone else can lead you to an idea you wouldn’t have reached alone.
Rituals can be powerful tools for resetting creativity. Whether it’s lighting a candle before you start, meditating for five minutes, or listening to a specific playlist, small pre-creative rituals signal to your brain that it’s time to engage.
Even something as simple as sharpening your pencils or tidying your workspace can create a mental shift, preparing you to dive back in.
Above all, remember that creative slumps happen to everyone. They don’t mean you’ve lost your talent, and they certainly don’t define your worth as an artist.
Instead of criticizing yourself for feeling stuck, acknowledge it as part of the process. Creativity has seasons—sometimes we’re in full bloom, and sometimes we need to lie dormant and gather energy.
Trust that inspiration will return, and when it does, you’ll be ready.
December 25, 2024
Building Confidence in Your Art as You Step into the New Year
As we close one chapter and step into a fresh new year, it’s the perfect time to reflect, reset, and recharge—not just in life but in your art. Confidence as an artist can feel elusive at times. Whether it’s comparing yourself to others, worrying about your next big idea, or second-guessing your talent, we all face those moments of doubt. But the good news? Confidence isn’t something you’re born with—it’s something you build, little by little.
Here are a few simple ways I've come up with to start the new year with a fresh perspective and renewed belief in yourself and your art:
Celebrate Your Wins (Big and Small)
Take a moment to look back at the past year. Did you finish a piece you’re proud of? Sell a painting? Try a new technique? Even if the wins feel small, they’re worth celebrating. Confidence grows when you acknowledge your progress.
Focus on Growth, Not PerfectionArt is a journey, not a destination. Instead of aiming for perfection, embrace the process of learning and experimenting. When you let go of the need to be flawless, you open yourself up to creativity and growth.
Share Your WorkSharing your art can feel vulnerable, but it’s also one of the best ways to build confidence. Post a painting online, join a group exhibition, or even show a friend what you’ve been working on. The positive feedback—and even constructive criticism—can help you see your work through fresh eyes.
Set Realistic GoalsInstead of overwhelming yourself with big resolutions, set a few small, actionable goals for your art practice. Whether it’s dedicating 30 minutes a day to sketching, finishing one piece a month, or submitting to a juried show, these steps will keep you moving forward.
Be Kind to YourselfWe’re often our own worst critics. This year, try to be as kind to yourself as you would be to another artist. Give yourself credit for showing up, even on days when the creativity isn’t flowing. Confidence isn’t about never doubting yourself—it’s about showing up despite those doubts.
I can relate to this firsthand. This year, I’m embarking on a new series of paintings that I’ve procrastinated about for a while. The series poses a number of challenges, and I’ve let that hold me back. But instead of overthinking, I’ve decided to jump in and let the process teach me what I need to know. Sometimes the only way to build confidence is by facing the challenge head-on.
Here's to making the coming year one of confidence, creativity, and growth.
December 10, 2024
The Magic of Christmas Art Decorations: Bringing the Holiday Spirit to Life
As the holiday season unfolds, one of my favorite things to observe is how art captures the magic of Christmas. From traditional religious scenes to whimsical modern designs, Christmas art adds an extra layer of joy and beauty to the season, filling our homes and hearts with the spirit of celebration.
Christmas art is more than just pretty decorations; it’s a visual celebration of the season’s themes—love, joy, generosity, and togetherness. Whether it’s the timeless image of the Nativity, a cozy winter landscape, or a playful depiction of Santa Claus, these pieces tell stories and evoke emotions that resonate with everyone in different ways. They also make our spaces feel extra magical, transforming a room into a festive wonderland.
What I love about Christmas art is how diverse it can be. You’ll find:
Classic Religious Art: Think serene depictions of the Nativity, angels, or Madonna and Child—these have been central to Christmas celebrations for centuries.
Whimsical and Fun Pieces: From colorful Santa Claus prints to quirky reindeer illustrations, these works bring a playful energy to the season.
Wintery Scenes: Snow-covered villages, icy forests, and cozy fireplaces evoke the season’s charm and invite us to slow down and enjoy the moment.
Handmade Treasures: Whether it’s an artisan’s carved ornament or a custom painting, handmade Christmas art pieces add a personal touch that mass-produced items just can’t replicate.
Why Christmas Art Makes a Great GiftIf you’re looking for a gift that’s personal and unique, consider Christmas-themed art. A festive painting, a set of art prints, or even a handmade ornament can be a thoughtful way to share the joy of the season. And the beauty of gifting art is that it lasts long after the holidays, becoming a cherished piece to revisit year after year.
One of my favorite ways to decorate for the holidays is to include pieces of art that celebrate the season. You might hang a vibrant winter landscape over the mantel or place a whimsical Santa print in the entryway to greet guests. Even small touches, like framed holiday cards or mini sculptures, can add that festive flair to your home.
For those of us who create art, the holiday season can also be an inspiring time to experiment. Maybe it’s incorporating the colors and symbols of Christmas into your work or creating a limited series of holiday-themed pieces to share with your collectors. It’s a chance to spread a little cheer through creativity.
As we approach the heart of the holiday season, take a moment to explore the world of Christmas art—whether you’re visiting local galleries, browsing online, or pulling out cherished decorations from years past. These pieces connect us to the joy and wonder of the holidays, bringing warmth and creativity into our lives during this special time of year.
What’s your favorite type of Christmas art? I’d love to hear how you incorporate it into your celebrations! Let’s keep the conversation going—because just like the season itself, Christmas art is all about sharing the magic.
MARSHALL ARTS
- Evan Stuart Marshall's profile
- 1 follower
