Kenneth Adrian Ellis's Blog, page 3

114THPOSTJAN'241STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'MY NEXT BOOK-TO-MOTION PICTURE *PITCH (*A FORM OF SALES) IS BEING SOUGHT OUT (BY ME ON THE STAGE 32 PLATFORM) FOR A CONGLOMERATE MOVIE CORPORATION (MAIN STREAM MAJOR STUDIO) (MAJOR COMMERCIAL STUDIO) EXECUTIVE. AS OF THE START OF THIS YEAR '24!

I'LL BE TALKING BOOK-TO-FILM IN THE FORM OF A PITCH SESSION!

A NECESSARY *&* REQUIRED *.PDF* FILE WILL BE UPLOADED ON SCHEDULE. THROUGH THE STAGE 32 PLATFORM. TO THE MAJOR HOLLYWOOD STUDIO EXECUTIVE.

FOR THIS FORM OF SALES; KNOWN AS A PITCH (SESSION); AS A NO MORE THAN TWO (2) PAGE WRITTEN SUBMISSION! (huge smile)(big grin)

I'LL CONVERT MY *DOCX* (WHICH IS A TYPE OF WORD DOCUMENT) OVER TO A *.PDF* WHEREBY THE DOCUMENTS CONTENTS CANNOT BE EDITED IN THIS FORMAT.

THE HOLLYWOOD INDUSTRY PRO (EXECUTIVE) (DECISION MAKER) CAN TYPICALLY USE UP TO 21 DAYS TO RESPOND-CONCERNING A PITCH AT STAGE 32; AFTER CONTACT.

STAGE 32 DEMOCRATIZES HOLLYWOOD FOR ME. GETTING ME IN FRONT OF (TIME WITH) INDUSTRY "GATE KEEPERS!"

MY PITCH IS IN MAKING (GETTING) MY FIRST OF 3 BOOK-TO-MOTION PICTURES TO BEGIN SHOOTING; (AND) REACHING INTERNATIONALLY AT THE BOX OFFICE AS A THEATRICAL FEATURE LENGTH.

SEE IMAGES

I HAVE THE RARE OPPORTUNITY OF HOLLYWOOD BOOK-TO-FILM TO...

READ ON...

PITCH AN INDUSTRY PRO; PAID TIME-COMMANDING A BIT OF THEIR VERY BUSY TIME TO CONSIDER MY PROJECT(S); BOOK-TO-MOTION PICTURE SCRIPT POSSIBILITIES FOR ADVANCEMENT THROUGH THEM!

A PITCH TOWARDS A GREEN LIGHT BY A MOVIE STUDIO CONGLOMERATE FOR MY FIRST BOOK-TO-MOTION PICTURE; A MASSIVE UNDERTAKING, (AS IT IS) FOR AN EXCELLENT HOLLYWOOD AUDIO-VISUAL PRODUCT GIVING US THE BEST MOVIE WATCHING!

UTILIZING FILM MAKERS, *ACTORS, CINEMATOGRAPHERS, PRODUCTION DESIGNERS, ENTERTAINMENT CREATIVES, AND *PROFESSIONALS FROM ALL OVER THE WORLD!

UP TO AN INCLUDING *SAG-AFTRA & *IATSE (SCREEN ACTORS GUILD - AMERICAN FEDERATION (OF) TELEVISION (&) RADIO ARTIST; INTERNATIONAL ALLIANCE (OF) THEATRICAL (AND) STAGE EMPLOYEES) UNION ACTORS IN STATESIDE AND INTERNATIONAL SCENES! SETTING THE STORY ON FIRE!

CONNECTING TO (FILM) STUDIOS AND (FILM) PRODUCTION COMPANIES!

BY WRITTEN SUBMISSION OF A NO MORE THAN TWO (2) PAGE .PDF FILE (DOCUMENT)

THROUGH THE HOLLYWOOD PLATFORM KNOWN AS WWW.STAGE32.COM. STAGE 32 IS ENDORSED BY FORBES.COM

HERE'S MY STAGE 32 PROFILE: WWW.STAGE32.COM/PROFILE/837835

THIS SESSIONS DUE DATE WAS SCHEDULED FOR NO LATER THAN TUESDAY NOVEMBER 21ST BY MID-NIGHT PACIFIC STANDARD TIME!

WHAT IS A PITCH SESSION (YOU MAY ASK):

This pitch session is a rare and invaluable opportunity to sit down with a HOLLYWOOD INDUSTRY PRO.

A pitch session is a meeting with a decision maker of Hollywood, such as a Screenwriting Agent, Creative Executive, Development Executive, Producer, Literary Manager, or other industry pro during which you "pitch" your project -- and yourself.

SINCE I AM PITCHING FOR THE MOVIE TO ACTUALLY EXIST I AM DISCUSSING SCRIPT METRICS SUCH AS:

THEMES

CHARACTER THEMES

MAIN GENRE

SECONDARY MAIN GENRE

SUB GENRES

AUDIENCE

BUDGET

INCLUDING & UP TO...

SCRIPT TITLE

SCRIPT FORMAT (SUCH AS WHETHER IT IS A (**THEATRICAL FEATURE**- Yes it is), T.V. FORMAT, OR STRAIGHT TO STREAMERS)

DELIVER A CLEAR PITCH

SET UP OF PROTAGONIST(S) AND WORLD

OBSTACLES AND CONFLICT

CLARITY OF TONE

ORIGINALITY OF (SCRIPT) CONCEPT

STRENGTH OF (SCRIPT) VOICE

CHARACTER ARCHETYPE

CHARACTERS WHOM POPULATE THE WORLD OF THIS SCRIPT

PROTAGONIST ARCHETYPE

ACTORS PITCH TO PLAY, AND/OR RECEIVE A PITCH TO PLAY. DIRECTORS ALSO PITCH OR VICE VERSA; IN ORDER TO BE THE TALENT "ATTACHED" TO A PROJECT (FILM - MOVIE - MOTION PICTURE )

I PITCH MY BEST SCRIPT FIRST. IT IS A PROBABLE MOTION PICTURE ASSOCIATION INC. (MPA) RATED GENERAL AUDIENCES (RATED G)

EACH OF THE TWO (2) SCRIPTS I HAVE UNDER MY COPYRIGHT PROTECTION RIGHT NOW ARE RATED G! WRITTEN BY WRITERS GUILD OF AMERICA HOLLYWOOD BOOK-TO-FILM COMPANY (WWW.BOOKTOFILMCO.COM) SCREENWRITERS. THEY WRITE 'OFF THE BOOKS' AS NOT PARTICIPATING IN MY COPYRIGHT REGISTRATIONS, DEALS, CREDITS, PAYCHECKS, OR PROFITS!

THIS OF COURSE IS FOR A BOOK(S) HOLLYWOOD DEEMS READY FOR IT'S PRO'S; WHAT HOLLYWOOD IS LOOKING FOR! NOT EVEN ONE THOUSAND (1K) BOOKS HAVE BEEN ADAPTED FOR HOLLYWOOD'S BIG SCREENS IN THE ABOUT ONE HUNDRED (95 ISH YEARS) YEARS OF IT EXISTENCE!

I HAVE BROKEN INTO HOLLYWOOD *BY *INVITATION (BY DIRECTOR ELLEN R. GREEN (IMDb) OF HOLLYWOOD BOOK TO FILM CO.), & *BY *BUYING *MY *WAY *IN (YOU ARE EITHER INVITED AND/OR YOU BUY YOUR WAY IN TO HOLLYWOOD; I HAVE BOTH SENERIOS) THROUGH PURCHASING SCRIPTS BASED ON MY BOOK(S) (INTELLECTUAL PROPERTY - SOURCE MATERIAL) COMPOSED BY (WGA) BOOK-TO-FILM COMPANY SCREENWRITERS. (WITH DECADES OF HOLLYWOOD EXPERIENCE - REFLECTED IN THESE FILMIC/CINEMATIC VERSIONS OF MY BOOK).

THE SCREENWRITERS ARE ASSIGNED TO CREATE BY GENRE (fyi) AT MY PUBLISHER'S BOOK-TO-FILM COMPANY ( WWW.BOOKTOFILMCO.COM ). WE'RE DOING AT LEAST ANOTHER ONE SCRIPT, PLUS A DOCUMENTARY!

AS I'VE STATED; I HAVE:
1). WRITERS GUILD OF AMERICA UNION TALENT. SCRIPT WRITER CO WRITER CREDIT OF MY FIRST (UPCOMING. FUTURE-TENSE) ADAPTATION AGREEMENT OF GENERAL AUDIENCES. (Story by: Kenneth Adrian Ellis. Screenplay by: Dustin Lee and Kenneth Adrian Ellis. Based on the book by: (Author) Kenneth Adrian Ellis)

2). DIRECTORS GUILD OF AMERICA UNION TALENT (ALSO) ATTACHED

3). PRODUCERS GUILD OF AMERICA UNION TALENT (ALSO) ATTACHED

H G A HIS GLORY ALONE
I TAKE NO GLORY IN SELF
ALLELUIA
HALLELUJAH
THANKS AGAIN LORD ✝️

EXAMPLES OF TALENT ATTACHED TO A MOTION PICTURE IN DEVELOPMENT. ARE:
A SOMETHING LIST (A.B.C. LIST) ACTOR. A DIRECTOR. A PRODUCER.

MEANS THAT THEY ARE IN AGREEMENT TO WORK THAT PARTICULAR AUDIO-VISUAL PROJECT; AS PUBLICLY ANNOUNCED PROFESSIONALLY TO STUDIO EXECUTIVES (TOWARDS THE SAID FUTURE (PRODUCT) PRODUCTION).'



'HALLELUJAH!'
'IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!'

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.STAGE32.COM/PROFILE/837835/ABOUT

AS AN IMPERATIVE NOTATION(S)! ANTISEMITISM IS NOT TO BE TOLERATED NOR PROMOTED ANYWHERE IN THIS UNIVERSE; AT ANY TIME! NO ONE IN THE GOOD LORD'S SIGHT IS TO BE A SWORN ADVERSARY PERIOD! SEE ALL HUMAN BEINGS FOR WHO AND WHAT THEY ARE; WHICH IS A FELLOW PERSON(S) TO SHARE THE SPACE WITH; EVERYWHERE; AS ALL OPPORTUNIST TO ACQUIRE (OBTAIN) THE PERFECT LORD'S GRACE!

113THPOSTDEC'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'I WENT FROM THE WRITTEN PITCH SESSION WITH 'MGM' (MAJOR HOLLYWOOD STUDIO) WHEREBY CONCERNS SUCH AS: 'TIMING...INTEREST,, AND OTHER FACTORS WITHIN THE STUDIO ARE AT WORK; TO A FIRST TEN (10) PAGE(S) READ BY THE CONGLOMERATE MOVIE CORPORATION 'SONY COLUMBIA PICTURES' ON/FROM...'

'FROM SATURDAY THE 9TH THROUGH SATURDAY, THE 23RD. THERE WAS AN ONGOING BOOK-TO-FILM BLUEPRINT SCREENPLAY ADAPTATION (i.e. IT'S THE STORY WRITTEN (IN CLASSIC HOLLYWOOD THREE ACT STRUCTURE) ON MY BEHALF BY WRITERS GUILD OF AMERICA UNION SCREENWRITERS FROM BOOK TO FILM COMPANY (FOUNDED BY MY 'BUDDIE' ELLEN R. GREEN))...READING BY THE MAJOR HOLLYWOOD STUDIO SONY COLUMBIA PICTURES!

'THEY REQUESTED TO READ ONE OF (WHICHEVER ONE I WANT TO SUBMIT OF) MY BOOK-TO-THEATRICAL-MAJOR-MOTION-PICTURE SCRIPTS
OF (IT'S THE STORY, VERSUS THE SCREENPLAY) ONE OF MY COPYRIGHT © PROTECTED BOOK-TO-THEATRICAL-MAJOR-MOTION-PICTURE TREATMENTS FOR A SCREENPLAY!'

'I WAS INVITED TO SUBMIT (MAKE A SUBMISSION OF) ONE OF MY BOOK-TO-THEATRICAL-MAJOR-MOTION-PICTURE SCRIPTS (BLUEPRINT SCREENPLAY ADAPTATION. IT HAS A RENDITION AS WELL; THAT IS NOT NEEDED TO SEND ALONG WITH THE TREATMENT...'

'THE REVIEW HAS ARRIVED! THROUGH STAGE 32 WHOM DEMOCRATIZES THE INDUSTRY ON BEHALF OF CREATIVES (INCLUDING BOOK-TO-FILM AUTHORS LIKE MYSELF) WORLD-WIDE (ACROSS THE GLOBE). WITH IT'S 1 MILLION MEMBER COMMUNITY. SERVICES FOR HOLLYWOOD MOVIE. INDEPENDENT FILM. NETWORKS T.V. (ALL)CABLE TYPES. STREAMERS.STAGE PLAY CREATIVES (OBVIOUSLY INCLUDING BROADWAY OF NEW YORK!)'

'HERE IS THE GENERAL MESSAGE IS SENT TO THE "*ATTACHED" (*OF THIS PROJECT) WRITERS GUILD OF AMERICA... DIRECTORS GUILD OF AMERICA, *AND* PRODUCERS GUILD OF AMERICA UNION MEMBERS:'

1). DUSTIN LEE w.g.a. SCRIPT WRITER CO WRITER CREDIT. WHOM HAS 18 MAJOR STUDIO CREDITS (INCLUDING: 'IRONMAN' • 'PIRATES OF THE CARRIBEAN' • 'THE LION KING MOTION PICTURE' • 'STAR TREK' • 'SHREK!'. AS A UNION SCREENWRITER FROM '94!
2). KENNETH KOKIN d.g.a. WHOM IS READY TO WORK FOR THE MAJOR HOLLYWOOD STUDIO WHOM HAS THIS PROJECT AS A HOME. IS A CONSULTANT FOR UNIVERSAL PICTURES
3). DANIEL SOLLINGER p.g.a. ALSO READY TO SHOW UP AT A MAJOR CONCERNING THIS PROJECT.
I totally understand whether you check your communications today or next Tuesday the 26th! (But) I just heard back from Stage 32 concerning the first ten (10) pages script read of 'Sony Columbia Pictures' and felt it timely to shoot a note over to you as well. (see image). The variables of: "Timing...interest..and other factors!"" are at work.
On I will go; by no means should I stop here. I'll be back in touch concerning a home for this project! (huge smile). I *am* encouraged; remain especially so!
Best regards,
END OF TEXT--

EXAMPLES OF TALENT ATTACHED TO A MOTION PICTURE IN DEVELOPMENT. ARE:
A SOMETHING LIST (A.B.C. LIST) ACTOR. A DIRECTOR. A PRODUCER.

'MEANS THAT THEY ARE IN AGREEMENT TO WORK THAT PARTICULAR AUDIO-VISUAL PROJECT; AS PUBLICLY ANNOUNCED PROFESSIONALLY TO STUDIO EXECUTIVES (TOWARDS THE SAID FUTURE (PRODUCT) PRODUCTION).'

'HALLELUJAH!'
'IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!'

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.HARVEST.ORG/BIBLE
WWW.ENDTIME.ORG/REBORN
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.STAGE32.COM/PROFILE/837835/ABOUT

'AS AN IMPERATIVE NOTATION(S)! ANTISEMITISM IS NOT TO BE TOLERATED NOR PROMOTED ANYWHERE IN THIS UNIVERSE; AT ANY TIME! NO ONE IN THE GOOD LORD'S SIGHT IS TO BE A SWORN ADVERSARY PERIOD! SEE ALL HUMAN BEINGS FOR WHO AND WHAT THEY ARE; WHICH IS A FELLOW PERSON(S) TO SHARE THE SPACE WITH; EVERYWHERE; AS ALL OPPORTUNIST TO GAIN (ACQUIRE) THE PERFECT LORD'S GRACE!'

112THPOSTNOV'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'MY BOOK-TO-MOTION PICTURE *PITCH (*A FORM OF SALES) IS IN REVIEW BY THIS CONGLOMERATE MOVIE CORPORATION (MAIN STREAM MAJOR STUDIO) (MAJOR COMMERCIAL STUDIO) EXECUTIVE. AS OF TUES. NOV. 21ST!

I AM TALKING BOOK-TO-FILM IN THE FORM OF A PITCH SESSION!

THE NECESSARY *&* REQUIRED *.PDF* FILE WHICH WAS UPLOADED ON SCHEDULE. THROUGH THE STAGE 32 PLATFORM. TO THE MAJOR HOLLYWOOD STUDIO EXECUTIVE.

FOR THIS FORM OF SALES; KNOWN AS A PITCH (SESSION); AS A NO MORE THAN TWO (2) PAGE WRITTEN SUBMISSION! (huge smile)(big grin)

I CONVERTED MY *DOCX* (WHICH IS A TYPE OF WORD DOCUMENT) OVER TO A *.PDF* WHEREBY THE DOCUMENTS CONTENTS CANNOT BE EDITED IN THIS FORMAT.

THE HOLLYWOOD INDUSTRY PRO (EXECUTIVE) (DECISION MAKER) CAN TYPICALLY USE UP TO 21 DAYS TO RESPOND-CONCERNING A PITCH AT STAGE 32; AFTER CONTACT.

STAGE 32 DEMOCRATIZES HOLLYWOOD FOR ME. GETTING ME IN FRONT OF (TIME WITH) INDUSTRY "GATE KEEPERS!"

MY PITCH IS IN MAKING (GETTING) MY FIRST OF 3 BOOK-TO-MOTION PICTURES TO BEGIN SHOOTING; (AND) REACHING INTERNATIONALLY AT THE BOX OFFICE AS A THEATRICAL FEATURE LENGTH.

SEE IMAGES

I HAVE THE RARE OPPORTUNITY OF HOLLYWOOD BOOK-TO-FILM TO...

READ ON...

PITCH AN INDUSTRY PRO; PAID TIME-COMMANDING A BIT OF THEIR VERY BUSY TIME TO CONSIDER MY PROJECT(S); BOOK-TO-MOTION PICTURE SCRIPT POSSIBILITIES FOR ADVANCEMENT THROUGH THEM!

A PITCH TOWARDS A GREEN LIGHT BY A MOVIE STUDIO CONGLOMERATE FOR MY FIRST BOOK-TO-MOTION PICTURE; A MASSIVE UNDERTAKING, (AS IT IS) FOR AN EXCELLENT HOLLYWOOD AUDIO-VISUAL PRODUCT GIVING US THE BEST MOVIE WATCHING!

UTILIZING FILM MAKERS, *ACTORS, CINEMATOGRAPHERS, PRODUCTION DESIGNERS, ENTERTAINMENT CREATIVES, AND *PROFESSIONALS FROM ALL OVER THE WORLD!

UP TO AN INCLUDING *SAG-AFTRA & *IATSE (SCREEN ACTORS GUILD - AMERICAN FEDERATION (OF) TELEVISION (&) RADIO ARTIST; INTERNATIONAL ALLIANCE (OF) THEATRICAL (AND) STAGE EMPLOYEES) UNION ACTORS IN STATESIDE AND INTERNATIONAL SCENES! SETTING THE STORY ON FIRE!

CONNECTING TO (FILM) STUDIOS AND (FILM) PRODUCTION COMPANIES!

BY WRITTEN SUBMISSION OF A NO MORE THAN TWO (2) PAGE .PDF FILE (DOCUMENT)

THROUGH THE HOLLYWOOD PLATFORM KNOWN AS WWW.STAGE32.COM. STAGE 32 IS ENDORSED BY FORBES.COM

HERE'S MY STAGE 32 PROFILE: WWW.STAGE32.COM/PROFILE/837835

THIS SESSIONS DUE DATE WAS SCHEDULED FOR NO LATER THAN TUESDAY NOVEMBER 21ST BY MID-NIGHT PACIFIC STANDARD TIME!

WHAT IS A PITCH SESSION (YOU MAY ASK):

This pitch session is a rare and invaluable opportunity to sit down with a HOLLYWOOD INDUSTRY PRO.

A pitch session is a meeting with a decision maker of Hollywood, such as a Screenwriting Agent, Creative Executive, Development Executive, Producer, Literary Manager, or other industry pro during which you "pitch" your project -- and yourself.

SINCE I AM PITCHING FOR THE MOVIE TO ACTUALLY EXIST I AM DISCUSSING SCRIPT METRICS SUCH AS:

THEMES

CHARACTER THEMES

MAIN GENRE

SECONDARY MAIN GENRE

SUB GENRES

AUDIENCE

BUDGET

INCLUDING & UP TO...

SCRIPT TITLE

SCRIPT FORMAT (SUCH AS WHETHER IT IS A (**THEATRICAL FEATURE**- Yes it is), T.V. FORMAT, OR STRAIGHT TO STREAMERS)

DELIVER A CLEAR PITCH

SET UP OF PROTAGONIST(S) AND WORLD

OBSTACLES AND CONFLICT

CLARITY OF TONE

ORIGINALITY OF (SCRIPT) CONCEPT

STRENGTH OF (SCRIPT) VOICE

CHARACTER ARCHETYPE

CHARACTERS WHOM POPULATE THE WORLD OF THIS SCRIPT

PROTAGONIST ARCHETYPE

ACTORS PITCH TO PLAY, AND/OR RECEIVE A PITCH TO PLAY. DIRECTORS ALSO PITCH OR VICE VERSA; IN ORDER TO BE THE TALENT "ATTACHED" TO A PROJECT (FILM - MOVIE - MOTION PICTURE )

I PITCH MY BEST SCRIPT FIRST. IT IS A PROBABLE MOTION PICTURE ASSOCIATION INC. (MPA) RATED GENERAL AUDIENCES (RATED G)

EACH OF THE TWO (2) SCRIPTS I HAVE UNDER MY COPYRIGHT PROTECTION RIGHT NOW ARE RATED G! WRITTEN BY WRITERS GUILD OF AMERICA HOLLYWOOD BOOK-TO-FILM COMPANY (WWW.BOOKTOFILMCO.COM) SCREENWRITERS. THEY WRITE 'OFF THE BOOKS' AS NOT PARTICIPATING IN MY COPYRIGHT REGISTRATIONS, DEALS, CREDITS, PAYCHECKS, OR PROFITS!

THIS OF COURSE IS FOR A BOOK(S) HOLLYWOOD DEEMS READY FOR IT'S PRO'S; WHAT HOLLYWOOD IS LOOKING FOR! NOT EVEN ONE THOUSAND (1K) BOOKS HAVE BEEN ADAPTED FOR HOLLYWOOD'S BIG SCREENS IN THE ABOUT ONE HUNDRED (95 ISH YEARS) YEARS OF IT EXISTENCE!

I HAVE BROKEN INTO HOLLYWOOD *BY *INVITATION (BY DIRECTOR ELLEN R. GREEN (IMDb) OF HOLLYWOOD BOOK TO FILM CO.), & *BY *BUYING *MY *WAY *IN (YOU ARE EITHER INVITED AND/OR YOU BUY YOUR WAY IN TO HOLLYWOOD; I HAVE BOTH SENERIOS) THROUGH PURCHASING SCRIPTS BASED ON MY BOOK(S) (INTELLECTUAL PROPERTY - SOURCE MATERIAL) COMPOSED BY (WGA) BOOK-TO-FILM COMPANY SCREENWRITERS. (WITH DECADES OF HOLLYWOOD EXPERIENCE - REFLECTED IN THESE FILMIC/CINEMATIC VERSIONS OF MY BOOK).

THE SCREENWRITERS ARE ASSIGNED TO CREATE BY GENRE (fyi) AT MY PUBLISHER'S BOOK-TO-FILM COMPANY ( WWW.BOOKTOFILMCO.COM ). WE'RE DOING AT LEAST ANOTHER ONE SCRIPT, PLUS A DOCUMENTARY!

AS I'VE STATED; I HAVE:
1). WRITERS GUILD OF AMERICA UNION TALENT. SCRIPT WRITER CO WRITER CREDIT OF MY FIRST (UPCOMING. FUTURE-TENSE) ADAPTATION AGREEMENT OF GENERAL AUDIENCES. (Story by: Kenneth Adrian Ellis. Screenplay by: Dustin Lee and Kenneth Adrian Ellis. Based on the book by: (Author) Kenneth Adrian Ellis)

2). DIRECTORS GUILD OF AMERICA UNION TALENT (ALSO) ATTACHED

3). PRODUCERS GUILD OF AMERICA UNION TALENT (ALSO) ATTACHED

H G A HIS GLORY ALONE
I TAKE NO GLORY IN SELF
ALLELUIA
HALLELUJAH
THANKS AGAIN LORD ✝️

EXAMPLES OF TALENT ATTACHED TO A MOTION PICTURE IN DEVELOPMENT. ARE:
A SOMETHING LIST (A.B.C. LIST) ACTOR. A DIRECTOR. A PRODUCER.

MEANS THAT THEY ARE IN AGREEMENT TO WORK THAT PARTICULAR AUDIO-VISUAL PROJECT; AS PUBLICLY ANNOUNCED PROFESSIONALLY TO STUDIO EXECUTIVES (TOWARDS THE SAID FUTURE (PRODUCT) PRODUCTION).'

'HALLELUJAH!'
'IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!'

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.STAGE32.COM/PROFILE/837835/ABOUT

AS AN IMPERATIVE NOTATION(S)! ANTISEMITISM IS NOT TO BE TOLERATED NOR PROMOTED ANYWHERE IN THIS UNIVERSE; AT ANY TIME! NO ONE IN THE GOOD LORD'S SIGHT IS TO BE A SWORN ADVERSARY PERIOD! SEE ALL HUMAN BEINGS FOR WHO AND WHAT THEY ARE; WHICH IS A FELLOW PERSON(S) TO SHARE THE SPACE WITH; EVERYWHERE; AS ALL OPPORTUNIST TO GAIN (ACQUIRE) THE PERFECT LORD'S GRACE!

111THPOSTOCT'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

(Please do read on; this post has an edit to it. (But) In general it is a "re-air"; as Screen Actors Guild is at the bargaining table as I communicate to you all. In an effort to end the strike 'RIGHT NOW!')

'THE WRITERS GUILD OF AMERICA STRIKE '23 WAS ALL ABOUT FAIR CONTRACTS FROM THE ALLIANCE OF MOTION PICTURE (AND) TELEVISION PRODUCERS; WHOM REPRESENT ALL OF THE MAJOR HOLLYWOOD STUDIOS; AS IT HAS CONCLUDED AFTER 175 DAYS! IT, ALONG WITH THE SCREEN ACTORS GUILD STRIKE, AFFECT MY BOOK-TO-THEACTRICAL-MOTION-PICTURE DELEVOPMENT. THEIR DEMAND NEGOTIATIONS MAKE A DIFFERENCE WITH WHICHEVER STUDIO I BEGIN WORKING WITH NEXT! OUT OF RESPECT OF THE GUILD OF ACTORS (at this point); I AM NOT IN A HURRY; NOR IN A RUSH!'


'MY ATTACHED PGA PRODUCER, AND DGA DIRECTOR DIRECT MESSAGE(S) (ALREADY) SENT UPDATE! AFTER A PHONE CALL WITH THE "NEWLY" ACQUIRED WGA SANCTIONED SCREENWRITER SINCE (OF) '94; THEY READ AS FOLLOWS:' Concerning after the (this) WGA strike '23! Along with you as "attached" DGA/PGA; I now have a WGA as well to present during any major studio pitch session. He is my on hand script writer co writer credit the Executive doesn't have to look for. As a WGA since '94, of the 18 features he shared with me, include: *THE LION KING*. *IRON MAN*. *STAR TREK*. *PIRATES OF THE CARIBBEAN*. I "carry" you all with me to the conglomerate movie corporation. Cheers; Enjoy July 4th! (END OF DIRECT MESSAGES!)


'SO AS OF NOW, I ALREADY HAVE A WGA SCRIPT WRITER FOR A CO WRITER CREDIT WHOM THE STUDIO WILL ABSOLUTELY NEED; FOR MY **GIFTS** BLUEPRINT SCREENPLAY ADAPTATION. HE HAS BEEN A WGA SANCTIONED SCREENWRITER SINCE 1994. HE COMPOSES IN CLASSIC HOLLYWOOD THREE ACT (ACT 1 A,B. ACT 2 A,B. ACT 3 A,B) STRUCTURE; AND HAS MANY POPULAR MAIN STREAM (COMMERCIAL HOLLYWOOD) CREDITS. HE GOES ALONG WITH MY DGA DIRECTOR, AND PGA PRODUCER. THEY DO NOT WORK FOR ME DIRECTLY; I "CARRY" THEM ALL TO A STUDIO; WHOM COMPENSATES ME AS WELL! THE CONGLOMERATE MOVIE CORPORATION (ACQUISITIONS) EXECUTIVES WILL NOT NEED TO SEARCH FOR A WGA WRITING ASSIGNEE BY WAY OF A LEAD; CONCERNING OUR NINETY (90) PAGE FEATURE LENGTH; FOR OUR NINETY (90) MINUTE (RATED G) FEATURE. (AGAIN) I HAVE OUR WGA NOW ALREADY! WHEREBY HAVING TALENT ATTACHED (SAG-AFTRA) SOMETHING LIST ACTOR, (PGA UNION) PRODUCER, OR (DGA UNION) DIRECTOR. ENABLES ME TO FOREGO THE NEED OF A HOLLYWOOD STUDIO LEVEL PITCH DECK TOGO ALONG WITH THE SCRIPT; BLUEPRINT SCREENPLAY ADAPTATION.'


'A MAJOR STUDIO PITCH DECK (DIGITAL IMAGE LAYOUT OF YOUR INTELLECTUAL PROPERTY AND SOURCE MATERIALS AS THEY PERTAIN TO THE SCRIPT) "WOULD SAY':
1). THIS IS WHAT I THINK CERTAIN CHARACTER LOOK LIKE
2). THIS IS WHAT I THINK CERTAIN SCENES LOOK LIKE
3). THIS IS WHAT I THINK THE WORLD OF THE SCRIPT LOOKS LIKE


'A MAJOR HOLLYWOOD STUDIO (CONGLOMERATE MOVIE CORPORATION) AND MYSELF ABSOLUTELY NEED A WGA FOR OUR BOOK-TO-THEATRICAL- MOTION PICTURE; FOR MY FIRST; BEYOND THAT, I'LL USE THE POOL OF WGA (BY GENRE, WITH DECADES OF HOLLYWOOD EXPERIENCE, COMPOSING IN CLASSIC THREE ACT STRUCTURE) AT WWW.BOOKTOFILMCO.COM. (WHERE I RECEIVED THE TWO BOOK-TO-FILM SCRIPTS I ALREADY OWN). THE EXECUTIVE WHOM OWNS HOLLYWOOD BOOK TO FILM COMPANY IS THE APP-ROVER OF MY INVITATION TO ENTER AND BUY MY WAY INTO THE MAJORS!'


'THEY (WGA) WILL WRITE THE ENTIRE SCREENPLAY (as a co writer credit) THAT THE CONGLOMERATE MOVIE CORPORATION IS USING TO ACTUALLY SHOOT, FROM MY COPYRIGHT PROTECTED BOOK-TO-MOTION PICTURE BLUEPRINT SCREENPLAY ADAPTATION (TREATMENT) (NOT THEIR OWN INTELLECTUAL PROPERTY SCRIPT). SO ALL AS A CO WRITER CREDIT.'


'HERE'S THE THING: WE DON'T HAVE A (BOOK) ADAPTATION TO SHOOT **WITHOUT** THE FEATURE LENGTH THEY WROTE. THEY ARE MAKING SOMETHING WE CAN USE TO MAP OUT AN ENTIRE SHOOTING SCHEDULE, OFF OF MY STORY (WHICH IS THE BLUEPRINT SCREENPLAY ADAPTATION / TREATMENT OF MY BOOK / MY COPYRIGHT PROTECTED INTELLECTUAL PROPERTY IP)'


'(AND) I WILL BE READY TO RESUME PITCH SESSIONS WITH EXECUTIVES AT THE MAJORS AS SOON AS THE SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION (AND) RADIO ARTIST (SAG-AFTRA; ""SAGG AF TRA") REACH AN AGREEMENT TO END THE PROTESTS THEY HAVE ONGOING SINCE JULY 13TH' IN IT'S 107TH DAY TODAY!'

'HALLELUJAH!'
'IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!'

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.STAGE32.COM/PROFILE/837835/ABOUT

AS AN IMPERATIVE NOTATION(S)! ANTISEMITISM IS NOT TO BE TOLERATED NOR PROMOTED ANYWHERE IN THIS UNIVERSE; AT ANY TIME! NO ONE IN THE GOOD LORD'S SIGHT IS TO BE A SWORN ADVERSARY PERIOD! SEE ALL HUMAN BEINGS FOR WHO AND WHAT THEY ARE; WHICH IS A FELLOW PERSON(S) TO SHARE THE SPACE WITH; EVERYWHERE; AS ALL OPPORTUNIST TO GAIN (ACQUIRE) THE PERFECT LORD'S GRACE!

110THPOSTSEPT'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'THE WRITERS GUILD OF AMERICA STRIKE '23 WAS ALL ABOUT FAIR CONTRACTS FROM THE ALLIANCE OF MOTION PICTURE (AND) TELEVISION PRODUCERS; WHOM REPRESENT ALL OF THE MAJOR HOLLYWOOD STUDIOS; AS IT HAS CONCLUDED THIS WEEK AFTER 175 DAYS! IT, ALONG WITH THE SCREEN ACTORS GUILD STRIKE, AFFECT MY BOOK-TO-THEACTRICAL-MOTION-PICTURE DELEVOPMENT. THEIR DEMAND NEGOTIATIONS MAKE A DIFFERENCE WITH WHICHEVER STUDIO I BEGIN WORKING WITH NEXT!'

'MY ATTACHED PGA PRODUCER, AND DGA DIRECTOR DIRECT MESSAGE(S) (ALREADY) SENT UPDATE! AFTER A PHONE CALL WITH THE "NEWLY" ACQUIRED WGA SANCTIONED SCREENWRITER SINCE (OF) '94; THEY READ AS FOLLOWS:' Concerning after the (this) WGA strike '23! Along with you as "attached" DGA/PGA; I now have a WGA as well to present during any major studio pitch session. He is my on hand script writer co writer credit the Executive doesn't have to look for. As a WGA since '94, of the 18 features he shared with me, include: *THE LION KING*. *IRON MAN*. *STAR TREK*. *PIRATES OF THE CARIBBEAN*. I "carry" you all with me to the conglomerate movie corporation. Cheers; Enjoy July 4th! (END OF DIRECT MESSAGES!)

'SO AS OF NOW, I ALREADY HAVE A WGA SCRIPT WRITER FOR A CO WRITER CREDIT WHOM THE STUDIO WILL ABSOLUTELY NEED; FOR MY **GIFTS** BLUEPRINT SCREENPLAY ADAPTATION. HE HAS BEEN A WGA SANCTIONED SCREENWRITER SINCE 1994. HE COMPOSES IN CLASSIC HOLLYWOOD THREE ACT (ACT 1 A,B. ACT 2 A,B. ACT 3 A,B) STRUCTURE; AND HAS MANY POPULAR MAIN STREAM (COMMERCIAL HOLLYWOOD) CREDITS. HE GOES ALONG WITH MY DGA DIRECTOR, AND PGA PRODUCER. THEY DO NOT WORK FOR ME DIRECTLY; I "CARRY" THEM ALL TO A STUDIO; WHOM COMPENSATES ME AS WELL! THE CONGLOMERATE MOVIE CORPORATION (ACQUISITIONS) EXECUTIVES WILL NOT NEED TO SEARCH FOR A WGA WRITING ASSIGNEE BY WAY OF A LEAD; CONCERNING OUR NINETY (90) PAGE FEATURE LENGTH; FOR OUR NINETY (90) MINUTE (RATED G) FEATURE. (AGAIN) I HAVE OUR WGA NOW ALREADY! WHEREBY HAVING TALENT ATTACHED (SAG-AFTRA) SOMETHING LIST ACTOR, (PGA UNION) PRODUCER, OR (DGA UNION) DIRECTOR. ENABLES ME TO FOREGO THE NEED OF A HOLLYWOOD STUDIO LEVEL PITCH DECK TOGO ALONG WITH THE SCRIPT; BLUEPRINT SCREENPLAY ADAPTATION.'

'A MAJOR STUDIO PITCH DECK (DIGITAL IMAGE LAYOUT OF YOUR INTELLECTUAL PROPERTY AND SOURCE MATERIALS AS THEY PERTAIN TO THE SCRIPT) "WOULD SAY':
1). THIS IS WHAT I THINK CERTAIN CHARACTER LOOK LIKE
2). THIS IS WHAT I THINK CERTAIN SCENES LOOK LIKE
3). THIS IS WHAT I THINK THE WORLD OF THE SCRIPT LOOKS LIKE

'A MAJOR HOLLYWOOD STUDIO (CONGLOMERATE MOVIE CORPORATION) AND MYSELF ABSOLUTELY NEED A WGA FOR OUR BOOK-TO-THEATRICAL- MOTION PICTURE; FOR MY FIRST; BEYOND THAT, I'LL USE THE POOL OF WGA (BY GENRE, WITH DECADES OF HOLLYWOOD EXPERIENCE, COMPOSING IN CLASSIC THREE ACT STRUCTURE) AT WWW.BOOKTOFILMCO.COM. (WHERE I RECEIVED THE TWO BOOK-TO-FILM SCRIPTS I ALREADY OWN). THE EXECUTIVE WHOM OWNS HOLLYWOOD BOOK TO FILM COMPANY IS THE APP-ROVER OF MY INVITATION TO ENTER AND BUY MY WAY INTO THE MAJORS!'

'THEY (WGA) WILL WRITE THE ENTIRE SCREENPLAY (as a co writer credit) THAT THE CONGLOMERATE MOVIE CORPORATION IS USING TO ACTUALLY SHOOT, FROM MY COPYRIGHT PROTECTED BOOK-TO-MOTION PICTURE BLUEPRINT SCREENPLAY ADAPTATION (TREATMENT) (NOT THEIR OWN INTELLECTUAL PROPERTY SCRIPT). SO ALL AS A CO WRITER CREDIT.'

'HERE'S THE THING: WE DON'T HAVE A (BOOK) ADAPTATION TO SHOOT **WITHOUT** THE FEATURE LENGTH THEY WROTE. THEY ARE MAKING SOMETHING WE CAN USE TO MAP OUT AN ENTIRE SHOOTING SCHEDULE, OFF OF MY STORY (WHICH IS THE BLUEPRINT SCREENPLAY ADAPTATION / TREATMENT OF MY BOOK / MY COPYRIGHT PROTECTED INTELLECTUAL PROPERTY IP)'

'(AND) I WILL BE READY TO RESUME PITCH SESSIONS WITH EXECUTIVES AT THE MAJORS AS SOON AS THE SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION (AND) RADIO ARTIST (SAG-AFTRA; ""SAGG AF TRA") REACH AN AGREEMENT TO END THE PROTESTS THEY HAVE ONGOING SINCE JULY 13TH' IN IT'S 79TH DAY TODAY!'

'HALLELUJAH!'
'IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!'

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.STAGE32.COM/PROFILE/837835/ABOUT

109THPOSTAUG'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'HERE IS A BREAKDOWN CONCERNING HOW-THE CURRENT WRITERS GUILD OF AMERICA STRIKE '23, AFFECTS MY BOOK-TO-THEACTRICAL-MOTION-PICTURE DELEVOPMENT. IT IS INTO IT'S 116TH DAY. TWO OF THEIR COMPENSATION AND RESIDUALS PATTERN OF DEMANDS ENTER NEGOTIATIONS WITH WHICHEVER STUDIO I BEGIN WORKING WITH NEXT!'

'ATTACHED PGA PRODUCER, AND DGA DIRECTOR DIRECT MESSAGE(S) (ALREADY) SENT UPDATE! AFTER A PHONE CALL WITH THE NEWLY ACQUIRED WGA SANCTIONED SCREENWRITER SINCE (OF) '94; THEY READ AS FOLLOWS:' Concerning after the (this) WGA strike '23! Along with you as "attached" DGA/PGA; I now have a WGA as well to present during any major studio pitch session. He is my on hand script writer co writer credit the Executive doesn't have to look for. As a WGA since '94, of the 18 features he shared with me, include: *THE LION KING*. *IRON MAN*. *STAR TREK*. *PIRATES OF THE CARIBBEAN*. I "carry" you all with me to the conglomerate movie corporation. Cheers; Enjoy July 4th! (END OF DIRECT MESSAGES!)

'ATTACHED TALENT UPDATE; AS WELL: AS OF NOW, I ALREADY HAVE A WGA SCRIPT WRITER FOR A CO WRITER CREDIT; FOR MY **GIFTS** BLUEPRINT SCREENPLAY ADAPTATION. HE HAS BEEN A WGA SANCTIONED SCREENWRITER SINCE 1994. HE COMPOSES IN CLASSIC HOLLYWOOD THREE ACT (ACT 1 A,B. ACT 2 A,B. ACT 3 A,B) STRUCTURE; AND HAS MANY POPULAR MAIN STREAM (COMMERCIAL HOLLYWOOD) CREDITS. HE GOES ALONG WITH MY DGA DIRECTOR, AND PGA PRODUCER. THEY DO NOT WORK FOR ME DIRECTLY; I "CARRY" THEM ALL TO A STUDIO; WHOM COMPENSATES ME AS WELL! THE CONGLOMERATE MOVIE CORPORATION (ACQUISITIONS) EXECUTIVES WILL NOT NEED TO SEARCH FOR A WGA WRITING ASSIGNEE BY WAY OF A LEAD; CONCERNING OUR NINETY (90) PAGE FEATURE LENGTH; FOR OUR NINETY (90) MINUTE (RATED G) FEATURE. (AGAIN) I HAVE OUR WGA NOW ALREADY! WHEREBY HAVING TALENT ATTACHED (SAG-AFTRA) SOMETHING LIST ACTOR, (PGA UNION) PRODUCER, OR (DGA UNION) DIRECTOR. ENABLES ME TO FOREGO THE NEED OF A HOLLYWOOD STUDIO LEVEL PITCH DECK TOGO ALONG WITH THE SCRIPT; BLUEPRINT SCREENPLAY ADAPTATION.'

'SPEAKING ON THE CURRENT WRITER'S GUILD OF AMERICA STRIKE. (i.e. NEW MEDIA IS A TEST RUN POSSIBLE NEW T.V. SHOW; KNOWN AS A PILOT)
A MAJOR HOLLYWOOD STUDIO (CONGLOMERATE MOVIE CORPORATION) AND MYSELF ABSOLUTELY NEED THEM FOR OUR BOOK-TO-THEATRICAL- MOTION PICTURE; MY FIRST; BEYOND THAT, I'LL USE THE POOL OF WGA (BY GENRE, WITH DECADES OF HOLLYWOOD EXPERIENCE, COMPOSING IN CLASSIC THREE ACT STRUCTURE) AT WWW.BOOKTOFILMCO.COM. (WHERE I RECEIVED THE TWO BOOK-TO-FILM SCRIPTS I ALREADY OWN).'

'ONLY THESE 2 PATTERNS OF DEMANDS AFFECTS MY (I AND THE STUDIO) PURCHASE AGREEMENT.

1). A STANDARD (A MINIMUM STANDARD) COMPENSATION FOR WRITING THE SCREENPLAY AS A CO WRITER CREDIT. STORY BY: (AUTHOR) KENNETH ADRIAN ELLIS. SCREENPLAY BY: (AUTHOR) KENNETH ADRIAN ELLIS + WGA SCRIPT WRITER AS A CO WRITER CREDIT (SINCE THEY WRITE THE SCRIPT BASED ON MY (INTELLECT PROPERTY IP WHICH IS THE) *STORY (KNOWN AS THE ALREADY COPYRIGHT PROTECTED: *BLUEPRINT*SCREENPLAY*ADAPTATION). SO THE WGA GETS A STANDARD COMPENSATION FOR IT AS A CO WRITER CREDIT. THE FEATURE LENGTH HAS OUR TWO (2) NAMES. BUT NOW WITH AN NEWLY ESTABLISHED (STEMMING FROM THIS '23 STRIKE) STANDARD PAY.
(NEW MINIMUM WGA STANDARDS)

2). I GET PAID FROM THE BUDGET OF THE MOVIE AFTER GETTING PAID WITH THE PURCHASE AGREEMENT (PRODUCTION AGREEMENT). THE WGA ALSO (WHOM WROTE WHAT-THE STUDIO WILL ACTUALLY SHOOT / FILM / MAKE.). ALSO WHEN IT COMES TIME FOR MYSELF TO GET CONTINGENT COMPENSATION, WHETHER REVENUE BASED (WHICH MEANS WHILE THE MOVIE HAS ITS THEATRICAL STAY) AND ON THE BACK END (WHICH MEANS PAY AFTER IT'S STAY IS OVER IN THE THEATER) ADDED UP RIGHT BEFORE HEADING TO STREAMING PLATFORMS (STREAMERS. WHOM PAY A ONE TIME FEE TO ADD THE MOTION PICTURE TO THEIR LIBRARY). THE WGA ALSO GETS IN ON THAT WITH NEW STANDARD PAY.

'WITHOUT AN ISSUE(S) OF THEY WROTE THE ENTIRE SCREENPLAY (as a co writer credit) THAT THE CONGLOMERATE MOVIE CORPORATION IS USING TO ACTUALLY SHOOT, FROM MY COPYRIGHT PROTECTED BOOK-TO-MOTION PICTURE BLUEPRINT SCREENPLAY ADAPTATION (TREATMENT) (NOT THEIR OWN INTELLECTUAL PROPERTY SCRIPT). SO ALL AS A CO WRITER CREDIT.'

'HERE'S THE THING: WE DON'T HAVE A (BOOK) ADAPTATION TO SHOOT **WITHOUT** THE FEATURE LENGTH THEY WROTE. THEY ARE MAKING SOMETHING WE CAN USE TO MAP OUT AN ENTIRE SHOOTING SCHEDULE, OFF OF MY STORY (WHICH IS THE BLUEPRINT SCREENPLAY ADAPTATION / TREATMENT OF MY BOOK / MY COPYRIGHT PROTECTED INTELLECTUAL PROPERTY IP)'

'GOT IT? SO THERE IS NEW STANDARD PAY (FOR THEM) BEYOND THEIR CO WRITER CREDIT COMPOSITION. NOW THEY ARE INTO CONTINGENT COMPENSATION + STREAMING. AND OBVIOUSLY FROM THE MOVIES BUDGET.
SO-MINIMUM STANDARDS FOR THE FEATURE LENGTH CO-WRITER CREDIT. THEATRICAL. STREAMING. AS A (UNION) WGA.'

'(AND) OBVIOUSLY PAID BEFORE COMPOSING THE NINETY PAGE FEATURE LENGTH NEEDED; THAT I MENTIONED HERE.'



2023 PATTERN OF DEMANDS. COMPENSATION AND RESIDUALS; OUTLINED AS SUCH:
-INCREASE MINIMUM COMPENSATION SIGNIFICANTLY TO ADDRESS THE DEVALUATION OF WRITING IN ALL AREAS OF TELEVISION, NEW MEDIA AND FEATURES.
-STANDARDIZE COMPENSATION AND RESIDUAL TERMS FOR FEATURES WHETHER RELEASED THEATRICALLY OR ON STREAMING

-HALLELUJAH!-
-IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.KENNETHADRIANELLIS.COM
WWW.STAGE32.COM/PROFILE/837835/ABOUT

108THPOSTJULY'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'HERE IS A BREAKDOWN CONCERNING HOW-THE CURRENT WRITERS GUILD OF AMERICA STRIKE '23, AFFECTS MY BOOK-TO-THEACTRICAL-MOTION-PICTURE DELEVOPMENT. IT IS INTO IT'S 54TH DAY. TWO OF THEIR COMPENSATION AND RESIDUALS PATTERN OF DEMANDS ENTER NEGOTIATIONS WITH WHICHEVER STUDIO I BEGIN WORKING WITH NEXT!'

'ATTACHED PGA PRODUCER, AND DGA DIRECTOR DIRECT MESSAGE(S) (ALREADY) SENT UPDATE! AFTER A PHONE CALL WITH THE NEWLY ACQUIRED WGA SANCTIONED SCREENWRITER SINCE (OF) '94; THEY READ AS FOLLOWS:' Concerning after the (this) WGA strike '23! Along with you as "attached" DGA/PGA; I now have a WGA as well to present during any major studio pitch session. He is my on hand script writer co writer credit the Executive doesn't have to look for. As a WGA since '94, of the 18 features he shared with me, include: *THE LION KING*. *IRON MAN*. *STAR TREK*. *PIRATES OF THE CARIBBEAN*. I "carry" you all with me to the conglomerate movie corporation. Cheers; Enjoy July 4th! (END OF DIRECT MESSAGES!)

'ATTACHED TALENT UPDATE; AS WELL: AS OF NOW, I ALREADY HAVE A WGA SCRIPT WRITER FOR A CO WRITER CREDIT; FOR MY **GIFTS** BLUEPRINT SCREENPLAY ADAPTATION. HE HAS BEEN A WGA SANCTIONED SCREENWRITER SINCE 1994. HE COMPOSES IN CLASSIC HOLLYWOOD THREE ACT (ACT 1 A,B. ACT 2 A,B. ACT 3 A,B) STRUCTURE; AND HAS MANY POPULAR MAIN STREAM (COMMERCIAL HOLLYWOOD) CREDITS. HE GOES ALONG WITH MY DGA DIRECTOR, AND PGA PRODUCER. THEY DO NOT WORK FOR ME DIRECTLY; I "CARRY" THEM ALL TO A STUDIO; WHOM COMPENSATES ME AS WELL! THE CONGLOMERATE MOVIE CORPORATION (ACQUISITIONS) EXECUTIVES WILL NOT NEED TO SEARCH FOR A WGA WRITING ASSIGNEE BY WAY OF A LEAD; CONCERNING OUR NINETY (90) PAGE FEATURE LENGTH; FOR OUR NINETY (90) MINUTE (RATED G) FEATURE. (AGAIN) I HAVE OUR WGA NOW ALREADY! WHEREBY HAVING TALENT ATTACHED (SAG-AFTRA) SOMETHING LIST ACTOR, (PGA UNION) PRODUCER, OR (DGA UNION) DIRECTOR. ENABLES ME TO FOREGO THE NEED OF A HOLLYWOOD STUDIO LEVEL PITCH DECK TOGO ALONG WITH THE SCRIPT; BLUEPRINT SCREENPLAY ADAPTATION.'

'SPEAKING ON THE CURRENT WRITER'S GUILD OF AMERICA STRIKE. (i.e. NEW MEDIA IS A TEST RUN POSSIBLE NEW T.V. SHOW; KNOWN AS A PILOT)
A MAJOR HOLLYWOOD STUDIO (CONGLOMERATE MOVIE CORPORATION) AND MYSELF ABSOLUTELY NEED THEM FOR OUR BOOK-TO-THEATRICAL- MOTION PICTURE; MY FIRST; BEYOND THAT, I'LL USE THE POOL OF WGA (BY GENRE, WITH DECADES OF HOLLYWOOD EXPERIENCE, COMPOSING IN CLASSIC THREE ACT STRUCTURE) AT WWW.BOOKTOFILMCO.COM. (WHERE I RECEIVED THE TWO BOOK-TO-FILM SCRIPTS I ALREADY OWN).'

'ONLY THESE 2 PATTERNS OF DEMANDS AFFECTS MY (I AND THE STUDIO) PURCHASE AGREEMENT.

1). A STANDARD (A MINIMUM STANDARD) COMPENSATION FOR WRITING THE SCREENPLAY AS A CO WRITER CREDIT. STORY BY: (AUTHOR) KENNETH ADRIAN ELLIS. SCREENPLAY BY: (AUTHOR) KENNETH ADRIAN ELLIS + WGA SCRIPT WRITER AS A CO WRITER CREDIT (SINCE THEY WRITE THE SCRIPT BASED ON MY (INTELLECT PROPERTY IP WHICH IS THE) *STORY (KNOWN AS THE ALREADY COPYRIGHT PROTECTED: *BLUEPRINT*SCREENPLAY*ADAPTATION). SO THE WGA GETS A STANDARD COMPENSATION FOR IT AS A CO WRITER CREDIT. THE FEATURE LENGTH HAS OUR TWO (2) NAMES. BUT NOW WITH AN NEWLY ESTABLISHED (STEMMING FROM THIS '23 STRIKE) STANDARD PAY.
(NEW MINIMUM WGA STANDARDS)

2). I GET PAID FROM THE BUDGET OF THE MOVIE AFTER GETTING PAID WITH THE PURCHASE AGREEMENT. THE WGA ALSO (WHOM WROTE WHAT-THE STUDIO WILL ACTUALLY SHOOT / FILM / MAKE.). ALSO WHEN IT COMES TIME FOR MYSELF TO GET CONTINGENT COMPENSATION, WHETHER REVENUE BASED (WHICH MEANS WHILE THE MOVIE HAS ITS THEATRICAL STAY) AND ON THE BACK END (WHICH MEANS PAY AFTER IT'S STAY IS OVER IN THE THEATER) ADDED UP RIGHT BEFORE HEADING TO STREAMING PLATFORMS (STREAMERS. WHOM PAY A ONE TIME FEE TO ADD THE MOTION PICTURE TO THEIR LIBRARY). THE WGA ALSO GETS IN ON THAT WITH NEW STANDARD PAY.

'WITHOUT AN ISSUE(S) OF THEY WROTE THE ENTIRE SCREENPLAY (as a co writer credit) THAT THE CONGLOMERATE MOVIE CORPORATION IS USING TO ACTUALLY SHOOT, FROM MY COPYRIGHT PROTECTED BOOK-TO-MOTION PICTURE BLUEPRINT SCREENPLAY ADAPTATION (TREATMENT) (NOT THEIR OWN INTELLECTUAL PROPERTY SCRIPT). SO ALL AS A CO WRITER CREDIT.'

'HERE'S THE THING: WE DON'T HAVE A (BOOK) ADAPTATION TO SHOOT **WITHOUT** THE FEATURE LENGTH THEY WROTE. THEY ARE MAKING SOMETHING WE CAN USE TO MAP OUT AN ENTIRE SHOOTING SCHEDULE, OFF OF MY STORY (WHICH IS THE BLUEPRINT SCREENPLAY ADAPTATION / TREATMENT OF MY BOOK / MY COPYRIGHT PROTECTED INTELLECTUAL PROPERTY IP)'

'GOT IT? SO THERE IS NEW STANDARD PAY (FOR THEM) BEYOND THEIR CO WRITER CREDIT COMPOSITION. NOW THEY ARE INTO CONTINGENT COMPENSATION + STREAMING. AND OBVIOUSLY FROM THE MOVIES BUDGET.
SO-MINIMUM STANDARDS FOR THE FEATURE LENGTH CO-WRITER CREDIT. THEATRICAL. STREAMING. AS A (UNION) WGA.'

'(AND) OBVIOUSLY PAID BEFORE COMPOSING THE NINETY PAGE FEATURE LENGTH NEEDED; THAT I MENTIONED HERE.'



2023 PATTERN OF DEMANDS. COMPENSATION AND RESIDUALS; OUTLINED AS SUCH:
-INCREASE MINIMUM COMPENSATION SIGNIFICANTLY TO ADDRESS THE DEVALUATION OF WRITING IN ALL AREAS OF TELEVISON, NEW MEDIA AND FEATURES.
-STANDARDIZE COMPENSATION AND RESIDUAL TERMS FOR FEATURES WHETHER RELEASED THEATRICALLY OR ON STREAMING

-HALLELUJAH!-
-IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.KENNETHADRIANELLIS.COM
WWW.STAGE32.COM/PROFILE/837835/ABOUT

107THPOSTJUNE'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'HERE IS A BREAKDOWN CONCERNING HOW-THE CURRENT WRITERS GUILD OF AMERICA STRIKE '23, AFFECTS MY BOOK-TO-THEACTRICAL-MOTION-PICTURE DELEVOPMENT. IT IS INTO IT'S 54TH DAY. TWO OF THEIR COMPENSATION AND RESIDUALS PATTERN OF DEMANDS ENTER NEGOTIATIONS WITH WHICHEVER STUDIO I BEGIN WORKING WITH NEXT!'

ATTACHED TALENT UPDATE; AS WELL: AS OF NOW, I ALREADY HAVE A WGA SCRIPT WRITER FOR A CO WRITER CREDIT; FOR MY **GIFTS** BLUEPRINT SCREENPLAY ADAPTATION. HE HAS BEEN A WGA SANCTIONED SCREENWRITER SINCE 1994. HE COMPOSES IN CLASSIC HOLLYWOOD THREE ACT (ACT 1 A,B. ACT 2 A,B. ACT 3 A,B) STRUCTURE; AND HAS MANY POPULAR MAIN STREAM (COMMERCIAL HOLLYWOOD) CREDITS. HE GOES ALONG WITH MY DGA DIRECTOR, AND PGA PRODUCER. THEY DO NOT WORK FOR ME DIRECTLY; I "CARRY" THEM ALL TO A STUDIO; WHOM COMPENSATES ME AS WELL! THE CONGLOMERATE MOVIE CORPORATION (ACQUISITIONS) EXECUTIVES WILL NOT NEED TO SEARCH FOR A WGA WRITING ASSIGNEE BY WAY OF A LEAD; CONCERNING OUR NINETY (90) PAGE FEATURE LENGTH; FOR OUR NINETY (90) MINUTE (RATED G) FEATURE. (AGAIN) I HAVE OUR WGA NOW ALREADY! WHEREBY HAVING TALENT ATTACHED (SAG-AFTRA) SOMETHING LIST ACTOR, (PGA UNION) PRODUCER, OR (DGA UNION) DIRECTOR. ENABLES ME TO FOREGO THE NEED OF A HOLLYWOOD STUDIO LEVEL PITCH DECK TOGO ALONG WITH THE SCRIPT; BLUEPRINT SCREENPLAY ADAPTATION.

'SPEAKING ON THE CURRENT WRITER'S GUILD OF AMERICA STRIKE. (i.e. NEW MEDIA IS A TEST RUN POSSIBLE NEW T.V. SHOW; KNOWN AS A PILOT)
A MAJOR HOLLYWOOD STUDIO (CONGLOMERATE MOVIE CORPORATION) AND MYSELF ABSOLUTELY NEED THEM FOR OUR BOOK-TO-THEATRICAL- MOTION PICTURE; MY FIRST; BEYOND THAT, I'LL USE THE POOL OF WGA (BY GENRE, WITH DECADES OF HOLLYWOOD EXPERIENCE, COMPOSING IN CLASSIC THREE ACT STRUCTURE) AT WWW.BOOKTOFILMCO.COM. (WHERE I RECEIVED THE TWO BOOK-TO-FILM SCRIPTS I ALREADY OWN).'

'ONLY THESE 2 PATTERNS OF DEMANDS AFFECTS MY (I AND THE STUDIO) PURCHASE AGREEMENT.

1). A STANDARD (A MINIMUM STANDARD) COMPENSATION FOR WRITING THE SCREENPLAY AS A CO WRITER CREDIT. STORY BY: (AUTHOR) KENNETH ADRIAN ELLIS. SCREENPLAY BY: (AUTHOR) KENNETH ADRIAN ELLIS + WGA SCRIPT WRITER AS A CO WRITER CREDIT (SINCE THEY WRITE THE SCRIPT BASED ON MY (INTELLECT PROPERTY IP WHICH IS THE) *STORY (KNOWN AS THE ALREADY COPYRIGHT PROTECTED: *BLUEPRINT*SCREENPLAY*ADAPTATION). SO THE WGA GETS A STANDARD COMPENSATION FOR IT AS A CO WRITER CREDIT. THE FEATURE LENGTH HAS OUR TWO (2) NAMES. BUT NOW WITH AN NEWLY ESTABLISHED (STEMMING FROM THIS '23 STRIKE) STANDARD PAY.
(NEW MINIMUM WGA STANDARDS)

2). I GET PAID FROM THE BUDGET OF THE MOVIE AFTER GETTING PAID WITH THE PURCHASE AGREEMENT. THE WGA ALSO (WHOM WROTE WHAT-THE STUDIO WILL ACTUALLY SHOOT / FILM / MAKE.). ALSO WHEN IT COMES TIME FOR MYSELF TO GET CONTINGENT COMPENSATION, WHETHER REVENUE BASED (WHICH MEANS WHILE THE MOVIE HAS ITS THEATRICAL STAY) AND ON THE BACK END (WHICH MEANS PAY AFTER IT'S STAY IS OVER IN THE THEATER) ADDED UP RIGHT BEFORE HEADING TO STREAMING PLATFORMS (STREAMERS. WHOM PAY A ONE TIME FEE TO ADD THE MOTION PICTURE TO THEIR LIBRARY). THE WGA ALSO GETS IN ON THAT WITH NEW STANDARD PAY.

'WITHOUT AN ISSUE(S) OF THEY WROTE THE ENTIRE SCREENPLAY (as a co writer credit) THAT THE CONGLOMERATE MOVIE CORPORATION IS USING TO ACTUALLY SHOOT, FROM MY COPYRIGHT PROTECTED BOOK-TO-MOTION PICTURE BLUEPRINT SCREENPLAY ADAPTATION (TREATMENT) (NOT THEIR OWN INTELLECTUAL PROPERTY SCRIPT). SO ALL AS A CO WRITER CREDIT.'

'HERE'S THE THING: WE DON'T HAVE A (BOOK) ADAPTATION TO SHOOT **WITHOUT** THE FEATURE LENGTH THEY WROTE. THEY ARE MAKING SOMETHING WE CAN USE TO MAP OUT AN ENTIRE SHOOTING SCHEDULE, OFF OF MY STORY (WHICH IS THE BLUEPRINT SCREENPLAY ADAPTATION / TREATMENT OF MY BOOK / MY COPYRIGHT PROTECTED INTELLECTUAL PROPERTY IP)'

'GOT IT? SO THERE IS NEW STANDARD PAY (FOR THEM) BEYOND THEIR CO WRITER CREDIT COMPOSITION. NOW THEY ARE INTO CONTINGENT COMPENSATION + STREAMING. AND OBVIOUSLY FROM THE MOVIES BUDGET.
SO-MINIMUM STANDARDS FOR THE FEATURE LENGTH CO-WRITER CREDIT. THEATRICAL. STREAMING. AS A (UNION) WGA.'

'(AND) OBVIOUSLY PAID BEFORE COMPOSING THE NINETY PAGE FEATURE LENGTH NEEDED; THAT I MENTIONED HERE.'



2023 PATTERN OF DEMANDS. COMPENSATION AND RESIDUALS; OUTLINED AS SUCH:
-INCREASE MINIMUM COMPENSATION SIGNIFICANTLY TO ADDRESS THE DEVALUATION OF WRITING IN ALL AREAS OF TELEVISON, NEW MEDIA AND FEATURES.
-STANDARDIZE COMPENSATION AND RESIDUAL TERMS FOR FEATURES WHETHER RELEASED THEATRICALLY OR ON STREAMING

-HALLELUJAH!-
-IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.KENNETHADRIANELLIS.COM
WWW.STAGE32.COM/PROFILE/837835/ABOUT

106THPOSTMAY'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'HERE IS A BREAKDOWN CONCERNING HOW-THE CURRENT WRITERS GUILD OF AMERICA STRIKE '23, AFFECTS MY BOOK-TO-THEACTRICAL-MOTION-PICTURE DELEVOPMENT. IT IS INTO IT'S 28TH DAY. TWO OF THEIR COMPENSATION AND RESIDUALS PATTERN OF DEMANDS ENTER NEGOTIATIONS WITH WHICHEVER STUDIO I BEGIN WORKING WITH NEXT!'

'SPEAKING ON THE CURRENT WRITER'S GUILD OF AMERICA STRIKE. (i.e. NEW MEDIA IS A TEST RUN POSSIBLE NEW T.V. SHOW; KNOWN AS A PILOT)
A MAJOR HOLLYWOOD STUDIO (CONGLOMERATE MOVIE CORPORATION) AND MYSELF ABSOLUTELY NEED THEM FOR OUR BOOK-TO-THEATRICAL- MOTION PICTURE; MY FIRST; BEYOND THAT, I'LL USE THE POOL OF WGA (BY GENRE, WITH DECADES OF HOLLYWOOD EXPERIENCE, COMPOSING IN CLASSIC THREE ACT STRUCTURE) AT WWW.BOOKTOFILMCO.COM. (WHERE I RECEIVED THE TWO BOOK-TO-FILM SCRIPTS I ALREADY OWN).'

'ONLY THESE 2 PATTERNS OF DEMANDS AFFECTS MY (I AND THE STUDIO) PURCHASE AGREEMENT.

1). A STANDARD (A MINIMUM STANDARD) COMPENSATION FOR WRITING THE SCREENPLAY AS A CO WRITER CREDIT. STORY BY: (AUTHOR) KENNETH ADRIAN ELLIS. SCREENPLAY BY: (AUTHOR) KENNETH ADRIAN ELLIS + WGA SCRIPT WRITER AS A CO WRITER CREDIT (SINCE THEY WRITE THE SCRIPT BASED ON MY (INTELLECT PROPERTY IP WHICH IS THE) *STORY (KNOWN AS THE ALREADY COPYRIGHT PROTECTED: *BLUEPRINT*SCREENPLAY*ADAPTATION). SO THE WGA GETS A STANDARD COMPENSATION FOR IT AS A CO WRITER CREDIT. THE FEATURE LENGTH HAS OUR TWO (2) NAMES. BUT NOW WITH AN NEWLY ESTABLISHED (STEMMING FROM THIS '23 STRIKE) STANDARD PAY.
(NEW MINIMUM WGA STANDARDS)

2). I GET PAID FROM THE BUDGET OF THE MOVIE AFTER GETTING PAID WITH THE PURCHASE AGREEMENT. THE WGA ALSO (WHOM WROTE WHAT-THE STUDIO WILL ACTUALLY SHOOT / FILM / MAKE.). ALSO WHEN IT COMES TIME FOR MYSELF TO GET CONTINGENT COMPENSATION, WHETHER REVENUE BASED (WHICH MEANS WHILE THE MOVIE HAS ITS THEATRICAL STAY) AND ON THE BACK END (WHICH MEANS PAY AFTER IT'S STAY IS OVER IN THE THEATER) ADDED UP RIGHT BEFORE HEADING TO STREAMING PLATFORMS (STREAMERS. WHOM PAY A ONE TIME FEE TO ADD THE MOTION PICTURE TO THEIR LIBRARY). THE WGA ALSO GETS IN ON THAT WITH NEW STANDARD PAY.

'WITHOUT AN ISSUE(S) OF THEY WROTE THE ENTIRE SCREENPLAY (as a co writer credit) THAT THE CONGLOMERATE MOVIE CORPORATION IS USING TO ACTUALLY SHOOT, FROM MY COPYRIGHT PROTECTED BOOK-TO-MOTION PICTURE BLUEPRINT SCREENPLAY ADAPTATION (TREATMENT) (NOT THEIR OWN INTELLECTUAL PROPERTY SCRIPT). SO ALL AS A CO WRITER CREDIT.'

'HERE'S THE THING: WE DON'T HAVE A (BOOK) ADAPTATION TO SHOOT **WITHOUT** THE FEATURE LENGTH THEY WROTE. THEY ARE MAKING SOMETHING WE CAN USE TO MAP OUT AN ENTIRE SHOOTING SCHEDULE, OFF OF MY STORY (WHICH IS THE BLUEPRINT SCREENPLAY ADAPTATION / TREATMENT OF MY BOOK / MY COPYRIGHT PROTECTED INTELLECTUAL PROPERTY IP)'

'GOT IT? SO THERE IS NEW STANDARD PAY (FOR THEM) BEYOND THEIR CO WRITER CREDIT COMPOSITION. NOW THEY ARE INTO CONTINGENT COMPENSATION + STREAMING. AND OBVIOUSLY FROM THE MOVIES BUDGET.
SO-MINIMUM STANDARDS FOR THE FEATURE LENGTH CO-WRITER CREDIT. THEATRICAL. STREAMING. AS A (UNION) WGA.'

'(AND) OBVIOUSLY PAID BEFORE COMPOSING THE NINETY PAGE FEATURE LENGTH NEEDED; THAT I MENTIONED HERE.'

2023 PATTERN OF DEMANDS. COMPENSATION AND RESIDUALS; OUTLINED AS SUCH:
-INCREASE MINIMUM COMPENSATION SIGNIFICANTLY TO ADDRESS THE DEVALUATION OF WRITING IN ALL AREAS OF TELEVISON, NEW MEDIA AND FEATURES.
-STANDARDIZE COMPENSATION AND RESIDUAL TERMS FOR FEATURES WHETHER RELEASED THEATRICALLY OR ON STREAMING

-HALLELUJAH!-
-IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.KENNETHADRIANELLIS.COM
WWW.STAGE32.COM/PROFILE/837835/ABOUT

105THPOSTAPRIL'231STPOSTAUG'14

(just a foreword type of note to the blog post here; when you use apostrophes before your writing and to the ending letter-gives the legal right to capitalize between those same apostrophes)

'THIS MONTH'S POST CONSIST OF AN AGREEMENT(S) BREAKDOWN; INCLUDING MY COVETED SOUGHT AFTER PURCHASE AGREEMENT!'

'TO OPTION YOUR SCREENPLAY MEANS THE (MOVIE) PRODUCTION COMPANY, OR STUDIO BUYS IT AT A PERCENTAGE OF THE FULL COST ; IN ORDER TO PUT IT ON A HOLD FOR THEMSELVES (FOR AN CERTAIN MUTUALLY AGREED UPON PERIOD OF TIME) AS THEY DECIDE WEATHER OR NOT-TO-FILM/IF-THEY-CAN.
OR THEY CAN ENTER INTO A HOLDING AGREEMENT WHICH WORKS INDENTICALLY (WITHOUT THE MONETARY ASPECTS)
IF TIME EXPIRES YOU RETAIN THE PERCENTAGE AND "REOPEN FOR SHOP." IF THEY PROCEED THEN THE REST OF THE COST IS PAID. SINCE THE SCRIPT IS YOURS NO ONE PERSON GETS MORE (*CONTINGENT COMPENSATION) THAN YOU; (*REVENUE BASED: AS THE MOVIE IS INTERNATIONAL IN THE THEATERS), (OR THE AGREED UPON *BACK END: TOTAL SUM AFTER THE STAY AT THE MOVIES IS OVER)
THEY (THE STUDIO OR PRODUCTION COMPANY) CAN JUST FLAT OUT BUY THE SCREENPLAY. WHEN THEY ABSOLUTELY WANT TO SHOOT TO RELEASE A FILM FOR THE SILVER SCREENS. THEN THERE IS OBVIOUSLY NO NEED TO OPTION THE SCRIPT.
SHOPPING AGREEMENTS EXIST IN THE (MOVIE TALENT) AGENCIES, AND (MOVIE TALENT) MANAGEMENT COMPANIES SPACE. WHEREAS THEY GAIN THE WRITERS GO-AHEAD TO MARKET THEIR SCRIPT(S) (OBVIOUSLY) FOR GREENLIGHTING THE MOVIE.'

-YESHUA MESSIAH JESUS THE CHRIST *IS* MAGNIFIED IN THIS-
-I GLORIFY THE LORD-
-AMEN & HALLELUJAH-
-MY TALENT, TIME, AND TREASURE ARE UNDER HIS CARE-
NOTE:
THERE IS DEVELOPMENT WITH/ON THE TWO (2) BOOK-TO-FILM SCRIPT'S I HAVE RIGHT NOW. TOUCHED BASED WITH A MARVEL STUDIOS EXEC. ON ONE; I HAVE A UNION DIRECTOR, AND UNION PRODUCER "ATTACHED" FOR THE OTHER!



-HALLELUJAH!-
-IN THE NAME OF THE LORD JESUS, THE ANOINTED ONE (THE CHRIST)! YESHUA, MESSIAH! I EXIST & REMAIN BECAUSE HE LIVES, & BY HIS HAND OF BLESSING(S)!

'AND IF YOU DO *NOT* KNOW THE BIBLICAL JESUS WHOM I AM "HALLELUJAH-ING," AND "AMEN-ING" ABOUT; JUST SAY: "LORD JESUS, COME INTO MY HEART! PARDON ME FOR EVERY WAY I'VE MADE MORAL FAILURES AND MESSED UP IN YOUR EYES! I MAKE YOU MY LORD AND SAVIOR! FRIEND, IF YOU JUST SAID THAT PRAYER, GET INTO A GOOD BIBLE BASED-BELIEVING CHURCH. KEEP THE LORD FIRST PLACE; HE GOING TO TAKE YOU INTO A PERSONAL RELATIONSHIP WITH HIM THAT YOU NEVER DREAMED POSSIBLE!'


'HERE ARE SOME FAITH-BASED RESOURCES:'
WWW.MYPEACEWITHGOD.TV
WWW.BILLYGRAHAMTV.ORG
WWW.PTV.ORG/JESUS
WWW.JOYCEMEYER.ORG/KNOWJESUS
WWW.JOELOSTEEN.COM/FINDACHUCH
WWW.LTW.ORG/JESUS
WWW.LEONFONTAINE.COM/SALVATION

'HERE ARE SOME SOME OF MY RESOURCES FOR FANS, FOLLOWERS, AND AVID READER-SHIP:'
WWW.FACEBOOK.COM/KENNETH.ADRIAN.ELLIS
WWW.SBPRABOOKS.COM/KENNETHADRIANELLIS
WWW.KENNETHADRIANELLIS.COM
WWW.STAGE32.COM/PROFILE/837835/ABOUT