Arthur Slade's Blog, page 9
August 25, 2015
Margaret Atwood for Canadian Prime Minister

The Economy: Not a problem for PM Atwood. She's part poet. And poets are profusely proficient at pinching pennies. So our 1.83 Trillion dollar economy would be more than enough for room and board for every Canadian (and in their free time they could write poems). In fact our economy, being poetry based, would grow from both the heart and the head outwards.
Foreign Policy: Are you worried about Putin messing with Ukraine? Just tell PM Atwood that Putin changed the last line in The Handmaid's Tale to "and it all ended happily ever after." Her icy glare would drive him straight back to the Kremlin. In fact she can reshape borders with that glare. Presidents fear it! Prime ministers and dictators put on sunglasses to avoid it. So all of our foreign problems would be solved with just one raising of her angry eyebrow (you may be curious about the icy glare. All authors have a patented icy glare. They develop it from attending galas where people say such things as, "Oh, you're a writer--what do you do for a real job?"). You do not want to ever push her to defcan 1.*
The Hair: Face it. This is an election about hair. She outclasses all three leaders in this important department. They fear her hair.
Healthcare: Not a problem for PM Atwood. She's a senior citizen. Seniors know healthcare. Just go to your local drug store or doctor's office and ask one. Then go and buy some Q-tips because you'll have had an earful.
Terrorism: Prime Minister Atwood would not be afraid of the terrorist threat that surrounds us so ubiquitously. According to a quick calculation on Goodreads she has personally caused three apocalypses, mercilessly offed 872 characters (not bad, but not George RR Martin numbers) and destroyed twelve marriages. What? That was all fiction! Just imagine if she could rewrite real life from the PMO's office.
The Arts & the CBC & Other Leftist Troughs: She would cut the arts. After all, with our presumptiously profuse and poetic economy pumping to perfection everyone will be buying books and watching Canadian movies and singing Canadian songs left, right and centre. Hockey players will recite poetry instead of fighting. Peter Mansbridge will don a beret and do the news "beatnik" style. And Mike Duffy will do dramatic recitations of a play called MacDuff: Everyone Look At Me and My Bank Account.
The Military: PM Atwood would become our military.
So there you have it. Margaret Atwood is the best choice for Prime Minister of Canada. It's time to write a real change! Everyone grab their pens and vote! #Atwood4PM
*Defcan 1 is not a band that plays music on CBC. It's a state of military readiness in Canada. It means hockey stick in hand and ready to perform a full out body check. Defcon 1 (in case you're wondering) is the defense readiness condition (DEFCON) of the American military. It means nuclear war imminent. Or in layman's terms: fire all your guns and jump in your bunker. Make sure you have some good reading material while you're there.
Published on August 25, 2015 11:05
August 18, 2015
See My Editor Tear My Work to Shreds
The Short version:An author tries not to cry as he reads the "suggested" changes from his editor on the first page of his manuscript.
The DetailsThis is a page from my soon to be released book, Flickers. It's a novel set in Hollywood during the silent movie era. I've lost track of how many drafts I've done of this book. Let's just put it at more than ten and fewer than two hundred. And yet, there are still mistakes made. Places that can be cleaned up. Prose that can be un-purpled. And that's why we have editors (this post goes hand in hand with my "My Editor Says These Two Words I Use Make Kitties Cry" post).
The EditsJust click on the image to make it bigger. Click a second time and it will grow even bigger. Click a third time and you'll be able to see the tear stains on the page.
Gratingly yours,Art
The DetailsThis is a page from my soon to be released book, Flickers. It's a novel set in Hollywood during the silent movie era. I've lost track of how many drafts I've done of this book. Let's just put it at more than ten and fewer than two hundred. And yet, there are still mistakes made. Places that can be cleaned up. Prose that can be un-purpled. And that's why we have editors (this post goes hand in hand with my "My Editor Says These Two Words I Use Make Kitties Cry" post).
The EditsJust click on the image to make it bigger. Click a second time and it will grow even bigger. Click a third time and you'll be able to see the tear stains on the page.

Published on August 18, 2015 13:07
August 15, 2015
Shaun the Sheep is Brilliant

Brilliant! Any movie that can entertain my six-year-old (and me) for an hour and a half is perfect. On top of that, there's no intelligible dialogue--the humans mumble, the sheeps (sic) bleat, the dogs bark. The whole story is implied by facial expressions, set-up, and excellent visual story telling. As someone who has been watching silent films as research for my latest novel, this is in many ways an ode to that style of film making. The only words you'll hear are in the excellent soundtrack. So...two hooves up for this one.
Claymation = awesomeness.
Published on August 15, 2015 19:20
August 6, 2015
Five Reasons to go on a Writing Retreat

The short of it:A cookie stuffed author explains why going on a writing retreat is so very helpful to writing.
The long of it: Recently, I went on a four-day retreat to St. Peter's Abbey. There were eight other writers participating in this escape from the world (or should I say escape into other worlds?). The abbey is in the middle of the prairie in Saskatchewan (which is in the middlish part of Canada). And there are cookies. Did I mention the cookies? It may seem odd that a full-time writer needs to get away, but sometimes it's necessary. Here are the five reasons why it's important to go on a retreat.
1. Clear Your Cluttered MindThe human brain collects tweets, Facebook posts, and Hollywood star "facts" like lint. Sometimes you need to shake all of that lint off. Going to a different place allows you to concentrate on That Which Should Be Really Important Right Now: your writing.
2. To Have Someone Else Look After YouNapoleon used to say, "an army marches on its stomach." But the truth is writers also write on their stomachs. In other words: we need to eat in order to write. And a retreat centre is there to feed your body. For example: at St. Peter's Abbey the meals are served at 8AM, 12PM & 5:30 PM. You walk down to the dining room, fill your plate, eat & return to your room to write or read more. My only worry was whether or not I might trip on the stairs in my hurry to get to the dining room. Of course, I highly recommend having scintillating talk with your fellow attendees during meal time. It's like dessert for the brain.
3. Get Away From Everything & EveryoneChildren are lovely. They make noise. Wives and husbands are lovely. They make lists. Lists get in the way of writing. By the time you've cut the lawn and cleaned the bunions you may not have energy to write. At a retreat no one asks you to cut the lawn (unless you're at a lawnmower's retreat). Your brain and your time become your own.
4. Get Something DoneThe great gift of a retreat is that there are giant big blocks of time to devote to your writing. Time to think slowly. Time to dive right into that project with your brain firing on all six cylinders. One of the advantages of being with a group of writers is it felt as if I had joined a hive of creativity. A quiet one, since there wasn't any noise in the halls other than the occasional tick tick tap of computer keyboards. But I knew they were working. So I wanted to do the same.
5. Get Something DoneDid I mention this twice? Yes, it's that important. And getting something "done" doesn't necessarily mean writing 20,000 words in three days. It's more about getting all those proverbial ducks in a row so that when real life comes knocking you are ready to concentrate. I went with two goals in mind: an outline for a project and a head start on a rewrite of a fantasy novel. That uninterrupted time meant that I could figure out that the outline was going nowhere, so I just dove into starting the novel and then took the time to think clearly about my goals for the fantasy novel. The energy I gained from the retreat is carrying me deeper into these projects now that I'm back in real life.
Oh, and did I mention the cookies?
Art
Published on August 06, 2015 08:49
July 23, 2015
The Canadian Election Explained Using The Lord of the Rings

The Full StoryCanada is a democracy. This may come as a surprise to people outside the country who assumed we were still a monarchy. We just let the queen visit sometimes and ooh and aaw when her progeny have progeny and put them in fancy clothes. But we are a very complicated democracy and the prime minister is head of government for Canada. There are 338 seats across the country and three major parties vying for those seats and the Canadians use a 'first past the post' system which means...oh, what am I saying? Boooring! The winner will be whoever gets the One Ring of Power. Simple as that.
A Story Told from the Liberal Point of ViewLiberals are a middle-of-the-road, today-I-lean-left-tomorrow-I-lean-right, type of party. Or as they like to say: we're a big tent party (don't confuse that with a big party in a tent). This "big tent" means they enjoy camping. And who doesn't enjoy camping more than Elves? Yes, the Liberals are the pointy-eared Elves of the Canadian electoral world. They enjoyed a golden age of rule over the kingdom. Then the great sponsorship darkness came and they had to retreat into the backwoods of Middle Earth and hide from the electorate. The leader of the Liberals is Justin Trudeau, or, as the party likes to call him, Legolas Trudeau Longhair. See my bow? My arrow? Watch me slay Orcish policies and wink at the same time. The Liberals are locked in a good-versus-evil struggle with Stephen "Sauron" Harper. Alas, when the Liberal Elves were busy patting themselves on the back for being such great rulers sneaky Sauron Harper forged his One Ring of ultimate partisan power and stole the throne. The Liberal Elves are going to destroy that ring and get the power back--Elves are the rightful rulers of Middle Class Canadian Earth. But who keeps shouting in the background? Tom Mulcair, the leader of the NDP. It's obvious who he is: Boromir. The man with a great beard who wants to grab the ring for himself. No way, Boromir, you can't have it. That ring is ours! In fact, the parliament is ours forever or my name isn't Legolas Trudeau Longhair. Long live the Elves!
A Story Told From The NDP Point of ViewThe NDP (or New Democratic Party) finds its roots in the Canadian socialist movement of the deep dark past (it's described on page 1254 of the Silmarillion). If you're American just insert the word communist every time you see socialist and it'll all make sense. The NDP are a left-leaning party that lately has been swerving their ideological wagon to the middle of the road. They draw support from all types of workers: the farmers, the hewers of wood and the miners of metals--so obviously they are the Dwarves of this story. And Dwarves hate Elves. For over a thousand years the Dwarves have been crouching in their mines, watching those cute little Elves rule. Then came Sauron Harper with his One Ring of Power scattering the Elves. Oh, how the Dwarves laughed until they realized the Dark Conservative Lord was worse than Elves. So the New Dwarves Party grew their playoff beards and climbed to the great mount of Opposition Party Status. Their leader is Tom Mulcair and, unsurprisingly, he has a beard. What's his dwarf name, you ask? Oin? Gloin? No, no, no, it's Gimli! He was given The Great Axe Of Chopping Conservative Ideology by Tommy "beardless but still a dwarf" Douglas. Gimli Mulcair is also good with a hammer, using it to build a wall around Quebec. He'd even forge a coalition with his mighty hammer if the people would let him. The Dwarves have made their own union-approved Seven Rings of Power. And they will use them to get the One Ring. But that silly Legolas Trudeau Longhair is in the way. Stand back Elves! It's time for Dwarven rule!
A Story Told from the Conservative Point of ViewLong ago there was a party called the Conservatives, a middle-of-the-road, right-leaning party. Then they became the Unionist party and after that named themselves the Liberal-Conservatives and finally settled on the Progressive Conservatives who would lean right and punch with the left. Then came the Reform Party and the Alliance and...ah, this is so confusing. They're the Conservatives again. Simple, right? And they are Hobbits. I know. I know. You can't see it at all. Short? Hairy feet? Cute? But think about it. Hobbits are rural. Conservatives sprang from rural ridings. Hobbits are about bread and butter and beer issues. Pierre "Proudfoot" Poilievre is their spokesperson. And it's obvious that Peter Mackay is Sam Gamgee and Stephen Harper is Frodo. And--Wait. This isn't working.The Conservatives are in power. And the only group who had power at the start of The Lord of the Rings is the Dark Lord and his forces. I know, I know: it's a cliché to paint the Conservatives as the Orcs and Goblins of this story. Here is the real truth: Stephen Sauron Harper is a great, kind and strong leader--he even has the cowboy hat to prove it. And this Sauron is really sore on taxes (get it?).The CBC and other liberal media gave you that whole "the Elves and Dwarves and Free Men band together to defeat the Dark Lord" story. Blah. Blah. Blah. It was total communist propaganda. Friends, let's be perfectly clear. The Elves were running the government for thousands of years and giving money to their cronies. The Dwarves and their unions conspired so that all you good citizens of Middle Earth were paying far too many taxes. And the governmental system was bloated with Hobbits. Bloated Hobbits, I tell you! So Stephen Sauron Harper forged the One Ring of Power with elements of metal given to him by Mulroney and Manning. He took that one ring and brought the country a new vision, the vision of a Conservative Middle Earth where taxes were low and no one had to ever, ever, ever, ever fill out that long form census again. Down with the gold spending Elves! Boot out the union-loving Dwarves! Sauron Harper will cut the taxes on your flaxes (the motto is working great in the Shire). That's the real story. It's better than news, because it's truthful.
The EndJust like the novel, this political story is a nail-biter right to the finish. Will the Liberal Elves rise out of the forest and claim their long lost throne? Will the New Dwarves Party succeed despite the fact that Canadians don't always trust people with facial hair? Or will Sauron Harper don his blue sweater of softness and unleash his Sword of Ten Thousand Tax Cuts. How will it all end? Well, as was mentioned before, Canada has a 338 ridings and a "first-past-the-post" system and with an estimated 25 million votes it all comes down to election day when ... oh what am I saying? Whoever gets the One Ring will win. Or to put it more poetically:
One election to rule them all, One election to find them,One election to bring them all, and in a representative democracy bind them.Other Characters:Elizabeth May is Galadriel. She's an elf, there in the background. Reminding us we should probably save the environment.Gilles Duceppe is Wormtongue. Well, according to everyone in Western Canada. To the Bloc Quebecois he is Frodo. And it's a long, long way to Mount Doom.David Johnston, Governor General of Canada, is Gandalf. Just add a long white beard and it'll totally make sense.
Published on July 23, 2015 10:20
July 7, 2015
Giveaway on Goodreads!
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Goodreads Book Giveaway
Modo by Arthur Slade Giveaway ends July 31, 2015.
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Published on July 07, 2015 15:51
June 18, 2015
My Editor Says That These Two Words I Use Make Kitties Cry
The short of it:
My editor finds an innovative way to point out my repetitious writing habits.
How it began:
I handed in draft number umpteen (that's an understatement) of my 1920's horror novel, Flickers. A short time later (geologically speaking) I received the edited version all marked up in Microsoft Word. All was well and I even laughed when I came across this:
So I dutifully changed it to this:
Then a few pages later this appeared:
Another uproarious laugh exploded from my lips. Exploded, I tell you! This is the kind of back and forth authors love with their editors. And on the next page I found this:
Aha! Game on, I thought. Game on! So for fun, I changed it to this:
And the next one I changed to this:
But something horrible happened. The kitties kept coming. A calvacade of crying kitties.
A cry of pain strangled itself in my throat. The horror! The horror!There was only one logical response:
**No editors were hurt in this process. 17 kittens in total cried. Only one author was slightly damaged.
More fiction, zaniness & stuff at:http://www.arthurslade.com
This post make you laugh? Help an author out by sharing it. Click on any of the links below:
Share on Facebook*Share on Twitter*Share on Google+*Share on LinkedIn* Send Email to a Pal
My editor finds an innovative way to point out my repetitious writing habits.
How it began:
I handed in draft number umpteen (that's an understatement) of my 1920's horror novel, Flickers. A short time later (geologically speaking) I received the edited version all marked up in Microsoft Word. All was well and I even laughed when I came across this:

So I dutifully changed it to this:

Then a few pages later this appeared:

Another uproarious laugh exploded from my lips. Exploded, I tell you! This is the kind of back and forth authors love with their editors. And on the next page I found this:

Aha! Game on, I thought. Game on! So for fun, I changed it to this:

And the next one I changed to this:

But something horrible happened. The kitties kept coming. A calvacade of crying kitties.




A cry of pain strangled itself in my throat. The horror! The horror!There was only one logical response:

**No editors were hurt in this process. 17 kittens in total cried. Only one author was slightly damaged.
More fiction, zaniness & stuff at:http://www.arthurslade.com
This post make you laugh? Help an author out by sharing it. Click on any of the links below:
Share on Facebook*Share on Twitter*Share on Google+*Share on LinkedIn* Send Email to a Pal
Published on June 18, 2015 09:04
June 5, 2015
The 1st Page Critique Offer

Let me read your writing!
The first page of your writing project is the most important. It's where you hook the readers. This is the same truth whether it's a short story, novel, or non-fiction piece. So I'm offering to do a critique of the first page of your piece of writing for anyone who's a subscriber to my newsletter. The actual offer will be in my next newsletter (to come out on June 16th) and will be available until June 30th, 2015.
Hmmm. The word critique bothers me. It implies criticism. Instead I should call it here-are-my-humble-suggestions-take-them-or-leave them. I've been doing this sort of work for over twenty years. In fact I just finished spending nine months as a writer in residence. The most important part of my job was to go over the writing of other writers, mark the work up line by line, then have a one on one discussion (we talked out heads off). I read everything from memoirs, to poetry, to fantastical fiction. Oh, and one engineering paper.
So this is my way of offering a similar virtual experience to you. You can even submit the 1st page on behalf of someone else (a student, your offspring, an elf...even literary pets). Just sign up in the handy dandy box below.
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My Clever Newsletter* indicates requiredEmail Address * Email Format
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The newsletter itself is monthly-ish and has lots of goodies for fans, readers, teachers and other humans. And there's often a prize and competitions. I have so much fun putting the newsletters together--it's the perfect way to procrastinate.
So, please hop on board. And if there's anyone else you think might enjoy this offer (and the newsletter) just click and share on the links below.
Keep on rocking!
Art
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Published on June 05, 2015 09:40
May 26, 2015
Writing lessons from Mad Max: Fury Road
*minor spoilers follow
Mad Max: Fury Road is an understated movie. Oh, I know, I know it's perhaps the greatest action/car chase/things-blow-up movie in existence. But it's also very understated and that serves to make it more powerful.
One of the things I think about when writing is the relationship with the reader. Am I telling the reader too much (IE the ol' show don't tell rule). Am I trusting the reader to put two and two together (and make four, of course) or am I not trusting them and telling them too much backstory (again!)? Readers become more engaged if they are allowed to participate in the story. To not have every scene and emotion handed to them. As writers we must give them space and just enough information to figure out for themselves what the character is feeling. We must keep the story tantalizing.
That's one of the brilliant aspects of Mad Max: Fury Road. Charlize Theoron's character, Imperator Furiosa (love that name), has a disability. She is missing an arm. But the director doesn't give us a long shot of her missing arm and dwell on it. In fact we see her several times before we get a hint that she is using a prosthetic. And even once it is clear that she is missing an arm no one makes a note of it. In fact it's a non-issue (and makes her cooler because of her metal arm). No boring forced dramatic back story. We just know that she has been scarred by some past event and has risen above it. We are allowed to come to that conclusion on our own.
Max himself has a back story. We are told in frightening micro-second flashbacks that he has lost his family. But we aren't hit over the head with a long backstory. He doesn't stop to shout out "My family is gone and that's why I'm so messed up." Again, the viewer is allowed to come to that conclusion.The world they live in is a dystopian world. Again, there isn't a long dramatic voice over telling us all the horrible things that happened to make it that way. We are just thrust into the world as it is and have to figure out the rest for ourselves.
Throughout the movie we are given just enough information to flesh out the characters or the background of the world we are inhabiting. But not once are we slowed down from our pursuit of the story.
And what a relentless story it is.Art

Mad Max: Fury Road is an understated movie. Oh, I know, I know it's perhaps the greatest action/car chase/things-blow-up movie in existence. But it's also very understated and that serves to make it more powerful.
One of the things I think about when writing is the relationship with the reader. Am I telling the reader too much (IE the ol' show don't tell rule). Am I trusting the reader to put two and two together (and make four, of course) or am I not trusting them and telling them too much backstory (again!)? Readers become more engaged if they are allowed to participate in the story. To not have every scene and emotion handed to them. As writers we must give them space and just enough information to figure out for themselves what the character is feeling. We must keep the story tantalizing.
That's one of the brilliant aspects of Mad Max: Fury Road. Charlize Theoron's character, Imperator Furiosa (love that name), has a disability. She is missing an arm. But the director doesn't give us a long shot of her missing arm and dwell on it. In fact we see her several times before we get a hint that she is using a prosthetic. And even once it is clear that she is missing an arm no one makes a note of it. In fact it's a non-issue (and makes her cooler because of her metal arm). No boring forced dramatic back story. We just know that she has been scarred by some past event and has risen above it. We are allowed to come to that conclusion on our own.
Max himself has a back story. We are told in frightening micro-second flashbacks that he has lost his family. But we aren't hit over the head with a long backstory. He doesn't stop to shout out "My family is gone and that's why I'm so messed up." Again, the viewer is allowed to come to that conclusion.The world they live in is a dystopian world. Again, there isn't a long dramatic voice over telling us all the horrible things that happened to make it that way. We are just thrust into the world as it is and have to figure out the rest for ourselves.
Throughout the movie we are given just enough information to flesh out the characters or the background of the world we are inhabiting. But not once are we slowed down from our pursuit of the story.
And what a relentless story it is.Art
Published on May 26, 2015 21:36
Mad Max: Fury Road is an Understated Movie
*minor spoilers follow
Mad Max: Fury Road is an understated movie. Oh, I know, I know it's perhaps the greatest action/car chase/things-blow-up movie in existence. But it's also very understated and that serves to make it more powerful.
One of the things I think about when writing is the relationship with the reader. Am I telling the reader too much (IE the ol' show don't tell rule). Am I trusting the reader to put two and two together (and make four, of course) or am I not trusting them and telling them too much backstory (again!)? Readers become more engaged if they are allowed to participate in the story. To not have every scene and emotion handed to them. As writers we must give them space and just enough information to figure out for themselves what the character is feeling. We must keep the story tantalizing.
That's one of the brilliant aspects of Mad Max: Fury Road. Charlize Theoron's character, Imperator Furiosa (love that name), has a disability. She is missing an arm. But the director doesn't give us a long shot of her missing arm and dwell on it. In fact we see her several times before we get a hint that she is using a prosthetic. And even once it is clear that she is missing an arm no one makes a note of it. In fact it's a non-issue (and makes her cooler because of her metal arm). No boring forced dramatic back story. We just know that she has been scarred by some past event and has risen above it. We are allowed to come to that conclusion on our own.
Max himself has a back story. We are told in frightening micro-second flashbacks that he has lost his family. But we aren't hit over the head with a long backstory. He doesn't stop to shout out "My family is gone and that's why I'm so messed up." Again, the viewer is allowed to come to that conclusion.The world they live in is a dystopian world. Again, there isn't a long dramatic voice over telling us all the horrible things that happened to make it that way. We are just thrust into the world as it is and have to figure out the rest for ourselves.
Throughout the movie we are given just enough information to flesh out the characters or the background of the world we are inhabiting. But not once are we slowed down from our pursuit of the story.
And what a relentless story it is.Art

Mad Max: Fury Road is an understated movie. Oh, I know, I know it's perhaps the greatest action/car chase/things-blow-up movie in existence. But it's also very understated and that serves to make it more powerful.
One of the things I think about when writing is the relationship with the reader. Am I telling the reader too much (IE the ol' show don't tell rule). Am I trusting the reader to put two and two together (and make four, of course) or am I not trusting them and telling them too much backstory (again!)? Readers become more engaged if they are allowed to participate in the story. To not have every scene and emotion handed to them. As writers we must give them space and just enough information to figure out for themselves what the character is feeling. We must keep the story tantalizing.
That's one of the brilliant aspects of Mad Max: Fury Road. Charlize Theoron's character, Imperator Furiosa (love that name), has a disability. She is missing an arm. But the director doesn't give us a long shot of her missing arm and dwell on it. In fact we see her several times before we get a hint that she is using a prosthetic. And even once it is clear that she is missing an arm no one makes a note of it. In fact it's a non-issue (and makes her cooler because of her metal arm). No boring forced dramatic back story. We just know that she has been scarred by some past event and has risen above it. We are allowed to come to that conclusion on our own.
Max himself has a back story. We are told in frightening micro-second flashbacks that he has lost his family. But we aren't hit over the head with a long backstory. He doesn't stop to shout out "My family is gone and that's why I'm so messed up." Again, the viewer is allowed to come to that conclusion.The world they live in is a dystopian world. Again, there isn't a long dramatic voice over telling us all the horrible things that happened to make it that way. We are just thrust into the world as it is and have to figure out the rest for ourselves.
Throughout the movie we are given just enough information to flesh out the characters or the background of the world we are inhabiting. But not once are we slowed down from our pursuit of the story.
And what a relentless story it is.Art
Published on May 26, 2015 21:36