Robert Greenfield

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Robert Greenfield



A former Associate Editor of the London bureau of Rolling Stone magazine, Robert Greenfield is the critically acclaimed author of several classic rock books, among them S.T.P.: A Journey Through America with the Rolling Stones, as well as the definitive biographies of Timothy Leary and Ahmet Ertegun. With Bill Graham, he is the co-author of Bill Graham Presents: My Life Inside Rock and Out, which won the ASCAP- Deems Taylor Award. An award winning novelist, playwright, and screenwriter, his short fiction has appeared in GQ, Esquire, and Playboy magazines. He lives in California.

Average rating: 3.85 · 5,950 ratings · 720 reviews · 29 distinct worksSimilar authors
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Bear: The Life and Times of...

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S.T.P.: A Journey Through A...

3.94 avg rating — 614 ratings — published 1973 — 31 editions
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The Last Sultan: The Life a...

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Timothy Leary: A Biography

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True West: Sam Shepard's Li...

3.92 avg rating — 229 ratings — published 2023 — 3 editions
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Ain't It Time We Said Goodb...

3.52 avg rating — 141 ratings — published 2014 — 7 editions
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A Day in the Life: One Fami...

3.23 avg rating — 98 ratings — published 2009 — 9 editions
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Temple

3.67 avg rating — 9 ratings — published 1982 — 4 editions
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Quotes by Robert Greenfield  (?)
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“derogatory”
Robert Greenfield, Bear: The Life and Times of Augustus Owsley Stanley III

“Unlike the Broadway stage, the rockbiz does not bestow commercial favor on revivals of great old bands. Comebacks are usually unsuccessful and no band that has ever been number one has slipped and then made it all the way back to the top.”
Robert Greenfield, S.t.p.: A Journey Through America With The Rolling Stones

“For the Stones were taking a definite chance. Despite the overwhelming ticket demand and the avalanche of media interest in them, they were going on the road with essentially the same kind of show they had done in 1969. What nobody could forecast was how the kids would react to it. The Stones would do a classic rock and roll set, composed of twelve or fifteen separate and distinct numbers, each with a beginning, middle, and an end, starting out hard and fast, calming in the middle, then all-out rocking at the end designed to leave the audience up and dancing when it was over. When the set ended, so did the show. The Stones rarely did encores. They worked like stars . . . come out, hit ‘em hard, zonk ‘em, then run to the limos before the cheering stops, out of the building and on to the plane. Strictly 1966 Beatles-type stuff that made the distance between the musician and the customer unbridgeable. In the spirit of P. T. Barnum, the Stones always left ‘em wanting more. But”
Robert Greenfield, S.t.p.: A Journey Through America With The Rolling Stones

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