Wil Wheaton's Blog, page 13

a Dream comes true at the world’s end

A person who follows me on Tumblr expressed some lovely and positive things about my performance in Act III of Audible’s The Sandman.

I don’t know if I’ve talked about that here, so here’s what I said to them.

The work I got to do in Sandman Volume 3 for Audible was a dream (ha Dream) come true for me.

I have been a Sandman fan since day one. I got it the day it dropped (still have that issue) and never looked back. When I was in my teens, I hoped so hard that I would somehow get to be part of the Sandman universe someday, but I honestly didn’t see how it would ever be possible. I’m the wrong age, I’m American, and when I looked at the map of my potential future, I just couldn’t find a place on the road that even got me close to Neil’s world.

And then, literal decades after I made the wish, it came true. Neil emailed me and asked me if I would voice Brant in The World’s End.

You know that moment in the movies when someone wins a thing, and they have to look back at the telegram or the bingo card or whatever, many times, because they can’t believe it actually happened? It was like that.

So I said yes, did my best to play it cool and not slime Neil with my excitement, and about a month later, I was in the booth.

The World’s End is one of my favorite parts of The Sandman. I love a good retelling of The Canterbury Tales. I haven’t listened to it, yet (I’m still in Act 1 as a listener) but it was some of the most satisfying acting I’ve done in a long, long time. I just remember how completely and thoroughly I enjoyed it. The words coming out of me, the feeling of them resonating in my chest before they came out of my mouth … knowing that my body was an instrument I was playing to bring music Neil wrote to life … wow. It was so much more than I expected, and it was something I’d been dreaming about (there’s that joke again) for over 30 years.

I can’t say more without spoiling the story. What I will obliquely refer to is a moment when a lot of important characters take a walk, and Brant tells you about it. That is in my top three moments of my entire career to this point.

up and at them

A surprising amount of time went into this low-effort post.

all the small things

I have learned my lesson and am composing this in an offline text editor (xed for those who care.)

Back in the old days, we’d do these posts that collected a bunch of stuff that didn’t fit anywhere else. This is one of those.

Night Mind has a couple of new videos out! There’s a new Backrooms post, and a new Mandela Catalog post that are in my queue.

Yesterday, I cleared a lot of debt off the books that Wil From The Past had accrued. I put clothes away, I did the dishes, I went through half a dozen bags and boxes of stuff that I brought home from conventions this year. The biggest thing I did, the thing that most fun and most satisfying, was cleaning my game room from floor to ceiling. I got out the dusting thing and the furniture polish and the fancy vacuum, and I went to work. It took a couple hours, but with the constant companionship of Bony Danza and the occasional visit from Marlowe, those hours flew by. The air is lighter, the protective layer of dust did its job and the bookcases look great.

If you follow my Instagram stories, you’ve seen my high score posts from my arcade machines, right? You know that I have two different multicade machines, and one of them is the “hard” machine. I play Mr. Do! on both machines, and though I’ve always scored higher on the easy machine, playing the higher difficulty is generally more satisfying. I haven’t played much for the last few months (Cyberpunk 2077 attached itself to the Skyrim receptors in my brain and spent 194 hours there), so it was shocking to me that when I sat down for my first game in a long time, I locked into some kind of symbiotic groove with the game and ended up recording my highest high score of all time! ON THE HARD MACHINE!

…or so I thought until I looked at my high score on the easy machine last night, which is 2000 points higher. I left WAY more than 2000 points on the board during my unexpected run. Damn.

I’m doing a TON of Donkey Kong again, too. I’m working on this piece that Donkey Kong is central to, and I desperately want to talk about it, but I’m gonna hold that back so I’m motivated to finish it. (Level 4 elevators though. Fuck me am I right?)

I can’t recall the last thing I made that brought me as much joy as creating Bert Flag.

ANYway, back to cleaning. I can’t recall, specifically, how it happened, where it started, but I ended up listening to a whole bunch of early 2000s pop punk and stuff while I unfucked the game room. After I’d shared I think three or four tracks on my Instagram stories, I just went ahead and made a little playlist for anyone who feels that need to put Warped Tour from around 2004 into their ear holes. As I wrote in the description, it’s an incomplete snapshot of a very specific moment in my life, and it makes me happier to listen to than I ever would have expected. Feel free to use it as the foundation for your own curated memories.

Speaking of early pop punk … I have to admit that in the early aughts, the part of me that is a First Wave Punk and Hardcore Kid was mildly disdainful to entirely dismissive of pretty much that entire genre. I felt like it wasn’t serious, that it was about girls and cars instead of ending systemic oppression and fucking shit up. I mean, I wasn’t entirely wrong, but WOW did that guy I was miss out on a lot of fun times as a consequence of that foolishness. As a 50 year-old (nope. still doesn’t feel okay to say that.) I can absolutely ADORE all of it, accept it on its own terms, and allow it to exist alongside Bad Religion and Dead Kennedys. I wish I’d had this maturity when I could have seen all these acts live, in their prime. Well, live and learn and always pick up anyone who falls down in the pit.

Anne took this picture of Marlowe and me while we were both sleeping.

Anne and I went to the hockey game last night, and watched the Kings win a game they were supposed to win, which has not been the case as often as it should be this season. I posted a picture from the game like I do, and OF COURSE some dickhead needed to show us his whole ass because we each wear a mask when we are indoors, in public.

I know why this is a whole stupid thing, but I don’t understand it. Yes, dipshit McFuckface made it all political because he is a fuckface, and the single-celled organisms that worship him are dying as fast as they can to own the Libs by deliberately exposing themselves to infectious diseases. (Great job, y’all. I feel SO OWNED.) But I can’t wrap my head around being so fucking stupid that you deliberately make yourself and your family less safe, to make a point that the people you are trying to own could not care less about. I can’t wrap my head around choosing to believe a Fox News personality over an actual doctor or scientist with an actual degree and actual experience and expertise. I just … wow. These people are why there are warnings printed on everything.

So, since I’m already here, I’m going to say this so I can refer to when this happens next time I share a picture of us inside a public place:

When I wear a mask in an indoor public space, I’m not making a political statement. I’m making a choice to protect my health and the health of my family. I’m listening to the advice of experts who are better informed and educated than all of us.

A political statement is something like, “Republicans are fascists and domestic terrorists who don’t care if you die as long as they have power.” Putting on a mask when it’s recommended by every expert who works with public health has nothing to do with my endless contempt and disgust for right wing garbage. Read that as many times as you need to, until you understand the difference.

I realize that it’s VERY important to a lot of extremely stupid people that masking be part of the culture war they’ve been losing my entire lifetime. That’s pathetic, they are pathetic, and I could not care less what they think about me and my personal health choices.

It is a massive waste of time and energy to engage with these people, who only want to waste my time, and yours. I just block them and delete their bullshit, so they have more time to spend with their increasingly worthless not-NFTs.

I wrote this a month ago. It went semiviral. I want it here to be part of my personal, historical record.

Can you believe it’s Solstice already? If December crept up on me, Solstice jumped out from behind a hedge and shouted BLESSED YULE MOTHER FUCKER!

I walked Marlowe this morning, and maybe it’s the Yule in the air, but my neighbors were all extra friendly and chatty. I felt … well, I know that I live in a community, right? I know that, intellectually, but I really felt it, and it was just great.

I’m gonna wrap this up with a couple of media recommendations. Anne and I loved Wednesday and The English. We are about halfway through 1899 (loving it) and just started The Recruit (more fun than I expected). I finished my full rewatch of the first eight seasons of The Simpsons (it falls apart for me right at the beginning of S09 and never recovers) late last week. There are a few clunkers, but the worst one is still more entertaining than anything produced during the Zombie Simpsons era.

Okay, Blaine Gretzky needs to get out on the ice, so I’m gonna elbow and send this. Stay healthy, friends. Remember to be kind; everyone is going through something. And rest in Peace, Grimey.

And then it was December.

And then it was December. Practically the end of December, in fact. The end of the whole year. That was fast.

I was a few words away from finishing when I realized that, without my noticing it, this thought I’d been drawing out for a little bit had become something I was going to post on my blog.

I haven’t been a blogger for a minute, I thought to myself. I remembered all the times we (the Ur-Bloggers, if you will) wrote the obligatory post about not posting. It was easy to fall off the radar in those days, and staying engaged with people who read whatever we wrote was important. After 20+ years, though, I don’t really feel that urgency.

Back in those days, there were two kinds of bloggers: those who wrote all their posts offline, and those who hadn’t had an entire post eaten by a Netscape crash, yet.

Guess which kind I was when I went to publish my shiny new post?

I can laugh about it now. But at the time, I was really bummed out. I’d put together good thoughts about boundaries and reclaiming something I loved that had been taken from me and perverted into something to hurt me. I had some nice turns of phrase, a good conversational tone that made me feel like I was really doing this writing thing, you know?

This year has been something else, man. I don’t have the stamina at the moment to do a wrap up (for one thing, my arm is killing me from patting myself on the back), but until I do… the first half of this year was all about publishing and promoting and supporting Still Just A Geek.

The second half of this year has been focused almost entirely on self care, therapy, healing, and recovery from all the trauma that the first half stirred up. Lots of therapy every week, lots of homework every night, lots and lots of private writing that I’ll never share with anyone. It’s helping tremendously. I’m healing a lot, but discovering that many wounds go deeper than I knew, or imagined. So there’s a lot of work to do and I’m centering myself and my family while I do it.

via lousydrawingsforgoodpeople

I’ve been posting short things on Facebook and Tumblr, and I haven’t missed old school blogging at all, until today. I miss the quick little posts that we’d do before we all moved to Twitter. I miss the lists of links and things that we did before newsletters replaced those posts. I miss the low stakes, when it felt like nobody was watching.

…okay, that’s not exactly true, now that I read it. The stakes were INCREDIBLY high for me back in the day and it was INCREDIBLY important to me that people were watching. But there were long stretches of time when it was just fun. Posts that were just about silly things like pictures of Gary Coleman and KITT, imagined scripts of Robocop as a sitcom, the joy of discovering my voice and where I fit in with other writers. Occasionally starting or participating in a conversation that had positive, meaningful, real consequences in the world. And, of course, a general absence of “Even if we don’t live in the house with the kid who wishes people into the cornfield, his house is in our town, and everything he does affects us no matter how hard we try not to let it oh god we’re all gonna die” in the world.

So in an effort to just kind of take the intense seriousness of it all off the table for a minute, I’m using the most ridiculous theme I could find, to inspire me to just blog like it’s 2003 and nobody’s reading. This post will make less sense in the future, when I change themes again, but if this trick works, it won’t be three months before I post something new here.

it’’s not your responsibility to rebuild a bond you didn’’’s not

This came across my Tumblr and I have thoughts.

I can not remember a time in my life when I felt like the man who was my father loved me. He spent my entire childhood, indeed he spent every day until I ended contact with both my parents when I was in my 40s, bullying and hurting me. Nothing I ever did was good enough for him, and he made sure I knew it.

And my mother, who stole my childhood from me and forced me to work when I was seven, always made me apologize to him when he hurt me.

The very few times I spoke up to defend myself, or tried to say this wasn’t okay, or ever challenged his endless cruelty to me, he would blow up at me, fly into a rage, while she stood by and said nothing. By the time I was in my teens, I recognized this impotent rage for what it was, and I learned how to not react to it. It turns out that passive resistance was effective, I guess, because after he ran out of rage energy, he would pout and sulk. Then he would ignore me for a blissful day or two, before my mother would start the campaign of manipulation to make me apologize to him, because I’d upset him so much. And don’t I love my dad? Nothing is more important than family, Wil. Don’t you love your family?

The thing is, I never did anything wrong. I was never the aggressor. I was a child, reacting to cruelty and bullying from a man I desperately wanted to love me. I never broke any bonds between us, because he never built them in the first place. I watched him forge bonds with my brother, so I knew he was able to give love to his children, he was just choosing to withhold it from me. And my mother’s solution to this was for me to apologize to him more, apologize harder, be more, be better, be the best. Solve the impossible puzzle and I would be loved and valued just like my brother was. It was all on me. I had to do it alone.

I wasted three decades of my life trying to figure out the right way to apologize to that motherfucker so he would finally love me, before I figured out that he will never love me. He made that choice about 50 years ago and nothing I can do will change that, because it was never about me in the first place.

I just realized that my mother never even acknowledged how much, or how frequently, my dad hurt me.
It’s not like she didn’t know. I told her about it a bunch of times, and I know she saw it happen frequently. She was there when he screamed at me, called me names in front of my friends, jabbed me in the sternum with his finger, daring me to stand up for myself. She was there for all of it, and she pretends that none of it ever happened. And if it did, it was my fault.

I tried to confide in her. I tried to enlist my mother to help me deal with my father, and she was unwilling or unable to do a thing to take care of me, her son. I have no memory at all of her ever telling me she was sorry for how I felt when I confided in her, or that it wasn’t my fault, or suggesting that we sit down with him to talk, or anything like that. I can only remember her telling me (directly or by manipulation) that it was my responsibility to somehow win back his favor. She never protected me, never stood up for me, never even acknowledged that what I was experiencing was real. Gaslighted me about it for literal decades after I had realized she was never going to admit that her husband abused her son while she did nothing to stop it.

When he was … I want to say 68? Right before I divorced them, she proudly told me, “Your father is finally working on his empathy…” Okay, she admits he’s never had any empathy, but if I’d just apologized more, you see…

Jesus. What a shitty mom. What a selfish, shitty mom. After everything she took from me, she couldn’t be bothered to stick up for me when I was hurting in my own home. No wonder I spent so much of my life feeling like a thing to them, and not a son.

I know I’m not the only person in the world who has felt or feels this way, and I wonder if I could have saved myself at least some suffering and pain if I’d figured out sooner than I did that he was never going to love me, doesn’t even like me, never made an effort to get to know me, and that none of that has anything to do with me.

It’s hard not to take it personally, but what other choice do I have? I can not repair a bond I never broke, that probably wasn’t even there in the first place, because it has nothing to do with me. It’s just extremely bad luck to be born to a narcissist and his codependent enabler.

I guess I need to remind myself, and anyone else who needs to hear it today, that it isn’t, wasn’t, and will never be about me as a person. He doesn’t even know me, because he never made the effort. He hates me because he hates himself.

It sucks so much, and it’ll never not hurt at least a little bit. But I am doing everything I can to take care of myself, to be the person I needed and deserve. it is so important to remember that it’s not my fault. I didn’t do anything. He made a choice, she made a choice, and they’re both so selfish and emotionally immature, they don’t care how it affected me.

Because it wasn’t and isn’t about me, and I’m going to keep saying that until it stops hurting.

it’s not your responsibility to rebuild a bond you didn’t break

This came across my Tumblr and I have thoughts.

I can not remember a time in my life when I felt like the man who was my father loved me. He spent my entire childhood, indeed he spent every day until I ended contact with both my parents when I was in my 40s, bullying and hurting me. Nothing I ever did was good enough for him, and he made sure I knew it.

And my mother, who stole my childhood from me and forced me to work when I was seven, always made me apologize to him when he hurt me.

The very few times I spoke up to defend myself, or tried to say this wasn’t okay, or ever challenged his endless cruelty to me, he would blow up at me, fly into a rage, while she stood by and said nothing. By the time I was in my teens, I recognized this impotent rage for what it was, and I learned how to not react to it. It turns out that passive resistance was effective, I guess, because after he ran out of rage energy, he would pout and sulk. Then he would ignore me for a blissful day or two, before my mother would start the campaign of manipulation to make me apologize to him, because I’d upset him so much. And don’t I love my dad? Nothing is more important than family, Wil. Don’t you love your family?

The thing is, I never did anything wrong. I was never the aggressor. I was a child, reacting to cruelty and bullying from a man I desperately wanted to love me. I never broke any bonds between us, because he never built them in the first place. I watched him forge bonds with my brother, so I knew he was able to give love to his children, he was just choosing to withhold it from me. And my mother’s solution to this was for me to apologize to him more, apologize harder, be more, be better, be the best. Solve the impossible puzzle and I would be loved and valued just like my brother was. It was all on me. I had to do it alone.

I wasted three decades of my life trying to figure out the right way to apologize to that motherfucker so he would finally love me, before I figured out that he will never love me. He made that choice about 50 years ago and nothing I can do will change that, because it was never about me in the first place.

I just realized that my mother never even acknowledged how much, or how frequently, my dad hurt me.
It’s not like she didn’t know. I told her about it a bunch of times, and I know she saw it happen frequently. She was there when he screamed at me, called me names in front of my friends, jabbed me in the sternum with his finger, daring me to stand up for myself. She was there for all of it, and she pretends that none of it ever happened. And if it did, it was my fault.

I tried to confide in her. I tried to enlist my mother to help me deal with my father, and she was unwilling or unable to do a thing to take care of me, her son. I have no memory at all of her ever telling me she was sorry for how I felt when I confided in her, or that it wasn’t my fault, or suggesting that we sit down with him to talk, or anything like that. I can only remember her telling me (directly or by manipulation) that it was my responsibility to somehow win back his favor. She never protected me, never stood up for me, never even acknowledged that what I was experiencing was real. Gaslighted me about it for literal decades after I had realized she was never going to admit that her husband abused her son while she did nothing to stop it.

When he was … I want to say 68? Right before I divorced them, she proudly told me, “Your father is finally working on his empathy…” Okay, she admits he’s never had any empathy, but if I’d just apologized more, you see…

Jesus. What a shitty mom. What a selfish, shitty mom. After everything she took from me, she couldn’t be bothered to stick up for me when I was hurting in my own home. No wonder I spent so much of my life feeling like a thing to them, and not a son.

I know I’m not the only person in the world who has felt or feels this way, and I wonder if I could have saved myself at least some suffering and pain if I’d figured out sooner than I did that he was never going to love me, doesn’t even like me, never made an effort to get to know me, and that none of that has anything to do with me.

It’s hard not to take it personally, but what other choice do I have? I can not repair a bond I never broke, that probably wasn’t even there in the first place, because it has nothing to do with me. It’s just extremely bad luck to be born to a narcissist and his codependent enabler.

I guess I need to remind myself, and anyone else who needs to hear it today, that it isn’t, wasn’t, and will never be about me as a person. He doesn’t even know me, because he never made the effort. He hates me because he hates himself.

It sucks so much, and it’ll never not hurt at least a little bit. But I am doing everything I can to take care of myself, to be the person I needed and deserve. it is so important to remember that it’s not my fault. I didn’t do anything. He made a choice, she made a choice, and they’re both so selfish and emotionally immature, they don’t care how it affected me.

Because it wasn’t and isn’t about me, and I’m going to keep saying that until it stops hurting.

When you watch The Curse, you are watching two children who were abused and exploited daily during production. No adults protected us.

I had a wonderful time at Steel City Comicon this weekend. It was my first time at this particular con, so I didn’t know there was such a huge contingent of horror fans, creators, and vendors who attend.

I love horror, and I was pretty psyched to be in the same place as John Carpenter and Tom Savini, across the street from the Dawn of the Dead mall. Pittsburgh feels like one of the places horror was invented, at least to me.

A number of these horror fans came to see me, and asked me to sign posters and other things from a movie my parents forced me to do when I was 13, called The Curse. I had to tell each of these people that I would not sign anything associated with that movie, because I was abused and exploited during production. The time I spent on that film remains the most traumatizing time of my life, and though I am a 50 year-old man, just typing this now makes my hands shake with remembered fear of a 13 year-old boy who nobody protected, and the absolute fury the 50 year-old man feels toward the people who hurt him.

I told this story in Still Just A Geek, and I’ve talked about it in some podcasts I did on the promo tour, but I’ve never put it out in public like this, in its entirety.

I suspect someone at the publisher would prefer I tease this and hope it drives book sales from people who want to read all of it, but I honestly don’t want to have another weekend like this one where everything is awesome, except the few times people who have no idea (and why should they) put that fucking poster in front of me, and all the fear, abandonment, and trauma come flooding back as I tell them that I won’t sign it, and why.

To their credit, each person was as horrified as they should have been, told me they had no idea (if they didn’t read my book why would they), and quickly put the poster away. They were all understanding. I am grateful for that.

But I really don’t need to tell this story over and over again, so here it is, with a child abuse and exploitation content warning, so I can just tell people to Google it.

After Stand by Me, everything changed. The attention from entertainment journalists, casting directors, and especially teen magazines came pouring in. The movie was a generational hit, beloved by critics and audiences alike, and every single one of us could pick anything to do next.

River’s parents and his agent got him Mosquito Coast, with Harrison Ford, as his next movie. I also auditioned for the role, but I knew even then that River was going to book the job. He was perfect, and I’d have to wait a little bit for my opportunity to come along.

I went on a lot of theatrical auditions after Stand by Me. I had tons of meetings with directors and the heads of casting at every major studio. It was all a very big deal, and I felt like we were all looking for something really special and amazing as my follow-up to Stand by Me.

At some point, a couple of producers contacted my agent with an offer to play one of the leads in an adaptation of H. P. Lovecraft’s “The Colour Out of Space.” The script was titled The Farm. (It would, of course, be changed when the film was released).

I read it. I did not like it. It was a shitty horror movie, and I saw that right away. It was the sort of thing you rented on Friday when the new release you wanted was already out of the store.

I told my parents I didn’t like it and didn’t want to do it. I clearly recall thinking it was a piece of shit that would hurt my career.

It wasn’t the first thing that had come our way that I wanted to pass on, and every other time, it hadn’t been a very big deal.

Sidebar: I was cast in Twilight Zone: The Movie, in 1983. The film tells four stories, and I was cast as the kid who can wish people into cartoonland. It was a GREAT role, in a movie I still love.

But I was CONVINCED by my parochial school teacher that if I worked on The Twilight Zone, which she had determined was satanic, I would go to hell. (This woman and her bullshit played a big role in my conversion to atheism at a young age, but when she told me that, I was all-in on the supernatural story they taught us in religion class.) I was so scared, more scared than I’d ever been to that point in my life, I cried and wailed and begged my parents to not make me do the movie. And I never told them why, because I was afraid my dad would laugh at me for being weak and afraid. My agent tried to talk me into it, and I wouldn’t budge. It’s the only thing I deeply and truly regret passing on, and I really hate I made that choice for such a stupid reason.

Okay. Back to The Curse.

This time, when I told them how much I hated it, they wouldn’t listen to me. My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.

That is, until they made me take a meeting with the producers of the movie, in their giant conference room on the top floor of a tall building in Hollywood. All I remember about this place was that it was huge; the table was way too big for the five of us who spread around it, and there were floor-to-ceiling windows on three of the walls, but the room was still dark. There was a weird optical illusion in the center of the table, this thing they sold in the Sharper Image catalog, made from two reflective dishes with a hole in the top of one. You placed an object in the bottom of the bottom dish, and it made it look like that object was floating above the whole thing. They had a plastic spider in it. What a strange detail for me to remember, but it’s as clear in my memory as if I were sitting in that room right now.

One man, who I presumed was the executive producer, was European or Middle Eastern (I didn’t know the difference then, he was just Not Like People I Knew), and I was instantly afraid of him. He was intimidating, and seemed like a person who got what he wanted.

I don’t remember what they said to me in their pitch or anything other than how uncomfortable and anxious I was to even be in that room. I tried so hard to be grown up and mature, but I—and my parents—was way out of my depth. I’d done one big movie and that was it. We didn’t have my agent with us, who had lots of experience and would have known what questions to ask.

No, in place of my experienced agent, my mother had decided she was going to be my manager, and she tackled the responsibility with an enthusiasm that was only matched by her absolute incompetence and inability to go toe-to-toe with producers the way my agent did. She was outwitted, outthought, and outmaneuvered at every turn.

So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.

At some point, this man, who is represented in my memory by big Jim Jones sunglasses under dark hair above an open collar, said, “We are offering you a hundred thousand dollars and round-trip travel for your whole family. We will cast your sister, Amy, to play your sister in the movie.”

It all made sense, now. I was only thirteen, but I knew my parents were pushing me so hard because this company was offering me—them, really—more money than I’d ever imagined I’d earn in my life, much less a single job.

I knew that the right thing to do, the smart thing to do, was to say no. There would be other opportunities, and it was stupid to cash myself out of feature films for what I thought was, in the grand scheme of things, not very much money.

It’s incredible to me that I knew all of this. It’s incredible to me that I could see all these things, plainly and clearly, and my parents couldn’t (or, more likely, chose not to).

So after this man made his offer, all the adults in the room ganged up on me, selling me HARD on this movie.

My mother said, “Don’t you want your sister to have the same opportunities you’ve had? Wouldn’t it be fun and exciting to go to Rome? Think of all the history!”

I don’t think about this very often, because it’s super upsetting to me. Right now, I’m so angry at my parents for subjecting me and my sister to this entire experience. But I’m getting ahead of myself.

In that moment, I felt bullied and trapped. All these adults were talking to me at the same time, and I just wanted it to stop. I just wanted to go home and get out of this room. I just wanted to go be a kid, so I did what I’d learned to do to survive: I gave in and did what my parents wanted.

The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.

But here’s the thing: when you watch The Curse, you are watching two children, me and my sister, who were abused on a daily basis. The production did not follow a single labor law. They worked us for twelve hours a day, on multiple film units (while I work on First unit, second unit sets up and waits for me. When I should get a break to rest, they send me to Second unit, then to Third unit, then back to First unit. I was 13.) without any breaks, five days a week. I was exhausted the entire time. I was inappropriately touched by two different adults during production. I knew it was wrong, but I was so scared and ashamed, and I felt so unsupported, I didn’t tell anyone. I knew my dad wouldn’t believe me, and my mother would blame me. Anything to keep the production happy, that’s what she did. That was more important to her than the health and safety of her children. The director was coked out of his mind most of the time, incompetent, and so busy fucking or trying to fuck one of the women in the cast, he was worse than useless. He was a fading actor who was cosplaying as a director, as in over his head as my mother. My sister and I were never safe. Instead of harmless atmospheric SFX smoke, they set hay on fire in barrels and blew actual smoke onto the set. They took buckets of talc, broken wood, bits of wallpaper and plaster, and threw it into my face during a scene inside the collapsing house. My sister is in a scene where she goes to get eggs from some chickens, and they attack her. So they hired Lucio Fulci, the Italian horror master, to direct her sequence. His idea, which everyone was totally on board with, was to throw chickens at my sister. Live chickens, live roosters, live birds. Just throw them at a nine-year-old girl. Oh, and then tie them to her arms and legs so they’ll peck her. All of this happened under my mother’s observation, and with her full participation.

If just ONE of the things I can remember happened to someone I loved, I would have grabbed my kids, gone to the airport, and flown home. Fuck those abusive assholes in the production. Let the lawyers sort it all out. Nobody hurts my children and gets away with it.

My mom says she “had some talks” with the producers. She claims that, once, she wouldn’t let us leave the hotel. (God, what a fucking dump that place was. It was just slightly better than a hostel.) I have no memory of that, but honestly the entire experience was so traumatic, I’ve blocked most of it out.

The movie was the commercial and critical failure I knew it would be. My parents spent the money. I don’t know what they spent it on. I got to keep fifteen cents of every dollar, so . . . yay?

My sister and I hardly ever talk about this. I suspect it was as upsetting and traumatic for her as it was for me. I told her I was writing about it, and asked her if she remembered anything. She told me she’d been lied to her whole life about this movie. Our mother let her believe she had been cast on the strength of her audition. “I was excited to work with you,” she said. She reminded me about some stuff I’d blocked out, including a scene where my character’s older brother (played by an actor named Malcolm Danare, who was kind and gentle, and made both of us feel safer when he was around) shoves my character into a pile of cow shit. When it came time to shoot the scene, the mud they’d put together to be the cow shit looked an awful lot like cow shit. When Malcolm pushed me into it, we all found out it was real cow shit. I was FURIOUS. The director had lied to me and had allowed me to have my entire body shoved into an actual pile of actual cow shit. I don’t remember what I said, but I remember he treated me the exact same way my father did whenever I got upset: he laughed at me, told me I was being too sensitive, reminded me that he was the director and he wanted to get a “real” performance out of me, and concluded, “If it bothers you so much, we’ll get you a hepatitis shot,” before he walked away.

My sister also recalled that, after she survived the scene with the chickens, it was the producers’ idea to give her one as a pet.

Okay, let’s unpack that for a quick second: you’ve been traumatized by these birds, so we’re going to give you one as a pet. That you’ll somehow keep in your hotel, and then will somehow get back to America. It will shock you to learn that neither of those things happened.

She remembered, as I do, the huge fight I had with my parents in our kitchen, where I told them I hated the script and I hated the movie. I didn’t want to do it, and I hated that they were making me do it.

“You don’t have a choice,” my father commanded. “You are doing this movie.”

“This is the only film you are being offered,” my mother lied to me. She made me feel like, if I didn’t do this movie, I would never do another movie again in my life. I had to do this movie. As my father bellowed, I had no choice.

Both of my parents denied this argument ever happened. Can I tell you how reassuring it is to know that my sister, who was also there, remembers it the same way I do?

But one thing she told me, the thing I did not know, the thing that makes me so angry I want to break things, actually managed to make the entire experience even worse than I remembered it.

There’s a scene after her chicken incident where I check up on her in her bedroom. She’s got cuts and bruises, and I guess we talk about it. I don’t remember and I can’t watch the movie because I’m terrified it will give me a PTSD flashback (I’ve had one of those and I recommend avoiding it). Here’s the thing about that scene: she has some cuts on her face, and those cuts are real. They are not makeup.

I’m going to repeat that. My nine-year-old little sister had actual cuts on her face that were placed there by an adult, on purpose.

The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them. My sister told me our mother wasn’t in the makeup room when this happened—honestly, it seemed like our mother was strangely and conveniently absent when most of the really terrible things happened to us on the set—and when my sister told her what they’d done, she “lost her shit” at the production. She was pissed, I guess, which is appropriate and surprising. I wonder what would have to have happened for her to put us on a plane and get us home to safety? I mean, her son being abused daily didn’t do it, and her daughter being CUT IN THE FACE ON PURPOSE didn’t do it.

I just . . . I can’t. I can’t understand or comprehend allowing your own children to be physically and emotionally abused. They were literally selling my sister and me to these people, like we were some kind of commodity.

This was a tough conversation. My sister’s experience with our parents is very different from mine. My sister and I love each other. We’re close. I know it’s hard for her to hear that her brother, who she loves, was so abused by her parents, who she also loves. I was really grateful she made the time to talk to me about it, and grateful the experience wasn’t as horrible for her as it was for me.

As we were finishing our call, Amy also remembered one man, a young Italian named Luka, who was our driver for the movie. I haven’t thought about him in thirty years, but I can see his face now. He was kind, he was friendly, he taught us how to kick a soccer ball, and in the middle of an abusive, torturous experience, he stood out as a kind and gentle man. I mention him because she remembered him, which made me remember him, and goddammit I want at least one small part of this thing to not be awful.

Ultimately, as I predicted and feared, this piece of shit movie cashed me out of respectable films forever. I got offers for movies, but they were always mindless comedies or exploitative horror films. They were never the serious dramas I wanted to work in after Stand by Me. The industry looked at me and River, wondering if one or both of us would become a breakout star. They quickly saw that River was doing real acting work, and I was in this piece of shit. For River, Stand by Me was a beginning. For me, it would turn out to be pretty much everything, at least as far as film goes.

There are thousands of reasons film careers do and don’t take off. Maybe mine wouldn’t have taken off anyway. Clearly, it’s not where my life ended up, and I’m super okay with that now. But when all of this happened, it hurt and haunted me.

The Curse remains one of the most consequential times the adults in my life failed to protect me. Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.

This annotation is the last thing I wrote before I turned this manuscript in, because opening these wounds is hard and painful. I put it off as long as I could, and I feel like I’m still holding back, because just this small glimpse of the experience has taken me a week to write. I can’t imagine trying to go back and unpack the whole thing. (Note that is not in the book: I’ve made an EMDR appointment to work on this because the nightmares have come back after the weekend).

Fuck The Curse, and fuck every single person who exploited and hurt two beautiful children to make it. You all participated in child abuse, and you all knew better. Shame on all of you. I hope this follows you to the end of your life. I hope that living with what you did to innocent children has been as hard for you as it has been for me, because you deserve no less.

it’’s not your responsibility to rebuild a bond you didn’’’s not your responsibility to rebuild a bond you didn’t break

I’m generally not meant to talk about what I’m working on without explicit permission, so earlier today, I posted this on Instagram:

Workin’

You know, like I always do when I’m working on something. It’s fun, and I enjoy having this easily searched archive when I want to pull a memory out of storage.

A little bit later, I added

Be cool and don’t narc on me. Snitches get stitches.

Then I went back to work and didn’t notice until I got home a bit ago that stupid fucking Instagram was like “Hey, how about I crop your image to ruin your joke? I’ll cut your name off the bottom so none of this makes sense lol. Now watch all these reels from people you don’t follow. You’ll see your friends’ posts in … the future.”

So here is the uncropped image which I TOLD Instagram to upload.

See? Narrated by me. I didn’t tell you, thus revealing a secret! You just read an unrelated screenshot. Ha! Ha! Ha!

Have I over explained the joke enough? Find the nearest dad to pick up the baton from me if not.

I’m always told not to talk about what I’m working on, so the publisher can make announcements and do PR at their pace, on their schedule. I always wait and then just amplify their messages. I know lots of professionals do lots of hard work, and I don’t want to step on it or make it harder for them, just to amuse or promote myself.

So, here’s the timeline on this job:

The day the book was announced way back in … I think winter, early in the year? I started getting asks from people if I’d narrate it, since I’d already narrated the first one, it was kind of in my wheelhouse, etc.

At that time, I hoped I would be asked, because I freaking LOVE Randall Monroe’s work, it was a blast doing the first one, and How To, and I loved the idea of getting the team back together (same director and studio) to do it again.

But like months went by and nobody called us, so I presumed they’d decided to use a different narrator. Oh well. Sad trombone but life goes on, long after JCM’s record has stopped playing in the last little pink house that hasn’t been destroyed by climate change.

Then! Then I got an email from my agent about 6 weeks ago, asking if I would narrate What If? 2. I replied something like, “Yes. I don’t even need to read it first. Just close the deal before they change their mind!” And that was that.

I still couldn’t talk about it (or at least chose not to, as expressed above), and when someone asked me if I was doing it, I always said that would be super cool, but I couldn’t say one way or the other.Then like two weeks ago, maybe three, I searched my name on Audible to find a link to one of my NUMEROUS AWARD WINNING NARRATIONS flex and saw that this one was on the list! HO HO! I don’t have to wait! They’ve already put it online!

Which brings us up to about 5 hours ago, when I posted what I imagined was clever, but was missing what I believe was/is vital context.

Thank you for coming to my TED talk.

I’m narrating Randall Monroe’s What If? 2, but you didn’t hear it from me.

I’m generally not meant to talk about what I’m working on without explicit permission, so earlier today, I posted this on Instagram:

Workin’

You know, like I always do when I’m working on something. It’s fun, and I enjoy having this easily searched archive when I want to pull a memory out of storage.

A little bit later, I added

Be cool and don’t narc on me. Snitches get stitches.

Then I went back to work and didn’t notice until I got home a bit ago that stupid fucking Instagram was like “Hey, how about I crop your image to ruin your joke? I’ll cut your name off the bottom so none of this makes sense lol. Now watch all these reels from people you don’t follow. You’ll see your friends’ posts in … the future.”

So here is the uncropped image which I TOLD Instagram to upload.

See? Narrated by me. I didn’t tell you, thus revealing a secret! You just read an unrelated screenshot. Ha! Ha! Ha!

Have I over explained the joke enough? Find the nearest dad to pick up the baton from me if not.

I’m always told not to talk about what I’m working on, so the publisher can make announcements and do PR at their pace, on their schedule. I always wait and then just amplify their messages. I know lots of professionals do lots of hard work, and I don’t want to step on it or make it harder for them, just to amuse or promote myself.

So, here’s the timeline on this job:

The day the book was announced way back in … I think winter, early in the year? I started getting asks from people if I’d narrate it, since I’d already narrated the first one, it was kind of in my wheelhouse, etc.

At that time, I hoped I would be asked, because I freaking LOVE Randall Monroe’s work, it was a blast doing the first one, and How To, and I loved the idea of getting the team back together (same director and studio) to do it again.

But like months went by and nobody called us, so I presumed they’d decided to use a different narrator. Oh well. Sad trombone but life goes on, long after JCM’s record has stopped playing in the last little pink house that hasn’t been destroyed by climate change.

Then! Then I got an email from my agent about 6 weeks ago, asking if I would narrate What If? 2. I replied something like, “Yes. I don’t even need to read it first. Just close the deal before they change their mind!” And that was that.

I still couldn’t talk about it (or at least chose not to, as expressed above), and when someone asked me if I was doing it, I always said that would be super cool, but I couldn’t say one way or the other.Then like two weeks ago, maybe three, I searched my name on Audible to find a link to one of my NUMEROUS AWARD WINNING NARRATIONS flex and saw that this one was on the list! HO HO! I don’t have to wait! They’ve already put it online!

Which brings us up to about 5 hours ago, when I posted what I imagined was clever, but was missing what I believe was/is vital context.

Thank you for coming to my TED talk.

This is 50

Happy birthday to me, and NASA, and Alexis de Tocqueville.