Trisha Sugarek's Blog, page 123

In rememberance….9.11.12

 I wrote this poetry (Haiku) after visiting the rebuilding site at ground zero September 2011.   The grief was still fresh but there was hope mixed in….   

Ground Zero 9.11.11 

Heartache fills the chest

Terrorists murdered thousands 

Pain is fresh and new 

Haunts walk the gardens 

Four hundred trees, firemen all 

the fountain of tears 

Green leafed trees stand tall 

Names carved never to forget 

Red, white, blue flies proud

and  

Anniversary 9.11.11 

I wait to exhale 

will terrorists celebrate 

with their big loud bang? 

walking among us 

to celebrate what they did 

murder innocence 

today, a grief day 

remember a bright, fall day 

ten short years ago

 

Do you ever take inspiration from other Writers…(part 3)

      Have you ever paused your television in order to read Chuck Lorre’s vanity page?  (that’s what he calls it)  He is the head writer, creator and mastermind behind The Big Bang Theory.

Now, I know that I will never write comedy and really don’t aspire to do so. It’s not my thing and if I’m funny when I write I assure you it’s an accident.  In my opinion,  the brilliance in the writing for The Big Bang Theory script is excelled by none.

And Chuck Lorre’s blog?……..well, I think his take on life and how we all muddle through it is dryer than my morning toast.  Did I mention that he was ‘blogging’ before the word had been invented?

Take your inspiration from anyone or any thing…grab onto it and don’t let go………reading Mr. Lorre’s vanity page every week makes me smile and the writing for the Big Bang Theory inspires me to write better dialogue.

 

What’s your favorite word? Nostalgia is one of mine!

     Were you there when the movie “Little Women” came out? Not the new (1994) version…the old version (1949, it’s on DVD)  with June Allyson who played Jo,  Peter Lawford as Laurie, Margaret O’Brien as Beth, Elizabeth Taylor as  Amy, and Janet Leigh (yes! from Psycho fame)  as Meg.   Do you go all nostalgic when you think about those simpler times with  Jo, Beth, Amy, and Meg?  I do.  Have you read the book by Louisa May Alcott?  She was writing about her family.

Part of me wishes I had a bunch of sisters, (be careful what you wish for, right?) part of me wishes that I had lived in a simpler time. I am a part of a family like the Marches.  My mother had  five sisters and six brothers.  I grew up with twelve aunties and uncles.  And so many cousins I still don’t know the number.

So I write about them.  I am much like Jo; writer, tomboy (in my younger days) outspoken and trying to be the very best at what I do…….writing.  

My suggestion to other writers is to write about your grandmother, great-aunt, second cousin, twice removed.  Write about what you know. Write about the past.  I am so very lucky to have the ‘Guyer girls’ to draw from …..I couldn’t make up the stories that they have given me out of their real lives.     

 

Do you ask yourself, “when will my writing be discovered?”

     Okay, so now you have a publisher…your books will fly off the shelves or through cyberspace, right?  Au contra, it’s still going to take some time. Or at least, that’s certainly been my experience….

Samuel French (biggest publisher for stage plays)  picked me up in 2004 and has since published four of my stage plays.  I am so grateful to be in the same publishing house as  Louisa May Alcott, David Mamet, Anton Chekhov, and Tennessee Williams. And the staff is so nurturing to their authors.  But, here’s the reality: No sales the first year, a few the second year, more the third year and so on…….but, sadly, no BIG immediate discovery of this playwright!  Not like in the movies!!

So I kept writing and editing and submitting……and writing more!

I am happy to share with my readers the news that I received a nice fat check from French with reports that reflected my biggest sales period EVER, the first quarter, this year!  Over the last six months they have sold seventy scripts of mine.  Most orders were in multiple quantities which means a theatre company was buying enough books for cast and crew.  And that means that somewhere, out in the world, theatre companies are producing my work!  You might be saying to yourself, ‘that’s not so many’  but think about it.  That’s 11.6 scripts per month. And like I said, most of them were NOT perusal copies (of one) but the number that they would need to produce a show! One production in Bangor, Maine and the other in Phoenix, AZ.

This summer has been a benchmark for me.  We have created a vibrant, new, interactive web site and as of this writing August will exceed any other month on the other sales channels that I use besides my on-line store. My books are finally flying off the shelves of amazon.com (USA and Europe) after eight long years!!

So my message to you is: Keep writing, fellow writers.  When you get rejection after rejection  (as I did) let that be the spur to write more! Use private publishing. ‘Self publishing’ is not a dirty word anymore. ’Vanity’ books are a thing of the past…or almost.  Most of us, as writers, have something important to say and vanity is far, far away from our thoughts.  With the advent of ‘print on demand’ self publishing is not the huge investment it used to be.  I self publish for less than $100. plus the wholesale cost of the finished book.  Sure your publisher takes a cut……but!  You’re published!!

Writing is a lonely business but keep at it.  I’ll believe in you if you’ll believe in me!

Have you worked with an illustrator yet? Here are 12 Tips

       I have two illustrators that I use for different needs.  One needs very little from me in concept; she seems to be inside my head. I send her a synopsis of my story, a few ideas and suddenly there’s my cover!  Just as I saw it in my mind. For the cover to your left, I said  to my illustrator: “It takes place in San Francisco, roaring twenties, my mother owned a bar and grill, she was a flapper and she neglected her two children….”  And this was the result.  Brilliant!

The illustrator for my children’s books is brilliant in a different way.  He reads the story as I write it with clear instructions (from me) on where I want the illustrations placed in my story book.  Then he creates all these different perspectives that I would never have dreamed about.  They are truly wonderful.

So I thought I would share these tips, with you, about working with another artist.  Hopefully they are helpful as you work with your ‘image-maker’.

Tip #1:  Be patient.

Tip #2: They are artists, much like you, so they are sensitive about their art.

Tip #3:  Don’t push them; they have a time-table that might not be yours.  I do state my time-table in the beginning of a project and get some assurance that they will try to meet it.

Tip #4: Be patient.

Tip #5: Be certain that you give them at least two credits in your publication, book or script. I routinely credit them on the back (exterior) cover and on one of the first pages in the book.

Tip #6:  Pay them the most that you can budget.  Remember the old adage: ‘a picture is worth a thousand words’.

Tip #7:  Because I am on a budget; I state my rates (per size of image) right up front.  Be honest.

Tip #8: Be patient.

Tip #9:  Don’t be afraid to use students at an art school.  I routinely use them (or graduates) from the Savannah College of Art and Design.  They are fresh, have the newest technology, and are the most excited by the project.  Do I occasionally meet a ‘prima dona’?  Who, without any work history, without any credits of any kind, without any life experience, behaves as if they work for a big city design firm, expecting top dollar and……. are confused when you don’t see it that way. (sigh) Yes,  I have!

Tip #10: Try to be as clear as you can on what you want in the image.  Don’t be afraid to tweak the work as you and your illustrator work together.  My illustrators appreciate the second set of eyes.

Tip #11: Pay the illustrator promptly.  As I have my illustrator working as I write; when I receive final images I pay him as we go along.  I don’t make them wait until the project is finished to be paid.

Tip #12: Be patient.[image error]

 

 

 

Who, What Inspires your Writing? (part 2)

    You find inspiration in the strangest places.   I was dedicated to writing scripts for the stage.   A few years back, I attended this production of my children’s play, Emma and the Lost Unicorn, outside of Boston .

After the actors had their curtain calls, the Director told them that if they changed out of their costumes and did their assigned tasks back stage, they could ‘have some time with  Trisha’.

So I found myself holding impromptu stage craft classes with these adorable young actors (age 5–18).  I was struck how serious they were about their craft.  Their questions were very sophisticated.  And then it happened……the inspiration to dare to write something completely out of my comfort zone…..a book.

The  youngest ones begged me to write the stories from my scripts in storybook form.  They wanted to have Emma, Stare, Cheets, and Stanley in their personal libraries.  Three children’s books and one novel later I have found a new outlet for my story telling.  These children, who knew no fear, gave me enough courage to try chapter books, poetry, and a novel. Experimental at times, risky at times, scary, but so rewarding.   So step out of your comfort zone and try writing in a different format… it’s very liberating and you might surprise yourself.  I did!

When was the last time you were behind bars? No, seriously!

[image error]             This has been an incredible journey for me as a playwright turned novelist. In play writing you must tell your story in 100 pages or less, definitely in less than two hours and everything you want to relate to the audience must be conveyed through the dialogue.  In the theatre world there’s a term: “method acting” which means you get as close to your character as you can.  If the character you are going to portray is a prostitute, you follow and talk to whores. (been there, done that. Honolulu, 1992 ) If your character is a woman who’s husband has been in prison for the past 13 years, you get inside her head.

I’m a ‘method’ writer,

In 1999 I had reason to visit a men’s DOC facility. (prison).  I was visiting a confessed murderer as research for one of my earlier scripts.  My writing has taken me to some unexpected places to say the least.  On a Sunday morning I found myself sitting in the reception area with three dozen other women.  Wives, sisters, mothers, daughters of convicted felons.  As I waited, I wondered how long they had been coming to visit; how long would a woman wait for her man behind bars; and what a terrible impact this must have on the children, visiting their fathers in this place.  Sitting there I was suddenly compelled to write their stories.  I tried to interview as many women as I could and this was no easy task. Their closed society is cloaked in guilt and shame. But they finally let me in and I discovered, for the most part, incredibly brave and strong women.  They would tell their friends and neighbors, “my husband travels with his work” to explain the man’s absence.  Always appearing cheerful and strong while visiting their men, the women I spoke with, had a pull off down the highway where they would congregate (after leaving the prison) where they could cry, scream, and moan and be comforted.  Where they could share, with other women who understood, what their lives were really like outside the walls.  Away from the eyes of their men and the prison officials.

Fast forward to 2011: My heart had been nagging me for years that my stage play,(by the same name) had MORE to say. And it wouldn’t let up!!  The message was, “you have to tell the rest of these women’s stories. GET BUSY!!”

For someone who was so comfortable writing in the genre of ‘scripts’ this was a scary prospect. Yikes! I thought, a novel was at the very least 70,000 words and over 300 pages long. What could I possibly have to say?  One year and four months later I had a 335 page novel in my hands. Evidently my characters had plenty to say!  At times I was surprised and delighted with my women and their stories. At other times appalled. As many writers will tell you, at some point, the characters sort’a….no…they definitely take over and you become the typist.

I am hoping that my readers enjoy this journey and find some empathy for those women doing hard time outside the walls.

My Review – The Orchid House

 Rating: 4 quills

The Orchid House by  Lucinda Riley  is an intricately woven story of real men and women.   How the author weaves their stories and brings them all together at the end is indeed brilliant.  From a ’grand house’ of rural England to war torn Thailand and back again.

As a child, concert pianist Julia Forrester spent many idyllic hours in the hothouse of Wharton Park, the grand estate where her grandfather tended exotic orchids. Years later, while struggling with overwhelming grief over the death of her husband and young child, she returns to this tranquil place. There she reunites with Kit Crawford, heir to the estate and her possible salvation.

When they discover an old diary, Julia seeks out her grandmother to learn the truth behind a love affair that almost destroyed the estate. Their search takes them back to the 1940s when Harry, a former heir to Wharton Park, married his young society bride, Olivia, on the eve of World War II. When the two lovers are cruelly separated, the impact will be felt for generations to come.

When the last thread is snipped the reader is satisfied and well content with a very good read.[image error]

Where will your writing take you?

             I was going through some old photos to update my gallery here on my site and I came across this wonderful production shot of Latrelle Bright, as Billie Holiday.  The Renaissance Guild in San Antonio, Texas featured “Scent of Magnolia” in their OneAct Series back in…..gosh, I want to say 2003.  Originally I was the playwright, Latrelle was directing it and we had an actress who could sing.  We lost our actress so Latrelle (an accomplished actor) stepped in as Billie Holiday and I stepped up as director.  Happy Accident time!  She was fabulous!  Sang all of Billie’s songs acappella. Who knew she had such a lovely voice?  Standing “O’s” every performance with lots of tears from the audience. (This writer’s dream)

Latrelle is now a happy resident of Chicago (where it all started for me with this script; funny how that worked out) and is pursuing her teaching career in the performing arts.

What a journey Billie and I have had.  Originally I wrote this stage play for a friend (Carolyn) who was a jazz singer in Chicago and where it was ultimately produced.  But since then it has been produced many times in this country and abroad.  It is the most sold (for me) on Amazon.com and most clicked here on the site.

This script started out as a favor for a friend and ended up nine years later as a ‘much loved piece portraying an important part of our African-American heritage.’  When I started this project, I didn’t know much about Billie’s life; just knew that I loved her voice.  The script is historically correct (extensive research) with the only exception being how “Strange Fruit” was born.  Thank goodness we writers can take dramatic license, right?

Click here to read the synopsis.

Bambi was romping in the Austrian forest long before Disney…. [3 of 3 in series]

[image error]I sure didn’t want the fury of Disney coming down on me because of copyright issues while writing “Bertie, the Bookworm and the Bully Boys“.  So it led me to do some serious research on the origins of Bambi and make certain it was public domain.  Now for you new writers, if you don’t understand what that is, write me a comment and I will share. Did you know that Bambi, a Life in the Woods  is considered one of the first environmental, ecology-minded books ever written?  Amazing, right??   Bambi, a Life in the Woods, originally published in Austria as Bambi.  Written in  1923, an Austrian novel by Felix Salten. The novel traces the life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father and experience about the dangers posed by human hunters in the forest. An English translation by Whittaker Chambers was published in North America  in 1928, and the novel has since been translated and published in over 20 languages around the world.

The novel was well received by critics and is considered a classic. It was adapted into a theatrical animated film, Bambi, by  Walt Disney Studios in 1942, two Russian live-action adaptations in 1985 and 1986, and a stage production in 1998.  Janet Schulman released a children’s picture book adaptation in 2000 that featured realistic oil-paintings and many of Salten’s original words. Still available on www.amazon.com.

Now a version of Bambi graces my newest children’s book, “Bertie, the Bookworm and the Bully Boys“. Rather than take the obvious route of having Snow White, Cinderella, or Beauty appear I thought it would be so much more fun for my readers to meet some of the sub-characters like the wicked stepsister, one of the dwarves, Red Riding Hood, and the little piggies….and of course, Bambi.