Aimee Herman's Blog, page 9

It

It was easier to do it myself,

press it firmly between thumb and pointer

pull out its uncertain taste buds

a planet of blood takes its place.
Or I could wait my turn–
as the rest of the women wait on line
each one, sucking on pliers
tongues torn out like paper.

If I am to be silenced,
I much prefer to do it myself
so I swallow my tongue
before they snatch it away,

digesting every word, every protest
every scream sewed into the muscle
still living inside me.

How Many Outlets Do You Need to Plug in a Body

Bodies are appliances (plugged in, burnt, stained and bent, infested with mice). Like poems, they stir. What do we become when we are no longer present-tense singular. What I mean is, when the past drapes around necks, trauma choke hold, and the past becomes bits of swollen teeth biting and bruising. Rot. 

Or what I am trying to get at…a body is anthologized with several editors (some un-cited), disordered chapters, an offensive misspelling on page twenty-seven. 

So you place body on shelf. If it matters enough to you, you alphabetize, you catalogue. You forget its there.

Insert dust mites, black mold, cobwebs of broken fingernails and flakes of skin.

You consider taking it off the shelf to read again or (let’s be honest) to read for the first time through. You get comfortable. Sip the tea you’ve steeped. Chew on the biscuits you’ve fanned out on snack tray. Chapter one is too boring. Chapter seven is too dark. You decide to skip to the end, but it is a run-on sentence which began several chapters before. Your tea spills, the biscuits are so dry, you feign a choke. You realize that to understand this body, you must read all its parts. Even the messy, awkwardly worded ones. So you dig your bones further into couch cushions.

This will be awhile.

Body Luggage

The body is a suitcase. Too cheap to check, more like a carry on. Contraband bone break, too many slaughtered commitments to call it high quality. Chipping, peeling at the corners. Pockmarked and sunburnt and chapped leather (faux). Go on, try and carry this. Go on, try calling it designer or throw back. The handles have been pulled out of shape. There are no pockets, zipper stuck, it cannot lock any longer. Looks like another break in. Go on and report it. Body luggage lost somewhere between moss and sky. There is insurance for times like these, but who can afford that, nowadays?

Rush Hour

Woman on 6 train / stares at my arms as though / they are dear john letters

Written during ages 16 through 35 / the lines are like weeping relationships / blockading skin

Some so deep / you can hear the ghosts of caskets / preparing

Is there a cure?

“Words change depending upon who speaks them; there is no cure.” –Maggie Nelson

 

You say it is uncomfortable. Words are a puzzle without illustration guiding you in and it would be so much easier if we stopped changing our minds about what we are.

You say there is a choice and when you throw those two letters up in the air, you just cannot fathom why heads shake and bodies want to hide because choice should not be determined by strangers.

You say pink or blue but not both and never other shades such as taffy or aegean or flamingo or admiral. You say that department stores separate their fabrics for a reason.

You say there is a book which decides what words mean and one cannot change meanings without consultation but but but.

What would happen if we just stopped worrying about inconveniencing others and spend a day, week, month, hour, rest of our lives living inside the vocabulary, accessories, music of who we are determined by the source that matters most: ourselves.

This Empty Bowl

from Sara Ahmed’s “Living a Feminist Life”: “An empty bowl that feels like an accusation can be the beginning of a feminist life.”

 

Inside, I put pieces of my hair that appear like loose, bloody windstorms. But isn’t it still empty? I use plastic scissors, because I want my fingers to struggle, as I cut away every claim on my skin that has been denied. I place that man’s voice who asked me why my arms were so scarred. I told him: I tried to kill myself. He said to me: You didn’t do it right. But isn’t the bowl still empty? I place laughter–my own–when fingernails like shovels dug beneath armpits behind knees to tickle. I shouted NO! because it was too much. You kept on you kept on because I was laughing. My NOs got folded in somehow. But isn’t it still empty? I practice expository essays each morning to train my voice into a deeper chord. Use punctuation and footnotes and even an alphabetized works cited to show the archival of trauma. Placed into bowl, but you said it just repeated itself. Isn’t the bowl still empty? I electrocuted my fingers and wrists in order to dig out the wiring trying to disconnect us all. Took photographs of all my stretchmarks because society seems to think they are extinct somehow. Mailed you the history of starvation to explain my discomfort with Western fasting culture. Removed the airbrushed bruising on my brain from every drug I ever used to help me escape. Put into bowl. Watched it disappear. Isn’t the bowl still empty? What does it look like to finally be full?

 

 

how to talk about love when it stops talking to you

The floor of your voice smells like slow-dancing globes

trotting over scratched-up versions of songs

I used to know the words of but now

can only whistle because it hurts to pronounce the reek of retired

love stops swarming around me like honey hungry wasps wishing for foreheads to sting,

and do you remember when I hijacked the music video of your loins

but it happened so quickly that what you used to love

to kiss

blurred its way out like an erased track—

that hidden song you had to wait through twelve minutes of silence

to listen to.

Today, a poetry performance in Brooklyn!!

I am excited to read some new poems and even a new Nirvana-inspired poemsong at Della Reading Series hosted by Caitlin McDonnell.

Della is located at 1238 Prospect Avenue in Brooklyn and the event is from 3-6pm.

Other wonderful features include Sarah Sala and Irene Villasenor.

 

Tonight! Hydrogen Junkbox and Friends in Brooklyn!!!!!

Hydrogen Junkbox, your friendly neighborhood purveyors of poemusic, present an evening featuring New York’s most badass poets, music, art and circus burlesque!

Come to Branded Saloon located at 603 Vanderbilt Avenue in Brooklyn. Show is from 7-9pm. It is FREE, but please support this great venue and purchase drinks and/or delicious food.

 

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FEATURING!!!!!!!

Art projections from RACHEL LYNGHOLM

Poet ELIEL LUCERO

Poet AMBER ATIYA

Poet TRAE DURICA

Human Sound Effects Machine ZERO BOY

Poet JANE ORMEROD

Poet THOMAS FUCALORO

HYDROGEN JUNKBOX (Aimee Herman, David Lawton and Zita Zenda) is a performance collective looking to inspire and innovate by stirring music and poetry together into “poemusic”. Beat the cookie drum!

Drunk

You hid your empty bottles behind your teeth because you knew I’d never check there. Your fingers tasted of bitters and bitter and it is so difficult to kiss a drunk because their mouths are always occupied. But last night, I knew time had touched the nooks of our skin because your eyes were river phoenix blue and and mine were the ones stumbling, drunk.