David A. Riley's Blog, page 42

Phantasmagoria

I now have a couple of poems scheduled to appear in the next two issues of Phantasmagoria.

One is When Silver Dusk Suffuses Red. The other, much darker poem is He Thought He Was Dying.

The next issue will also contain my story The Fragile Mask on his Face, which will be illustrated on the cover by Jim Pitts.

Lovecraftiana Magazine - Walpurgis 2020 edition

My story Lurkers will be reprinted in the forthcoming Walpurgis edition of Lovecraftiana magazine. See cover below:

Help-Plants reprinted in The Martian Wave, March 2020 issue

Pleased to receive my contributor's copy of The Martian Wave, March 2020 issue in the post today, containing a reprint of my SF story Help-Plants, which was originally published in Aboriginal Science Fiction.

The Martian Wave

Two Stories Published in Phantasmagoria Magazine - #14 and Special Edition Series #2

This month I have two stories published in Phantasmagoria:

Lurkers appears in Phantasmagoria Special Edition Series #2

Terror on the Moors appears in Phantasmagoria #14 


 

New Stories

By the end of February I had finished four stories that month. Besides

Three Eyed Jack
Incandescence
The God in the Keep

I also completed

The Tract of Calvanicus

In March so far I have just finished one long story (8,600 words):

Floating Free

I am confident that there will be more before the end of the month. This year has been really strange. I have never had a period as productive as this since I first started writing.

January was the best month ever for new stories from me

January was an unexpected marvelous month for either starting and finishing brand-new stories or finally completing stories I started some time ago.

These include three fantasy stories set in the same imagined world:
Baal the Necromancer
The Storyteller of Koss
The Carpetmaker of Arana

Horror stories are:
Hanuman
In His Father's Footsteps
Grudge End Cloggers
Isabel

So far in February I have also completed two horror stories and one fantasy:
Three Eyed Jack
Incandescence
The God in the Keep

And I am currently working on two more stories:
Bloodletting
Whoever Disturbs This Grave

Death on the Arkhan Express by Byron Craft - review

This is my review of Death on the Arkham Express which will appear in the next issue of Phantasmagoria, issue 14.
DEATH ON THE ARKHAM EXPRESSBook 5 of The Arkham Detective SeriesByron Craft
A Lovecraftian story written relentlessly in the style of a pulp fiction hard-boiled detective novel straight from the pulps, Death on the Arkham Express is the Cthulhu Mythos as I have never seen it before. On his way home from New York aboard the Arkham Express, the “Arkham Detective”, as tough a detective as you could find within the pages of any pulp novel, is soon thrown into a violently bloody mystery, which takes passengers and crew one by one till the horrific climax. Not letting the grass grow under his feet, by page three we have our first murder on the passenger train: “Blood contains iron, and the metallic smell was extremely strong when I entered. The red painted cookery reeked of the odor. A crimson body fluid spray marred the narrow galley layout of gloss white walls. Staring at me was my waiter. His head lay grotesquely upon a stainless-steel counter. The features were twisted and torn and mangled. His dead black eyes conveyed a combination of terror and revulsion…” And this is just a foretaste of the horrors to come.Bryron Craft manages to sustain the hard-boiled detective style with admirable glee in a tale that I doubt Lovecraft would have ever imagined, whilst sticking pretty damn close to the mythology. Fast-paced, racy, with nary a quarter given to PC niceties, this is an enjoyable jaunt that gives the Cthulhu Mythos a good old Spillane type kicking with the tongue firmly, but somehow respectfully tucked in the cheek, and at only 75 pages far from outlives its spirited welcome.The great artwork on the cover is by Marko Serafimovic. 


Besides my book review, issue 14 will also include two of my stories (Terror on the Moors and Lurkers) plus some artwork. 

Murder on the Arkhan Express by Byron Craft - review

This is my review of Death on the Arkham Express which will appear in the next issue of Phantasmagoria, issue 14.
DEATH ON THE ARKHAM EXPRESSBook 5 of The Arkham Detective SeriesByron Craft
A Lovecraftian story written relentlessly in the style of a pulp fiction hard-boiled detective novel straight from the pulps, Death on the Arkham Express is the Cthulhu Mythos as I have never seen it before. On his way home from New York aboard the Arkham Express, the “Arkham Detective”, as tough a detective as you could find within the pages of any pulp novel, is soon thrown into a violently bloody mystery, which takes passengers and crew one by one till the horrific climax. Not letting the grass grow under his feet, by page three we have our first murder on the passenger train: “Blood contains iron, and the metallic smell was extremely strong when I entered. The red painted cookery reeked of the odor. A crimson body fluid spray marred the narrow galley layout of gloss white walls. Staring at me was my waiter. His head lay grotesquely upon a stainless-steel counter. The features were twisted and torn and mangled. His dead black eyes conveyed a combination of terror and revulsion…” And this is just a foretaste of the horrors to come.Bryron Craft manages to sustain the hard-boiled detective style with admirable glee in a tale that I doubt Lovecraft would have ever imagined, whilst sticking pretty damn close to the mythology. Fast-paced, racy, with nary a quarter given to PC niceties, this is an enjoyable jaunt that gives the Cthulhu Mythos a good old Spillane type kicking with the tongue firmly, but somehow respectfully tucked in the cheek, and at only 75 pages far from outlives its spirited welcome.The great artwork on the cover is by Marko Serafimovic. 


Besides my book review, issue 14 will also include two of my stories (Terror on the Moors and Lurkers) plus some artwork. 

Book Review: Hidden Wyndham by Amy Binns

This is my review published in Phantasmagoria Magazine #13 Christmas 2019


HIDDEN WYNDHAM: LIFE, LOVE, LETTERSBy Amy BinnsGrace Judson Press 2019£10.95 Paperback
Not without reason was John Wyndham (real name John Wyndham Beynon Harris) known as the “invisible man of science fiction”. Even friends like Arthur C. Clarke were unaware he had been living with a partner for thirty years, till he married Grace Wilson at the age of 60. “Incredibly, after years of friendship, I knew very little of John – I had no idea he had a girlfriend!”
Few writers have what could be called an exciting life, though some do have peculiar ones – and few are more peculiar than Wyndham’s.
His parents split-up when he was only young, but even before this momentous event he spent most of his childhood at boarding schools, between seven or eight in total. He knew little about a normal family life, neither parent being close to him. After graduating at university, he lived an almost monklike life at the Quaker-run Penn Club in London, where he rented a room (cleaned by the club’s servants) and enjoyed communal meals – a life significantly similar to that he had known at school. He lived in a fairly spartan single room in the club for the next thirty years, broken only with his time in the army during World War Two, though he returned back to it after being demobbed. Most of that time he and Grace had adjoining rooms. Only after they were married did they buy a house of their own for the last few years of his life.  Grace was a schoolteacher and it was partly because they weren’t married that their relationship had to be kept secret as it would have meant instant dismissal for her if it ever came out in those days. Why they didn’t marry till after she retired is puzzling, except that Wyndham had little respect for the institution of marriage after what he witnessed of his parents.  
During the 1930s, despite a steady sales mainly to American science fiction magazines he had no significant success as a writer, and it was only because he lived a frugal life at the Penn Club and had a modest allowance from his wealthy maternal grandfather he was able to survive.  Most of his stories were sold under pseudonyms, mainly John Beynon, though he did write several novels, mainly hardboiled detectives with touches of the fantastic, none doing particularly well. It was not until after the War, when he wrote his breakthrough novel The Day of the Triffids as John Wyndham that he suddenly became a success, going on to write The Midwich Cuckoos, The Kraken Wakes, Chocky, and The Chrysalids. Being almost obsessively private, though, he shied from publicity. In 1957 the World Science Fiction Convention was held in London and Wyndham was elected President of its committee, yet apart from presenting prizes his presence was remarkably lowkey. As Amy Binns writes: “There are several galleries of pictures online, but it’s notable how little the president of the affair features. Jack is there handing out prizes at the luncheon, and introducing the guest of honour, John W. Campbell, but he seems to be missing from the fun. He is not amongst the dancers at the ball or sitting with the drinkers and merrymakers. He doesn’t feature in anecdotes or memories.”
Amy Binns’ biography is detailed, interesting and sympathetic to a writer she obviously likes and admires. It is impressively researched, with some excellent black and white photographs, including magazine and book covers, and a detailed analysis of his major novels and short stories, noting any significant links they might have with his life.
It is all in all a fascinating book, shedding considerable light on one of the most important science fiction writers of the second half of the twentieth century, a man whose influence still extends far beyond his death in 1969 aged 65. He redefined science fiction, especially in Britain, and is one of the few writers whose works never date, with several adaptations of both The Day of the Triffids and The Midwich Cuckoos (aka Village of the Damned) on TV and film, not to mention the radio, and no one would be a surprised to see more of both in the future. It is one of the best literary biographies I have ever read and a must for anyone interested in the history of science fiction, especially in the UK.
Dr Amy Binns teaches journalism at the University of Central Lancashire, Preston. She has a wide range of research interests, including difficult behaviour on social media, interwar feminism and local reporting. She is the author of one previous book, Valley of a Hundred Chapels: the Lives and Legacies of the Nonconformists. 


























Phantasmagoria Magazine £7.99 - Amazon UK

Phantasmagoria Magazine issue 13

Looking forward to another bumper edition of the fantastic Phantasmagoria magazine. This issue includes one of my few science fiction stories Gwargens, which has only ever been published once in Beyond magazine in 1995. I also have a review of Amy Binns' superb biography of John Wyndham - Hidden Wyndham. Plus I have a couple of pieces of early artwork. As always I am chuffed to be included in this great magazine.
Issue 13 is out this weekend and available through amazon. And at £7.99 for nearly 300 large pages an absolute bargain! And of course it has a vast array of brilliantly talented people in it with whom it is a great privilege to share its pages.
The kindle edition is available now; the print edition will be available shortly. Phantasmagoria #13