Nikko Lee's Blog, page 16
October 18, 2014
Writing Worry #28: Missing the mark
Story ideas are a dime a dozen. They come at random, anywhere, anytime. Sometimes it's an interesting personality that sparks an idea, other times it's a fascinating dilema or situation. Over the last year, I've let submission calls be my source of inspiration for story ideas. It's been a fun exercise that has resulted in a half dozen publications. However, not every story found a home.
One story I trunked after the first rejection letter because I knew it was fatally flawed.
Two stories have seen several rounds of re-writing and submissions only to still not find a home. One that made it passed the initial cut but failed to make the final cut is probably good to go on to another submission. Then there is my problem child submission.
The problems comes from trying to make a story out of one sentence that I absolutely fell in love with. I've tried a few times to capture the story behind that one sentence and still feel like I'm missing the mark. A couple of beta readers have made some valid points about the writing itself. Too much exposition. Too little in the moment. These were worries I had at the last submission attempt. The question becomes to re-write or trunk.
With the little one due any day now - seriously, she's over a week overdue right now - I likely won't have much mental focus or energy to write. I wonder if that one sentence is a darling that needs to be put out of its misery so that I can find the story I want to tell.
October 6, 2014
Wolf Warriors: Writing for a Charity Anthology
This has been a year of very active short story and flash fiction writing as I tried to reaffirm my belief that my stories are good enough to publish while receiving copious rejection letters for Wolf Creek and procrastinating on editing my first novel outside of the paranormal genre.
My rule for writing a short piece for submission was that I had to find the submission call intriguing in some way. Bonus points if some kind of royalties or payment was offered. Really, I was just looking for reassurance that I could write a story that someone would want to read (and think others might want to read).
I've been a Facebook follower of the National Wolfwatch Coalition for a little while now. Wolves are beautiful and interesting animals that both scare and fascinate people. They've been hunted and revered. It's hard not to find some controversy when wolves are re-introduced into a habitat they once occupied. It's pretty horrific what happens to wolves and dogs mistaken for wolves in some places. Yet these are deadly predators not pets.
When I saw the submission call for a charity anthology to raise money for the coalition, I was reminded of a wolf poem John from the EPL writing group had read a few months back - it was also accepted for publication in the anthology. Then I felt compelled to write my own wolf-inspired flash fiction.
Great Mother Wolf is a creation myth flash fiction. It was among my few submissions outside of the realm of paranormal. I wanted to capture the primal essence of these animals as well as creation on the level of the individual - as I am experiencing in my pregnancy - and on the level of the universe. It was a fun challenge, and I was thrilled it was accepted. Plus I get to say that I am a collaborate to an anthology with Catherine Valente.
I just placed my order for a paperback copy today. Net profits go to National Wolfwatch Coalition.
October 1, 2014
Black Mountain (Franklin, Maine)
Admittedly, there haven't been too many hiking posts this summer. We took less trips, half of our Wednesday hikes were rained out and hiked a lot of the same trails we hike every year. Hiking for two definitely has slowed me down. With the end of pregnancy in sight, I couldn't resist one more peak.
[image error]Last Sunday, I met up with my dog walking group (minus the dogs) to hike Black Mountain (1000 ft; trail information and map). It took about 3.5 hrs to cover 5 miles. Although we weren't out to set any records.
I was surprised at the initial steepness of the trails. At 38.5 weeks pregnant, trekking poles are now a must. I was relieved when the dirt trail transitioned to flatter rock and the views opened up.
There are a few rock scrambles on this trail and lots of mossy forest nooks. From the top, there is a 360 view of the area including MDI and a wind tower field I wasn't aware of.
This is listed as a moderate hike because of some steep sections. However, it's a pleasant hike. We saw a few people with dogs on the trail. But I was glad to have left my natural puller at home. This will probably be my last mountain hike until after Lil' Miss Bean arrives and I get back into hiking shape.
Black Mountain (Maine)
Admittedly, there haven't been too many hiking posts this summer. We took less trips, half of our Wednesday hikes were rained out and hiked a lot of the same trails we hike every year. Hiking for two definitely has slowed me down. With the end of pregnancy in sight, I couldn't resist one more peak.
[image error]Last Sunday, I met up with my dog walking group (minus the dogs) to hike Black Mountain (1000 ft; trail information and map). It took about 3.5 hrs to cover 5 miles. Although we weren't out to set any records.
I was surprised at the initial steepness of the trails. At 38.5 weeks pregnant, trekking poles are now a must. I was relieved when the dirt trail transitioned to flatter rock and the views opened up.
There are a few rock scrambles on this trail and lots of mossy forest nooks. From the top, there is a 360 view of the area including MDI and a wind tower field I wasn't aware of.
This is listed as a moderate hike because of some steep sections. However, it's a pleasant hike. We saw a few people with dogs on the trail. But I was glad to have left my natural puller at home. This will probably be my last mountain hike until after Lil' Miss Bean arrives and I get back into hiking shape.
September 14, 2014
Writing Worry #27: Am I a writer if I don't write?
In some ways, this year has been a very productive writing year for me. While I haven't progressed far in my first round of editing Safe Word, I've made substantial progress toward building my bibliography by submitting short stories and flash fiction. In a matter of weeks, my life is going to take a dramatic change with the arrival of our first child.
There are plenty of authors with families, day jobs and other responsibilities that manage to carve out time to write. I know it's possible, but it could be some time before I find a new normal and identify where I can carve time from.
I've always had some trepidation about labels. Writers write. It is an action. Just like martial artists - which I used to be - train. Rock climbers climb. Cyclists cycle. What are they when they are not doing that thing that earns them that label? How much time needs to elapse before toting that label just seems silly?
I've gone through writing droughts before. Perhaps the longest was between my early years at college after completing my first attempt at a novel and graduate school when I resumed writing largely because of the support of an online roleplaying group. Since then I have had months of not writing, but the love of story craft always pulls me back in.
I have no idea what challenges the arrival of our daughter will bring or what the next year of trying to adjust to redefining my role as parent, spouse, curator, etc. will bring. Priorities are going to shift. I can't wait to get back to a more regular pattern of physical activity. I also will need to decide which hobbies can still be pursued.
My last submission for a poetry contest will go out by the end of the month. Right now it's easier to concentrate on smaller works. I may not finish my were-bear story. I'm waiting on a few submission responses including my second publisher submission for Wolf Creek.
After that? I hope to still find some time to write now and then so I can justify calling myself a writer.
August 23, 2014
Why the sale matters to me
A few weeks ago, I posted about there being no yard stick for success in publishing. For every accomplishment there seems to be another goal just beyond an authors reach. One of my personal measures for success - at least at the level of the story - is a sale/acceptance to a publisher or editor then to a reader.
I've learned over the years that if I want people to support my published works, I need to let them know that it's out there and encourage them to buy it. A sale for an anthology, short story or novel means increased name recognition for me. If someone likes the story and tells a friend who tells a friend etc. Many authors will talk about selling a book one sale at a time. That's the reality even for a mid-list'er with a big five publisher, let alone an unknown part-time author like me.
I'm under no illusions of getting rich or being able to quit my day job. My writing and recognition factor just aren't on that level. For me, the sale is about building my audience and getting more people to just look at this website and maybe, just maybe, read one of my stories. One day I will get that print novel contract and have an audience to share it with.
There's no point in modesty when it comes to publishing.
August 5, 2014
Maternity-inspired horror fiction
Pregnancy, especially the first time around, is a time filled with unknowns, changes and a lot of scary possible outcomes. The first few weeks are spent wondering if it's really happening even as your body undergoes changes from mood swings to morning sickness. There's the fear of something going wrong despite your best efforts to give the growing little one the best start in life. Then there's the fear of loss that lingers at the back of the mind every step of the way. Even as I approach my last few months of this pregnancy I still think about everything that could go wrong and how I would deal with it.
It's no wonder that my thoughts and experiences throughout this pregnancy have crept into my fiction.
Authors often draw on experience for inspiration. But they also draw of fears. I heard that Stephen King often wrote about the bad stuff in life and inside people specifically to get that darkness out of his system.
So far I've written about:
-a picky eater zombie who must chose between the base desire to eat and her maternal instinct after losing her own child in Brainatarian
-the loss of an unplanned pregnancy during a post-apocalyptic world in A Mother Knows
-a father who will go to any length to save his unborn daughter even if it means cannibalism in Bouillon de Bebe
That last story was just published in Dusty Wallace's People Eating People: A Cannibal Anthology. When I first saw the submission call, I knew I wanted to submit a story. Besides my fascination with survival stories that sometimes necessitate compromising morals and norms, the call reminded me of a short story published in Lightspeed magazine that haunted my thoughts long after I listened to it.
'The Taste of Starlight' by John R. Fultz is an eerie sci-fi short story that starts off with a scientist on a mission to save a planet faced with starvation when a ship malfunction threatens his mission and survival. His descent into madness and the lengths he will go to stay alive were first understandable, if gruesome, then progressively became more and more extreme.
At first, I had thought to write about a pregnant couple stranded on a spacecraft or planet. However, the logistics of their survival set-up and their motivations to stay alive kept tripping me up. I also wanted to write something more down to earth and possibly going on now. I found my inspiration in a combination of a French Canadian upbringing and my life in Maine.
The end result was Bouillon de Bebe. Yes, there is cannibalism in it. But you'll have to read the story to find out more.
July 21, 2014
Writing Worry #26: Encouragement isn't critique
I'll admit it; I love a good review. Nothing makes me happier than hearing how much someone has enjoyed my writing. Truly, I love to see the reader/listener reaction at my writing groups as they process and grasp what's going on. If I've done my job well, I might even see that spark of understanding a theme, idea or emotion that I meant to convey.
These moments are few and far between. Mostly, writers create in their own space. A part from writing groups and beta readers, often the only feedback they get is the form rejection letter when they submit to an agent, publisher or submission call. Of the nearly twenty agent rejection letters I've received for Wolf Creek, only one didn't look like a form letter. The agent took the time to tell me that she didn't think the idea for the novel was unique enough to sell – a worry that already has a footing in the back of my mind.
Worse than the void of no comments are the well-intentioned words of encouragements that take the form of vague compliments.
'I loved it.'
'It was great.'
'Don't change a thing.'
'It's perfect.'
'I can see the movie already.'
While these compliments can be ego boosters, an author who has opened more than a dozen rejection letters knows how empty these comments can be. Nothing is ever perfect. All works could be improved, especially after only one draft. These comments leave the author with no idea of where to go to improve their work. Unless these words are coming from someone who is offering me a publication contract, I say thank you, enjoy the pat on the back and go back to the work of creating a solid story.
If a reader can give me specific examples of what they loved, great. It's even better if they tell me where the story lost them or the characters came off as unrealistic. Critiques that point out strengths as well as weaknesses, as subjective as both may be, are far better than well-meaning statements of praise.
Encouragement is like dessert; yummy, but full of empty calories. An author needs balanced and specific criticism to thrive.
Writing Worries #26: Encouragement isn't critique
I'll admit it; I love a good review. Nothing makes me happier than hearing how much someone has enjoyed my writing. Truly, I love to see the reader/listener reaction at my writing groups as they process and grasp what's going on. If I've done my job well, I might even see that spark of understanding a theme, idea or emotion that I meant to convey.
These moments are few and far between. Mostly, writers create in their own space. A part from writing groups and beta readers, often the only feedback they get is the form rejection letter when they submit to an agent, publisher or submission call. Of the nearly twenty agent rejection letters I've received for Wolf Creek, only one didn't look like a form letter. The agent took the time to tell me that she didn't think the idea for the novel was unique enough to sell – a worry that already has a footing in the back of my mind.
Worse than the void of no comments are the well-intentioned words of encouragements that take the form of vague compliments.
'I loved it.'
'It was great.'
'Don't change a thing.'
'It's perfect.'
'I can see the movie already.'
While these compliments can be ego boosters, an author who has opened more than a dozen rejection letters knows how empty these comments can be. Nothing is ever perfect. All works could be improved, especially after only one draft. These comments leave the author with no idea of where to go to improve their work. Unless these words are coming from someone who is offering me a publication contract, I say thank you, enjoy the pat on the back and go back to the work of creating a solid story.
If a reader can give me specific examples of what they loved, great. It's even better if they tell me where the story lost them or the characters came off as unrealistic. Critiques that point out strengths as well as weaknesses, as subjective as both may be, are far better than well-meaning statements of praise.
Encouragement is like dessert; yummy, but full of empty calories. An author needs balanced and specific criticism to thrive.
July 9, 2014
Writing Worry #25: No yard stick for success
When I was a college student, I excelled at tests. The thrill of getting a good grade was a confirmation of my hard work. Then graduate school came with yearly meetings with my advisory committee and the rare course that gave out standard grades. It was tough at first to know whether I was on the right track in my research because there were no tests, no grades. There was no one there to assure me that all my hard work was paying off. Five years later, I had a degree and a couple of peer-reviewed publications under my belt.
As hard as it was to deal with insecurity of not knowing if my research was headed in the right direction, it is even worse when it comes to writing. Other than a big-five publishing contract or a New York Times bestseller, how do you measure success?
When I first started pursuing fiction publication, my goal was to publish without having to pay for it. I had a friend who had vanity published. However, I was determined that if my writing wasn't good enough to get someone else to pay for publishing it then I shouldn't get my hopes up. It took me two years to find a publisher for Between Love and Lust.
I set my sights on a print publication contract. Unfortunately, I couldn't sell my dark fantasy novel to even e-publishers. I'm in the process of finding a publisher for my LGBT YA urban fantasy. Attempts to find an agent were only me with form rejection letters.
While I am disappointed neither of my last two novels sold, I understand why each of them isn't a good sell for print publishing.
This year I have been writing and submitted short stories while I procrastinate on editing my erotic thriller novel. It was partly to set and achieve a writing goal and partly to reassure myself that my writing was up to publication standards.
After selling more than half of my new short stories, I am still left with some uncertainty. While I can produce fiction that others want to publish, I still don't know if I can produce a novel that is not only good enough but interesting enough to find a print publisher.
Each step of success seems to bring the realization that I could set my sights on another goal. A big five publishing contract or a New York bestseller are probably never going to be within reach, there are plenty of other writing goals to strive for.