Michael Offutt's Blog, page 88

I don't like westerns and I think it's because there's something I don't get about them.

I think I've given up on Westworld, but not because it wasn't high quality. It is exactly that. It's a high quality series that's well-written and showcases some of the best talent in Hollywood today. And it has an important message, not only about how we view the Turing test but about the dark depths of humanity's inner cravings. But every time it's on, I almost fall asleep on the couch. I just don't like Westerns. Living out here in Utah, I'm a standout. Out here, lots of people love Clint Eastwood's "The Outlaw Josey Wales" and "Unforgiven." They love TV series like "Lonesome Dove" and they decorate their homes with antlers and guns. I think I'd just rather watch something that didn't have guns and horses in it. I like cowboy boots, but it's not enough to want to watch a Western just like it's not enough to listen to country music.

Westerns...I don't like the look of them. They're not colorful movies, are usually poorly lit, and are filmed on grimy sets. There always seems to be a holiness and heroism aspect to westerns with one guy standing out that has far superior skills to everyone else. And "the guy" is the epitome of western white ideals of masculinity that seek to walk a fine line between being unemotional and restrained with the ever present threat of gun violence. Of course, every western has to have some kind of storm. It wouldn't be complete without one (with the horses running scared, everyone getting wet, and ominous flashes of lightning). And there's the inevitable bromance that develops, and when it's interrupted when "the guy's" bro gets killed, it becomes a story of vengeance and justice (maybe with a woman crying her eyes out thrown somewhere in the mix). In a sentence, maybe it's because it glorifies redneck culture.

When I start watching Western movies, inevitably I look at the clock. It blows my mind that westerns used to be so popular. It says volumes about Michael Crichton that he wrote Westworld when I couldn't even contemplate positioning any kind of story in the Old West. Maybe they were so popular because in the early days of Hollywood, endless dull retellings of the great American frontier were easy to shoot.

Anyway, there's clearly something that I don't get about westerns.

The final trailer for Rogue One has sent chills down my spine and December 16th can't get here soon enough.

The final trailer for Rogue One recently hit the interwebs, and it gives me chills I tell ya. I think my favorite scene is this one, where Vader is totally marching (with menace) towards the dude in the white cloak. It gives me shivers, and it reminds me a lot of why Vader is so legitimately terrifying.
[image error] Still, the dialogue for this scene could very well go like this (putting on screen writer cap):
Vader: "I understand that you just had lunch...a BLT with mayo...is that correct?
Poor Bastard: "Y-Yes L-Lord V-V-ader."
Vader: "I see. Now when you picked up this BLT with mayo...did you perchance bother to check for a name, written in large black letters on the bag?"
Poor Bastard: "L-Let me explain! It was a miss.... Gah!" (Vader raises his hand and points. Poor Bastard starts choking to death).
Vader: "This is a yes or no question...."
Hmm. So many feels about this trailer. How to sum them all up.
First: it looks and feels like Star Wars and yet also looks and feels like no Star Wars that's ever been. Anyone else getting that vibe?
Second: Is it just me, or is the most beautiful looking Star Wars movie yet? Maybe I just like all the summertime jungle shots or the Star Destroyers hovering against the sky or the Death Star coming up on the horizon of a planet looking like an awfully strange moon. It just tweaks all of my science fiction coolness buttons.
Third: The rock statue that looks like a fallen jedi reminds me of the ancient rock statues we saw all over the Lord of the Rings trilogy. I remember Peter Jackson saying, "We wanted the viewer to get a sense that there was this ancient civilization by showcasing its remains." It kinda has that "feel" to it, and I likes it...a lot.
Fourth: Does the trailer seem kind of dark to you? I could feel the oppression in the movie, and it may be a divisive film to Star Wars fans. I love darkness in films, so I think I'll be in the camp of those who feel it's just right. 
Five: It's possible that this film is more about the creator/engineer of the Death Star's super laser than of the vessel itself. That being said, I hope we get to see a rear view of the Death Star. I've long suspected that there are huge engines back there allowing it to go into hyperspace.

Six things I absolutely loved from the premier of Supergirl on the CW.

Supergirl premiered on the CW for its second season Monday night, and of course I loved it. They didn't hold back on anything either. Right off the bat, Clark Kent (as Superman) showed up, and it was refreshing to see a more light-hearted version of the Supes (instead of the brooding dark one that we've seen in the movies destroying cities in practically every scene). Maybe we should all just admit that this series (and Benoist) are a national treasure. After all, her bursts of silliness are what all of us need this month leading up to the election.
[image error] So here are six things I loved: 1) the Flash cameo in the opening credits (because I can never get enough Grant Gustin), 2) the fact that even with Superman around the show managed to stay central to Kara Zor El, 3) Cat Grant was back (I heard a rumor that the actress that played her was thinking of moving on from the series, and I'm so glad that didn't happen),  4) Cat Grant yelling, "Miss Tescmacher!" was awesome (for those of you who don't know...Miss Tescmacher was Luthor's love interest/henchwoman from the 1978 Superman film, and she comes and goes in comics canon), 5) the idea of Cat Grant sending Clark Kent drunken sexts was the absolute best, and 6) an actor and writer got both Supers right. They managed to capture what makes Superman and Supergirl dynamic heroes. Case in point: after they save the rocket and are confronted by innocent bystanders, Kara says, "This is where I usually say hi," and he says the same. It's moments like these that build character.

All in all, this premiere episode felt like a reboot (or a pilot for a brand new series). It's got me excited, and I think Supergirl has found its home alongside all the rest of the DC lineup on the CW.

The Great Wall movie by Zhang Yimou promises to be the valentine's gift I totally deserve.

I want to see The Great Wall movie that's coming out in February even though it's a Chinese spectacle that's somehow found it reasonable to cast American Matt Damon as its star. Just to be clear, I like Matt Damon, but I kind of think that it's a little strange to have an American in a title role for a Chinese film. Not too weird...but it gives me pause in the same way as Tilda Swinson's casting as the Ancient One in the upcoming movie, Doctor Strange. But...whatever.

Or maybe I'm just noticing Matt Damon being so important in the movie, because the movie is being marketed to American audiences. Gotta admit that this is probably the more likely explanation. In that case, never mind my above comments. We do have assurances from Matt Damon that him being cast is "not whitewashing."

I know most of you probably haven't even heard of this movie, so I'll embed the trailer below. And to tell you a little about it, the movie is from director Zhang Yimou (who made Hero), and it's a complete fantasy about giant monsters attacking the Great Wall of China in some ancient, alternate history. Matt Damon and Pedro Pascal are mercenaries fighting alongside the Chinese armies. And as usual, Zhang uses color really well.

If you get around to watching the clip, I do have a question for you: Did anyone else find it odd that Damon is playing a man from the West but has an American accent? Meanwhile Pedro gets to do a Spanish accent even though his real accent is decidedly American. That just seems odd and is probably something that not too many audiences will notice. But yeah, I noticed it so I'm pointing it out :)

The Insecure Writer's Support Group wants to know when a writer acknowledges that their story is ready.

I'm a few days late for the Insecure Writer's Support Group post, but at least I'm in the same week. I guess October snuck up on me, so I apologize to those who participate in the Insecure Writer's Support Group that came here on Wednesday looking for my answer to the question of the month.

So October's question was, "When do you know your story is ready?" I think I'm reading this question in two ways. It's either asking me when I know I'm done with the first draft or when do I know I'm ready to publish. So, I think I'll go ahead and answer both questions.

Q1: When do I know when I'm done with the first draft? I am a fairly traditional writer so I do a detailed outline that picks off the events that I want to accomplish and these all lead toward a climax. Once the climax is over, then it's usually just one chapter after that in which I finish. Fairly boring, right?

Q2: When do I know when I'm ready to publish? It's basically a feeling in that I'm sick of working on it, and I know I've taken it as far as I want to and I just want it done. I want it over...so that I can get on with my life.

I may be different than some authors when I say that the most fun comes in writing the first draft. Revising and editing and formatting is tedium ad nauseum. There hasn't been a piece of writing I've finished yet in which I don't groan when a beta reader suggests a major change to a story plot piece that will entail hours of work.

To check out other bloggers participating in the Insecure Writer's Support Group, go HERE and read their stuff.

Contemplating the hollowness of his own existence the Flash changes timeline after timeline looking for the perfect reality.

There may be some spoilers ahead.

There are times when watching the Flash seems like it's actually a tale of one young man's descent into madness. After all, when you get too deep into the weeds of time travel, I would think that any specific timeline would have just as much validity as the one you left. So how could you justify changing one thing (or everything) when in the end it's all rendered irrelevant by the simple fact that time travel exists? Being a time traveler then is the ultimate self indulgence because you would in fact be choosing which reality was (in fact) the reality for everyone else.

I was expecting more of Flashpoint--the season three premiere, which happened last night on the CW. But I wasn't necessarily disappointed? I just thought it would go on for longer than it did. That's (I think) when it hit me: the idea that this series (and everything connected to it) is just Barry Allen's emotional journey in determining which reality is the one that viewers consume. Maybe the entire DC universe is actually just Barry Allen's version of events because he alters one thing here and there through time and doesn't seem to be able to control himself.

As for the death and life of his mom, I'm not sure why Barry caved so easily in letting his ultimate enemy go back into time and kill his mother after he worked so hard to save her. He apparently was losing memories of an irrelevant timeline and would eventually even forget that he was the Flash. However, why was any of that important? Barry's relationship with his parents has been a really strong point of the show. It's full of richness and depth, and it spins the coin on the all-but-worn-out plot of a hero being an orphan with no parents.

Barry Allen being played by a millennial is kind of perfect. He wants everything, but when things aren't the perfect story that he feels he deserves, he's left to contemplate the hollowness of his own existence and then must strive to change it.

Netflix channels a very honorable superhero in Luke Cage who slugs it out with the thugs of Harlem

A lot of care went into filming Luke Cage. The acting is superb, the story is riveting, and the hip-hop soundtrack is awesome. In watching the first two episodes, I loved how the music is so thoughtfully used to complement the visuals and the story. Another thing I'm really taken with is Luke Cage's character. He's a very honorable super hero, and he probably has more integrity than even Captain America. I mean, Cap was used by the government and compromised some of his ideals from time to time. That doesn't seem to be happening at all with Cage. Or maybe it's just that Luke Cage's ideals align better with normal people. Perhaps that's what I'm picking up on.

Anyone else take a turn at binge-watching Luke Cage on Netflix?

Miss Peregrine's Home for Peculiar Children is the perfect movie for people who love weird and strange things.

There are a few spoilers in this review.

I never read the book Miss Peregrine's Home for Peculiar Children, but after seeing the movie last night, I wish that I had taken this phantasmagoric trip into the squirmy delirium of the author's mind. Upon its completion, I couldn't imagine another director that could handle the odds and ends of this peculiar tale better than Tim Burton. In much the same way as fairy tales can lend themselves to shocking moments by throwing an old woman in an oven or meeting a girl with no hands, the movie captures this same kind of viscera by giving us a Lovecraftian villain that has to eat human eyeballs in order to not be monstrous. How undeniably clever.

Asa Butterfield is Jake (who is perhaps at the lankiest that I have ever seen him), and he's a good hero for the story. I liked seeing a male cast in a sympathetic role, as the thing that makes him most peculiar is his ability to see the monsters coming. It's an interesting twist, because unlike Cassandra in the Iliad, Jake's ability to see the evil coming is believed by everyone, and it's through their unique combination of talents that all the peculiar children manage to come together to protect one another.

The one negative criticism that I have for the movie (I think) is entirely me. I found it difficult to keep track of the timeline and the loops through time. It was a fascinating (and ingenious) way to create bubbles of fantasy in our modern reality, and it lent the movie an "Alice in Wonderland" feel. But my mind kept wanting to try and resolve how things worked exactly, and sometimes I got confused with the looping and wondering why sometimes they could emerge in 2016, and at other times they were in 1943.

But perhaps all that we were supposed to take from the story is wonder. After all, how often is it that you see a boy walking with a rope tied to the waist of a girl who's floating like a balloon behind him? Maybe that's the stuff that dreams are made of.

Sweet Christmas...Luke Cage is the hero Foggy deserves.

You've probably watched Daredevil on Netflix. If so, will you at least agree with me that Matt Murdock is pretty much a dick to everyone. Jessica isn't much better (as in Jessica Jones). She's snark all day long, and it could really be tiresome hanging around that. Of course, Jessica's baggage comes from her father getting killed and somebody raping her while controlling her mind, but still.... I'm gonna borrow a word from Monday night's debate: temperament. Luke Cage has got good temperament. I like it, and he's the hero that Foggy deserves.

It's obvious too that Claire prefers Luke Cage to Daredevil in the trailer. After all, she's a nurse and probably gets tired of stitching Matt up every other night. Luke Cage is unbreakable. That's a nice if not boring quality to have in a superhero. I just hope that the villain is good. Compared to Kingpin and David Tennant's mind controlling rapist, the bar has been set pretty high.

For those of you who don't know, the dude with the XXL hoodie in the bodega in the trailer below (which Luke Cage trades out for his own) is Method Man, from Wu-Tang Clan. He shows up in lots of movies and was in The Wire.

This Friday is gonna be great. We've got an interesting movie coming out and on top of that,  I can begin binge-watching Luke Cage. I'm so ready to see him punch people like it's no big deal again. I'm calling it right now: this year's lazy Halloween costume will be a "bullet" ridden hoodie.

Dust is a short film that is one awesome example of how crowd-sourcing and Kickstarter can make amazing things happen.

This is the matte painting of the mine that's featured in the film. I wish I could draw with this kind of detail. What amazing talent some artists possess. I wonder how they do this? Photoshop? Click to Embiggen and really get an eyeful.I watched this short film called "Dust" over the weekend (it's about 23 minutes long), and I thought it was really good. The story is pretty straight forward. Most of humanity lives in walled cities, and there are people called "Trackers" who are basically a kind of medieval "witch doctor"? At least that's what I got from it. The only one of note is of course the main character who has been studying a lifeform called a hydra which has the ability to basically evolve to cure anything. It cleaned up the streams of the world (making them non-toxic), and it appears to be able to neutralize diseases too. It's definitely an interesting concept.

Here's the official description of the movie from the Vimeo site:

A Sci-Fi/Fantasy inspired by anime and classic horror, Dust is set in a harsh and unpredictable natural environment where people have isolated themselves in an ancient city behind a massive wall. A socially marginalized tracker teams up with a black-market merchant to save the society that has rejected his way of life.

I kind of wonder if the dystopian world of "Dust" is some alternate Earth of the future or if this is a story of humans who have come to live on an alien world and essentially lost any technical advantage over the environment that they used to have. The alien life evolves rapidly, which is interesting to think about.

If you have the time, I highly suggest that you watch the embedded video. It's good to see a sci-fi story with a Japanese influence in it (was it filmed in Japan?), and it's really well done (I heard it was crowd-sourced). That and the dialogue is quite good (as is the acting). Dust from Ember Lab on Vimeo.