Bethany Maines's Blog, page 16

Wild Waters Release

Wednesday saw the release of my new novella – Wild Waters!! This is my first time doing true romance (sex scenes – eep!) and I’m very excited for everyone to get a chance to read it!

Purchase Wild Waters at:

>>Amazon(Kindle) >>Smashwords(all digital versions)

Or enter to win a free copy through 6/26 >>HERE<<

WILD WATERS (with Sienna Lance)

His duty. Her secrets. The mission that brings them together will tear them apart.

In the steamy jungle of 1960’s era Vietnam, when a team of Navy SEALs are brought together with a pair of reporters, no one is prepared for the explosive secrets their encounter will reveal. Lt. Ben Kolley, former WWII frogman, leads one of the first teams of Navy SEALs in 1968 Vietnam. His wild pack of soldiers have earned their reputations as “green ghosts” on the Mekong River and none is more elusive than Catch, the point-man with an uncanny sense of the water. The reporters, a bumbling drunken writer, and Kahele, a female photographer with a sharp mind, dark eyes, and an even darker secret are the first allowed to interview a SEAL team and both are intent on nailing their assignment. But neither Kahele or Catch are prepared to discover an attraction for each other that’s like nothing they’ve ever experienced. Soon, Catch is breaking all the rules to be with her, and Kahele finds herself entangled by a passion she’s never felt before. But for Ben, Kahele dredges up horrifying memories of an old mission – one where not all of his team returned. Can Kahele be trusted or is she the monster Ben fears? The clock is ticking, and soon all their lives may depend on Ben’s decisions. SEALs believe they can survive anything, but can they survive the truth?

Mascara Meh

I was going to say that I was in an on-going search for mascara that gives my lashes the appearance and silkiness of toddler, or one of those ridiculous boy who have won the genetic jack-pot of eyelashes, but don’t have any use for them. But to be perfectly honest, after the last debacle of a mascara purchase I’m simply looking for mascara that doesn’t leave my face covered in speckles of black.

This month I moved on to Scandal Eyes Show Off by Rimmel.  It had a fancy looking brush and exciting packaging design. I base many of my purchasing decisions on packaging design.  My theory is that if you’re the kind of company that can hire a decent graphic designer and then ALSO pay to get their design printed, then chances are that you make a decent product.  Surprisingly, this works fairly often.

However, in this case I was disappointed.  The mascara was clumpy.  It was flaky.  The weird ball brush tip actually got in the way when applying.  Either I needed to use only the ball tip or I need to cut it off so I could use the rest of it.  None of it was so hideous that I threw it away and ran out to buy a different tube; it was just mildly annoying.  And for these reasons, Scandal Eyes does not receive the Carrie Mae seal of approval.  On to the next mascara!

My Toddler Works for James Patterson

My dad says he invented the skateboard.

He says that he had never before seen or heard of a skateboard when he put a plank on skate wheels. Of course, his invention went no further than a backyard of summer fun, but he still likes to claim his invention when some youth sails by on a long board.

Well, now I feel his pain.  James Patterson, Mr. Prolific himself, is in the process of releasing what he’s calling “Book Shots” — novella length works, penned with co-authors, that cost less than five dollars.

You have no idea how annoyed this makes me.

Because it was MY idea.  This month I’m releasing Wild Waters, a novella length paranormal romance (sex scenes!) story.  The genre is outside of my usual brand, but I thought the structure and topic were interesting (reporters, SEALs, Vietnam!). I also thought my readers might enjoy something at a lower price point, but in my style of writing.  I examined the options.  I had the thoughts.  I came up with the plan.

And then James Patterson stole it out of my brain!  How dare he use his larger amounts of money, time and fame to launch my idea!  It makes me want to march right over to his house and give him a toddler.  Let’s see how fast he can type then.  Toddlers should be like weights for jockeys.  If Vegas gambled on writer’s turning in manuscripts on time, I’m sure that they would have developed some sort of toddler distribution system by now.  Fortunately, for Mr. Patterson and for me, there’s plenty of room in this world for novella’s and writers of all kinds, with or without toddlers. Good luck to both of us with our tiny books.

 

Originally Published at the Stiletto Gang on 06.08.16

Now is the time…

Late in the month, it seems like almost everyone suddenly wakes up and realizes that the deadlines that seemed so very far away are now, like, almost here, man.  Cue panic.  Cue sudden uptick in workload for yours truly.  The problem is that I’m exactly like everyone else.  I’ve been noodling over several pieces of writing and now the deadline is like, almost here, man!

Now is when the marathon of writing becomes a sprint. Just how fast can fingers type?  We’re about to find out.

Now is also about the time when back pain and carpal tunnel set in.  Time to start juicing writers!  No, I mean literal juicing.  It’s important to stay hydrated – prevents muscle spasms.  Although, I personally prefer copious amounts of tea, liberally applied, at regular intervals.

Now is the time when the tiny proto-human you’ve been carefully nurturing like a hot house bloom looks up from a coloring book and says, “Sorry mom, work. Four more minutes.”  Gee, wonder where she got that?

Now is the time that my face looks like this:

So wish me luck as I sprint to the end of the month.  And wish my family luck as they get abandoned for fake people that I made up.

 

 

Originally published on the Stiletto Gang 05.25.16

Personal Fitness

Originally published at the Stiletto Gang on 05.11.16

I’m going to let you in on a secret – writing is not for wussies. It’s for old people.

Or at least it makes you feel old. Carpal tunnel. Eye twitches and strains. Aching neck, sore back. The human body was not designed to spend hours sitting at a computer, and the hours compound into stiff muscles that have forgotten how to move. Walking into the kitchen after a prolonged bout of editing, I look like I’ve escaped from the neighborhood old-person jail… er… assisted living facility. I imagine that back when writers were churning out novels by quill and candlelight that it wasn’t any better. But at least back then we were likely to die by forty anyway and probably needed to worry more about childbirth and dental hygiene than whether or not our wrists were a tad achy.

I could trot out some line about suffering for my art, but the truth is, I do many things to combat the muscular stress of sitting and writing. First of all, I got married and had a kid. Although, maybe that wasn’t quite my intended outcome when I started down the aisle, it has to be said that nothing curtails long hours at a computer like a toddler. However, the things I intentionally do to keep myself from becoming Quasimodo include walking / jogging, stretching and keeping up on my martial arts training. And then I whine and complain until my husband gives me a neck rub. And then when all else fails I break down and pay for a massage.

Below are the most common stretches I do for my wrists. These drawings were actually produced by one of my former employers – Visual Health Information. They produce drawings for physical therapists and others to give to patients. I have found all of these to be very helpful for my extended typing lifestyle.

The Bag of Tricks

Originally posted at the Stiletto Gang on 4/27/16

On my last blog I discussed how I keep the fictional worlds of my books organized (answer: spreadsheets and lists!), but recently I gave a talk on writing to a local high-school and they wanted to know the more nitty-gritty details. Since they are at the start of their writer journey they have yet to discover that many of the struggles of writing are shared by all writers. What’s that? You have two great scenes, but you’re not sure how to connect them? You have half a novel written, but you don’t know who the bad guy is yet? You really need the hot guy to land in the heroine’s life, but you don’t know how he gets there? These are all questions with many possible answers, and like common core math, many possible ways of getting to the answer.

I thought Kimberly Jayne’s recent post about Mindful Daydreaming was a great way to answer many writing questions. And yesterday’s post from Sally Berneathy’s post about “pantsing” vs. plotting a novel showed how she dives and discovers her book as she goes along. I have discovered that being a plotter is usually a faster more efficient way for me to write. When I have all the answers before I start writing, I can write even when I’m not feeling very creative or if I only have five minutes. But recently, I found myself stuck on the outline. I stared. I hammered. I picked. I ignored it. Nothing happened. And at some point I decided to start writing because you know what happens when you don’t write? Nothing. So I wrote all the way to where I had outlined and I was just as stuck as I was on the outline. I was back to being a high-schooler – how do I connect those two scenes? How do I get the hero from point A to point B? Dear God, what happens nexxxxxxxt????

Which is when I decided to take my own advice. I grabbed a notebook and a pen.

Changing the medium can sometimes change my perspective. I wrote a synopsis of the story from the villain’s point of view. I wrote a synopsis from the love interests view point. I drew little diagrams about how the storylines connect. I wrote a few paragraphs about the villain’s history and motivation, really diving into what he thinks about the events of the story. It’s an old saying that each of us is the hero in our own story, and that goes for villains too (see the great post from Jennae Phillippe about A Villain’s Voice). How does a villain think that his actions are justified? As I answered that question, I discovered more and more about how my story moved forward. Which is when I put down the pen and typed up my scrawling notes.

Organizing a novel isn’t just about filing systems; it’s about herding all your characters and ideas into a coherent plot and making sure that everyone gets to the end (or the right end if they happen to be the designated dead body) in a satisfying manner. But sometimes a writer needs to reach into her bag of tricks and try more than one technique to get the job done. As I told my room full of high-schoolers, when in doubt… try, try something else.

A Mascara Massacre

When I received the usual fistful of useless bits of dead tree along with my receipt from Walgreen’s I almost chucked the entire lot in the trash, but decided to do the environmentally responsible thing and chuck them in the recycling at home.  Imagine my surprise when, once home, I realized that one of the coupons actually had value to me. That never happens. It’s always twenty coupons for spam and baby food or spam baby food. I read and re-read the coupon, checked the fine print – it really was a coupon for a FREE mascara.  But, but, but… I love FREE.  And mascara – I love mascara!  This can’t be right.  I read the coupon again.  Yes, it definitely said free mascara.

The next week, I trotted in, picked up my mascara, handed in my coupon and waited for the other shoe to drop. Nope, still free.  I walked out with a tube of Revlon Ultimate All-in-One mascara and floating on a cloud of euphoria that can only be generated by free make-up products.

A week later that cloud had evaporated under the wilting heat of real life testing. This mascara is possibly the worst mascara I have ever used. At first glance it looks OK, the formula seems a little thick, but hardly unsual.  But two hours after applying I look like the member of Our Gang known as Freckles.  The mascara leaves a nuclear dust cloud of black particles strewn across my face and clothes. I would have less mess on my face if I simply threw the mascara brush at myself.  This more than any other product I have ever owned has caused people, including strangers, to say, “Um… you’ve got a little… something?” while tapping awkwardly at their face.

Conclusion: Yes, I got free mascara, but I got what I paid for. Definitely NOT Carrie Mae approved.

Organizing My World(s)

An author’s job is not just to tell a story, but to decide how a story should be told. Is it better in first or third person? Is it told in one long march of words or are their chapters? We have to decide genre, tone and feeling. And once those decisions have been made an author must create and track the main plot of the story – the one that we struggle to capture in the blurb text on the back cover – as well as the sub-plots, underlying themes, and finally, the characters themselves.  All of those pieces require not just the ability to write, but also the ability to track information. Because, as any serious reader will tell you (sometimes at great length), consistency and details matter greatly to a well written book, and while we can rely on an editor for some items, they are only human and can only catch so much.  It is in an author’s best interest to provide the cleanest manuscript possible.

I’m currently working on two vastly different stories: the fourth Carrie Mae Mystery Glossed Cause and a Romance Horror novella Wild Waters.  Each story comes with an array of characters, research and plot twists that to be perfectly honest I can’t hold in my brain.  Possibly pre-production of a toddler I could have kept hold of all the details, but no longer. Now, to keep all my worlds organized, I must rely on a system of notes, plot outlines and spreadsheets.

For the Carrie Mae books I track characters with a spread sheet that notes who they are (name, basic role, job or company) and also what book they have appeared in or if they have been deleted or omitted from a book.  I also have a rather extensive style sheet that helps me keep track of how certain things, such as chapter headings are formatted and whether or not I’m consistently formatting things like “AK-47” and “INTERPOL” the same way over multiple books.

For Wild Waters I’m writing in two different time periods – WWII and Vietnam ­– and they each use distinctive slang that I organize in a couple of basic lists.  There are also multiple character points of view and it is important to keep track of what characters know and when they know it, so that each plot point is revealed at the correct time. Tracking character arcs are more difficult and sometimes require multiple ways of visualizing.  I will frequently write out the plot from each characters point of view or I will graph it out on a virtual whiteboard, utilizing the main plot points.

There is no perfect system of course, and each author must work the way that works for them. But when examining a well-written book, I am frequently in awe, not just of the beautifully constructed words or strong turn of phrase, but the underlying construction of a book.  Sometimes, I find it amazing that any books get written at all.

Digital Publishing

By Bethany Maines

Recently, I’ve been learning about the nitty gritty “how-to” of e-publishing.  While there are many how-to’s on how to put your story up for sale in the virtual marketplace, learning how to make an epub file is a lot more difficult and confusing.

As someone trained in how to make print books, this status is infuriating to me.  I can make words magically appear on paper – why is the screen any more difficult?  But as it turns out epub formatting is more akin to website programming than to traditional book design.  Both epub and websites must account for the fact that the designer can never be certain what or how the end user will view their product.  Will it be on a phone, a tablet, or a desktop screen?  Will it be a horizontal or vertical?  Which operating system will be accessing the file?  All of these factors play into how an e-book is seen and creating a file that can be used in ANY format means that many of the traditional design elements beloved by graphic designers, such as color, size, and forced white space, must be set aside. Learning to create an epub is a bit like feeding content into a slot in the wall, letting the machine in the next room whir away, and then trying to guess how the machine works by looking at the book it produces

In the last few years website programming has experienced a burst of development that can make creating a website an almost drag and drop, WYSISWYG experience.  Meanwhile, digital publishing lags behind, still in it’s infancy.

Take a look at these images of the first page of my third Carrie Mae Mystery novel, High-Caliber Concealer.  One is a screen cap from a mobile phone kindle app and the other is a photo of the printed book.

You’ll notice several differences – the large area of white space before the chapter title is gone and the fonts are not the same.  Fonts in epub’s must utilize a websafe font or embed the font within the file.  But, not all devices recognize embedded fonts, and they make a file larger and some platforms take a percentage out of an author’s royalty based on download size (you’re hogging space on their server).

However, there are some similarities that the programmer managed to achieve.  Notice how the gap between “Brunch” and “Mexico” mimics the print version?  And you’ll see that while the font isn’t the same, the font hierarchy and general sizing of the chapter information is the same as the print version.

And beyond the appearance of words on a screen there is the tricky business of making all the chapters appear in the right order and having a hyper-linked (click and go) table of contents that allow readers to navigate easily through the book.

No digital book is as simple as a word doc you type at home.  So if you see a well-crafted book on your e-reading device, take a moment to appreciate the book programmer!

Bethany’s Rules for Marketing

In my quest for world book domination I frequently peruse tips on how to better market myself/books.  Some come up with some interesting strategies that are worth pursuing and then there’s this list…

I won’t mention the name of the blog I found it on because I don’t believe in public shaming.  But let’s just assess a few of the items on this list shall we?

Comment on Blogs – The theory is that you will become recognized and friends with other blog commenters as well as those running the blog and then you will RISE TO FAME!  Or… not.  Of course, having additional friends will help you expand your fan base.  But pursuing that strategy for the sake of selling books is so lacking in any genuine feeling that it will actually turn people against you.

Bethany Rule #1 – always be your best self online.  Only comment on a blog if you have something interesting and positive to add to the conversation. Trolls don’t sell books.

Create a Viral Video – Let’s just hop right on that shall we?  We’ll get out or cell phones and film our cats and then, bam, done!  As this article on Slate indicates, only 10% of YouTube videos get more than 1000 views.  Videos these days are higher in quality and there a simply MORE of them out there than in the beginning days of social media. Here’s my attempt at a viral video – it’s awesome, you should watch it.  But I only paid for food for the crew and a make-up artist to make the video happen, everything else was done in trade.  I felt comfortable with my investment  and I view the video as a great sales tool to introduce people to my book series, but I never counted on it going viral.

Bethany Rule #2 – if you have to pay a lot of money for a product that you’re going to giveaway for free, it’s probably not worth it.

Go on National TV – Yup, I’m just going to dial up Oprah right now, promise her some bread, and book myself on National TV.  Getting air time, particularly on a National level, is one of the things that happens when you’re ALREADY famous.  There’s a reason Donald Trump has ceased to advertise.  He’s getting 15% of the national news time (according to a recent news piece I saw on my local news) and 50% of the election coverage.  He doesn’t NEED to advertise.   I’m not recommending that you be Donald Trump – one is more than enough – but being getting air time is something that you either pay for, or you get because your famous for something already.

Bethany Rule #3 – work to be locally famous.  Join groups.  Send press releases.  Volunteer to judge writing contests.  Talk to people.  Network and connect – people sell books.

The internet is full of many tips, some are more helpful than others.  I just hope that you find mine a little more helpful than the one from the blog that shall remain nameless.