Ross E. Lockhart's Blog, page 14
March 26, 2013
CHICK BASSIST celebrates chick bassists: Jennifer Leitham
Bassist Jennifer Leitham has played on over a hundred jazz albums, alongside such notables as Mel Torme, Doc Severinsen, Woody Herman, George Shearing, Gerry Mulligan, Peggy Lee, Joe Pass, and Cleo Laine. A left-handed double-bass player, she’s also been credited as “Lefty,” “Southpaw,” or “John.”
Here’s Jennifer and Trio, performing her composition “Split Brain.”
Here’s “C.O.D.”
And here she is noodling around at Winter NAMM 2012. I could watch clips like this all day.
A veteran of some of the most prestigious stages throughout the world, Jennifer challenged the conservative social mores of the Jazz world when she transitioned gender in 2001. She is the subject of the 2012 documentary, I Stand Corrected.
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March 25, 2013
CHICK BASSIST celebrates chick bassists: Vickie Blue
Today, Vickie calls herself Victoria Tischler-Blue and works primarily as a film producer, director, writer, and photographer. She directed the controversial 2004 documentary, Edgeplay: A Film About The Runaways, which has been described as "a rock n’ roll Rashomon", and the 2005 Suzi Quatro documentary, Naked Under Leather.
Recently, Victoria directed Suzi Quatro's video for her 2011 cover of Goldfrapp's "Strict Machine", which adds a few lyrics from Quatro's "Can the Can" to jaw-dropping effect.
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CHICK BASSIST celebrates chick bassists: Vickie Blue
Vickie Blue replaced Jackie Fox as bassist for The Runaways in 1977, playing with them for just over a year before leaving the band in 1978 due to medical problems. After The Runaways split up in 1979, Vickie formed a band with singer Cherie Currie (Currie-Blue Band) and the duo appeared in the film This Is Spinal Tap. Here’s a circa 1978 The Runaways performance featuring Vickie on bass.
Today, Vickie calls herself Victoria Tischler-Blue and works primarily as a film producer, director, writer, and photographer. She directed the controversial 2004 documentary, Edgeplay: A Film About The Runaways, which has been described as “a rock n’ roll Rashomon”, and the 2005 Suzi Quatro documentary, Naked Under Leather.
Recently, Victoria directed Suzi Quatro’s video for her 2011 cover of Goldfrapp’s “Strict Machine”, which adds a few lyrics from Quatro’s “Can the Can” to jaw-dropping effect.
Order CHICK BASSIST today!
My tweets
March 24, 2013
CHICK BASSIST celebrates chick bassists: Jackie Fox
Though Jackie didn't play on The Runaways' 1976 debut album (Blondie bassist Nigel Harrison did), she did play on second studio album Queens of Noise, and on The Runaways' 1977 Live in Japan album.
It was during the 1977 Japan tour that Jackie grew distraught over her bandmates' inability to get along, deciding ultimately to quit the band. She was replaced by Vicki Blue.
In subsequent years, Jackie worked as a record company promotions executive, modeling agent, and Tony Robbins seminar promoter. In 1980, she appeared as a contestant on TV's The Dating Game.
Today, Jackie is an entertainment attorney, having attended Harvard with classmate Barack Obama. She appeared in her The Runaways' replacement Victory Tischler-Blue's 2005 documentary film Edgeplay: A film about The Runaways, and has written columns for the Huffington Post.
Order CHICK BASSIST today: http://www.amazon.com/dp/1621050629/?tag=apeshitmedia-20

CHICK BASSIST celebrates chick bassists: Jackie Fox
Jackie Fox became The Runaways’ third bassist in 1975, after being “discovered” by the self-proclaimed “mayor of the Sunset Strip,” Rodney Bingenheimer, and being presented to The Runaways’ Svengali/manager, Kim Fowley, shortly thereafter. Though she auditioned to be the group’s lead guitarist, that role was claimed by rocker Lita Ford, and Jackie replaced short-term bassist Peggy Foster. She was fifteen years old.
Though Jackie didn’t play on The Runaways’ 1976 debut album (Blondie bassist Nigel Harrison did), she did play on second studio album Queens of Noise, and on The Runaways’ 1977 Live in Japan album.
It was during the 1977 Japan tour that Jackie grew distraught over her bandmates’ inability to get along, deciding ultimately to quit the band. She was replaced by Vicki Blue.
In subsequent years, Jackie worked as a record company promotions executive, modeling agent, and Tony Robbins seminar promoter. In 1980, she appeared as a contestant on TV’s The Dating Game.
Today, Jackie is an entertainment attorney, having attended Harvard with classmate Barack Obama. She appeared in her The Runaways’ replacement Victory Tischler-Blue’s 2005 documentary film Edgeplay: A film about The Runaways, and has written columns for the Huffington Post.
Order CHICK BASSIST today!
My tweets
March 23, 2013
CHICK BASSIST celebrates chick bassists: Michael Steele
Founding Runaways bassist Michael “Mikki” Steele was fired from the band (reportedly for calling the band’s debut single “Cherry Bomb” stupid) shortly after its inception (and shortly before its commercial breakthrough), but her bass and vocal talents have kept The Runaways’ earliest demos in demand for decades.
Michael and her bass went on to play with Elton Duck, Slow Children, Nadia Kapiche, and Snakefinger before replacing The Bangles’ bassist Annette Zilinskas in 1983. The rest is history. Michael played bass and sang on the band’s most memorable hits, including “Manic Monday,” “Walk Like an Egyptian,” and their cover of Big Star’s “September Gurls.”
Michael hit her stride as a songwriter on 1988 album Everything, but The Bangles soon broke up. She remained musically active, playing in a mix of bands (Crash Wisdom, Continential Drifters) and recording a solo album and planning a tour that were both shelved by record company management. In the late 90s, The Bangles talked of regrouping, eventually reuniting to record 2003′s Doll Revolution, which included three Michael Steele compositions, “Nickel Romeo,” “Between The Two,” and “Song For A Good Son.” Subsequent tours were complicated by various members’ family concerns. In 2005, Michael officially called it quits, parting company with The Bangles. Today, Michael is reportedly still involved in music, though in a behind-the-scenes capacity.
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