Simona Dimitri's Blog, page 6

JUST DOTS / NEW POSTCARDS SERIE / n.1

 

 shy, as any rabbit...out there for the first timeBut happy, to be around in springtime,just in time, his turquoise nosesensing everything... the first steps in the open, down the hillhere in St. Gallen, Spisergasse 20 JUST DOTS / NEW POSTCARDS SERIE / n.1 Boutique Späti / Spisergasse 20a shiny colourful spot in the old town

 

 

some handwriting...

 

SPRINGTIME !  some handwriting with my preciouslittle wooden stick, still wet...I love wet black watercolour on paperbut it's going to dry up, slowly slowly . . . THANK YOU

 

 

lots of green...

 Something new, lots of green,birds, foxes, and odd sproutingcreatures… my postcards! soon in Boutique SpätiSt. Gallen old town>>> Spisergasse 20
 all of them but one... 







 


  

All animals grow timid in the winter night..

 

FOX / one of my artworks from a few years ago
 
The sleeping, shining-white fox fits in wonderfullywith the stillness of the night, which still remainsmagically bright. Mikkl is like a fragment of themysterious Ice Age, lying hidden in the frozen, quietbrightness. In the transparent heavens the large moonlooks quite near, not as it does in Europe where itslight is cold and distant. Here it seems to belong toour world, the luminous picture of a sharply outlinedice landscape.Mikkl’s behaviour takes on a touch of timidity. Allanimals grow timid in the winter night, the hunters say.[…]
“Poor Mikkl, you’re traipsing to your doom. In a fewdays the fox-trapping will begin; they’re after your life.They will pull your beautiful fur over your head andsend you far away to a place where a lot of people liveclose to each other. There they will give you glitteringeyes made of glass, and then you will hang in one ofthe thousand glittering shops in one of the thousandglittering streets, together with thousand of otherglittering dead things. Do you know, Mikkl, there’sso much artificial glitter there that the people nolonger know anything about light, about its comingand going, and about the magic of twilight.”
I fetch water from the lagoon; it is so clear that I cansee the rust-brown weeds at the bottom. Mikkl alsolaps up some of the clear water but without letting meout of his sight. Suddenly he raises his head and staresat me as though it were the first time in his life he hadseen me. Horror glares out of his wide, glowing greeneyes; then he leaps aside and runs off without onceturning around. He runs across the black field of stoneand at last disappears, a tiny spot in my sight, at thefoot of the great black mountains. Perhaps they become clairvoyant, the animals, as thedarkness grows, and then see the true face of men?

 

—Christiane Ritter, A Woman in the Polar Night [1938]  

the whole bunch of my creatures....

 

 Libreria Casagrande . Bellinzona my postcards, all of them,quite a lot now, happily there!The whole bunch of my creatures,and lots of green too, in theirbeautiful bookshop in the old town
viale Stazione 1 / Galleria Benedettini
And so happy me too, to be therefrom many years > www.libreriacasagrande.ch 

Glimpses / Leporello

 

Glimpses I & II—small edition Leporellorecycled cotton paper
12x12 [x60] cover : 12X12cmfull length open leporello : 12X60cm 
NOW available again in Lugano> Aditya

 

 

 

 

into a dark, dark night...

 

into the night / sweet dark scent22x22cm / in a light framestill in my studio, but onlyfor a few days more... Soon in Lugano : for sale> ÀDITYA

 

maybe

 

maybe, a few new postcards about the woodstest already done time ago, still therein between of my thoughts fragments from "Glimpses"—Leporello

 

rough material / additive and subtractive processes

 

ROUGH MATERIAL
SHAPES, TEXTURE
 

"That additive and subtractive topography-formingprocesses are so commensurate is one of Earth’sextraordinary attributes. The landscape of other rockyplanets and moons look alien precisely because theseworlds lack such a balance in the rates of creative anddestructive topographic agents.[…]
However, life itself can alter the processes that shapetopography: there is strong evidence that colonisation of land by plants in early Silurian time slowed global erosion rates and led to the emergence of rivers with well-definedchannels. (It has taken humans only a few centuries toreverse that trend; by some estimates, modern erosionrates—accelerated by deforestation, agriculture, desertification,and urbanisation—are orders of magnitude higher thangeologic averages.)" —MARCIA BJORNERUD / TIMEFULLNESS

 

the dark line / rough material

 

island fragments
reflection
the dark line, dark waterand the birds landscape / rough material