Andy Frankham-Allen's Blog: The Welsh-Londoner, page 8

August 6, 2012

Space: 1889 & Beyond series two update

Well, as we’re nearing the start of series two it seems things are hotting up behind the series. First off all, we can announce the title of the series two finale; Horizons of Deceit. What kind of deceit is going on in series two? All will be revealed!


Oli Smith, author of The Forever Journey


Secondly, we’ve got a new author coming on board. Oli Smith, author of the Doctor Who novel ‘Nuclear Time’ will be taking over writing duties on story #4, The Forever Journey


“Oli Smith spent two years as a freelance writer working on novels, audio books, comic strips and video games for the BBC series Doctor Who. Now he works as a creative producer for London-based video games company Mediatonic and spends his evenings playing board games. He still likes writing, retro sci-fi and RPGs so it looks like Space: 1889 has got him covered.”



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Published on August 06, 2012 09:37

August 3, 2012

Jeremy Carver talks ‘Supernatural’ season eight

Season One promotional picture


It’s no surprise to hear that I love Supernatural – just read Seeker and you can see that – but it’s always a concern of mine every time the series gets renewed for another season. After finding it’s feet in season one, creator Eric Kripke made it clear he had a five year plan for the series, and that five-year plan came to its obvious conclusion at the end of season five. It was clear the series as whole would have ended with Sam pitted against Dean – the result being that they both lost. Sam in the cage with Lucifer for ever, and Dean settling down to an ‘apple pie’ life, his brother essentially dead. It would have been an awesome ending. But the series got renewed. Eric Kripke, although still about, gave up the reigns as show-runner and allowed Sera Gamble and Robert Singer to take over. Which they did for the following two seasons – ramping up the mythology and danger to new levels.


Each time I’m concerned that the show might go too far. I worry that the show will end with, as TS Eliot would say, ‘not a bang, but a whimper’. But now Jeremy Carver, who left at the end of season five to set up the American version of Being Human, has returned as the show-runner for season eight. And it seems that his two years away has given him a more distinct perspective. One perhaps he’d not have had he remained on the show.


The Winchester brothers, Sam & Dean. Changing, and trying to find out who they are.


When talking about the previous two seasons, Carver says; “The one thing that struck me [when] watching season seven was I felt like the show got a little bit buried under its mythology. It became a little hard to tell exactly what was going on at times. The longtime fans all deserve intricate plot, but it felt a little burdensome.”


This to me is great news. But not as great as his goal for Sam & Dean; “Part of this season is realising they didn’t just spend several years together; they really matured in different ways. It’s one thing to get in a car with your brother in year one, but eight years later, you’ve both matured and grown. You’re both changing and trying to find out who you are. There’s a lot of that type of exploration for these guys this year.”


Gives me hope for the future of Supernatural. For more from Jeremy Carver, pop over to SFX.



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Published on August 03, 2012 01:31

August 2, 2012

New Legacy Title

Followers of this blog, and indeed my writing, will be aware of Legacy… But for those who new, here’s the brief lowdown.


Legacy began in 2001 as a fan fiction based on Doctor Who, it ran for the next five years until mid-2006 when Matrix Revelation was published. By the end it was well-known, with some of the best fan writers involved. During the course of it’s initial run, I became a professional author myself, having had published two official Doctor Who short stories and a Space: 1889 audio drama produced. Legacy has never really left me, and in 2010 I set myself a new task. To totally revamp the series, fix things (and there were a lot of things to fix, especially in the first two seasons!), and self-publish them, while at the same time raising money for Cancer Research UK. I was doing well with them up until September last year, when my professional writing took over. As a result it’s taken me almost a year to get the next book released – that’s quite a gap for those waiting on the end of season two.


Well, the wait is over.


I can finally announce that Legacy 2.3 is out. And an epic tale it is, too! The final battle between the combined might of the Galactic Federation and the Martian Empire against the most awesome army of Cybermen ever devised. Hanging in the balance, the fate of Nova Mondas (or, as it was once known, Earth!), and Mars. To win, a great sacrifice will have to be made, and it’s one only the Doctor can make…


The book is only £5.25, plus p&p, and available direct from Lulu Distributions. As mentioned above, the series is published to raise money for Cancer Research UK. No profit is made by me or anyone involved from this venture.


This is the fifth title in the series, so for those of you who’ve entered the game a little late, all titles are still available HERE


 


Here’s an excerpt from Cost of War;


Christmas 2001, Portland, Oregon USA.


The doctor walked into the room. It was a small cream box, with a tiny window and a single camping bed against one wall, the only other furniture being a small table, with a large pile of sheets on it, and a tiny metal framed chair. The cushions on the chair had been worn down by hundreds of people before it had been moved in here, and the colour was lost and the fibre of the cushions frayed.


The patient sat on the camping bed, watching the sky out of the window. The doctor walked over to the sheets of paper. He’d seen most of them before but some of them were new. They were still filled with endless scrawlings of nonsense. The symbols on the page made no sense, as though they were a mimicry of writing, without the basic understanding of the principles behind it.


And yet the patient still demanded more and more paper – he tried time and again to write out the story he told to the doctor every week, practising to see if the ability would return to him, to see if he would suddenly learn to write.


‘Hello, Roger.’ The doctor tried to attract the patient’s attention.


‘Hello, Dr Cooper.’ The man continued staring out of the window.


Cooper got irritated. ‘What are you looking at?’ He tried to keep his annoyance out of his voice.


‘The sky.’


The doctor moved in to look out the small window behind him. ‘It’s very cloudy today, isn’t it? Like a storm is coming.’


‘The sky knows.’


‘Pardon?’ This comment threw Doctor Cooper.


‘The sky knows that something is going to happen.’


‘What is going to happen?’


For the first time Roger turned to look at him. A look of pain shot across his face. ‘I can’t say.’


‘Okay then.’ The doctor had got used to Roger’s odd behaviour. He had been morose for weeks, as though he was aware of some great sadness no one else had realised.


‘But…’ said Roger, obviously not finished, ‘it’s important I finish telling my story today.’


‘Why?’ Doctor Cooper was intrigued. The patient was usually so concerned that he got all the details of the narrative right. To place a time constraint on his story telling was very out of character.


‘Because I won’t be able to soon.’


The doctor tried to keep the sympathy from showing on his face. ‘Why haven’t you written it down?’


‘Don’t you think I’ve been trying?’ Roger pointed in irritation at the sheets on his table. ‘Don’t you think I’ve wanted to? This brain wasn’t built for my mind. I’ve been trying to use it, to translate my thoughts onto paper, but I just can’t get the language centres to work right. On the page, it all comes out as nonsense.’


The doctor thought it was best to nip this in the bud – maybe he could try once again to point out a flaw in this man’s story, show Roger that he can’t be right?


‘Why did you “download” yourself into this body then?’


‘Because I wanted to tell the story – the story deserved to be told. I had to download myself into an empty mind, into someone who would be ready to receive me. I couldn’t wipe an innocent mind to tell my story. To tell their story.’


‘So are we nearly at the end?’


Roger nodded solemnly. ‘Very nearly. There’s only one bit left.’


‘So…’ Doctor Cooper examined his notes from last time. The story’s main character, the Doctor, was on the home planet of the monsters. An authority figure attempting to wipe out chaos; a typical delusion. It was the other characters and details in the narrative who were the interesting parts. ‘Is Nick still on Mars with Falex?’


‘Yes. Alf is with the Draconians in space and the Doctor is on Nova Mondas.’


Another interesting thing was the fact that Roger had included himself in the narrative at one point. However, his inclusion had resulted in him awaking in the mind of a human in a mental institution, ready to tell his story. It was unusual for a dementia like this not to place much more importance on his own role in the story. However, it was partially true. The patient had just woken up one day last year and insisted on being called Roger, and that he had a story to tell.


‘So. Where are we going to begin today?’


‘On Mars.’


‘With Nick?’


‘Yes.’


‘So where exactly are we on Mars?’


Roger looked pained again for a moment, as though trying to think of where to begin. ‘In something called the GodEngine.’


‘GodEngine?’


He looked uncomfortable again, as though he was sad at doing such a bad job of telling the story. ‘Yeah. Don’t worry, I’ll explain it all later…’



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Published on August 02, 2012 01:33

August 1, 2012

New Year Horror – Stories Needed!

Some people are sorry to see a year go by. Great things happened, vacations were taken, memories were made.


Of course…not EVERY year is necessarily a good one. And, sometimes, New Year’s Eve can be the scariest holiday of them all. Forced to relive awkward moments, breakups…and sometimes something a little more sinister. A new year doesn’t necessarily mean it’s going to be a GOOD year.


A lot of people die on New Year’s Eve. Many of them happen in traffic accidents. But what about the others? What about the unusual deaths? Could there be a supernatural reason why people don’t make it to a new year? Some force at work determined to thin the herd before the clock ticks over to 12:01?


Untreed Reads is pleased to announce a call for submissions for a new horror short story anthology we’re calling Year’s End. Come tell us your scariest story about New Year’s Eve. Happy endings are not necessary. Heck, the more horrific and unhappy the better.


Here are the rules:


1. All stories must be between 1500-5000 words.


2. Deadline for submission for consideration is October 15th, 2012. This is a firm date; no submissions after this date will be considered.


3. All submissions should be sent to Jay Hartman at jhartman@untreedreads.com with the words NEW YEARS in the subject line.


4. Your story CANNOT take place on New Year’s Day. The ending may take you there, but the bulk of the story MUST happen on New Year’s Eve.


5. Submissions must be in DOC, RTF or ODT format.


6. We will not be publishing the stories individually. Only the anthology will be available.


7. Authors will receive royalty, but not upfront payment. Authors will each receive a share of royalties of 50% of net (net = cover price – vendor commission) based on the number of authors in the final anthology.


8. Characters appearing in other Untreed Reads series or other series not published by us are strongly encouraged. Please check your contract with your publisher to make sure you may legally do so.


9. Your story MUST have a strong horror element to it. Any genre of horror is fine. Preference is to psychological horror rather than gore.


10. Stories not accepted for the anthology may be still be considered for other publication.


11. Previously published works are fine providing that electronic rights have reverted to the author and the story is not currently offered for free anywhere on the Internet or currently published through a self-publishing venue (i.e.: Smashwords, Amazon KDP, etc.).


12. There are no restrictions whatsoever on age, race, sex, sexual orientation, etc in the work.. Just tell us a great story!


Please direct any questions to Jay Hartman at jhartman@untreedreads.com. We recommend looking at any of the following for an idea of the types of stories we’re looking for: Joshua Calkins-Treworgy’s Roads Through Amelia series, Benson Phillip Lott’s Pumpkin series or any of the horror works by Rick R. Reed.


All decisions on material will be made by November 1st, 2012. Every attempt will be made to notify all authors of the status of their submission at that time. Please do not inquire about status prior to November 1st, 2012.


This anthology has an expected publication date of December 15th.



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Published on August 01, 2012 07:10

The new Waterstones’ Policy – Tackling it Head-on by Leigh Russell

Waterstones recently announced a change in their policy, effectively excluding all but the ‘big names’ from in store events.  There is no doubt Waterstones are missing a trick if they fail to harness the dedication of authors who are passionate about supporting physical bookstores.


Waterstones should be hosting a whole variety of events. Of course they should offer ticketed discussions by panels of famous authors, which will increase media interest and help to build a much needed buzz about the bookshops.  But it is a mistake to believe these events will impact hugely on sales of books. Fans who attend these events will already be buying their favourite authors’ books – some will even buy them online and bring them along for signing in the store.


Where sales clearly do receive a boost is from a group of hard working lesser known authors who are passionate about the physical bookshops, build good relations with booksellers and their local community, know how to approach readers, and are prepared to dedicate their time to enhance customers’ in store experience. I have spoken to thousands of readers at many stores who were thrilled to have an opportunity to talk to a ‘real’ author. Crucially, this gave them an experience they couldn’t have online. To worry about whether or not they bought my own books – some do, some don’t – completely misses the point.


Already many readers are browsing the bookshops to make choices of titles to download. Thousands of readers in the bookshops ask if my books are on kindle.  I reply that they are, and selling in their tens of thousands, but we have to support the bookshops – or we all know what will happen. Waterstones policy of reducing author presence in the stores will not help them survive.


Ironically, in my discussion with a member of the events team at Waterstone’s head office today, a lady told me she wished Waterstones could afford to employ more staff to talk to customers.  There are many authors who would love to do just that at informal signing events. They boost the store’s sales for the day – vital for less busy stores – customers enjoy an experience they cannot access online, and the author sells a decent number of their own books in exchange for their time. Everyone wins.


When I posted about my disappointment with the new policy on facebook, I was amazed by the barrage of responses my comments provoked. Of 200 or so comments, not one supported Waterstones new policy.  I had a similar reaction on twitter.  So great was the sudden furore that I was contacted by a journalist from The Bookseller wanting to quote me.


I hope to have an opportunity to meet James Daunt to talk face to face. Bookshops are not my business. They are his.  But I share his passion for physical bookshops and I worry about the future impact of his new events policy.


You can find links to the discussions on Facebook and twitter on http://leighrussell.co.uk


The article in The Bookseller can be found on http://www.thebookseller.com/news/waterstones-changes-store-guidance-events.html


All text © Leigh Russell, 2012, and used with kind permission.



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Published on August 01, 2012 03:01

Back by Popular Demand

Hi, gang!


We’ve noticed a few people asking if we’d be doing a season-pass for the second series of Space: 1889 & Beyond. Originally the answer was ‘no’, due to the initial behind-the-scenes chaos with getting the series together. However, we’ve found a way to change that. And so, we’re very pleased to announce that ‘yes!’ we are now doing a season-pass. But there is a catch!


It’s a good one, mind.


The season-pass is only available until August 15th – so if you fancy saving £3.20 ($5) off the entire second series, then run along now and pick up the season-pass for only £10.87 ($17). Yes, that’s just over a tenner for six books! Who can pass up such a deal? But hurry, this only lasts for two weeks.


Visit the Untreed Reads Store HERE to purchase the pass.



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Published on August 01, 2012 02:09

July 30, 2012

Space: 1889 & Beyond – Series Two Press Release


Coming mid-August 2012


The second exciting series of steampunk adventures!


 


Series 2.
2012-2013


Everything H.G. Wells could have written.


Everything Arthur Conan Doyle thought of,


but never published – because it was too fantastic!


 


Following on from the success of the first series, Untreed Reads Publishing is proud to present the second series of six books based on the world-renowned Role Playing Game, fully licensed from creator, Frank Chadwick, and headed by best-selling author Andy Frankham-Allen.


The series begins mid-August, and will be released bi-monthly, thus running for a whole year. Once again we’ve brought together some of the best names in fantasy fiction as well as some relatively new names to bring you a series that will continue to re-shape the popular steampunk universe first created almost twenty years ago.


This series our heroes, “Professor” Nathanial Stone and Annabelle Somerset are joined by two others on their journey through the aether. Captain Jacob Folkard, the commander of HMAS Sovereign, and another familiar face. There is much turbulence and change ahead, as secrets are unveiled, mysteries revealed, with the fate of the British Empire hanging in the balance. Think you’ve seen it all? Think again. Join Nathanial, Annabelle, Folkard and guest as they travel from one corner of the Space: 1889 universe to another, from the conspiracies that eat away at the heart of the British Empire to the underworld of Ceres, watch them as they encounter pterodactyls in the clouds above Venus, join them on their longest journey between worlds where it seems their darkest fears follow them all the way to Phobos and the mysteries contained inside that moon… Where will their journey end? Nothing is certain, except that by the end of series two the 1889-verse will be shaken to its very core!


Previously On…


At the end of the last series, Nathanial and Annabelle found themselves in something of a tight spot. Annabelle lost one of her legs due to the machinations of the manipulative French man, Le Boeuf, on an experimental heliograph station, and Nathanial found himself placed under arrest for the destruction of said station. It seemed things were looking up for them after they helped rescue Annabelle’s increasingly mad uncle, inventor Cyrus Grant, and foiled a Russian plan to secure the moon and the alien Heart at its centre. But as series one closed, Annabelle was disheartened by her uncle’s deterioration, despite the support of Lieutenant George Bedford, first officer of the Royal Navy’s flagship HMAS Sovereign, and Nathanial was left to ponder his own future. He hopes that his actions on Luna will give his innocence some credence, but is concerned about the reception awaiting him on Earth… No one but he and Annabelle survived the destruction of Peregrine station, so who is behind the charges levied against him?


A view from a gantry…


Series two begins mere hours from where series one left off, with the series creator, Frank Chadwick, joining forces with series editor, Andy Frankham-Allen, to bring you a tour-de-force in Space: 1889 adventure!


The Stories



Conspiracy of Silence by Andy Frankham-Allen & Frank Chadwick
To Ceres by Steam by Paul Ebbs
Leviathans of the Clouds by Steven Savile & David Parish-Whittaker
The Forever Journey by Michael J Peters
A Fistful of Dust by Sharon Bidwell
TBA by Jonathan Cooper

 


The Team


Series Editor, Andy Frankham-Allen (co-author, Conspiracy of Silence)


Andy Frankham-Allen is a Welsh-born author of many short stories, both for Untreed Reads and the Big Finish’s official range of Doctor Who anthologies. In 2005 he co-authored the last in Noise Monster Productions range of Space 1889 audio dramas, and in early 2011 Untreed Reads published the first novel in his new real world dark fantasy series, The Garden, which was nominated for the Rainbow Award, Best Full-Length Supernatural Novel 2011. He continues to write short stories and novels, with upcoming projects including a novel in Crossroads Press’ Scattered Earth series, and non-fiction Doctor Who book for Candy Jar Publishing, as well the second book in The Garden series. On top of all that, he’s also the series editor for Space: 1889 & Beyond.


Series Creator, Frank Chadwick (co-author, Conspiracy of Silence)


Frank Chadwick is no stranger to the Victorian science fiction field. He is the creator of the Space: 1889 universe, with the first in a series of role-playing adventures, board games, and miniatures rules appearing over twenty years ago. He is known throughout the gaming industry as one of its most prolific designers, with over a hundred published games. He is also well-known in the history and military affairs field, with over two hundred books, articles, and columns. His 1991 Desert Shield Fact Book reached number one on the New York Times bestseller list, but he still lists steampunk as one of his first and greatest loves.  As well writing one and a half novels in the first series of Space: 1889 & Beyond, his forthcoming works include two novels with Baen Books, How Dark the World Becomes and The Forever Engine which is set in the Space: 1889 universe.


Paul Ebbs (author, To Ceres by Steam)


Paul Ebbs has written various Doctor Who related things for the BBC, Big Finish Productions and BBV, and as a TV writer he’s written for such notable shows as EastEnders, Casualty, The Bill and Dead Ringers.


Steven Savile (co-author, Leviathans of the Clouds)


Steven Savile has written for Doctor Who, Primeval, Stargate, Warhammer, Slaine, Fireborn, Pathfinder and other popular game and comic worlds. His novels have been published in eight languages to date, including the Italian bestseller L’eridita. He won the International Media Association of Tie-In Writers award for his Primeval novel, Shadow of the Jaguar, published by Titan, in 2010, and has been nominated for the British Fantasy Award on multiple occasions. Silver, his debut thriller reached #2 in the Amazon UK e-charts in the summer of 2011 selling over forty thousand copies in the process. He wrote the story for the huge international bestselling computer game Battlefield 3, which sold over five million copies in its week of release, and he served as head writer on the popular online children’s game SPINEWORLD which have over one million players. His latest books include Tau Ceti (co-authored with International Bestselling novelist Kevin J. Anderson), Each Ember’s Ghost and the novelisation of the computer game Risen 2: Dark Waters.


David Parish-Whittaker (co-author, Leviathans of the Clouds)


David Parish-Whittaker was a winner of the Writers of the Future contest for emerging talent in speculative fiction for his short story A Warbird in the Belly of the Mouse.  He’s previously written tie-in fiction for the Rezolution miniatures ruleset by Aberrant Games, to be published in an upcoming anthology.  His short fiction has also appeared in Every Day Fiction.   He currently writes videogame analysis and reviews for Geekosophy and Bag of Games. When he’s not writing, David works as a captain for a national airline. In previous incarnations, he has been a naval flight officer, traffic watch pilot, glider tow pilot and aerobatic instructor.  He is a rated commercial glider pilot, and holds an H-2 hang glider rating.  In his off hours, he plays a replica medieval harp for the Goliards, an early music group specializing in 13th – 15th century music, mostly to cement his geek street cred.


Michael J Peters has had a distinguished writing career with various media tie-in products, but that is hardly surprising as he is a composite of two distinctly different authors and does not really exist. However, he wishes his identity to remain secret because he’s never used a pen-name before and wants to make the most of it. In other news, the 2012 Olympics have begun…


Sharon Bidwell (author, A Fistful of Dust)


Sharon Bidwell writes whatever her warped mind can come up with. Although her longer works to date mostly involve a variety of wonderful men finding true love…or at least some loving, she’s quite capable of writing something darker, grittier, and even outright twisted. Her work has appeared in a variety of publications both in print and electronic formats. She currently lives in a house with a few art-deco original features and a Harry Potter cupboard under the stairs. Watch one of the films — that’s her cupboard. Sometimes she even dreams of clearing it out and hiding away in there, seeking some magic and inspiration.


Jonathan Cooper (author of series finale)


 Jonathan Cooper was born in Wolverhampton in 1981. He started his career in theatre, writing plays from the Birmingham REP and the King’s Head in Islington. He has written extensively on the web on film, TV, video games and other assorted geekery, including a stint producing reviews and opinion for Mirror.co.uk. He has written and produced two short films with another two in production and has had short stories published internationally – he is also, according to the BBC – one of the top 200 comedy writers in the UK. A Tale of Two Worlds is his first full-length science fiction piece, and he remains bizarrely proud of the day Steven Moffat threatened to set his eagles on him.


Adam Burn (cover designer)


Adam Burn has been drawing from an early age, and has been working with digital art for at least seven of them. He is a freelance artist who has worked for Games Workshop and Fantasy Flight Games. He was, most recently, the Senior 2D Artist for Taitale Studios on their forthcoming MMORTS game, Novus Aeterno. Steampunk is a new genre for him, but one he’s finding his way around quickly, and he is responsible for the covers of series two, as well as the revamp of the Space: 1889 & Beyond logo.


Exclusive: Conspiracy of Silence (prologue)


1.


“AETHER PROPELLOR SECURED and ventral mast shipped, sir.”


“Very good, Mister Barry.” Lieutenant George Bedford, acting captain of HMAS Sovereign, the most modern aether battleship in the Royal Navy, took a quick scan of the bridge instruments and engine room repeaters before turning back to the young sub-lieutenant. “At what would you estimate our drop, Mister Barry?”


Barry had only worn the single thick stripe of a sub-lieutenant for eight months and Bedford hadn’t known him as a midshipman. The youngster had a good level head on his shoulders, Bedford had learned that much about him several weeks earlier when the two of them had dropped half a dozen Saltators—giant lunar red ants—with revolver fire when the monsters had boiled unexpectedly out of the hatch of a cutter on the docking bay. His technical skills were another matter, but they were coming along.


Barry squinted through the lens of the horizontal inclinometer, aimed out the bridge’s starboard observation blister, consulted his pocket watch, waited ten seconds and took a second reading through the lens. He paused, doing the calculation in his head.


“I make the drop fifty-five fathoms per second, sir.”


Bedford nodded; he made it nearly the same. Fifty-five fathoms a second, a descent rate of almost four miles a minute, was a bit steep and on this trajectory would put them down in the North Atlantic instead of the English Channel, as well as scorch the lower hull. “Trimsman, let’s have fifteen percent buoyancy on the lifters.”


After commanding Sovereign, however briefly, no other assignment had the capacity to stir his blood. Damn, she was a fine ship!


“Fifteen percent buoyancy, aye, sir,” the petty officer answered and went to work on his forest of levers, each controlling the angle of one of the liftwood  louvers which covered much of Sovereign’s lower hull.


“Mister Barry, my compliments to Lieutenant Boswell and he may light the coal boilers at his discretion.”


“Sir.”


They wouldn’t have enough atmospheric oxygen for the boilers for another ten minutes or so, but Boswell, the chief engineer, knew that well enough. The sun was still visible above the curvature of the Earth and would remain so all the way down through cloud-free skies. Although it was not yet day in Southern England, the eastern sky would already be pink and the sun would rise full up in the hour their descent from orbit would take, racing as they were toward the dawn. The solar boilers would do until Boswell put the black gang to work, would probably suffice until the last ten minutes of the flight, when they would penetrate the near-permanent cloud and smoke cover over Greater London. No solar boiler yet made would work down under that grey-brown shroud.


Bedford took another look at the bridge, its gleaming brass instruments and polished mahogany panelling, and he sighed. In an hour, a bit more, Sovereign would be down and secure at Chatham Dockyard and his temporary command would end. There was no chance for a simple lieutenant with eight years seniority to land a permanent command such as this—the choicest command in the fleet, coveted by officers with two more stripes on their cuffs and with the all-important political backing and social standing he lacked. No, he would be reassigned. In the past he had always looked forward to a new assignment, but not this time. After commanding Sovereign, however briefly, no other assignment had the capacity to stir his blood. Damn, she was a fine ship!


More than that, she held memories. Were it not for his assignment to HMAS Sovereign, he would never have met and befriended Nathanial Stone, and would not now be delivering him to the police for trial as a traitor and saboteur. He would never have met Cyrus Grant, one of the greatest scientific minds of the age, now reduced to confusion and madness by their experiences on Luna. Most importantly, he would never have met Grant’s niece, Annabelle Somerset.


Annabelle…


2.


NATHANIAL WATCHED AS the line of Russian former captives was led to the steam omnibus waiting at dockside. The irony of their situation and his washed over him like a cold wave. Former enemies of Britain, they, along with British personnel, had been captured by the alien Drobates on Luna, and all had been rescued by Bedford’s daring raid, leading fewer than a dozen Royal marines and naval ratings. Now the Russians would be released, amidst much public fanfare, to the custody of the Russian ambassador, who would in turn express the heartfelt gratitude of the Tsar.


In the subsequent fighting which had nearly cost all of them their lives, the Russians had done nothing to help while Nathanial, with a captured Drobate electric rifle, had held a long, dim tunnel against an alien horde, and had done so nearly alone and with little expectation he would escape with his life. Now British soldiers helped the Russians into the steam omnibus, showed them every courtesy, while a quartet of hard-eyed constables marched purposely toward Nathanial, obviously intent on taking custody of him from the two Royal Marines who guarded him.


Nathanial had at least expected to be met by some sort of government official, have the charges explained. Instead a black police four-wheeler loomed behind the constables. Were they really simply going to pack him up and cart him off to prison with no further ado?


Nathanial looked for any sign of his friends. Captain Folkard, who had relieved himself of command of Sovereign after the disastrous events on Luna had played themselves out, was nowhere to be seen on the dock, but Nathanial spied Annabelle making her way to him on the arm of Lieutenant Bedford, both of them limping. Bedford had suffered a nasty sprain of his ankle on Luna and Annabelle… Months earlier Annabelle had lost her right leg above the knee and now wore a mechanical limb designed by Nathanial and built using Drobate technology over the course of the last few weeks. It seemed to serve her well, the only bright spot in this uniformly bleak scene.


“Is this Stone?” the leading constable asked.


“Of course it is,” Private Jones answered, bristling slightly. “And what of it, then?”


“It’s all right, Private,” Nathanial said. “It is clear enough they are here for me. If you gentlemen would be so good as to give me a moment to take my leave of my friends, I would appreciate it.” He addressed this last to the leading constable.


Instead the man gestured to his assistants. “Seize him and put him in the van.”


“No! Just a moment, please!” Nathanial entreated but to no avail.


Two constables pinned his arms to his side and pulled him toward the black carriage. A few yards away Annabelle cried out and broke free of Bedford, reached out to him. The leading constable made as if to stop her but Jones’s rifle was suddenly in his hands at high port.


“Touch the lady, friend, and you’ll be chokin’ on your teeth,” Jones growled and the constable took a step back.


“Nathanial,” Annabelle said and thrust something round, flat, and metallic into his hand, “take this and remember—never lose hope.”


The constables pulled him away and he saw George Bedford comforting Annabelle as the doors on the back of the van closed and plunged him into darkness. He looked at his hand and saw a small gold watch, gleaming dully in the faint light which entered through the overhead ventilator. He recognised it as the pocket watch her father had given her—which contained on its inside a daguerreotype of her deceased parents; the only thing she retained from that former life.


Never lose hope.



 



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Published on July 30, 2012 13:02

July 5, 2012

The Misadventure of Mark Thorne (remastered)

The Misadventure of Mark Thorne was a story originally published in the 2007 Doctor Who anthology, Short Trips: Snapshots, edited by Joseph Lidster and published by Big Finish Books. It is now out of print, and the rights of the story are all mine again. Of course, I do not own the Doctor Who elements, which does somewhat prohibited the story being reprinted. However, I can share a new version of the story with you for free. And here it is… A bit of official Who fiction, from me.



The Misadventure of Mark Thorne

By Andy Frankham-Allen

‘Look, it’s perfectly simple. Mayonnaise, lettuce, tomatoes, bacon. Come on, you can’t be that cowing thick!’


Mark Thorne looked down at the trembling hands of his trainee, and smiled. This was power. In this kitchen he was the king of the hill, and all who came here to work had to bow before him. The trainee started adding the seasoned mayonnaise with a knife. Mark tutted loudly, and snatched the knife out of the trainee’s hands.


‘No, no, no! You’re using the wrong knife now.’ He put the knife in the sink and reached for the knife with serrated edge. He knew his little monkey had been using the correct knife, but that was hardly the issue. It was about power.


*


Hours later Mark threw his coat on and barged his way out of the unit. Head lowered, he wasn’t particularly interested in who got in his way. They wouldn’t be there for long. Like a rhino he carried on, barging his way through the crowded concourse of Cardiff Central Station. It was match day, and the people were jostling to get to an exit in one piece. Unfortunately most of them were not natives of Cardiff, and so they experienced a moment of indecision as they wondered which exit offered the quickest route to the Millennium Stadium. Even more unfortunately, for them at least, Mark did know which exit he wanted and he was not in the mood to tolerate their blocking him.


So he carried on relentless, leaving curses in his wake. Finally he reached the doors. Just as he was about to step through them and out to the cold air, an unusual sound penetrated his single-minded course. He stopped, and looked around. He had never heard anything like it. In the concourse people were also looking around, trying to locate the source of the noise. Some reacted in shock, no doubt disturbed by the sudden strangeness of it all – expecting some kind of bomb to go off, perhaps. Mark smiled. It was clearly nothing. The inside of the concourse looked like it did on any other match day, so he turned away to continue on his way outside.


He walked smack into a hard object, and for a moment was dazed, but he couldn’t step back. Instead someone from behind bumped into him, and the solid object before him gave way. He stumbled over something, and found himself surrounded by a bright light.


A strange humming sounded resonated behind him. Mark turned to look, but the effects of concussion had begun to sweep over him. He imagined he saw two large white doors closing, but his feet gave way and he fumbled backwards. He spun around, which did not help the dizziness, and before he knew what had happened his head slammed into something with a sharp edge.


He was on the floor, and the light was fading. He blinked again. Something came into his vision, something silver. It looked vaguely like a man, reaching out, as if to help him up.


And then… All was darkness.


*


He pushed the door open and it swung with force. ‘Right, that’s it! Where am I?’ he asked loudly to what, it turned out, was yet another empty room.


Mark checked his phone once again. It had been almost an hour since he’d awoken in that strange bedroom. An hour since he had started trying to find a way out of this clinical looking place he had found himself in. For a while he had entertained the notion that it was some kind of hospital – it was certainly white enough – but he’d never been in a hospital like this before. Plus there was the total lack of wards and, well, people. He had found many different kinds of rooms behind the various closed doors along the multitude of corridors, but no people. It had got to the point where he would have been happy to see the silver man, whom he was sure he’d imagined anyway.


He looked around the room he was in this time. It looked strangely familiar. In the centre of the room was an object that… His head subconsciously reached for the bump on his head as his eyes rested on the sharp edge of the console. Six sided, resting on a plinth, with a glass column running through the middle of it. There were various controls on each of the six panels, including what appeared to be a computer keyboard.


Mark approached the keyboard section. He was pretty good with computers, and hopefully he could call up some kind of information on the monitor above the keyboard. Just then he noticed a difference in the wall before him. Unlike the other five walls, this one had cracks in it. He peered closer, and then it came to him.


A pair of double doors. A way out. At last!


Heart racing he rushed around the console. There had to be something on there that would open the doors. Some kind of… Aha! Right before him was a lever with a red handle. Smiling at his brilliance, Mark pulled the lever and, with a sense of satisfaction, watched the doors swing open.


*


OK, having all those rooms and corridors inside a blue box was one thing, but the place outside? Mark had to wonder if he was going mad.

He was standing in the middle of a field. The grass beneath his feet was a kind of orange, contrasting horribly with the garish green sky above. In the distance he could see trees. Although they weren’t like any trees he’d ever seen. The trunks were as white as the purest snow, with leaves of baby blue. Mark shook his head, wishing he’d brought his sunglasses with him. The colour scheme, coupled with the mild case of concussion, was giving him a granddaddy of a headache.


‘Hello?’ he called out, before it occurred to him that it might have been a better idea to keep quiet. He had no idea where he was, or indeed what kind of people populated a place like this.


Out of his depth as he was, he wasn’t the kind of person who could just wait. Ask anyone at work. Patience was not a virtue of his. He glanced back at the blue box once more, making sure he got a complete picture of its location in his mind. Wherever he was, whatever he was going to find here, this box was his ticket home. And he had no intention of losing it.


*


He followed a road, not yellow brick unfortunately, although he half expected there to be one, into a built up area. Once more he was faced with the startling differences between cities he knew and the one before him. He was probably being generous likening it to a city, it was more of a small town in size at least, but there was something about the grandiose nature of the buildings that made him think city. They reminded him of something, although he could not think what, the way they were all carved out of stone. It was as if the mountains themselves, which he had only just noticed now standing on either side of him, were part of the city.


All he needed to find now were some people. Maybe they knew who that silver man had been. Maybe that’s what he was going to find here. Hundreds of silver men.


As he was soon to discover, he couldn’t have been more wrong. As he walked deeper into the city he heard the sound of scuffling. Smiling to himself he sought out the source of the sound. Whatever he was going to find couldn’t be any madder than everything he’d seen so far.

Famous last words, he thought, when he turned the corner.


First he noticed the two men backing up against the stone wall. They were roughly the same height, looking much the same age, too. One of them was dressed in a strange outfit that looked vaguely like cricketing whites, while the other one was dressed in dark grey slacks and blazer. He was the younger of the two, and also clearly the one out of his depth. Mark could appreciate that. But the other man seemed perfectly at ease. He was even offering out a hand and a smile to the aliens who were literally cornering them.


And they really were very alien. They stood almost four feet taller than the two men, and were as wide as both of them put side-by-side. Their skin, what he could see of it through the haphazardly spaced tufts of coarse hair, was an oily black.


Mark backed away a bit, so that he was mostly hidden by the edge of the corner.


He watched events unfold, having no intention of getting involved. He knew it was a character flaw of his, the amount of times he’d seen someone fall over in the concourse while at work and never offering any help, but he couldn’t help it. In his kitchen he was the master, but outside it he was little more than a regular Joe. A cowardly one at that, too.


‘No need for any hostilities,’ the blond haired man was saying. ‘Perhaps introductions would be best here? I’m the Doctor and this is Turlough. You are..?’


The two aliens turned to each other, and for the first time Mark got a good look at their faces. They had one huge eye in the centre of their faces, with big, slobbering lips, saliva dripping. Mark didn’t want to be quoted, but it seemed to him they looked hungry. Very hungry.

That decided it. Even though it seemed clear the two men must have arrived in the blue box, too, Mark’s survival instinct was higher than his desire to be a hero. He quietly slipped away.


He didn’t get far. He turned around just in time to notice another two aliens come up behind him. Mark swallowed hard.

‘Erm. Hiya,’ he said, his voice never having sounded so small.


The aliens smiled. At least, Mark hoped it was a smile. It was so difficult to tell through all their drooling.


*


They introduced themselves as Trawets and Naitsirk, although considering the way they were always moving around him Mark had great difficulty remembering which was which. He hated to sound racist, but they really did look exactly the same. He had expected something sinister, but instead they constantly talked to him, offering him much food. A sign of respect for honoured guest, or some such, Mark assumed. Either way, one thing was certain, they loved their food.


Right now they sat around a table, various meat dishes filling up most of the table’s surface. And still they talked. Mark had an image of the two men he’d seen earlier taking part in a similar scene. For a moment there he had thought that perhaps the aliens wanted to eat the men, but he was glad to be proven wrong. Sure, they looked hungry, but during the short time he’d spent with them that had not changed.

Mark laughed. What a ludicrous idea! Trawets looked at him. ‘Sorry, private joke.’


‘What is a “private joke”?’ Trawets asked, and when he spoke his lips moved in a way that did not go with the actual words. It was like watching a badly dubbed film.


‘Can I see more of this place? First time, erm, off world, so I’m figuring I need to soak up the experience,’ Mark said, in a not very subtle attempt at side-stepping the question.


Trawets turned to Naitsirk. Mark watched them, wondering what that look meant. He was never very good at reading body language as it was, so trying to read these two was nigh on impossible. Naitsirk slowly nodded his large head, and Trawets returned his attention to Mark with what Mark now knew to be a smile.


‘Walk is good,’ Trawets said.


*


On reflection Mark realised he liked it here. Sure, everything was so alien (an inane thought) but all the Shev were so damned friendly. He was surrounded by at least ten of them now, and all were listening intently to his stories about working with food. It seemed an obvious topic for a race who prized appetite above everything else, and if there was one thing Mark knew well, it was food. Well, that and old films and TV shows, but he didn’t see how the Shev would have any interest in such things. Unless he told them about Junior down at Fraggle Rock. A distant relative of the Shev mayhaps? Looking at the ten gathered around him Mark could see the physical similarities.

As he told his stories, putting himself up there with the gods of course, in terms of his culinary skills, his mind drifted back to his life in Cardiff. He was, he thought in all modesty, clearly an undiscovered genius. Too good for the city, as drab and cold as it was. But here he had a purpose, a fellowship with the Shev that he just didn’t have back home. Maybe, he considered, he wouldn’t bother trying to find those two men and that silver man (whom he had almost certainly imagined) so he could get back to Cardiff. This planet was vibrant, and it made him feel alive.


A sound rang out, both cutting his story and his thoughts short. Whatever the sound meant it sent a ripple through his audience that superseded anything he had to say. They started talking to each other animatedly, jumping with unsuppressed excitement.


‘What’s going on?’ he asked.


One of the Shev, possibly Trawets, turned to him, saliva drooling even more than usual. ‘Food has escaped. Now we join the hunt.’

Well, Mark had never hunted for food before. Living in a city it had never been necessary, not when there was a Tesco on hand. ‘When in Rome,’ he said, standing up. ‘Let’s go chicken hunting!’


‘Yes! You lead us, we follow you. You smell the food better.’


Mark wasn’t entirely sure what was meant by that, since the Shev had bigger noses than he did, but he was game. His chest swelled with pride. Oh yes, move on Gordon Ramsay. It was the Mark Thorne show now.


‘Yeah, why not?’


*


Trawets soon took over, since it became obvious early into the hunt that Mark just didn’t have the nose for it after all. This came as a great disappointment to Trawets, although Naitsirk exhibited no surprise at all. So the hunt continued, through the city, out over the hills, and onto the burned orange pastures. All the while the Shev were getting more and more excited, and Mark was finding it hard to keep up with them. For all their bulk they were incredibly fast. Occasionally he slipped on the ever dripping saliva. Now, Mark loved food as much as the next man, possibly more, but he was beginning to get turned off by the constant slobbering.


Finally, they caught up with their prey. And Mark pulled back in shock.


Surrounded by a good twenty Shev were the two men he’d seen earlier. For a few moments Mark was stuck trying to process this development. He wanted to deny it, pretend the men were simply helping the Shev in their hunt, just as he was. But too much was coming together. The huge meal, the friendliness of the natives, why walking would be good for him, and now this…


‘You eat people?’


Trawets just nodded his head.


‘You eat people?’


Naitsirk came over to them. ‘Human meat is the best kind. That is why we breed you. Trawets thinks it is better to get to know your food first. I think Trawets is right now. Much more satisfying.’


Mark didn’t know what to say. There was really nothing more he could say. But he knew one thing for sure. He wasn’t going to be served up like a Sunday roast. He turned and pegged it.


As he ran he heard laughter behind him. He had got used to the Shev laughter, found it strangely addictive. But now it made his skin crawl. So he ran faster.


*


Mark knew they were close behind, but he didn’t care. He doubled back on himself, running through the city, hiding from time to time in the shadows. If he stayed on the right track he knew he could find his way back to the blue box. If nothing else, his running hopefully was enough of a distraction to allow the two men a chance to escape. He just hoped they were heading back to the box, too. If not, then perhaps his imaginary silver man was not so imaginary after all. He had to get into the box, or else he’d be dead meat. Quite literally.


He shuddered, poked his head around the corner to make sure the way was clear, and shot out of the shadows. Before him was the non-yellow-brick-road. The path to freedom.


On the horizon he saw the box, and let out a sigh of relief. But like a kick in the chest the sigh was ripped away from him when he noticed that the door of the box was closing behind the man in the grey slacks.


Mark shouted out, and doubled his speed, ignoring the stinging stitch in his side. He had to reach the box, to let them know he was here. Surely the silver man wouldn’t let them go without him.


He was wrong. Before he could reach the box a wrenching noise filled the air. He recognised it as the same noise he had heard in Central Station, which seemed so long ago now. His running turned into a stagger, which in turn became little more than a crawl on the grass as he witnessed the box fade into nothingness. Mark screwed his eyes shut. If the silver man ever told them about him, it would be too…

He heard the grass pressing beneath the pressure of many large feet.


Spittle landed on his head. Then, a voice.


‘Trawets was right, much more satisfying.’


*


Mark was bundled unceremoniously back to their hut, where he was stripped naked by Naitsirk while Trawets prepared the pot. A third Shev had joined; a family friend come to taste the new meat. Mark struggled, finding a well of courage he never knew he had. Perhaps it was simply his survival instinct overriding all else. As it turned out, his struggles were for nothing. The Shev were so much stronger than he.

Once he was naked they sprayed him with a misty something. It smelled lovely, and for a moment Mark closed his eyes imagining how it would add flavour to the food being prepared. He shook his head, the horror of the situation just beyond his grasp.


It was so insane. He was the one being seasoned, like some leg of beef. He knew that, but still his mind could not quite accept it.


They strung him up into some kind of cradle, which they gently lifted off the floor and attached it to a pole over the top of the large cauldron. Mark looked down, grateful that the lid was still on the pot.


‘Listen,’ he said, his voice pitiful, ‘you don’t need to do this. I can offer you so much, teach you of the ways we cook things on Earth. There must be something I can do for you.’


Naitsirk looked at Trawets, and if Mark read it right there was a doubtful look in his eye. Trawets shook his oily head, and approached the cauldron. ‘All you can do is hope you digest slowly.’


Mark’s eyes widened in horror, the sound of the lid scraping against the cauldron. ‘I hope you choke on me,’ he said feebly.


‘Unlikely,’ Trawets said, and opened his mouth. Mark looked into the deep chasm. It was impossibly wide.


As they began to lower him into the cauldron of bubbling liquid, Mark’s eyes watered and he looked around.


‘Please,’ he began, then blinked. It was impossible surely, but before his eyes, unseen by either Trawets or Naitsirk, the third Shev was changing. His oily black skin was turning silver…


Mark could not help but smile, tears of relief pouring from his eyes. The silver man had come to save him.


Pain seared through him as his naked legs sunk into the boiling liquid. ‘Help me!’ he screamed, looking for the silver man.


There was no silver man, just three Shev watching him in glee as he was boiled alive.


It was the end of the Mark Thorne show…


Fade to black.


The Misadventure of Mark Thorne © Andy Frankham-Allen 2007, 2012. All Rights Reserved.


Doctor Who © BBC 1963,2012. All Rights Reserved.



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Published on July 05, 2012 10:30

June 26, 2012

The Wilderness Years (1991 to 2004) – A Mini Autobiography

Hey, I recently came across an email I wrote a friend four years ago. It was a long catch-up email, between two friends who had not seen each other in eighteen years. And it got me thinking. Perhaps it’s time to share a little of my story with my readers.  What follows is by no means up to the standard, and as in depth, as my usual writing, but it will give you all a few insights into the world I come from. I daresay there are some of you that can relate to it.


There is, of course, plenty of more story, but I pick up in 1991, in my final year as a teenager…


 


Rare shot of me, from 1992…


Leaving White City was a slow process, even though I moved down to this hotel in Shepherd’s Bush Road, since I still had a lot of friends in the old estate, and so often found myself back there. But once out of the hotel my mother moved to Fulham and I got myself my first flat in Edward Woods Estate. Still have nightmares about that place. Hated it. It was little more than a bedsit, and 16 floors up; the heating never worked, and I always seemed to be skint… I guess I was in a bad place in myself.


Disillusioned by people, and not for the last time, I ended up spending most of my time in Fulham. Staying at my mother’s quite a lot, although many a night I would trek from Fulham to Shepherd’s Bush, just me and my dog (and no lead for her – best behaved dog ever!). Eventually I kind of hit my bottom, doing much of nothing, just hanging out with mates, signing on, drinking. Never turned to drugs, though, although I had a toke of a spliff once, but much like cigarettes it wasn’t for me. Made me feel ill (even to this day I feel ill when surrounded by too much cigarette smoke, which I think is a good thing really since it keeps me from getting addicted to them – and I can have a bit of an addictive personality!). So, there I was, at the bottom of my own personal pit, and one day I was hanging out at the fair that had pitched up in Fulham Rec on Fulham Palace Road, having what I thought was a good time. And it was, chilling out with mates is always a good time if they’re the right kind of mates, but I was feeling empty, avoid of something, some direction. And along came the Christians.


Yep, almost 2000 years on they were still the harbinger of bad tidings, despite their protestations to the contrary. But they have an instinct for targeting those that look like they need something bigger, and that was a category I certainly filled then. July 1993, a red letter month for my life. So much changed in the coming months, things that seemed to be good for me but in the short term was the worst kind of shit.


Rebekah, Mary and I…


Alienation of my family and friends, isolating myself from the real world. I got to know these American missionaries, and was introduced to various people at Twynholm Baptist Church @ the Fulham Cross junction of Munster and Lillie Roads. On the surface they seemed a welcoming bunch of people, and so over the course of a week I was introduced to the Christian concept of God and the path to salvation. 4th July came and so did my commitment to Jesus. And thus it remained for the best part of seven years. I become quite devote; every aspect of my life was imbued with my faith. My CDs went, replaced by Christian music (both worship and contemporary, since even as devout as I was I needed modern tunes that I could dance to); my books (of which there were many) were chucked out, except my Doctor Who collection which went into storage (couldn’t bring myself to get rid of those!). Conversations with my family lasted about ten minutes before God was brought into them, and my previous friends no longer fitted into my world view. They became objects for witnessing, in an effort to let God speak through me and bring them into the fold. The irony is I didn’t see this at the time, I was so caught up in my faith that I couldn’t see the effect it was having on me, how it was taking me out of the world I so wanted to be a part of. I lost touch with reality, you might say.


After a false start, I finally settled into a job, and learned all about work ethic. It was a tough lesson, since I had an innate distrust of any authority and couldn’t quite get my head into the notion of reporting to someone who was not me. But I soon equated it to my submission to God and it became easy enough. I became an active part of various church related events; teaching in Junior Club, leading Bible Studies, and became something of a Bible Scholar. One trait I still have; when I become interested in something I seek to learn all I can. But despite all this, and the church elders realising my inborn leadership abilities (which makes sense of my lack of respect for authority figures – a follower I am not!), in my personal life things were still taking a nose dive.


It took many years to work out what was happening, but I was turning into some kind emotional cripple; dependent on the love and attention of my peers. I put so much stock in some friendships that I’d be debilitated when things went sour.


Just to offer balance, not all was doom and gloom. 4th August 1996 a bunch of us were at the Rec, the lads playing football, me flirting and chatting with the girls (as was the norm for me, then), when the ball got stuck up a tree. Now I’m a good tree-climber, and so off I went. One of my mates gave me a leg up, but as soon as he let go and my entire weight was on the branch, the bark crumbled and my grip went with it. I landed unceremoniously on the grass, thinking I’ll try that again, but when I tried to stand I found putting any kind of weight on my right foot wasn’t going to happen. I removed my shoe, and was greeted by the sight of my foot almost facing the wrong way. Yup, very broken! So, what did I do? I laughed. My mates thought I was joking, then they noticed the new angle of my foot and started panicking. The end result, I had crumbled the talus in my ankle joint to nothing, and would thus, according to the experts, be using a walking stick within ten years (sixteen years on and no such thing has been needed!). First though I was disabled for three months, no work and way too much time on my hands.


And so I finally did what I’d been meaning to do for the longest time; I wrote a book. All told it took me a year to finish, after several rewrites, and I sent it to BBC Books (it being a Doctor Who novel), but it wasn’t for them but it was, as the editor pointed out, cathartic for me in any case. Looking back, the book was extremely preachy, dealing with Christian concepts in a way that was supposed to be clever, but was nothing more than blatantly obvious and crass. And so my old hobby resurfaced for a while, but time and events conspired against me and proper pursuit of my writing would have to wait another five years.


About 1998 things began to become clear in my mind. I had an epiphany one night while visiting my mother, who now lived in Shoeburyness. The lights were out and I was standing at the bedroom window, feeling out of sorts, and I looked up at the night sky and said, ‘God, are you there?’ It’s hard to explain what happened. I certainly wasn’t expecting an audible reply, but what I did get was answer enough. A moment of pure clarity. The God I’d learned to believe in did not exist, and my faith was misplaced. I tried to keep this realisation to myself when I returned to London, but over the following weeks my dissatisfaction in the church and the people within became more and more apparent. I turned argumentative, debating every point that was being preached. I looked around and saw the younger people, cotton woolled by the church, entering the real world and being destroyed. I suddenly realised that’s exactly what the church did to me, too. It made me detached, no longer part of the world, a man who only looked to befriend people with an ulterior motive, a chance to preach and convert. I was ashamed of myself. Treating people, friends, in such a disgusting way. And so, late ’98 I left the church and moved to Shoeburyness, finally getting the hell out of London.


Relaxing in Didcot… before the darkness came.


I came across two vastly important elements at that point, a book and a singer, both of which were expressing everything I was feeling inside but could never quite vocalise. Anne Rice’s ‘Memnoch the Devil’ dealt with issues close to my heart, as the Devil took Lestat on a tour of creation, signposting the inherent illogic of Christian doctrine. Nonsense that I had been pondering. And then there was Marilyn Manson. I first heard his ‘Last Tour on Earth’ CD, I had bought it because having heard ‘Rock is Dead’ on ‘The Matrix’ and ‘Sweet Dreams’ on ‘House on Haunted Hill’ this was the only CD that had both tunes together. But the first track, ‘The Reflecting God’, spoke to me in ways no other song has. ‘I went to God just to see, and saw I was looking at me, saw Heaven and Hell were lies.’ My anthem. A few years being angry did me wonders, exorcised my inner demons, and brought me back to the darker side of my id. Out went all the Christian music (bar a few choice groups who were musically valid) and I soon started collecting the Music of Andy. Metal, rock, soul, R&B, funk… a bit of everything really. Music for all moods and seasons. On some levels I began to identify with Marilyn Manson, bought all his music, read his book, and realised this guy spoke of lot of what I thought. Not everything, mind, but some things. His whole concept of ‘don’t follow me, just be you’ appealed greatly. Music and lyrics for the development of the individual. My anger wasn’t helped none by the fact that most of the friends I’d made through the church basically disowned me; none could truly understand where I was and why I was doing what I was doing, and so, being closed minded to anything that lived beyond the walls of their faith, they turned their backs on me. I didn’t much care at the time, I was building up a new friend-base through my life and work in Southend. And, more importantly, my self-awareness was the verge of completion. But then something unexpected happened.


Over the preceding few years I discovered the internet, along with the masses, and became a regular user of such things like chat rooms, online communities and the like. By the end of 2001 I was an old hand with the net, having found many like-minded people all over the world via a community of Doctor Who fans called Outpost Gallifrey. I even started up my own series of Doctor Who stories, playing around and creating a Doctor Who universe where the safe rules of the TV series of old went out of the window (in many ways, over the next four years, my stories, and that of those who wrote for me, foreshadowed a lot of what happened in the TV series that surfaced in 2005, and to this day I’m convinced that Russell T. Davies and Co nicked a few of our ideas). As well as providing me with a new outlet for my writing, a place where feedback was almost immediate, the net gave me a safe haven where I could begin to express aspects of myself I had hitherto been unable to do.


Now, older and wiser, I can see the progression to my real sexual discovery was a long process indeed, but at the time my interest in men caught me by surprise. It shouldn’t have; many times in the past I’d dreamed about sexual encounters with men, and been drawn to the torso of many guys on first meeting. But that great Egyptian river is an easy place to get lost in, and I learned to swim it well. I think I must have got so used to being in da Nile that I had acclimatised to the waters and was no longer even aware of how soaked up in it I was. Many girlfriends had come and gone. Relations with other men was never an option, and I think that came down to a fear of ridicule, for many a time in the past I’d been accused of being gay by so many people, most often just because I wasn’t going out with a girl, and because I was generally a quiet and bookish type. Clearly all the prerequisites for sexual orientation are right there! The secret formula for working out sexuality – a guy, quiet, bookish, not sleeping around like some slag? Right, chalk that up to him being gay! More nonsense, of course, but the preconceptions of people delight in nonsense. So, there was the fear of ridicule, and then, I was heavily involved in the church and being gay was majorly frowned upon, so the kibosh was put on any gay exploration for another seven or so years. So finally I found an outlet where I could explore these hidden depths of my psyche in the safety of my own room.


The flirt in me came out (and has never gone away), first online, and slowly it emerged at work. And such flirting led to a meeting at a pub in London, where a bunch of Who fans met once a month, and my first romantic relationship with another man.


It was a tough time. My mother, being the nosy type, got into this online community and discovered stuff about me that she had no need to know. At least not until I chose to reveal it. We had a bit of a row, wherein she told me she always knew I was gay, blah blah. To this day I don’t believe her; how could she possibly know my deepest secret when I didn’t even know? There were no real signs before, other than the blatantly misinterpreted ones previously mentioned. I spent time away at Richard’s place; and the first night was little more than a fumble, experimenting in things I’d always secretly dreamed about. The next day I was full of doubts, and fears. Did I honestly want this? Was this me? It was a hard time accepting this part of me, knowing full well how the world would react. But slowly I began to settle into it, and person by person, my emergence was revealed.


Most people didn’t quite get it, but others were fine. Jokes abounded, which made things easier; a great British convention, to make light of serious situations and thus they become easy to live with. Alas, it being the first proper man-on-man relationship, things were rushed. And soon I had moved to Didcot to live with my partner (I’ll call him R). We got a nice little house, next door to countryside, and I had a job. Things should have been ideal, but they were far from it. Isolation had crept in again, but this time it was a kind of enforced isolation. All my friends were either in London or Southend, a long way from Didcot. There was just me and R, and as much as I loved him at the time, I needed other outlets. Often I would be on the train to or from work in Reading, pondering just leaving. Insecurities were eating me away. The strong man that had started to reassert himself following the Years in the Wilderness that was my church life was being eaten away, turning into a dependent again, a weak fool whose existence was always judged in relation to another. My own identity was diminished, and I’d become the other half of another man. We moved to Southend, which ought to have been a solution for me, but despite having a friend base again, I felt obligated to be with R most of the time. My partner was becoming more and more career focussed, and so despite the time spent in his company I might have well as not been there. And then, following a job promotion for him, we ended up living in Colchester. The darkest time of my life began, and for a year everything I had been was ripped away.


Things started off ok; I got a new job working in Waterstone’s, and I got introduced to the producer of the Doctor Who audio plays, Gary Russell, and at the time he was also editor of a series of Doctor Who anthologies. Along the way he got wind of the fact that I wanted to write, and so out of the blue he emailed me asking me to pitch a few ideas for the new anthology he was editing. Naturally I sent him about ten ideas, which he liked, but one he loved, and so I got my first commission. This was mid-2004, and by that time things had started to sour big time at home. R was becoming more distant, and I’d often go out riding on my bike alone, just to get away from the pervading sense of dread that hung in the air. He started to visit all kinds of porn sites, which does little for the self esteem of the other half in a relationship, and it all came out one day when he told me about this new guy who had started working with him. Nothing had really happened, just a kiss, but R was no longer sure he wanted to be with me. My world pretty much crashed down around me then.


Broken, but not defeated…


Gone was the fighter, who’d pick himself up and strike back harder, all that was left was this pathetic person who foolishly suggested R could have both of us. Crazy talk! Over the next couple of weeks things went from worse to insane. I ended up sleeping in the spare room, and R was spending more and more time away from home. Throughout this I was writing my story, which dealt with a guy who discovers he’s dead and has to watch his fiancé’s world crash down; a topic too close to home, and thus a very raw tale was written. Finally it came to a point where one of us simply had to go; and it was me. One night, September 2004, R told me that he wanted me gone the next day since he no longer wanted to ‘share the same breath’ as me. That was my darkest night… I never knew I could cry so much. Just the simple act of breathing became hard. I was a wreck.


The next morning I called my mother in Wales, and she arranged to come and pick me up. For the first and only time in my life my mother actually came through for me, and I was indebted to her for that. By the evening I was en route to Wales, sitting in the van, not talking, just living in a world of hurt. I didn’t realise at that moment, but I was settling in to the initial fugue of a nervous breakdown.


To be continued…



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Published on June 26, 2012 10:22

April 29, 2012

Space: 1889 & Beyond – Series One Finale!

This is it, folks, after eight months in the aether, Nathanial and Annabelle are heading back to Earth. Only they have one more stop to make en route – the place from which their adventures began. Luna!


Series one of Untreed Reads’ best-selling steampunk series, Space: 1889 & Beyond, reaches its exciting conclusion this month with the release of Dark Side of Luna. The epic finale brings together Space: 1889 creator Frank Chadwick and relative newcomer JT Wilson (author of well-received novel Cemetery Drive).


Here we talk with JT about his interest in steampunk…



What interested you in  Space: 1889 & Beyond  in the first place?


Initially, the same thing that attracted Frank to developing the series in the first place: I saw the title and it made me smile. Immediately it creates an image in your head of what the series is going to read like, as all good titles should. I’m afraid I’m a sucker for a good title and for puns, hence the amount of Robert Rankin and Jasper Fforde I’ve picked up.


A title, though, will only get you so far: the intrigue of attempting a steampunk novel was one of the things that motivated me to pick up the project. Steampunk, for me, combines two things that I’m interested in: now-antiquated modes of etiquette and chivalry is one part; a quirkily retro take on futurism is the other. I have an odd relationship with futurism: for example, as a musician I like playing synthesizers but I think that the Moog or the VCS3 (which is basically a tuned oscilloscope) are more aesthetically attractive than the latest Roland or Yamaha. In attempting to envision the modern day from the point of view of the Victorians, steampunk has a similar, slightly ramshackle, take on technology, with the added benefit of hindsight. Faced with the choice of the beautiful flying ship of Space: 1889 & Beyond or the sterile rockets of NASA (in a hypothetical situation where they both work perfectly of course), who wouldn’t choose the former? Having said this, I’m not sure how an e-book would work in a steampunk universe. Perhaps one would wind a scroll around a pocket watch or a handmirror, akin to a pianola.


What difficulties did you face in converting a Role-playing Game scenario into a fully-fledged prose novella?


Converting an RPG into a prose novel is the equivalent, I think, of playing all the parts that would normally be covered in an RPG and rolling less dice. What was trickier, for me, was walking around someone else’s universe. In my previous writing, I’ve been largely sending my characters around slightly distorted versions of the world we live in (or at least, the world I live in, your mileage may vary) and/or universes I’ve made up. In S:1889 the ‘rules’- of physics, politics, whatever- already existed. Not being from a military, naval or scientific background, learning and operating within the rules of this universe served as more of (what my day job would call) ‘a development opportunity’ for me than the fact that the universe was created as an RPG. That’s why I was glad to have the co-writing skills of Frank Chadwick, who is hugely knowledgeable about the combat forces and, obviously, about the Space:1889 universe.


Who are your favourite characters?


I’m always a sucker for feisty, impulsive female characters so it goes without saying that Annabelle Somerset was a delight to write. Of the characters indigenous to ‘The Dark Side of Luna’, I’m fond of Howard Phillips, a scientist on Luna, and Ross McKittrick, who’s Nathanial’s warden at the start of the book. Although they’re not necessarily ‘a character’, I like both the Drobates and the Saltators, both new to the series here.


Your three favourite moments in Dark Side of Luna are…?


Difficult to simultaneously answer this question and avoid spoiling the book. In terms as vague as possible: Annabelle’s early discussion with Bedford; the entry by our heroes into the City of Light and Science; the late-night conversation between Nathanial and a long-lost ally.


What’s coming next from you?


I’m currently working on two novels, the former of which is the follow-up to my 2010 novel Cemetery Drive and which should, hopefully, be out this year. I’m working on a few things here and there in addition, although nothing concrete enough to confirm here. Plus I imagine that I’ll be booed out of community centres across the West Midlands in my capacity as pro-wrestling manager and diabolical evangelical preacher Reverend Lex.



And now an exclusive extract from Dark Side of Luna


A Drobate (The 'moon men' of myth.)Further down the River of Life, Folkard had identified a clue. Scattered on the bank of the river were a number of shavings from branches, together with uncoiled rope which lay discarded near a bush. A nearby small stand of tall, slender mushroom-like trees had been decreased in number by four, judging from the stumps and sign of their trunks dragged across the loose shale. The leathery branches and fronds had clearly been trimmed from them and by the shore the group found the charred remains of some papers apparently torn from a notebook. Those which could still be deciphered showed a few sketches against which were some hurried notes.


“This writing is scarcely legible,” said Folkard.


“Yet certainly it is Grant’s,” said Stone, contemplating the burnt documents. “During our work together he would often pause and scribble notes like this on the blackboard. These particular notes do not illuminate his destination, but his intentions are clear. He meant to build himself a raft, which I can only presume he succeeded in doing. He’s a resourceful fellow, it has to be said. This at least serves as confirmation that our navigation thus far is accurate. He must have attempted to cover his tracks by burning his papers.”


“Why burn them?” Folkard asked. “Why not just throw them in the river?”


“Possibly the party from which he desired to hide his intentions was down-river,” Stone said. “Perhaps there are more remains which might serve as a clue as to where he was heading.”


As he scouted around the group to search for further clues, Folkard halted abruptly. His early sensation of being watched now was backed by solid evidence: footprints differing from those of the group. They seemed fairly fresh and pointed unusually outwards from each other, which, it could be presumed, gave the walker a bent gait, clearly unlike that of anyone in the party. Someone else had been here, and recently.


“Bad things are coming,” muttered Seaman Henry in a pessimistic tone.


“I would have to agree, Captain,” said Stone, looking from Henry to Folkard. “Whoever these others are, Grant clearly considered them dangerous.”


Folkard nodded. “Still, there is little choice, men. Sooner or later we will have to confront these men―if they are men―and I would rather we meet them on our terms than theirs.”


“Can we really entertain even the possibility that they are men, Captain?” Stone asked. “I mean―God―those footprints!”


“Highly possible, Professor Stone. Who knows what sort of torturous exercises the Russkies subject their soldiers to? In any case, whether man or alien, they mean us no good or they would have shown themselves—if not to us, to the research station personnel. So everyone draw your weapons and when we move we will spread out, so if someone does fall upon us, some at least will be free of the melee and able to give supporting fire.”


“Permission to speak, sir?” asked Henry, somewhat surprisingly. When Folkard gave his consent, Henry continued. “Sir, permission to guard Miss Somerset if she stays behind? Likely to be conflict in other group. Can’t have a lady abducted.”


“Ah, and you’re suggesting that she may need someone to fight for her, Henry?”


Henry merely nodded in reply.


“Very chivalrous, Mister Henry,” said Miss Somerset.


“Yes, I do rather agree with you, Henry,” said Folkard. “Excellent thinking. I suspect the danger will be greatest for the forward party so I shall lead. McKittrick, Burroughs, you shall accompany me. Professor Stone, you as well, if you please.”


“Perhaps I might also be of assistance, Captain Folkard?” offered Phillips. “I am not yet too old for adventuring and I may have some insight that could be useful. That is, if you are amenable to the input of a civilian?”


“Very well and thank you. Miss Somerset, Seaman Henry, Doctor Staples, I would like you in the centre of the party. Chief Charles, you take Gibbs and O’Hara and form the rearguard.  You’re the senior petty officer here, so if something happens to me, you’re in command, and no backtalk from any of these civilians, no matter how many doctorates they hold. Understood?”


“Aye-aye, sir.”


“K’chuk,” Folkard continued, “I would be obliged if you and your men went in the centre, with Miss Somerset, to guard her and Doctor Staples in the event of an attack.”


The Selenites looked among themselves with an air of reluctance. They were communicating telepathically, as ever; it did seem, however, that K’chuk was displaying more of a desire for combat than his men. “Selenites fight if needed,” K’chuk eventually replied.


“Very well. Now let’s move out, but proceed with extreme caution.”


They walked for several hours along the river. It could not be said to be silent, as the sound of the water was always present, contained, amplified, and distorted by the narrow covered canyon through which it ran, now murmuring, now gurgling, now roaring as it dropped over a low falls or broke into foamy waves among the rocks of a rapids. But the river’s voice was so omnipresent that after a while it seemed almost to dwindle into half-heard background noise.


Something about the skeleton, the strange footprints, the burnt remnants of cryptic notes, and this seemingly-endless river combined to silence their tongues as well. None of them spoke until Stone raised his hand and cried out.


“Hallo! What’s that up ahead?”


Folkard held his hand up and the column halted. He studied the small, dark feature on the ground Stone had seen, perhaps a quarter of a mile on, studied it with eyes used to picking out the single flickering white light of a cutter from a background of a thousand stars.


“Bodies,” he said at last. “Two of them, I’d say, although we’ll have to get closer to be certain. Charles, you stay here with the rearguard and the main body. Find yourself some cover and stay put, no matter what happens, until I give you the all-clear and wave you forward. Clear?”


“Aye aye, Sir.”


“Good man. I’ll take the advanced party on ahead and see what’s what. Everyone on your toes.” Folkard cocked the hammer on his Enfield to emphasize the point.


As the captain and the four others of the advanced party drew near their objective, it became all too apparent whose bodies had been piled in such a way, and the sight—to say nothing of the stench—were enough that men with weaker constitutions would have run screaming for the surface.


“I knew those men. Captain, say it isn’t so!” McKittrick appealed to his captain, who was knelt by the bodies.


“I’m afraid it very much is so, gentlemen,” Folkard said grimly. “Ensign Challoner and Able Seaman Clements, late of Sovereign.”


“Surely this is impossible. Those men were taken months ago!” gasped Stone. “Yet these corpses are fresh. Why, they’re barely three hours dead!”


“But why keep a man alive for seven months, only to then kill him?” mused the young and nervous-looking Burroughs.


Folkard rose to his feet only to see the fresh horror that had materialised in a circle around them, seeming to rise from the sandy ground.


Ambushed!


“This is why,” Folkard murmured, raising his revolver, “you kill them to lay a trap.” He fired the weapon, and one of the creatures spun backwards, blood and grey fluid spurting from its head. Before he could get off a second shot they were on him and knocked the revolver from his hand.




Cover art by Andy Frankham-AllenIt’s been almost a month since Nathanial and Annabelle rejoined HMAS Sovereign. For Annabelle it’s been a journey of uncertainty; she had expected a happy reunion with George Bedford, first officer of the flagship of Her Majesty’s Royal Navy, but instead he’s been distant. She fears it has something to do with her newfound disability. For Nathanial, however, the journey has been uneventful since he’s spent the entire time locked in the brig under the cloud of treason.


Things change abruptly when Sovereign is ordered to return to Luna, and retrieve Doctor Cyrus Grant, who has been sending increasingly confusing heliograph messages back to Earth. There is an air of uncertainty in Otterbein Base, and concern over Grant’s wellbeing. Once again he’s gone missing, turning his back on the Selenites and the British research team stationed there – leaving with creatures who are neither human nor Selenite.


A search and rescue mission is soon underway, taking our heroes deeper inside Luna than ever before. There they will discover the mysteries of the Drobates, and their amazing City of Light and Science. Annabelle is concerned that her uncle will no longer accept her, and Bedford is concerned that being on Luna once again will have adverse effects on his captain, but these things are the least of their worries. Grant is close to uncovering the answers to an age-old secret, but he is not the only one who seeks this knowledge. A creature stalks the dark underworld of Luna, a creature once human, and quite insane.



Dark Side of Luna is available from all good e-book stockist, including direct from Untreed Reads.


Space: 1889 & Beyond will return later in the year, when the series editor, Andy Frankham-Allen, and property owner, Frank Chadwick, join forces for an explosive series two première… Conspiracy of Silence!


Dark Side of Luna © 2012 JT Wilson & Frank Chadwick and Untreed Reads Publishing.


Space: 1889 & Beyond © & ™ 1988/2012 Frank Chadwick.


All Rights Reserved.



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Published on April 29, 2012 10:03

The Welsh-Londoner

Andy Frankham-Allen
Books, films, TV... A look into the darker, twisted world of genre fiction.
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