Alex Ross's Blog, page 272
April 27, 2009
Tax dollars at work
Can it really be true that the Department of Homeland Security has been sponsoring research into what it describes as "Brain Music" — "a form of neurotraining ... that uses music created in
advance from listeners’ own brain waves to help them deal with common
ailments like insomnia, fatigue, and headaches stemming from stressful
environments"? When I first read the story, on AC Douglas's blog,
I assumed it had to be an April Fool's joke that had got lost in the
shuffle, but it seems to be the re
April 26, 2009
Salonen in LA, one last time
Adieu. The New Yorker, May 4, 2009.
A Finnish TV crew was following Salonen on the day of his first encounter with the L.A. Philharmonic, in 1984. You can see the footage on the orchestra's Celebrate Salonen site; click on "Video" and then scroll down to "One Minute, Maestro." I believe you can actually see a couple of veteran players rolling their eyes at the stripey-shirted apparition before them. But he establishes his authority at once. Timothy Mangan has excellent photos from the final conc
April 23, 2009
This Friday night, Terry Riley, the Kronos Quartet, Stuar...
This Friday night, Terry Riley, the Kronos Quartet, Stuart Dempster, Jon Gibson, Katrina Krimsky, Morton Subotnick, Ustad Mashkoor Ali Khan, Sidney Chen, Dennis Russell Davies, Loren
Kiyoshi Dempster, Bryce Dessner, Dave Douglas, Trevor Dunn, Jacob
Garchik, Philip Glass, Osvaldo Golijov, Michael Harrison, Michael
Hearst, Scott Johnson, Joan La Barbara, Saskia Lane, Alfred Shabda
Owens, Elena Moon Park, Lenny Pickett, Gyan Riley, Aaron Shaw, Judith
Sherman, Mark Stewart, Kathleen Supové, Margaret
April 22, 2009
Lend a myth
April 20, 2009
April 19, 2009
April 18, 2009
Salonen's final weekend
April 17, 2009
YouTube Symphony
April 16, 2009
Getting bleaker
Via Anne Midgette comes the latest grim news: Pierre Ruhe, formerly the classical critic of the Atlanta Journal-Constitution and more recently a multipurpose arts writer for that paper, has accepted a buyout. The paper's visual-art and theater critics are also gone. Pierre is an excellent critic, and I hope we'll get to read him in another medium.
April 14, 2009
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