In a recent column on the Prototype Festival, I worked in an all-too-brief mention of Kate Soper's remarkable theater piece Here Be Sirens, which had its début at the same time as Prototype but wasn't part of the series. Fortunately, Steve Smith was also there, and wrote a typically comprehensive, perceptive review for the Times. Soper also has a new CD on the Carrier label, devoted to an eight-movement piece called Voices from the Killing Jar.
Published on February 19, 2014 06:42