Vincent Zandri's Blog, page 8

Screen Shots

The following blog is now appearing at THE VINCENT ZANDRI VOX in slightly different form: http://vincentzandri.wordpress.com/20...


As writers in the digital age, there is more opportunity to obsess than ever before. Writing has always been a game of obsessions and emotional turmoils. Years ago, the obsessions were more about the writing. If the words came too hard (or, ugh, not at all!), we obsessed over the well running dry forever. If they came too easily we obsessed over our built-in-shit detectors being on the fritz. No one likes to be thought of as a hack. Hemingway once said he not only wanted to be thought of as a writer, but he wanted to do it better than anyone ever had before. He admitted to being obsessed with this notion of being the best. It led to an early grave for the master.

Now we have other things that make us obsessive. We have Amazon rankings for instance. Take my newest novel, MURDER BY MOONLIGHTImageSince its publication on January 1, it’s been in the UK Top 200 for overall books and in its Top 10 for Mysteries, and is still enjoying a respectable run there. Just this past week it went to the Number 1 spot in Germany for Mysteries and reached the No. 6 for Overall Bestselling Kindlebooks. It’s still the number 1 Mystery as I write this. In France it also hit the Overall Top 10 and the Number 1 Mystery spot. It’s presently the No. 2 Mystery.

So what’s to obsess about?

Once you hit a number 1 spot and the Overall Top Ten, there’s only one direction to go. You guessed it…I guess it’s fair to say that Amazon rankings not only offer up a real-time glimpse of where our work stands in the retail marketplace, they also serve as a kind of distorted, up-to-the-second, “fun-house” mirror reflection of ourselves and our self worth, not only as writers, but as worthy human beings. They give instant gratification, or the lack thereof, a new and often times, dangerous meaning. And they can be the source of severe obsession. Best to unplug and walk away from them for a while.

When things go well on the retail end of things, I suppose the point is to enjoy the moment, which I most certainly am. I am also mighty grateful to the people all over the world who are giving MBM, which is based on the real life Chris Porco axe murder case, a chance (look for a movie based on the case coming soon on Lifetime).

To commemorate our brief and ever so humble moments at the top of the Amazon lists, we take screenshots. So that every now and then, when the books aren’t moving as well as we want them to, we can look at them and remind ourselves that we are not only writers, but writers who have enjoyed some degree of success. Screenshots are more than glimpses at our past, they are our security blankets when all we’d rather do is obsess and depress.

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Murder By Moonlight
Vincent Zandri

The VOX is Back Baby! (And How to Sell More E-Books!)

The following blog is now appearing in slightly different form at The Vincent Zandri Vox: http://vincentzandri.wordpress.com/20...



Well it’s been a while since I’ve posted on the Vox. But that makes sense since Google found a way to archive my blog without notifying me. That said, I started another blog called The Vincent Zandri Voyager, but that one is primarily for my travels. So now that I’m home and grounded back in New York while I await word on the exact amount of dough I’m gonna have to pay the tax man this year, I’ve decided to resurrect the Vox, only under the WordPress site so that Google can’t stiff me once again. After all, Lawrence Block’s blog is here and what’s good for Lawrence is good enough for me.

So, the rundown on what’s been going on in my literary world:

–I’ve had eight books published or re-published over the past four months. They are, The Innocent, Godchild, The Concrete Pearl, Moonlight Rises, Blue Moonlight, Murder by Moonlight, and finally The Disappearance of Grace. All have been published by Amazon Publishing’s Thomas & Mercer imprint except for Grace which was published by StoneGate Ink.

–The numbers since Oct 1, 2012: Currently it looks like I’ve sold around 20,000 units of my T&M books, while I’ve probably moved somewhere around 3-4,000 of my StoneGate/StoneHouse Ink titles. I could be a little conservative on this, but best to err on the light side.

–I’ve also published one title under my own label, Bear Media. It’s my previously published literary novella, Permanence. I’ve moved only a couple of hundred of these. This is the one title I have that I don’t think my mother will even buy.

–How do I perceive the indie vs. the major markets these days? I honestly believe that once more, the state of publishing is undergoing severe and rapid change. Amazon Publishing imprints have acquired many many titles, and it will be interesting to see how most of these do in the long run. As for self-publishing, I’m having a hard time seeing how any newbies out there can possibly make headway amidst all the titles available on Amazon, B&N, Kobo, etc. Amazon is still the primary place to sell, but now that tags have been eliminated and authors only afforded two categories under which you can list your books, it will get harder and harder to be found by readers. In other words, most self-published authors will not have the chance to attract the readership successes like Amanda Hocking and John Locke were able to accomplish not long ago. Indie publishing remains strong, and by indie publishing, I mean medium-sized independent publishers of maybe 60 authors or more who rely heavily on the Amazon KDP program. This is still an excellent way to publish but success is not guaranteed unless you’re willing to put in the time on the social marketing scene plus engage in other activities that will result in books sold.

–The outlook. I’m seeing more and more of the traditional majors sponsoring their A-list authors on the Amazon bookstore site, which tells me the majors are getting with the program rapidly. That’s a good thing, since the editors in the big steel and glass towers will get to keep their jobs, at least for a while. But if you are to ask me my advice on how to publish in 2013, I will still give you the same answer I gave you last year: Mix it up. Go for some indie publishing, some self-publishing, and if you can, grab up a major deal, be it with an Amazon Publishing imprint and/or a traditional major. Things are changing so rapidly, almost on a daily basis, that unless you maintain your options and avoid putting all those hard-boiled eggs into one basket, you might find yourself desperately without an income or a future (that is, you’re a full-time author like I am).

–So what’s up for me this year? Murder by Moonlight was published by T&M back in December. The Guilty, the long awaited third novel in the Jack Marconi series (The Innocent, Godchild…) is will be published by StoneGate Ink sometime in the mid-spring (StoneGate Ink moved 100,000 copies of The Innocent back in April, 2011). The rights to Moonlight Falls have been released and I am putting that one out under my own label, Bear Media. In the late Fall of 2013 or early Winter 2014, T&M will be publishing Moonlight Sonata. And currently I’m working on my new series CHASE (you’ll recall I traveled to Egypt a couple of months back to research the first novel…I’ve shown the first 100 pages to my agent, and in his words, “It rocks…I was hook from the second sentence on…) So looks like I have a new serial character to follow me around for the rest of my days.

There you have it, the recent past, present and future of my writing life. Now, what are you doing to navigate the perfect storm of change in today’s publishing industry.

WWW.VINCENTZANDRI.COMMurder By Moonlight

Murder By Moonlight Book Trailer Contest Winner - YouTube

The following blog is now appearing at The Vincent Zandri Voyager:http://vincentzandrinoirauthor.blogsp...


Here's the winning entry for the Murder by Moonlight trailer contest sponsored by Amazon Studios!


Murder By Moonlight Book Trailer Contest Winner - YouTube: http://www.youtube.com/watch?v=Vi8LX4...


Methinks this entry truly brings out the cinematic possibilities of the Dick Moonlight series.
What are your thoughts?

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Murder By Moonlight
Vincent Zandri

The Art of Loneliness

The following blog is now appearing at The Vincent Zandri Voyager:


I spent more than three months overseas in 2012 trying to purge whatever demons or persistent memories that had lodged themselves inside my skull over the past couple of years. I went from a month in Italy, to a couple of weeks in Paris and Normandy, directly to California, back to New York, then to Egypt and back to Italy. In between were trips to other places, mostly for conferences and even a beach-side vacation in the Cape.

I recall flying back to the states a few months ago. The pilot flew directly over Cape Cod like a ship captain or pirate of yesteryear desperately seeking the Provincetown lighthouse. A much welcome beacon in the the heart of darkness.

I guess I'm always looking for that beacon in my heart of darkness. Memories are part of our business as writers. Even if some of them are somehow pleasant but unpleasant at the same time, we tend to romanticize them, and even do our best to conjur them up in our work. What were the sensations, feelings, emotions that went into something that sticks in our brain like silly putty on the wall? How can I tap the typewriter keys to recreate it so that it's more real than when it actually happened? How do we paint the canvas so that we walk away from it for the night convincing ourselves with absolute confidence: "There, I feel better now."

Regrets are easy to cling to because we are always asking ourselves, What if I had done something different? But then, what the fuck is the point of that? You can't change your senior page in your high school yearbook. It's still there gathering dust in the attic to send chills up your spine. Pimples and all.

Every evening in Florence, Italy, following work, I walk to a small bar located in the Santa Maria Novella. On the way I pass by a boutique shop that sells women's precious underthings. There's a woman who works the shop. She's an attractive brown-eyed, brunette and she always smiles at me as I walk by. On occasion we share a "Buono sera," or "Buono nochte" but always I keep walking and she keeps working. I sometimes wonder what would happen if I stopped to talk, but I never do. Maybe that's the beauty of it all. The art of loneliness.

Why, as writers and artists, do we crave it?

I will travel thousands of miles to be alone and hate being alone. Perhaps there's a lesson to be learned here. Or maybe, I'm just doomed to always be searching for that beacon. But God help me if I ever find it.

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Murder By Moonlight
Vincent Zandri

ITW Interviews Vincent Zandri

The following article is now appearing in slightly different form at ITW's "The Big Thrill": http://www.thebigthrill.org/2012/12/m...


Murder by Moonlight Author, Vincent Zandri Talks Writing
By Milton C. Toby

The idea of “humorous noir” is so rife with contradictionthat it’s difficult to know what to make of an author who attaches that label to some of his work. But after talking with Vincent Zandri, author of MURDER BY MOONLIGHT, his latest release in the Dick Moonlight series, “humorous noir” starts to make sense.

Moonlight is a cop-turned-private detective who spends an inordinate amount of time making bad decisions in his personal and professional lives and getting into all sorts of trouble. That happens to a lot of us, but Moonlight’s got a pretty good excuse for his shortcomings, a fragment of a .22 caliber hollow point bullet lodged against the cerebral cortex in his brain. The injury affects his memory and compromises his ability to make rational decisions, and, for good measure, keeps him at death’s door.

A near-fatal brain injury that almost guarantees one disaster after another for the detective accounts for the “noir” part of the equation.

The humor? That comes with Zandri’s ability to make certain doom for his protagonist funny.

“Dick Moonlight really started in the gym,” Zandri explained. “There was this crazy dude who was working out all the time. He decided to become a masseur because he thought it was a great way to pick up women. It was the craziest thing I’d ever heard of. I was working on the character at the time, and I realized that because of the brain injury Moonlight could be as crazy as I want in the books. They’re are serious, but really meant to be fun.”

In MURDER BY MOONLIGHT, the detective faces his toughest case yet, an apparently open-and-shut murder investigation that proves to be far more complicated than a first look at the clues suggests. Moonlight’s new client, socialite Joan Parker, barely survived a brutal ax attack that killed her husband. Questioned by the police at the scene, she identified her son, Christopher, as the killer. The problem that Moonlight must unravel is that Joan now admits that she has no recollection of the attack and, despite her accusation, she is convinced that Christopher actually is innocent. Moonlight is familiar with near-death experiences, uncooperative memory, and false accusations, and he takes the case.

The result for Moonlight, the author says, is “something more sinister than anything he’s ever come up against.”

Zandri was a journalist first, a novelist later. He took a time-tested path, one that worked for him at the time, but one that now may be out of style thanks to the digital revolution.

“I started out covering sports for the local newspaper, and worked my way up from there” he said. “Working as a journalist taught me to write and it honed my skills. Then writing school in Vermont. I expected to teach and write literary fiction, a novel every two or three years. But I always wanted to be a freelancer.”

Would he do things differently now?

“That’s just what you did at that point in time,” Zandri said. “But things have changed. My son wants to start with a novel, talking to readers through social media, without going through the traditional route of agents and publishers. There are more opportunities for authors today than there were when I started writing.”

Easier doesn’t necessarily mean better, though, he added.

“Maybe it’s too easy to get published now. There is a lot of garbage out there, but the gems seem to rise to the top. Talent, hard work, and perseverance always will pay off in the end.”

Along the way, Zandri began taking photographs.

“I took some photography courses at my liberal arts college, this was in the 1980s, but I wasn’t thinking about photojournalism at the time. One day, by chance, I had my camera equipment with me when I witnessed a serious automobile accident. I started snapping away. The local paper wanted to buy the photographs, and so did the lawyers. This is great, I thought. You take photographs and you get paid for it.”

Journalist-to-novelist is a relatively common career sequence, the transfer of similar skill sets from one occupation to the other a logical one. Photographer-to-novelist, on the other hand, doesn’t happen as often, even though a good photographer has an aptitude that translates well to writing. The ability to compose the elements of a scene into an effective photograph is a skill similar to creating an effective scene with words.

“A photographer sees the scene first, the same way a writer tries to picture a scene happening on the page,” Zandri said. Writers are taught to “show, don’t tell.” For photographers, showing and telling are one and the same.

Zandri’s writing and photography took him to exotic locales around the world. Now he’s cutting back on that part of his life, spending more time on writing fiction.

“I want to keep my hand in, though,” Zandri said of his journalistic pursuits. “It’s like getting paid to exercise. But I want a mixed bag of publishing opportunities and genres. The business could change tomorrow, and you have to be ready.”

Zandri can turn out a Dick Moonlight book in about six weeks—the next one is due for release in Spring 2013—but his traditional noir novels take a little longer to write. When we talked in mid-December, he was putting the finishing touches on THE GUILTY, the third novel in a well-received series featuring private detective Jack Marconi. There has been a 10-year break between this one and the earlier Marconi books, THE INNOCENT and GODCHILD.

“It was good to get back to Jack Marconi,” Zandri said, “good to get back to his voice.”

Zandri works in a variety of genres—journalist, photographer, writing school graduate, noir novelist—and media—print and digital. He’s a traditionalist who has embraced cutting edge technology. Considering the variety, I asked if there was a common theme running through all of his work.

“I want readers to finish one of my books and think it was money well spent,” he explained. “I really appreciate the people who have stayed with me, and I always keep them in mind. I’m going to work hard for my readers.”

Murder By Moonlight
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A Process of Discovery: Mixing Genres in 'Murder by Moonlight'

The following blog is now appearing in slightly different form at The Vincent Zandri Voyager: http://vincentzandrinoirauthor.blogsp...


I'm not known as an experimental writer.

In fact, I'm often accused of being a throwback to the very old days of Dash Hammett or even the more recent old days of the now, sadly late, Robert B. Parker and Jim Crumley. Not that I write as well as the aforementioned hard-boiled masters, but I am still trying to improve my skills on a daily basis, and that entails going out on a limb at times. In a word, it entails experimentation.

I think it was Jim Harrison who said, 'Life should be a process of discovery or else it's not life at all.' Or maybe it was Hemingway. In any case, in my newest release, Murder by Moonlight which is based on the true story of Bethlehem, New York axe murderer/attempted axe murderer, Chris Porco, I might have chosen to write a true crime novel. All the information on the case has already been published in the papers so it would have been a matter of putting it all together and telling the story, like it happened or supposedly happened.

But that's not me.

While conducting my research, I found a lot of discrepancies in the case, not the least of which is that, in my mind, it's impossible for one skinny young man to take a heavy fireman's axe to both his parents in the middle of the night, and not get at least some amount of blood spatter on his skin and clothing. I get spatter on my clothes just cooking a steak. It's because of inconsistencies in evidence like this that I decided to write a fictional truth about about the Porco murder in which I am able to dramatize what might have happened on that cold moonlight night back not too long ago.

I did something else too.

I normally write in a sparse, hard-boiled, noir style. But in this novel, because of the axe element, I added in a bit of horror as well. It's not a horror novel say in the vein of JA Konrath or Blake Crouch, nor would I attempt to even think about walking onto their territory with my limited skill set, but I can say this: "Murder" was a fun book to write simply because as an artist, I was presented the perfect canvass for mixing styles, and I think I pulled it off. That is, judging by the many great reviews received thus far, not to mention the very good sales.

How about you? Do you mix your genres? Have you ever attempted re-writing a true story in order to get at more possible truths?

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Murder By MoonlightVincent Zandri

What's Old is Hot

The following blog is now appearing at The Vincent Zandri Voyager: http://vincentzandrinoirauthor.blogsp...


Remember the feeling of buying a new album?
Not a compact disk, but a real vinyl LP. If you still didn't have you drivers license your mother or father carted you to the record store and you dropped the five bucks you earned from delivering papers or babysitting, and you stared at the cover art all the way home. Once insde the house, you shot up to your room, peeled away the plastic, smelled the good smell of the cardboard sleeve that somehow combined with the smell of the vinyl record to create a fragrance that in my life anyway, has never been replicated. You slipped the record onto the turntable praying it wouldn't be warped, and then you gently set the needle onto the record. You sat yourself down on your bed with the album cover gripped in your hands and you listened for the first pops and hisses and scratches that can only come from vinyl, until the music kicked in and transported you a million miles away.

That experience has never been duplicated for me in the modern age of music downloads and internet radio stations. Music has gone from being a very personal emotional event to something more like a plastic backdrop. Instead of enjoying a one on one with the music artist, we now create for ourselves, our own particular brand of Muzac. The loss of the personal music experience that could only come from vinyl is almost like losing a language or even a religion.

But now vinyl is back. In a big way. This holiday season, one of the bestsellers is, and will continue to be, newly remixed and repackaged albums from some of the bands we have loved the most for decades. The Beatles, The Who, The Stones, and more...Now I need to go out and buy a new turntable. What's old is hot again, proving it's not the technology we're after, but the experience. The personal experience.

Look for the same thing to occur in the books. While E-Books, Kindles, Nooks and other digitized versions of books will continue to take off and even dominate the market for years to come, there will come, sooner than later, a resurgence not only of paper books, but beautifully bound rich paper volumes. What's old will be hot.

It's one thing to keep up with technology and always be moving forward. But it's another to abandon entirely the personal experience we once shared only with ourselves when we cracked open a brand new novel, or when we gently, hopefully, placed that diamond needle down onto a new album

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Murder By Moonlight

Dear Random House/Penguin Author....

The following blog is now appearing in slightly different form at The Vincent Zandri Voyager: http://vincentzandrinoirauthor.blogsp...


Dear Random House/Penguin Author:

Congratulations on the merger of the two giants who control your career and your life. I just wanted to let you know that from this point on, your agent will be telling you, "All's cool bro, no problems. Random House/Penguin (...or insert imprint HERE) loves you man. They totally fucking dig your style. You are their dough-ray-me future...Oh, sorry, gotta go, call from the Bertlesmann bros on the other line..."

Right now, author, you are feeling sort of sick. Your stomach is tight. You haven't slept much over the past few days. You might have a headache. You are irritable towards friends and family. You can't work.

You're not getting a straight answer from anyone.

All you want to know is, "Is my present publishing contract secure in the midst of this new merger?"
Or, "Are you going to renew my contract like you promised?"

You probably gave up your day job once you were told a major pub had accepted your new book and were paying you a six figure advance to start out with. Maybe you told your entire circle of friends and family about your good fortune.Maybe even the local newspaper ran a "local boy/girl makes good story" on you." Maybe you've never been so happy in your life. Maybe even your significant other now believes that all those horrible moments of doubt...all those arguments about "getting a real job and writing on the side" ... were for naught.

Your ship has finally docked. Or so you thought.

Problems: Maybe your only source of income is the advance promised you by RH and/or Penguin. Perhaps, they paid you the first installment but now that a merger is taking place, your agent can't seem to get anyone who knows what they're doing on the line. Maybe you never considered what might happen in the face of a corporate merger. Of course you didn't. What writer anticipates a corporate merger?

Maybe you have new friends in New York who work in Editing, or who work in Marketing. Maybe you have already partied with them and now consider them your buds. Maybe they can help you. Because that's what friends on the inside do, right? They help you.

But then, you're not hearing from your new friends no matter how much you call, email, or text.

Maybe their fate is as hellish as yours. Maybe after years of service they are being let go. Maybe the corporate merger is dictating that they go find new jobs in greener pastures. Perhaps pastures that have nothing to do with publishing.

Dear author. I hate to say this, but there's a pretty good bet that unless you're already bringing in publishing numbers equal to James Patterson or Harlan Coben, you are going to be dropped from the list. You are going to be the "casualty" of the inevitable "cleaning house" that the new RH/Penguin company will have no choice but to do. Because after all, these conglomerates are two white whales that are already dying and making them co-join like two gigantic Legos ain't gonna work. For some reason, the powers that be feel like by joining up, they can beat a publisher who actually cares deeply about its authors: Amazon Publishing.

Dear author...Have no fear.
The future is here and if you have talent, endurance, and the willingness to adapt, you will survive to publish another day. You will be around for years to come. Your former, now gigantic conglomerate publisher will not be. In fact, it is already dead.

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Blue Moonlight

Libraries Get It

The following blog is now appearing at the Vincent Zandri Vox: http://vincentzandri.blogspot.com/201...

I'm week three into the re-release of five novels along with the release of two new novels: BLUE MOONLIGHT and THE DISAPPEARANCE OF GRACE. The former by a major, Thomas & Mercer of Amazon Publishing and the latter from an indie, StoneHouse Ink. While the "Blue" E-Book edition, especially Kindle, is being pushed in a major way, it's also available in paper and audio, etc. For the time being however, "Grace" is available in E-Book only. In the meantime the new editions of my five previously published novels are moving like crazy. In E-Book primarily.

You see where I'm going with this...

In the past three weeks I've moved more units of my novels than I did in an entire first year with Delacorte. No lie. Much of that has to do with the tremendous author support I am lucky enough to enjoy from Amazon Publishing (They are so good, they even push my independent books, if you can imagine that...), but it also has a lot to do with the changing nature of publishing. E-Books have been and are now becoming the most popular way by which we read. The mass market paperback is quickly disappearing. So is the hardcover while the trade paperback takes over the roll of both.

This leaves me in a bit of a conundrum. I find myself wanting to do some in-person promotion of my books, aside from the stuff I do at several writerly book conferences every year (I never sell many books at these things anyway since they are attended primarily by other writers and all we do is have fun eating and drinking together). But approaching brick and mortar bookstores with the prospect of a book signing in support of paper being published by their major competitor is probably a road I want to avoid. And besides, book signings are always a gamble anyway. In short, they suck.

But there are other avenues to explore. Schools, universities, and hell, even book signings at coffee shops and my favorite, the local corner gin mill. And then there's the holy grail of book venues: the library. I have always been a fan of libraries and the fact that no matter what happens in terms of the evolutionary/de-evolutionary business/retail aspect of writing, the library will always withstand the test of time. A place to store many volumes, both ancient and new, as well as a place to share and exchange ideas. From Socretes to Stephen King, the library has always been a refuge for the intellectual, for the hopeful, the creative, the thinker, and the dreamer.

That clearly in mind, I contacted the head rep for my local library system, the Albany Public Library and asked her about setting up an event much like the one we did for Moonlight Falls back in 2010. This one would be in Dec/Jan in conjunction with yet another new Thomas & Mercer novel, MURDER BY MOONLIGHT, a fictional take on the infamous Porco axe murder case which hit New York's Capital region some years back. She was happy to hear from me for more than one reason. I played drums in her band a while ago, and we are friends. She was delighted to set up an event for "Murder." But just as I was about to tell her how great the trade paperback version of "Murder" looked, she said, "We're really pushing E-Books these days."

I must admit, I was taken a bit back. Me, the king of E-Books.

Libraries pushing E-Books...What a concept.

That said, my library event will more than likely be about the E-Book version of my brand new book and it will take place inside the hallowed halls of an institution older than even the world's most ancient cathedral. But then, E-Books are becoming far more popular than paper and libraries recognize this. Doesn't mean they are about to give up their paper. Just means they are adapting. Can't say the same thing about bookstores. But something tells me they'll get it eventually. Hopefully before it's too late.

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Blue MoonlightVincent Zandri

The Dick Moonlight Series in its Proper Order

The following blog is now appearing at The Vincent Zandri Vox:

The newest Moonlights have now been released by Thomas & Mercer of Amazon Publishing, the most powerful publishing house in the universe...The Dick Moolights have been coming at you at a pretty hot and heavy rate lately. That's a lot of dick (Ha!). And understandably, a lot of fans, or would be fans (fingers crossed), are asking me to place them in order so that they might start from the beginning of this very remarkable and uniquely Zandri series (I'm shaking my head and rolling my eyes for you...).

So here goes:
1. Moonlight Falls
2. Moonlight Mafia
3. Moonlight Rises
4. Blue Moonlight
5. Murder By Moonlight (Coming December 18, 2012)
6. Moonlight Sonata (Coming Spring 2013)
BONUS MATERIAL: Moonlight Falls (UNCUT EDITION)

So that's the run down peeps....Also, check out the new covers on Moonlight Falls Uncut and Moonlight Mafia which have been updated by StoneGate Ink in order to reflect the fine art the team at Thomas & Mercer did on all the other Moonlight novels.

Happy reading...and to order your Dick Moonlights....Go to:

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Blue Moonlight
Vincent Zandri