Lawrence R. Spencer's Blog, page 28
August 15, 2024
NORMAL CLOWNS
CREATING LIFE FROM MATTER
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Metropolis is a 1927 German expressionist epic science fiction drama film directed by Fritz Lang. The film was written by Lang and his wife Thea von Harbou, and starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. A silent film, it was produced by Erich Pommer in the Babelsberg Studios by Universum Film A.G.. It is regarded as a pioneering work of science fiction genre in movies, being among the first feature length movies of the genre.
Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia, and follows the attempts of Freder, the wealthy son of the city’s ruler, and Maria, a poor worker, to overcome the vast gulf separating the classes of their city. Metropolis was filmed in 1925, at a cost of approximately five million Reichsmarks, making it the most expensive film ever released up to that point.
In this film, the mad inventor Rotwang kidnaps the heroine, Maria. You see he’s created a robot to be a replacement for a woman he loved. But it needs a soul! So when the need to get Maria out of the way in the general run of the plot presents itself, he imprints the image of Maria onto his Robot. The lady is in a confined little bed-thing with a big steel helmet on her head with wires coming out. Rotwang throws switches and levers. Chemicals boil, electricity flies, the robot on her throne is surrounded by energy and suddenly changes into the image of Maria. Though when she opens her emotionless eyes, they seem to glow with an inner light. IT’S ALIVE!
This revolutionary film addresses the subject of animating inanimate organisms. Biological engineering and animation of bodies by spiritual beings is thoroughly discussed in the book ALIEN INTERVIEW:
“How else can you explain the source of spiritual animation which defines every living creature? To say it is the work of “god”, is far too broad. Every IS-BE has many names and faces in many times and places. Every IS-BE is a god. When they inhabit a physical object they are the source of Life.”
Metropolis (short synopsis of the film)
Sometime in the future. Johann Fredersen is mastermind of Metropolis, a gigantic high-tech city, under whose surface masses of workers lead an archaic slave existence. His son, Freder, is witness to the inhumane working conditions and rebels against his despotic father, discovering a spiritual community in the catacombs of the city: Maria, a young woman, preaches the virtues of love and reconciliation. But Fredersen discovers Maria as well and conjures up a sinister plan. He commissions the scientist Rotwang to develop a robot form of Maria, which he will use to gain influence over the workers. The plan works, but Freder and Maria are able to hinder the catastrophe in the last minute. The mass hysteria turns and directs its rage toward the robot Maria, who is burned at the stake. Freder and Maria form a new brotherly community among the classes – Fredersen offers his hand in reconciliation, true to the motto of the film: “the mediator between the hand and the brain must be the heart”.
August 14, 2024
August 13, 2024
PROTEST SHIT
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No matter what your convictions, stand up and speak out against shit that’s fucked up!
August 9, 2024
REALITY IS A DISINFORMATION PAGEANT
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“We’ll know our disinformation program is complete when everything the American public believes is false.” — William Casey, CIA Director (from first staff meeting in 1981)
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“The “Old Empire” thought control operation is run by a small group of old “baboons” with very small minds. They are playing insidious games with no purpose and no goal other than to control and destroy IS-BEs who could otherwise manage themselves perfectly well, if left alone. These types of artificially created incidents are being forced upon the human race by the operators of the mind-control prison system. The prison guards will always promote and support oppressive or totalitarian activities of IS-BEs on Earth. Why not keep the inmates fighting between themselves? Why not empower madmen to run the governments of Earth? The men who run the criminal governments of Earth mirror the commands given them by covert thought-controllers of the “Old Empire”.”
— Excerpt from the Top Secret military transcripts from Roswell AFB, 1947, published in the book ALIEN INTERVIEW.
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If you have never seen the film WAG THE DOG, here is a trailer and a couple of extra videos that illustrate exactly how the main-stream media is used to control the minds of the public. It’s not reality: “it’s a pageant”.
The following video shows “real life” examples of the CIA disinformation “pageant” in recent events. The point is simple: you can’t believe ANYTHING you see on television. It is all a “disinformation pageant” designed to control you, keep you in fear, keep you paying taxes, praying to non-existent gods, supporting false economies, and electing criminal politicians to pass laws that will enslave you.
VERMEER: PORTRAITS OF A LIFETIME
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Vermeer: Portraits of A Lifetime explores the life of the world famous Dutch artist, Johannes Vermeer.
This book reveals observations that have never before been made about his paintings, his life, his friends and his family.
August 8, 2024
August 7, 2024
SHARING THE WEALTH
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“Sharing the wealth” on Prison Planet Earth is not an egalitarian or benevolent activity. See the book ALIEN INTERVIEW for details…..
August 4, 2024
SOLVING MYSTERIES
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“IT REALLY WAS NO MIRACLE”“She brings you good news. Or haven’t you heard? When she fell out of Kansas, a miracle occurred.”–Glinda
“It really was no miracle. What happened was just this …”–Dorothy in ‘The Wizard of Oz’
Whether an event is a miracle or not is relative–it depends on the person you talk to. What is their understanding of the events or evidence presented to them? What is their level of technology? How diverse and sophisticated is their own experience?
The Munchkins seem to agree with Glinda, that compared to their own experience, a house falling from the sky, which happens to kill a wicked witch, is a miracle. They know that the Wicked Witch of the East is dead and Dorothy was in the house that killed her. So, to them, Dorothy is a heroine. She is given a heroine’s welcome parade, a bouquet of flowers, a huge lollipop, and she inherits the Ruby Slippers. It’s not exactly a road map back to Kansas, but at least the natives of Munchkinland are appreciative of her inadvertent help.
As outside observers, our point of view on this rather pathetically illogical misinterpretation and misrepresentation of events is quite different. We have seen the beginning of the movie. We’re not afraid of witches because we don’t live in Munchkinland. We also know it’s just a movie, and that we can get up and go home after the show.
As a result, we are more reliable sources of information than the Munchkins, or the Good Witch of the North, for the following reasons:
1/ We have an external viewpoint to the Oz Universe.
2/ We have no vested interest in the Land of Oz.
3/ We are familiar with both Kansas and Munchkinland.
4/ As the audience, we also have the experience of viewing the black and white beginning of the film, so we know that Dorothy is using real-life characters to play fictional parts in the creation of her own Technicolor universe.
Yet, without an external observer to step into the movie to give her advice, Dorothy is still stuck in the Land of Oz.
So, the inexperienced Munchkins and their guardian witch in a flying bubble, tell Dorothy that she has to take a hike on the Yellow Brick Road to look for some wizard who they all seem certain will know how to get back to Kansas.
On Earth, the average scientist, who is trying to figure out the answers to the primordial questions of life, the history of planet Earth, the origins of life forms, global ecological and environmental problems, etc., has even more disadvantages than Dorothy:
1/ An Earth scientist hasn’t been on Earth since the beginning of “the movie”.
2/ An Earth scientist is one of the “Munchkins” himself. This means that he or she is subject to the fears, superstitions, economic pressures, personal viewpoints and lies told by the wicked witches of Earth.
3/ An Earth scientist doesn’t have a Yellow Brick Road to follow or Ruby Slippers to protect him from wicked witches who care only about their own vested interests (such as big corporations and governments with lots of money to spend on advertising and flying legal monkeys).
4/ There is no Wizard in the Emerald City of Earth to solve problems for them.
A logical method of evaluating whether or not we are on the right road to finding our way back home, or to answering the primordial questions of life, could be summed up as follows: A SCIENTIFIC THEORY OR A PERSONAL VIEWPOINT IS ONLY AS USEFUL AS IT CAN BE DEMONSTRATED TO SOLVE THE MYSTERY OR THE PROBLEMS IT ADDRESSES. WHEN THE THEORY OR VIEWPOINT CAN BE DEMONSTRATED TO SOLVE THE PROBLEMS OF THE SUBJECT IT ADDRESSES, IT IS NO LONGER A THEORY OR VIEWPOINT. IT IS A “WORKABLE SOLUTION”.
Lawrence R. Spencer, excerpted from the book THE OZ FACTORS