Lawrence R. Spencer's Blog, page 211

WHAT YOUR TAX DOLLARS BUY

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This animated GIF shows the destruction caused by an atomic bomb in 2.3 seconds.

What kind of demented psychopathic fucks would spend YOUR TAX DOLLARS to build weapons like this?

THE SAME PEOPLE THAT YOU ELECTED TO RUN YOUR GOVERNMENT!

WTF ARE YOU THINKING?!

KINDRED SPIRITS

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Love and Creativity are Feminine Qualities that define The Soul. The physical universe is antipathetic to Love. Ignore it. Continue to Love and Create.

(Painting by Luis Ricardo Falero, 1881)

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“KINDRED SPIRITS ARE NOT GUIDED BY THE STARS:

TOGETHER, THEY LIGHT AND WARM THE NIGHT WITH SPARKS OF JOYFUL IMAGININGS!”

Lawrence R. Spencer. 2013.

ESCAPING FROM PRISON

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The North Korean man in this video was born in a prison camp.  Three generations of the families in this prison were also born, and lived their entire lives there without ANY knowledge that they were INSIDE and prison, or that there was any life beyond the prison!  They lived in as virtual, and literal state of “amnesia”, regarding their past, and where they came from!

This is a real-life demonstration of the phenomenon that isolation causes Amnesia.  I am referring to the kind of Amnesia that human beings, as immortal spiritual beings, experience here on Earth.  On Earth, as a “prison planet”, we are completely isolated from all other sentient civilizations in this galaxy.  We are born here, we live here, and we die here, generation after generation, with NO communication or certain knowledge that there is ANY other life beyond the walls of our confinement on Earth.

The experience of the young man in this video interview is a grim reminder that we can forget WHO We Really Are, as Spiritual Beings.  Through perpetual isolation, and the lies of “evolution”, we also forget Where We CAME From, and who we arrived on Earth, as spiritual entities.  When we know nothing about life beyond the walls of our prison, it is easy to forget our Immortal past.

However, I would like to Remember Who I Really Am.  I would enjoy knowing other Beings who also remember life outside the walls of our prison. If we want to “escape”, we must begin somewhere. The first step toward “escaping” from prison, it to discover that we are living IN a prison!  This may seem like a completely “crazy” idea.  But, think about it…. It is really outside the realm of possibility that an an intergalactic, totalitarian government could set up a planet as a prison camp?  For details about this idea, read the Top Secret transcripts published in the book ALIEN INTERVIEW.

HOW DO YOU KILL AN IMMORTAL?

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WASTED ON REALITY

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When you’re wasted on “reality” on Friday night or Saturday night, or any other night on Earth,  in a not-illegal-alcohol-induced haze of “I-don’t-give-a-shit-anymore” psycho-dialectician-delirium…   Tom Waits is here to rescue us from the homo sapiens mind humping, brain damaged, sour-circe-de-soul-dumping, amnesiac perversion…..  forget about it… fuck-it-in-the-mouth…. it ain’t worth it… blues-music-from-oblivion….holographic-hallucination-from-Hell.. You-liberation-music…..

RED TIDE

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If fish could hire assassins you might think twice about eating sushi….

ABRACADABRA!

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ABRACADABRA

“By Abracadabra we signify

An infinite number of things.

‘Tis the answer to What? and How? and Why?

And Whence? and Whither?— a word whereby

The Truth (with the comfort it brings)

Is open to all who grope in night,

Crying for Wisdom’s holy light.

Whether the word is a verb or a noun

Is knowledge beyond my reach.

I only know that ’tis handed down.

From sage to sage,

From age to age—

An immortal part of speech!

Of an ancient man the tale is told

That he lived to be ten centuries old,

In a cave on a mountain side.

(True, he finally died.)

The fame of his wisdom filled the land,

For his head was bald, and you’ll understand

His beard was long and white

And his eyes uncommonly bright.

Philosophers gathered from far and near

To sit at his feet and hear and hear,

Though he never was heard

To utter a word

But “Abracadabra, abracadab,

Abracada, abracad,

Abraca, abrac, abra, ab!”

‘Twas all he had,

‘Twas all they wanted to hear, and each

Made copious notes of the mystical speech,

Which they published next—

A trickle of text

In the meadow of commentary.

Mighty big books were these,

In a number, as leaves of trees;

In learning, remarkably— very!

He’s dead,

As I said,

And the books of the sages have perished,

But his wisdom is sacredly cherished.

In Abracadabra it solemnly rings,

Like an ancient bell that forever swings.

O, I love to hear

That word make clear

Humanity’s General Sense of Things.”

~ Jamrach Holobom

from THE DEVIL’S DICTIONARY by AMBROSE BIERCE, written between 1888 – 1906

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Ambrose Gwinnett Bierce (June 24, 1842 – circa 1914) was an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story “An Occurrence at Owl Creek Bridge” and compiled a satirical lexicon, The Devil’s Dictionary. His vehemence as a critic, his motto “Nothing matters”, and the sardonic view of human nature that informed his work.  In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. While traveling with rebel troops, he disappeared without a trace.

 READ THE ENTIRE TEXT OF THE DEVIL’S DICTIONARY

STEAM PUNK FAERIE

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STEAMPUNK

Steampunk is a genre which came into prominence during the 1980s and early 1990s and incorporates elements of science fiction, fantasy, alternate history, horror, and speculative fiction. It involves a setting where steam power is widely used—whether in an alternate history such as Victorian era Britain or “Wild West”-era United States, or in a post-apocalyptic time —that incorporates elements of either science fiction or fantasy. Works of steampunk often feature anachronistic technology, or futuristic innovations as Victorians might have envisioned them, based on a Victorian perspective on fashion, culture, architectural style, and art. This technology includes such fictional machines as those found in the works of H. G. Wells and Jules Verne, or the contemporary authors Philip Pullman, Scott Westerfeld and China Mieville.

Other examples of steampunk contain alternative history-style presentations of such technology as lighter-than-air airships, analog computers, or such digital mechanical computers as Charles Babbage and Ada Lovelace’sAnalytical Engine.

Steampunk also refers to art, fashion, and design that are informed by the aesthetics of Steampunk literature. Various modern utilitarian objects have been modded by individual artisans into a pseudo-Victorian mechanical “steampunk” style, and a number of visual and musical artists have been described as steampunk.  Steampunk is most directly influenced by, and often adopts the style of, the 19th century scientific romances of Jules Verne, H.G. Wells, and Mary Shelley.

FAERIE

The word fairy derives from Middle English faierie (also fayerye, feirie, fairie), a direct borrowing from Old French faerie (Modern French féerie) meaning the land, realm, or characteristic activity (i.e. enchantment) of the legendary people of folklore and romance called (in Old French) faie or fee (Modern French fée). This derived ultimately from Late Latin fata (one of the personified Fates, hence a guardian or tutelary spirit, hence a spirit in general); cf. Italian fata, Portuguese fada, Spanish hada of the same origin.

Fata, although it became a feminine noun in the Romance languages, was originally the neuter plural (“the Fates”) of fatum, past participle of the verb fari to speak, hence “thing spoken, decision, decree” or “prophetic declaration, prediction”, hence “destiny, fate”. It was used as the equivalent of the Greek Μοῖραι Moirai, the personified Fates who determined the course and ending of human life.

To the word faie was added the suffix -erie (Modern English -(e)ry), used to express either a place where something is found (fishery, heronry, nunnery) or a trade or typical activity engaged in by a person (cookery, midwifery, thievery). In later usage it generally applied to any kind of quality or activity associated with a particular sort of person, as in English knavery, roguery, witchery, wizardry.

Faie became Modern English fay “a fairy”; the word is, however, rarely used, although it is well known as part of the name of the legendary sorceress Morgan le Fay of Arthurian legend. Faierie became fairy, but with that spelling now almost exclusively referring to one of the legendary people, with the same meaning as fay. In the sense “land where fairies dwell”, the distinctive and archaic spellings Faery and Faerie are often used. Faery is also used in the sense of “a fairy”, and the back-formation fae, as an equivalent or substitute for fay is now sometimes seen.

The word fey, originally meaning “fated to die” or “having forebodings of death” (hence “visionary”, “mad”, and various other derived meanings) is completely unrelated, being from Old English fæge, Proto-Germanic *faigja- and Proto-Indo-European *poikyo-, whereas Latin fata comes from the Indo-European root *bhã- “speak”. Due to the identical pronunciation of the two words, “fay” is sometimes misspelled “fey”.

Fairies are generally described as human in appearance and having magical powers. Their origins are less clear in the folklore, being variously dead, or some form of demon, or a species completely independent of humans or angels.[3] Folklorists have suggested that their actual origin lies in a conquered race living in hiding,[4] or in religious beliefs that lost currency with the advent of Christianity. These explanations are not necessarily incompatible, and they may be traceable to multiple sources.

Much of the folklore about fairies revolves around protection from their malice, by such means as cold iron (iron is like poison to fairies, and they will not go near it) or charms of rowan and herbs, or avoiding offense by shunning locations known to be theirs.[6] In particular, folklore describes how to prevent the fairies from stealing babies and substituting changelings, and abducting older people as well. Many folktales are told of fairies, and they appear as characters in stories from medieval tales of chivalry, to Victorian fairy tales, and up to the present day in modern literature.  ( Reference:  Wikipedia.org)

GHETTO PLANET

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“Earth is a “ghetto” ( Footnote) planet. It is the result of an intergalactic “Holocaust”.  IS-BEs have been sentenced to Earth either because:

1) They are too viciously insane or perverse to function as part of any civilization, no matter how degraded or corrupt.

2) Or, they are a revolutionary threat to the social, economic and political caste system that has been so carefully built and brutally enforced in the “Old Empire”. Biological bodies are specifically designed and designated as the lowest order of entity in the “Old Empire” caste system. When an IS-BE is sent to Earth, and then tricked or coerced into operating in a biological body, they are actually in a prison, inside a prison.

3) In an effort to permanently and irreversibly rid the “Old Empire” of such “untouchables”, the eternal identity, memory, and abilities of every IS-BE is forcefully erased. This “final solution” was conceived and carried out by the psychopathic criminals who are controlled by the “Old Empire”.

The kind and creative inmates of Earth are continuously tortured by butchers and lunatics who are controlled by the “Old Empire” prison operators. The so-called “civilizations” of Earth, from the age of useless pyramids to the age of nuclear holocaust, have been a colossal waste of natural resources, a perverted use of intelligence, and an overt oppression of the spiritual essence of every single IS-BE on the planet.”

~ excerpt from the book ALIEN INTERVIEW

…”Earth is a “ghetto” planet…”

  “Ghetto” is also used figuratively to indicate geographic areas with a concentration of any type of person.

Ghetto is formed in three ways:

As ports of entry for racial minorities, and immigrant racial minorities.
When the majority uses compulsion (typically violence, hostility, or legal barriers) to force minorities into particular areas.
When the majority is willing and able to pay more than the minority to live with its own kind.

GAIA MAI TAI RECIPE

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* GAIA, meaning Earth, elated to the Avestan word gaiia ‘life;’ cf. Av. gaēθā ‘(material) world, totality of creatures’ and gaēθiia ‘belonging to/residing in the worldly/material sphere, material’; or perhaps Av, gairi ‘mountain’.  Gaia is the ancestral mother of all life: the primal Mother Earth goddess. She is the immediate parent of Uranus (the sky), from whose sexual union she bore the Titans (themselves parents of many of the Olympian gods) and the Giants, and of Pontus (the sea), from whose union she bore the primordial sea gods.

Mai Tai is an alcoholic cocktail based on rum, Curaçao liqueur and lime juice, associated with Polynesian-style settings. “Maita’i” is the Tahitian word for “good”.