Lawrence R. Spencer's Blog, page 139
September 13, 2021
REALITY IS SUBJECTIVE
Republished by Blog Post Promoter
“TOP SECRET
Official Transcript of the U.S. Army Air Force
Roswell Army Air Field, 509th Bomb Group
SUBJECT: ALIEN INTERVIEW, 25. 7. 1947, 1st Session
“Before you can understand the subject of history, you must first understand the subject of time. Time is simply an arbitrary measurement of the motion of objects through space.
Space is not linear. Space is determined by the point of view of an IS-BE when viewing an object. The distance between an IS-BE and the object being viewed is called “space”.
Objects, or energy masses, in space do not necessarily move in a linear fashion. In this universe, objects tend to move randomly or in a curving or cyclical pattern, or as determined by agreed upon rules.
History is not only a linear record of events, as many authors of Earth history books imply, because it is not a string that can be stretched out and marked like a measuring tool. History is a subjective observation of the movement of objects through space, recorded from the point of view of a survivor, rather than of those who succumbed. Events occur interactively and concurrently, just as the biological body has a heart that pumps blood, while the lungs provide oxygen to the cells, which reproduce, using energy from the sun and chemicals from plants, at the same time as the liver strains toxic wastes from the blood, and eliminates them through the bladder and the bowels.
All of these interactions are concurrent and simultaneous. Although time runs consecutively, events do not happen in an independent, linear stream. In order to view and understand the history or reality of the past, one must view all events as part of an interactive whole. Time can also be sensed as a vibration which is uniform throughout the entire physical universe.”
___________________________________
Excerpt from the transcripts published in the book ALIEN INTERVIEW edited by Lawrence R. Spencer
Read It Now
September 12, 2021
BURNING BOOKS
Republished by Blog Post Promoter
I recently re-read a book from my personal library about the destruction of the greatest library of antiquity in Alexandria, Egypt, The Vanished Library, by Luciano Canfora. Because I write books, I also read books. Books are a gateway to intellectual and spiritual freedom.
Although my personal library shelves contain only several hundred volumes, it is estimated by various sources that the Library at Alexandria housed tens of thousands of scrolls amassed by Ptolemy that were added to the sacred library of Ramses II, Pharaoh of Egypt! (c. 1300 BCE) At the time of it’s destruction there were reported to be more than 45,000 hand-written books, gathered from all of the civilized word — translated into Greek — and housed in a single building.
In 640 AD, this priceless library was burned at the order of Muslim Caliph Omar. When the general of his army asked the Caliph what to do with the books of the library, the Caliph responded:
“If their content is in accordance with the book of Allah, we may do without them. If they contain matter not in accordance with the book of Allah, there can be no need to preserve them. Proceed then, to destroy them.”
At that time the city of Alexandria had 4,000 public baths. The water for the baths was heated by underground stoves or furnaces. “The books were distributed to the public baths of Alexandria, where they were used to fuel the stove which kept the baths comfortably warm. ….It took six months to burn all that mass of material.” Only the writings of Aristotle were spared from the flames.
As has so often been the case in the history of Earth, religious fanaticism — the enemy of knowledge and freedom — was the cause of destruction of precious accumulated knowledge, technology and wisdom recorded by literate scientists, mathematicians, artists, philosophers and scholars. The modern destruction by the United States of the priceless Library of Baghdad, the burning of books and burying of scholars under China’s Qin Dynasty, the destruction of Aztec codices by Itzcoatl, the Nazi book burnings, the Spanish Inquisition, and many others psychotic episodes serve to keep humanity stupid, superstition and enslaved by ignorance.
However, in 2013 we live in an age of unprecedented information access. There are thousands of libraries all around the world. The internet is a vast library of information that contains nearly every book that has ever been written! (Of course there are huge numbers of “heretical” books that have been burned by Caliphs or Nazis or hidden in the Vatican library or the Smithsonian Institute.) However, in spite of intellectual terrorism, superstition, religious fanaticism, and government mind-control agendas, we are living in an unprecedented age when books are freely available in abundance! All we need to do is read them.
CURE FOR GREED
Republished by Blog Post Promoter
THE CURE FOR GLOBAL BANKSTERS and WALL STREET GANGSTERS:
A behind the scenes peek, excerpted over the four-month process to produce ‘The Cure for Greed’.
Intricate mechanical and chemical separation is needed to extract and recover pigment from US currency.
The ink is then re-stabilized, divided into individual doses and packaged into medical vials.
About the object
Each personally monogrammed custom-made mahogany or walnut box contains:
– One 24-karat gold plated syringe.
– One 5ml crimp-sealed serum vial containing one dose of stabilized pure dollar ink
mechanically and chemically recovered from approximately $10,000 in US currency.
– Two 24-karat gold plated needles.
Unit 731: The Asian Auschwitz
Republished by Blog Post Promoter
“Set up as a top-secret biological and chemical weapons facility during the Second Sino-Japanese War and World War Two, Unit 731 has been referred to as the Asian Auschwitz. Through the practice of lethal human experimentation, the unit is thought to have been responsible for the death of up to 200,000 civilians and military personnel – the vast majority Chinese and Korean nationals, but also South East Asians, Pacific Islanders and Allied POWs. In the sprawling six kilometer-square complex in the city of Harbin (now part of Northeast China) those behind the sickening ‘research’ developed some of the most cruel and sadistic experiments ever to be conducted on human victims. These included vivisection, amputations, germ warfare tests, explosive weapons testing, and much more.
Sheldon H. Harris, one of the foremost historians on Unit 731, explained in a History Channel documentary how the people tortured and killed were treated as objects: “These scientists had a weird sense of humor,” Harris revealed. “They referred to their victims as “matures”, which, loosely translated, is logs, and that’s how they thought about them, as pieces of wood, not as humans. They could cut them up; they could burn them in a fireplace… If they ran short of candidates, the secret police would just literally sweep the streets of the city and pick up enough candidates for the lab.”
[image error]
Many horrific experiments were enacted on these pieces of living timber under the direction of Shiro Ishii, the unit’s commander. The experiments sound like they could easily have come from the mind Josef Mengele, the Nazi doctor also known as the Angel of Death, infamous for his sick and twisted human experiments on prisoners held in Auschwitz.
There were many other fiendish experiments acted out on the thousands of prisoners incarcerated in Unit 731. These included testing chemical weapons on people trapped inside gas chambers; spinning victims in giant centrifuges until they perished; hanging individuals upside down to test their endurance before they choked to death; and injecting air into prisoners’ arteries and horse urine into their kidneys.
All things considered, these experiments rivaled many of those dreamed up by the Nazi doctor, Josef Mengele, in terms of pure evil intent, and yet incredibly many of the scientists implicated were honored for their services to their country.
The brains behind the unit, Shiro Ishii, lived in peace and quiet to the ripe old age of 67, when he died of throat cancer. The United States felt that the research into germ warfare was too valuable to lose and so cut a deal with the Japanese. In 1947, Douglas MacArthur, the General of the US Army, wrote to Washington that “additional data, possibly some statements from Ishii probably can be obtained by informing Japanese involved that information will be retained in intelligence channels and will not be employed as ‘War Crimes’ evidence.”
By granting immunity to Ishii and the other scientists working under him, the US wanted to ensure that no other nation would lay its hands on their research into bio-warfare. However, the Soviets did glean a certain amount of information after prosecuting 12 leaders and scientists from Unit 731 in war crimes trials held in 1949. Those found guilty were sentenced to between two and 25 years in a labor camp, and the Soviets built a biological weapons facility in Sverdlovsk using the data collected. Meanwhile, Shiro Ishii himself moved to (Fort Detrick) Maryland where he worked as a bio-weapons researcher. Yes, you read that correctly: Ishii was given a job in the US rather than tried as a war criminal.
The United States military began operations in Biological Warfare weapons research at Ft. Detrick, MD in 1946. Read the Wikipedia entry here: http://en.wikipedia.org/wiki/United_States_biological_weapons_program
READ THE ENTIRE STORY AND SEE 14 OTHER IMAGES ON THE FOLLOWING LINK: Unit 731: The Horrors of the Asian Auschwitz | Environmental Graffiti.
September 11, 2021
September 10, 2021
Recasting The Girl, Spray-Painting The Pearl
Republished by Blog Post Promoter
I will not soon forget seeing the horrendous Hollywood movie titled, “The Girl With A Pearl Earring” in 2004. It is a fictional depiction of a fictionalized relationship between Vermeer and an imagined “…young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.” It was nominated for 3 Oscars by the Academy of Motion Picture “arts” and “sciences”.
This tragically tacky spin on the life of Vermeer is classic Hollywood magic: take the true life story of a teen-age daughter of one of the finest painters in history, re-cast her as whore, and her father as an brutish ogre, spray-paint her naturally luminescent pearl earring with glitter glue and, presto! Nominate it for an Oscar!
Absurdly cliché characterizations contrived by the brain-dead writers invent a debased relationship between a fictional “peasant maid” and Vermeer that are typical of the money-motivated Hollywood swill fed to and gobbled up by an uneducated public. The socially redeeming value of this food for swine (to be polite) is a pile of steaming shit! Sexual intrigue may sell movie tickets, but pigs are stupid, and shit stinks.
The writers, producers and actors associated with this morose movie would have been more kind to Vermeer, his family and his artistic legacy if they had spent the budget for the film to visit the museums of the world, in which his priceless works hang, and spray them with graphic graffiti.
The film was written and directed without regard for historic fact or common sense. The preposterous personae of Vermeer was portrayed by the British actor, Colin Firth, with the charisma of a cardboard cereal box. Scarlett Johansson, who plays the role of the gawkish “girl”, is garish at best.
The premise of the ludicrous book and movie script, entirely ignores and abuses the obvious, and thoroughly researched historical information about Vermeer and his life. A few of the grossest omissions are:
1) All of the women in the Vermeer paintings, with one or two minor exceptions, are his wife, and daughters. To postulate that he hired a “peasant maid”, or that he had a painting assistant, much less that he had a sexual relationship with such an imaginary person, are sick contrivances.
2) That the Vermeers could afford to pay a servant, who could spare the time away from vitally needed chores, to become an artists assistant, is blatantly stupid. Household helpers were not something they could afford, except early in their marriage, at best. Some of the thoroughly researched facts about Vermeer were that he and his wife produced 15 children in 22 years! They lived in the small village of Delft, with his wife’s very Catholic mother, in her small house, to help reduce expenses. He died from overwhelming depression due to his inability to support his wife and 11 surviving children, who were left in extreme poverty at his premature death at the age of 43.
In a plea to her creditors after her husband’s death Catharina stated, in the public record, the final footnotes to Vermeer’s brief life:
“during the ruinous war he not only was unable to sell any of his art but also, to his great detriment, was left sitting with the paintings of other masters that he was dealing in.”
Catharina summarized the circumstances of his death: “as a result and owing to the great burden of his children, having no means of his own, he had lapsed into such decay and decadence, which he had so taken to heart that, as if he had fallen into a frenzy, in a day or day and a half had gone from being healthy to being dead.”
Obviously, the man she describes is the antithesis of the man portrayed in the movie.
3) That a woman would be allowed to become an artists apprentice or assistant, is an absurd fantasy. It was forbidden by the Guild of St. Luke which maintained strict, Puritanical oversight of the activities of every member.
4) The girl in the legendary painting (as well as in several other of his paintings) is his second daughter, Elizabeth! Vermeer never hired models — he painted only family and friends. It doesn’t take a cosmetic surgeon to compare the features of the women in the majority of his paintings to observe that the same women are being painted in their own home, again and again in different poses, settings, lighting and clothing. Most of his paintings feature his wife, Catharina, who was not only his constant accomplice in creating a family, she was his foremost ally in his life as an artist!
The paintings named (by others), “girl with a pearl earring”, as well as “the girl with a red hat”, and “the girl with a flute”, and others, are all of his second daughter, Elizabeth, who was a teenager when they were painted. He used her as the model for a series of very small “tronie” or facial portraits, which were popular at the time.
These miniature “head shots” were especially well suited to the use of the camera obscura to create what we know now to have a photographic quality, rendering the light and perspective differently than the unaided lens of the human eye perceives it.
The women in his family, during his lifetime, enjoyed dressing in the finest clothes and jewelry available to them, as well as exotic costumes, imitating the apparel of mysterious lands. Many of the accessories included in these paintings were borrowed. Trading vessels often brought fascinated news and relics to Delft from around the world. He and his family rarely ventured more than a short walk or boat ride from home.
That Vermeer would have an elicit affair with a maid in his own home is an insult to common sense and decency. Anyone who looks at paintings of his wife and nine daughters can plainly see his obvious love and devotion — if not obsession — for the women in the small house they shared. Vermeer’s family permeated every aspect of his life, and dominated his home.
His days were consumed with his work with the Guild of St. Luke, the militia of Delft, and interaction with other painters for whom, like his father before him, he sold their paintings to earn money to feed and clothe his 15 children. As his family grew, Vermeer barely had time work on his own paintings!
That there was ever any enmity or discord between Johannes and Catharina during their lives is a fantasy contrived by the Hollywood money machine that perverts reality to appeal to the lowest common denominator of prurient interest suitable only for soap operas, pornography, and girl-gossip magazines.
The self-proclaimed “artists” of Hollywood, driven by money mongers, like any mindless mercenary who act the part they’re paid for, notoriously devoid of ethics or integrity, are akin to any common soldier who massacres innocent civilians, and justifies their crimes in the name of war.
Vermeer, in this movie, and in his own lifetime, was a victim of brainless brutality. The stupid soldiers of Louis XIV of France who invaded Holland, together with the bloody British aristocracy combined to murder peasants, and plunder goods to enrich and glorify themselves. The net result for Vermeer was attested, after his death, by his wife, Catharina Bolnes, “during the ruinous war he not only was unable to sell any of his art but also, to his great detriment, was left sitting with the paintings of other masters that he was dealing in.” And further, “as a result and owing to the great burden of his children, having no means of his own, he had lapsed into such decay and decadence, which he had so taken to heart that, as if he had fallen into a frenzy, in a day or day and a half had gone from being healthy to being dead.”
Let us hope, sincerely, that those unfortunates who saw this “ruinous movie” can assess for themselves the denigrating massacre of an artist by Hollywood, compared with his own biographical portraits of a lifetime and the family he adored, magnificently embodied in his paintings, to judge for themselves the aesthetic intention and ethical integrity of the man, Vermeer.
— Lawrence R. Spencer
FOLLOW THE MONEY TO THE 9/11 PERPS
Republished by Blog Post Promoter
A competent criminal investigation should begin by discovering the “psychos” who paid for or profited from a crime, in this case the 9/11 “hit”. The “official investigation” carefully avoided this to protect the guilty. Can you say “bankster-military-industrial-congressional-complex-criminals”? This video provides many details about this false flag crime.
Learn more at the “Corbett Report” website:
https://www.corbettreport.com/episode-308-911-trillions-follow-the-money/
September 9, 2021
ALIEN NEWS
Republished by Blog Post Promoter
iF YOU WANT TO KNOW ABOUT “ANCIENT ALIENS”, READ THE BOOK ALIEN INTERVIEW.
September 7, 2021
MISERY’S THE RIVER OF THE WORLD
Republished by Blog Post Promoter
Video by Richard Borge
Lyrics and Music by Tom Waits:
Misery’s the River of the World.
Misery’s the River of the World.
The higher the monkey can climb the more he shows his tail.
Call no man happy ’til he dies.
There’s no milk at the bottom of the pail.
God builds a church.
The Devil builds a chapel like the thistles that are growing ’round the trunk of a tree.
All the good in the world you can put inside a thimble and still have room for you and me.
If there’s one thing you can say about Mankind: there’s nothing kind about Man.
You can drive out Nature with a pitch fork but it always comes roaring back again.
Misery’s the River of the World.
Misery’s the River of the World.
Misery’s the River of the World.
For want of a bird the sky was lost.
For want of a nail a shoe was lost.
For want of a life the knife was lost.
For want of a toy a child was lost.
Misery’s the River of the World.
Misery’s the River of the World.
Everybody Row! Everybody Row!
Misery’s the River of the World.
Misery’s the River of the World.
Everybody Row! Everybody Row!
