Bob Fingerman's Blog, page 5
July 12, 2010
I'm in a Hell Frame of Mind….
So, I've started working on my book The Hell of It (working title) as a straight prose novel, having basically abandoned the notion of it being a graphic novel. With Pariah due to hit the shelves (and internet outlets) on August 3rd, 2010 (so order yours now, in either spiffy trade paperback or spiffier hardcover!), I'm just feeling more and more that prose is the way to go. I enjoy writing novels enormously and I think I'm good at it. That said, I am doing some more prep art for The...
June 30, 2010
FROM THE ASHES Playlist
Oops. I neglected to post this link to a playlist of tunes that either accompanied me as I drew or fueled my process in creating FROM THE ASHES. I was invited to contribute it to the fun blog Largehearted Boy's ongoing Book Notes series in which authors share their musical inspirations. Check it out.
June 24, 2010
Milk of Minutia podcast
I spoke with Ken Rodriguez and Justin Paine on their free-form podcast Milk of Minutia. Download and enjoy as we discuss From the Ashes, Pariah and some of my more questionable earlier efforts.
June 2, 2010
SKINNY-MAN
Like many budding kid cartoonists of my generation I was enamored of "Mad's Maddest Artist," Don Martin. I loved his work in the magazine, but what really set my mind ablaze were his paperback originals. These were maybe my first taste of graphic novels, and none so enthralled me as The MAD Adventures of Captain Klutz. Skinny-Man was my stab at "funny superhero" comics. The villains, "Super Cool Man" (who really looks more like Super Pimp) in particular, are pretty special. Same vintage as...
May 27, 2010
Portrait of the Artist as a Young Neurotic
This quasi-autobiographical strip is same vintage as Gerry's Comix and Super-Cat. The "hang-up" (what a knowingly loaded double meaning for something done in the '70s) in the back is oddly self-pitying. I think this one might predate the others. The art isn't as good. It's from '75, again, though. The Jaws reference was very topical.
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