Alice Orr's Blog, page 5

A Christmas Carol Sings to the Storyteller in You

A Christmas Carol Sings to the Storyteller in You. Why? Because you must decode its secret. As a writer you need to know why it has remained a narrative star for so long with such an immense audience. What exactly did Charles Dickens create that keeps vast numbers of people worldwide coming back year after year to be absorbed yet again by his tale?

A Christmas Carol Sings to You because of its Main Character. What Charles Dickens created that holds us in his thrall is Ebenezer Scrooge. He commands us to revisit the dark environs of his “money-changing hole” with astonishingly universal regularity. We simply cannot seem to get enough of his story and the twisting trail it leads us along.

A Christmas Carol Sings to You because It is a Ghost Story. Readers love things that go bump in the night. And, for Scrooge, they literally do. My favorite film version is from 1951 and stars Alistair Sim. The gloomy atmosphere of black and white. The booming apocalyptic sound effects, Ebenezer’s dark scowl. The haunting mood draws me back year after “rolling year.”

A Christmas Carol Sings to Us because We are Scrooge. We are not Scrooge because we are misers hoarding our worldly goods while declaring “Humbug this” and “Humbug that.” We are Scrooge because of the wounds life causes many of us to carry at the essential center of our hearts. Ebenezer carries such wounds and that urges a great swath of readers to identify with him on some level. Which is why A Christmas Carol Sings to the Storyteller in You.

A Christmas Carol Sings to Me Personally. As a human being, I have suffered my own heart wounds. The kind that bore a hole the way hot coals might do when dropped in a sensitive spot at a young age. This hollow place begs to be filled and the only way to fill it is with love. But love must be received and absorbed. For me that fortunately happened. Scrooge has not been blessed in this manner. Which makes me care about him and my caring hooks me into his story.

A Christmas Carol Sings to Those of You who have been Similarly Singed. I am not asking anyone to admit this, because to do so makes you painfully vulnerable. Nor do you need to point out how you are not in the least wounded. If that is true, I rejoice for you and hope you will remain so always. I suspect, however, that, more often than not, you have carried your own wounds and can empathize with Ebenezer’s plight. Thus, you too are hooked into his story.

A Christmas Carol Sings to You because of its Very Dramatic Climax. Scrooge is confronted with the truth of his life in intense and powerful scenes one after another. The vividness of these scenes shakes him to the core of his being. They shake us too. He is additionally confronted with the inevitable outcome of such a life which scares him nearly to death. It scares us too. What will happen next? By now any reader with a beating heart is totally hooked into Dickens’ world.

A Christmas Carol Sings to You because of its Very Happy Ending. The morning dawns. The ghosts are gone. Ebenezer truly sees the light of day at last.  He is a new man. Reborn. Redeemed. He acts accordingly. From his heart and to the benefit of everyone – especially himself. This is popular storytelling at its best.

Finally – A Christmas Carol Sings because Dickens Offers an Answer. He points us toward possible healing. Action will be required as is true of all Redemption Stories. A Christmas Carol is a Redemption Story. Scrooge must redeem himself. The spirits help but he takes the crucial action. He learns to love and performs loving deeds. This is Scrooge’s answer and everyone else’s. Millions of readers and watchers are drawn to that message. Whatever your beliefs about Christmas it might be wise to listen when A Christmas Carol Sings to the Storyteller in You.

Alice Orr Says – You Possess Storytelling Magic. Keep on Writing Whatever May Occur. http://www.aliceorrbooks.com.

Ask Alice Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask your question in the Comments section at the end of this post.

 Alice Orr – Teacher. Storyteller. Former Literary Agent. Blogs for Writers. Author of 14 novels, 2 novellas and a memoir so far. Wrote No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves.

Alice’s Holiday Novel – A Vacancy at the Inn – Riverton Road Romantic Suspense Series Book 3 – is available HERE. Celebrate the Season!

Praise for A Vacancy at the Inn. “Grabbed me right away and swept me up in the lives of Bethany and Luke.” “Undercurrents of suspense move the story along at an irresistible pace.” “The Miller family is rife with personality quirks, an authentic touch that demonstrates Alice Orr’s skill as a writer.” “I never want an Alice Orr book to end.”

All of Alice’s Books are HERE.

http://facebook.com/aliceorrwriter/
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post A Christmas Carol Sings to the Storyteller in You appeared first on Alice Orr Books.

It’s a Wonderful Writer’s Life

It’s a Wonderful Writer’s Life. The holiday season is filled with fullness. Days full of activities. To-Do lists full of responsibilities. Hearts full of feeling. Heads full of memories. And – for the storyteller in you – a house full of fabulous secondary characters. Whether they are in your actual residence or not, they are there. Eager to enrich your pages.

 Think of Yourself as the Hostess at a Party of Fiction Inspiration. These are your honored guests, ready to be honored further by your imagination. You are the creative force and they are the raw material for your creations. Each one is wrapped up bright and sparkly. Each one is a gift waiting to be opened by you and invited into the world of your story.

Think of Frank Kapra and It’s a Wonderful Life. He and his co-writers adapted an obscure short story into a classic. In Philip Van Doren Stern’s The Greatest Gift, the main character witnesses his world as it would be if he had never existed. Kapra and company changed his name from George Pratt to George Bailey, and the saga of a 75-year-old holiday hit began.

 Think of How They Populated George’s World. Henry Potter, the villain we love to hate.  Mary Bailey, the steadfast mate. Uncle Billy, the family screwup. Clarence, the angel second class. Who fails to smile when he appears on screen? Plus – Bert, Ernie, Violet, brother Harry, friend Sam. And Bedford falls – a town full of unforgettable secondary characters.

Each of Them is a Character Type. Each type is defined by a dominating character trait. Greed. Loyalty. Forgetfulness. Optimism. Each behaves according to the dictates of this personality definition. They do not step beyond its bounds. Their job is to maintain that predictability. Significantly, because of them, It’s a Wonderful Writer’s Life.

Recollect a Holiday Gathering from Your Personal Past or Present. A family fixture. An office party. A community event. Imagine yourself there and look around you. In your mind’s eye, tag each person with their dominant character trait. Feel free to take creative license with the portrayal. This is your Bedford Falls. Populate it with whomever you prefer.

Remember these are Secondaries – Not Your Hero. But each of them is connected to your hero and affects her life in some way that benefits your story. Find the villain first. There he is in a corner making somebody uncomfortable. Find your hero’s mate or best friend next. Smiling and taking care of things and people because that is what he or she does.

Continue this Exercise by Identifying One Character Type After Another. These folks fill the streets of your Bedford Falls. They surround your hero and move her story forward – or backward – as your storyline requires. They expand your fictional world and give it real life dimensions. They are the people of your plot and their roles are anything but secondary.

Without these Characters Your Story is a Hollow Shell. Your hero’s world is hollow also. These characters give your reader a sense of your hero’s community. They give your reader individuals to identify with, to root for or rally against. These characters make your work resonate on the page. They cause you to rejoice that It’s a Wonderful Writer’s Life.

Alice Orr Says – You Possess Storytelling Magic. Keep on Writing Whatever May Occur. http://www.aliceorrbooks.com.

Ask Alice Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask your question in the Comments section at the end of this post.

 Alice Orr – Teacher. Storyteller. Former Literary Agent. Blogs for Writers. Author of 14 novels, 2 novellas and a memoir so far. Wrote No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves.

Alice’s Holiday Novel – A Vacancy at the Inn – Riverton Road Romantic Suspense Series Book 3 – is available HERE. Celebrate the Season!

Praise for A Vacancy at the Inn. “Grabbed me right away and swept me up in the lives of Bethany and Luke.” “Undercurrents of suspense move the story along at an irresistible pace.” “The Miller family is rife with personality quirks, an authentic touch that demonstrates Alice Orr’s skill as a writer.” “I never want an Alice Orr book to end.”

 All of Alice’s Books are HERE.

http://facebook.com/aliceorrwriter/
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

 

The post It’s a Wonderful Writer’s Life appeared first on Alice Orr Books.

Giving Thankfuls for Our Writer Lives

Giving Thankfuls for Our Writer Lives. In our yellow house on Vashon Island the dining table was battered from years of grandkid use. The chairs had been rocked so many times Grandpa Jonathan had to bolt the legs to the frames. This was the precious place where we held hands at mealtime and practiced gratitude for our lives together. We called it Giving Thankfuls.

Our Storytelling Lives are Equally Blessed. The guests at our tables exist only in our heads but they rollick and roar and rock the chairs all the same. They give us hissy fits. But would you want to live without them for a day? We Give Thankfuls for our imaginary friends.

We Sit in Battered Bolted Chairs and Stare at the Wall. Real life plays out in front of us but we are otherwise engaged. Images peek from under the tableware. What ifs clatter louder than the cutlery. We savor the symphony of inspiration and Give Thankfuls for the scenes we see.

An Array of Plot Possibilities Fills our Formerly Empty Plates. We pick and choose. Mix and match. Consider and rethink. We alter the menu at will. Always in service of the purposes of the plot. Always hungry for what works best. We Give Thankfuls for the feast of creativity.

The Banquet Continues for Days Months Years. Our appetites are sometimes satisfied but often they are not. We may leap up from the table in exasperation. Nonetheless we eventually return and struggle again to get the ingredients exactly right. We Give Thankfuls for resilience.

At Last we Add these Luscious Words – The End. We pound the well-used table or collapse upon it. Though probably exhausted we are also filled with joy and chair-rocking energy. We laugh. We sob. However we express it we are Giving Thankfuls for Our Writer Lives.

Being Storytellers has Put Us in the Amazing Company of Other Storytellers. We honor that company for its generosity, its wit, its endless ingenuity. We find role models and helpmates there. Friends too, professional and personal. We Give Thankfuls for our writers’ community.

Being Storytellers has Put Us in the Amazing Company of Readers. The upfront readers who help us grow our work. The priceless readers who review that work after it has come of age. The readers we pray will become our fans. Who could possibly not Give Thankfuls for readers?

Each Morning Begins a New Day to Rejoice in Storytelling. What gave us this glorious gift? In my case it was Grandma. She told her stories aloud. I write mine down. Her spirit abides in me and mine in her. I shall Give Thankfuls forever for her believing in me from my start.

Today My Own Grandkids are No Longer Kids. We are all back on the east coast now. Grandparents and parents. In-laws and outlaws. Jonathan and I are still a twosome fifty years and counting. We have never stopped holding hands and Giving Thankfuls and hope we never will.

Meanwhile my Storytelling Life Continues. So does yours. We are filled with memories. We are calm or stormy at turns. We have not gone gentle into any night – good are otherwise. We are the characters we have written and become. We are Giving Thankfuls for Our Writer Lives.

Alice Orr says – You Possess Storytelling Magic. Keep on Writing Whatever May Occur. http://www.aliceorrbooks.com.

Ask Alice Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask your question in the Comments section at the end of this post.

Alice Orr – Teacher. Storyteller. Former Literary Agent. Blogs for Writers. Author of 16 novels, 3 novellas and a memoir so far. Wrote No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves.

Alice’s holiday novel, for which she Gives Thankfuls, is A Vacancy at the Inn – Riverton Road Romantic Suspense Series Book 3 – available HERE. Celebrate the Season!

Praise for A Vacancy at the Inn. “Grabbed me right away and swept me up in the lives of Bethany and Luke.” “Undercurrents of suspense move the story along at an irresistible pace.” “The Miller family is rife with personality quirks, an authentic touch that demonstrates Alice Orr’s skill as a writer.” “I never want an Alice Orr book to end.”

All of Alice’s Books are HERE.

http://facebook.com/aliceorrwriter/
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post Giving Thankfuls for Our Writer Lives appeared first on Alice Orr Books.

Indie Publishing and You

Indie Publishing and You. This is the 8th anniversary year of my own 1st indie book. That memoir and the 5 following indie novels taught me many lessons. I pass the most important of those lessons on to you FYI. I hope they will be helpful if/when indie pub is your choice too.

Put Together a First Class Team. The memoir I mentioned – Lifted to the Light: A Story of Struggle and Kindness – was a solo effort all the way from cover choice to upload. I learned a lot about the process from that experience. I also learned never to do it again. IMO it takes a Team.

Produce a First Class Story. You create that showstopper on your own and make it the very best storytelling you have in you. Then you must run it past fresh eyes – fresh and talented eyes. Which means you need a strong editor who will see the flaws you have inevitably missed.

Publish a First Class Book. Start with a topnotch cover. Unless you are a gifted artist, I advise a designer pro for this job. Also find an experienced formatter and (if you are like me) an upload expert to mount you on the digital platforms you need and make certain your hardcopy book is a beauty to behold as well. All of these functions can come from a single company if you prefer that route the way I did.

Construct a First Class Post-Pub Plan. Start gathering your mailing list the day you are born. Adopt an online presence at puberty. Only slight exaggerations. The internet is the highway via which you reach and grow your readership. School yourself in everything social media. Suss out a success story and follow her example. My personal online marketing guru is Kayelle Allen.

Create a First Class Offline Act. Readers abound in real life as well as screen life. Begin with your very own peeps right here in the writers’ community. Earn our interest. Enlist us as allies by being an ally. Serve the community however you can and it will serve you generously in return. Just rememer there is an Us in Indie Publishing and You.

Concoct a First Class Long-Range Plan. Continue to market your title by any means necessary. Keep that effort going long after launch week. Use your creativity. Brainstorm new angles and clever hooks. Loose your imagination. Be bold. But be subtle. Do not badger. Never forget to benefit others while building your own career.

Capture Us with First Class Visibility. Incorporate your title into your signature and affix it to everything. Do whatever you can inspire yourself to do. Picture becoming a star-studded author and head there. Always and forever – promotion is your new middle name.

Meanwhile Manage Your Expectations. Million-dollar babies are only intermittently born in this or any other creative profession. Put your psyche on your side. It sounds cliché – but you must write for the love of it. Make your work first class for the love it. Promote your books to the heavens for the love of it.

And – Celebrate. Celebrate. Celebrate. Every move forward. Every slip back. All are part of the joy of what we do. Using our noggins and our notions. If you are new to this particular path or one of the many amazing authors marking anniversaries as I am – Enjoy!! This is the Wonderful World of Indie Publishing and You.

Alice Orr says – You Possess Storytelling Magic. Keep on Writing Whatever May Occur. http://www.aliceorrbooks.com.

Ask Alice Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask your question in the Comments section at the end of this post.

Alice Orr – Teacher. Storyteller. Former Literary Agent. Blogs for Writers. Author of 16 novels, 3 novellas and a memoir so far. Wrote No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves.

Alice’s novel – A Wrong Way Home – Riverton Road Romantic Suspense Series Book 1 – is a free gift for you HERE.

Praise for A Wrong Way Home: “The story twists and turns masterfully into danger and romance.” “I highly recommend this page-turner which is romance and suspense at its best.” “The writing is exquisite.”

All of Alice’s Books are HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post Indie Publishing and You appeared first on Alice Orr Books.

Inspire Yourself to Inspire Your Story Characters

Inspire Yourself to Inspire Your Story Characters. This is an Exercise. Go somewhere public. Sit down in a spot where you can take notes inconspicuously. Pick a person from the crowd whom you do not know personally. Do not overthink your choice. Trust the writerly instinct you surely possess that this person will be the right subject for this exercise.

Write Down Answers to the Questions Below. These are your observations and interpretations. Do not worry about the actual truth. Write fast. Free your imagination to fly while this complete stranger lifts you to the sky. Trust the storytelling magic you also surely possess. Enjoy the ride.

His Outward Physical Appearance. Study his face. His eyes,  his mouth, his other features.  How is he dressed? Describe his hair – its length, color, style. What do his clothes and hairdo suggest about his personality? What about him prompted him to make these particular choices? Take a guess.

Her Physical Actions. How does she move? Her walk.The way she holds and moves her limbs.  The way she turns her head. What distinctive mannerisms does she display? What distinctive mannerisms can you imagine her displaying? Spread your wings wider. Invent some tics, visible hints at her inner nature, that offer insights into who she might be.

His External Extraordinariness. What is this person’s most significant physical feature? The thing in his appearance, and the way he carries himself in the world, that other people are not likely to forget. Feel free to invent what may only exist in your mind’s eye. Inspire Yourself to Inspire Your Story Characters.

Her Story. Your imagination is in full flight now. What does she want most in life? Make this the most crucial and urgent need she has ever experienced. Why does she desire this thing so much?

His Inner Character.  Are the reasons for his needs and ardent desires admirable? Why are they admirable, or why are they not? Are his motivations logical? Do they make sense or not, and why? Are his needs mentally healthy, or are they deranged? How deranged is he? Again, you are imagining all of this for yourself on the fly. Do not clip your wings.

Her Fears.  What does she dread and why? Imagine that she is running away from something. What is she trying to escape, and why?  What, specifically, (events or persons) has  caused her to be so worried, or even afraid? How will she decide what to do? What will that decision be?

His Predicament and  Dilemma. What is at stake for him in this situation? What will happen to him if he fails to achieve what he desires and needs? What will happen to others he cares  about? Make these possible consequences dire.

Her Obstacles. What will get in the way of her achieving what she desires and needs? Why are these forces or people determined that she should not succeed? What in her history with them has set them so adamantly against her? Make these obstacles formidable.

 Your Experience. What is your emotional response to this person you have created, and why? What has it felt like for you to perform this  exercise – this process of character invention and inspiration? How do you feel now at its completion?

Your Work. Most important, how can you adapt this person – this character of your creation – to fit into your own writing work? Preferably into the story you are currently writing, or the story you would most like to write next.

Meanwhile, You have Soared. You have inspired yourself to ride a bolt of imagination lightning powered by your own creativity rocket fuel. The accelerant you surely carry within you always. Feel free to fire up and take off into the stratosphere with every story you write. Inspire Yourself to Inspire Your Story Characters.

Alice Orr – http://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask your question in the Comments section at the end of this post.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves. Her novel – A Wrong Way Home – Riverton Road Romantic Suspense Series Book 1 – is a free gift for you HERE.

Praise for A Wrong Way Home: “The story twists and turns masterfully into danger and romance.” “I highly recommend this page-turner which is romance and suspense at its best.” “The writing is exquisite.”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post Inspire Yourself to Inspire Your Story Characters appeared first on Alice Orr Books.

Story Characters We Have Seen Too Often

Story Characters We Have Seen Too Often.  I once made a wish that I would never be bored. When life turns chaotic, I sometimes think better of that wish. But, most of the time, boredom is something very few of us enjoy. Especially not your readers. Especially not boredom with your story characters.

A Character who is More a Type than a Person can Put Your Reader to Sleep. We have read him too many times. Her behavior is too easily predictable. They are monotonous to the max. Imagine how true that is for an editor or agent, confronting submission after submission, brain deadened by hackneyed characters at every turn.

The Spark of Your Story is Snuffed Out by such Functionaries. A cliché does even worse. The crusty, but benign older gentleman. The doddering, but foxy grand dame. The good-hearted prostitute. The down-at-the-heels detective with a bitter edge. Feel free to add more dullards to the list.

These are Types, Known Mainly for a Pair of Characteristics. They inevitably behave according to this two-dimensional signature. They possess limited life and no real emotional depth. Any appendage that comes with them, a  bothersome pet or broken-down car or endless peeve, is a functionary also, adding nothing of substance to the forward movement of your story.

The Usual Purpose of these Characters is to Impact the Hero in Some Limited Way. Beyond that, they have no meaningful significance. This limited role does not justify their presence, if you mean your story to have substance. The last thing you want to create is a narrative populated by stick figures who essentially have no real clue why they are there. Worse still, your reader has no clue either.

Your Purpose is to Give Each Character, however Minor, a Soul. He lives in your reader’s consciousness beyond his few scenes in your story. You may portray only brief moments of her life, but they are real moments. He is not on of those Story Characters We Have Seen Too Often. She enriches your story and deepens the complications surrounding your hero.

As the Storyteller, You must Know  Each Character Well. Even the minor character. You must feel her as a living, breathing being. Then, borrow a slice of that breathing life to insert into your story. Do so at a juncture where this character encounters the conflicted circumstances of your hero and affects those circumstances in an important way.

Here are a Couple of Characters who Accomplish None of That. First, meet Lucy the airhead. Worse than out-of-date in today’s take-charge woman world, she is constructed of cardboard. She is too often overly sexy in a wide-eyed, ingenuous way. She blunders into catastrophe and stays there until she is rescued, usually by a man. Like I said, out-of-date.

Another Character in Need of Update is Cal the Commitmentphobe. We have definitely seen too much of this guy, especially in romance and women’s fiction. His character signature is that he refuses to get into a meaningful relationship, no matter what. He has been burned in the past, blah, blah, blah. He loves his freedom, blah, blah, blah. Cal is a cliché.

I Suspect You Know What is Lacking in these Characters. And also lacking in others like them. Their behavior has no depth. Their motivations are commonplace and shallow. They are familiar because we have unfortunately encountered them before in way too many stories. Once again, feel free to add your own cliche examples to the list.

Police Your Work for their Possible Presence. Choose to improve these story slackers or eject them. For example, with some re-thinking, Cal could become a three-dimensional man. Lucy, however, may be beyond reclamation. Let her rest in peace on the rejection pile. Make certain your story isn’t languishing, by way of boredom, beside her, among Story Characters We Have Seen Too Often.

Alice Orr – http://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask your question in the Comments section at the end of this post.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves. Her  novel – A Wrong Way Home – Riverton Road Romantic Suspense Series Book 1 – is a free gift for you HERE.

Praise for A Wrong Way Home: “The story twists and turns masterfully into danger and romance.” “I highly recommend this page-turner which is romance and suspense at its best.” “The writing is exquisite.”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post Story Characters We Have Seen Too Often appeared first on Alice Orr Books.

The Writer and Her Handsome Prince

The Writer and Her Handsome Prince. Once upon a time – 50 years ago this coming Friday –  I was too harried to be nervous. The next many hours would be my wedding gift to almost-husband Jonathan. He had no idea what I had planned.

A hundred details were yet to be addressed. As always I had made many lists. Thank heaven for that because soon our little house on Burnup Road would be overrun by my womenfriends impatient to launch the day’s events.

This was a homemade wedding from the start. Everything my previous marriage that crashed and burned had never been. No silver embossed matchbooks here. Only the golden-hearted efforts of our community of friends.

The cake baked by someone’s roommate. Turkeys and hams from the ovens of our mothers in law. Hors d’oeuvres and salads concocted in our own kitchen by my sister social workers as the sink filled up with veggie peelings.

They forced me out of there eventually . Off with a self-appointed gaggle of girlfriends to be gowned in hippie homespun still waiting for a hem. My long hair was straight as usual until they advanced upon me with curling irons. The brocade slippers on my feet wear supposed to keep me from stumbling down the aisle.

I honestly cannot remember getting to the church. Jonathan and I walked to the altar together. Nobody owned me so I did not need to be given away. Neither did he.

I had designed the ceremony to reflect the depth of our love. Still, what happened that late afternoon astonished even me because of the passion of the players. A profound reading from a beloved literary friend. A soulful song composed and performed by my brother. An inspired blessing by a former priest in flowing robes. Jonathan reveled in everything as I had hoped he would.

There were surprises also that I had not planned. Gorgeous baskets for my bridesmaids created by my young son from wildflowers and roses. A vintage Cadillac at the church door to whisk us away with wild applause as a sendoff. A bathtub filled with ice and champagne bottles by our work place friends for our Black River house reception.

All day long enough anecdotes were born to feed a lifetime of memories. Moments that caught in our hearts. Moments to split your seams with laughter. Moments bathed by tears. Moments as sunlit as the bouquet of yellow roses I never tossed to anyone because I could not bear to let it go.

I have written thousands plus thousands of words since then. But this is the first time I have written about that day when we were so very brend new. When I was yet to write anything much at all and Jonathan was yet to become my great encourager of every page that followed.

Meanwhile 50 years of real-life stories have been lived. Adventure. Struggle. Triumph. Disappointment. Joy. Astonishment. Regret. Celebration. Tragedy too because our long time together has been reality not fairy tales after all. Yet to this day we blessedly remain – The Writer and Her Handsome Prince .

Alice Orr – http://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask that question in the Comments section following this post. Share your writer’s journey and inspire future posts.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community she loves. Her  novel – A Wrong Way Home – Riverton Road Romantic Suspense Series Book 1 – is another free gift for you HERE.

Praise for A Wrong Way Home: “The story twists and turns masterfully into danger and romance.” “I highly recommend this page-turner which is romance and suspense at its best.” “The writing is exquisite.”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post The Writer and Her Handsome Prince appeared first on Alice Orr Books.

What’s in Your Writer’s Closet?

What’s in Your Writer’s Closet? I last posted here two months ago. You might say I took a summer vacation. Now autumn approaches and I anticipate the invigoration of bracing evenings and new promise in the air. It’s time to get moving again. Time to check out where to begin.

An animal prepares to burrow in – out of the flow – at autumn time. Not so with humans. We are ready to reenter the flow. To shake off the humid torpor and plunge into the vitality of life. Writers are ready to plunge also. To re-engage our psyches and set loose our imaginations.

In his wonderful book On Writing, Stephen King offers good advice about that. Sit down every morning and do the work. Two-thousand words minimum. Or thousands more, if you can manage it. He is a taskmaster for sure. His career is evidence of the wisdom of the task.

Keep on writing whatever may occur. I’ve signed my own books with those words for many years. I cherish the phrase and the sentiment. I pass them on with every good wish in my heart, especially to beginners on this path. But what will you keep on writing as a new season begins?

A writer writes – whatever that may entail. Maybe not always a host of novel pages to start with. A writer may scribble ideas on notecards. A writer may fill journal pages when the morning gifts her with inspiration. A writer may stare at the wall and just imagine. It all counts.

For me the way back in led to a peek inside my writer’s closet. A writer’s closet is the place where we store the stories we gave up on. The stories we dropped in their tracks. The stories we abandoned when a shinier new idea came along. We all have a writer’s closet.

What I found in my writer’s closet was a story that hit a snag. When the going gets tough, the tough get going. Supposedly. The boulder in this particular writing road was a scene that didn’t work. It didn’t fit with what came before. I could have pressed on. Instead, I walked away.

Autumn inspires us to see old roads with new eyes. The spark of potential rekindles. Maybe not a full blaze at first. Maybe only a flash of light. We see it and feel it all the same. We rediscover a path we can dance again, possibly to an altered tune. I saw. I felt. I am dancing.

What’s in Your Writer’s Closet? Take a peek. Look for a story you might dance to again. Look for a story you already tingle to tackle each morning. A spark of potential recognized anew. You see it. You feel it. Your heart jumps. Your imagination stirs. You begin to dance.

Alice Orr – http://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Ask that question in the Comments section following this post. Share your writer’s journey and inspire future posts.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community. Her latest novel – A Time of Fear & Loving – Riverton Road Romantic Suspense Series Book 5 – is available HERE.

Praise for A Time of Fear & Loving: “Alice Orr is the queen of ramped-up stakes and page-turning suspense.” “Warning. Don’t read before bed. You won’t want to sleep.” “The tension in this novel is through the roof.” “I never want an Alice Orr book to end.” “The best one yet!”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post What’s in Your Writer’s Closet? appeared first on Alice Orr Books.

Vanquish the Cartoonish Story Villain

Vanquish the Cartoonish Story Villain. A strong villain character is crucial to a strong story. He gives your reader someone to hate which involves her emotionally in your story. She cares what happens to this character. She wants him to fail and that keeps the pages turning.

A Strong Villain Character Gives Your Story Hero Someone to Struggle Against. Their struggle sends the beating heart of your story into turmoil. Your villain, and the trouble he causes for your hero, make your story intense and dramatic. Their conflict has the power to electrify your narrative.

With so Much Story Weight to Carry, Your Villain Must be Formidable. Otherwise, your intelligent, active, resourceful hero will defeat him easily. Your story will be over too soon. When your hero-villain struggle is resolved, reader interest fades, and your narrative is finished.

Kickstart Your Hero-Villain Struggle – then Make that Struggle More Perilous. Introduce your hero’s trouble early, preferably on page one. Before too long, heighten the suspense by revealing your villain’s identity – but only to your readers. Show us how dangerous he is.

An Evil Force is on a Collision Course with Your Hero. You have made us care about your hero. We identify with her. She does not share our knowledge about her adversary. She knows she’s in serious trouble, perhaps mortal danger. But she does not know the source of that danger.

Your Hero may be Acquainted with her Adversary. She may even trust him. We long to scream out a warning as she unwittingly exposes herself to peril. The story hook digs deeper into us with every page. Meanwhile, we must be equally and realistically terrified by the villain’s motivations.

A Wise Storyteller Avoids The-Devil-Made-Him-Do-It Villains. This character type is a psychopath or sociopath. His sick psyche forces him to do wrong and create chaos. Like a rabid dog, he has no choice but to run a destructive path. As a storyteller, you have no choice but to Vanquish the Cartoonish Story Villain.

He is Scary but his Motivation Lacks Complexity. His predictable character provides no fascinating depths for your writerly imagination to explore. Plus, we have seen him too often. There are far too many like him in the real world, and in the world of novels too.

The Number of Human Monsters in Real Life Encourages Writers to Portray Them. But this villain is fictionally boring. We’ve read his story so often it has become hackneyed and repetitious. Any twist on his twistedness must be truly sensational to stand out among such a huge crowd. Very few do.

He Has No True Choice but to Behave as He Does. No thrilling investigation nor confession of his nuanced motives can credibly occur. He is mentally ill. He does evil because he is insane. That is the essence of him, which renders him two-dimensional and diminishes his story to cartoonishness.

What distinguishes a Truly Intriguing Villain from a Two-Dimensional Cartoon? The difference is that we understand, on a mentally engaging level, the reasons for this  person’s twisted behavior. We do not have to sympathize with him. We only need to comprehend him, and we do.

As Storyteller you must Conjure the Origin of this Character’s Twistedness. What concrete experiences led him to his evil actions? You must make these experiences believable. The more credible his motivations are, the more credible your villain character will be. And the more terrifying he is as well.

You Must Present this Character Objectively. Your storyteller role is not to judge or condemn your villain character. Your role is to give him resonant, three-dimensional life on the page. You must allow your reader to know him from the inside out. Which means you must tell your villain character’s story as he would tell it.

Here is the Secret to Imagining Yourself into a Twisted Character’s Soul. Every villain is the hero of his own story. He is convinced his actions are justified. In the world as he perceives it, he is doing what needs to be done. His motivations are clear, strong and believable. His motivations are also warped.

The Specifics of that Warp are Yours to Discover. Think as your villain thinks. Go deep into his darkness until he is illuminated to you. The result is the opposite of cartoonish. He lives on your pages with chilling authenticity. Your reader longs to turn away but cannot. What could be a more riveting story hook than that? Vanquish the Cartoonish Story Villain.

Alice Orr – http://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know in your writing work and in your writer’s life? Email aliceorrbooks@gmail.com. Or add a comment question to this post.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community. Her latest novel – A Time of Fear & Loving – Riverton Road Romantic Suspense Series Book 5 – is available HERE.

Praise for A Time of Fear & Loving: “Alice Orr is the queen of ramped-up stakes and page-turning suspense.” “Warning. Don’t read before bed. You won’t want to sleep.” “The tension in this novel is through the roof.” “I never want an Alice Orr book to end.” “The best one yet!”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

The post Vanquish the Cartoonish Story Villain appeared first on Alice Orr Books.

It Takes Two to Tangle Your Story

It Takes Two to Tangle Your Story. This is true in real life and in fiction writing. Here’s the difference. In real life, we try to avoid tangles, difficulties, and conflicts. In fiction writing, the more struggle you conjure up, the stronger your story will be.

Your Main Character – Your Hero – Must Have Someone to Tangle With. This someone may be a pesky sidekick or a possible romantic partner or a probable enemy. Whatever their relationship, this other character exists, mainly, to intensify your hero’s story.

This Character Gives Your Hero Someone to Talk With. Your main character’s internal thoughts move into external dialog. Internal monologue often reads as static and slows the pace of your story. Dialogue looks more active on the page and usually reads as more active also.

This Dialogue Must Be Highly Interesting. You make this dialogue highly interesting by creating complex, fascinating contenders to match your complex, fascinating hero. These more secondary characters possess opinions and attitudes different from those of your main character.

Differences Create Story Conflict. Which varies in intensity depending on the relationship. An enemy may even pose a threat to your hero’s life. By contrast, lovers and sidekicks debate your hero, irritate her, openly conflict with her. The clash is heated, but seldom flares into violence.

The Conflicts Between Mutually Caring Characters are Often Only Variations in Attitude. But they force your hero to articulate her feelings and beliefs. This helps your reader know her better and empathize with her. Empathy is critical to hooking your reader into your story. Reader connects with Hero. Yet again – It Takes Two to Tangle Your Story.

Caring Characters may Differ Intrinsically from Your Hero. The lover or sidekick may have something major to learn in life, an internal struggle that might not be resolved in this story. Unlike your hero who ideally learns and grows in some important aspect of her life.

Contrast these Characters Extrinsically Too. Family and culture, life experience, social and economic status. Differences in circumstance provide potential fireworks in relationships, which may be sexual or not. Fireworks ignite reader interest, which serves your storytelling purpose.

In Fiction Too Much Harmony is Boring. In real life we want everyone to get along. In make-believe, your characters may like, or even love, each other. But if they get along too well for too long, the story drags, falls flat, and you lose reader interest. Make them struggle with each other.

Create Struggle Between Your Caring Characters – But the Struggle Must be Real. Strong stories require powerful drama. You, as author, must know what qualifies as legitimate drama. Character banter, however clever, lacks the power to be strong storytelling on its own.

Real Problems Between Characters Create Real Conflict. The bigger their problem grows, the more intensely the conflict escalates. Plunge your characters into hot water in the form of relationship trouble and turn up the temperature. Trouble is at the heart of strong storytelling.

Give Your Hero Strength to Stand Up for Herself and Others. She refuses to be passive. She acts on what she believes to be right, no matter how much trouble and conflict she may encounter. Consider including a romantic interest to intensify that trouble and conflict. Remember – It Takes Two to Tangle Your Story.

Give Her a Romantic Partner Strong Enough and Good Enough to be Worthy of Her. A relationship of equals has huge potential for dramatic tension. Power, drama, and intensity ignite your story of tangled relationships. Go ahead. Set fire to the page.

Alice Orr – http://www.aliceorrbooks.com.

ASK ALICE Your Crucial Questions. What are you most eager to know – in your writing work and in your writer’s life? Email aliceorrbooks@gmail.com. Or add a comment question to this post.

Alice has published 16 novels, 3 novellas and a memoir so far. She wrote her nonfiction book No More Rejections: 50 Secrets to Writing a Manuscript that Sells as a gift to the writers’ community. Her latest novel – A Time of Fear & Loving – Riverton Road Romantic Suspense Series Book 5 – is available HERE.

Praise for A Time of Fear & Loving: “Alice Orr is the queen of ramped-up stakes and page-turning suspense.” “Warning. Don’t read before bed. You won’t want to sleep.” “The tension in this novel is through the roof.” “I never want an Alice Orr book to end.” “The best one yet!”

Look for all of Alice’s books HERE.

https://www.facebook.com/aliceorrwriter
http://twitter.com/AliceOrrBooks/
http://goodreads.com/aliceorr/
http://pinterest.com/aliceorrwriter/

 

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