Sharon Kay Penman's Blog, page 75
January 17, 2015
Mother Nature, artist extraordinaire
http://www.cnn.com/2014/12/25/travel/...
January 16, 2015
Fireworks!
And to cheer you all up at a time when we desperately need a few moments of pure pleasure, here is a link to the most spectacular fireworks display I have ever seen, a New Year’s Eve celebration in China. https://www.youtube.com/embed/_LpMB1O...
January 15, 2015
New York City at night
Here are some truly spectacular photos of New York City at night; the city looks magical.
http://www.nbcnews.com/news/us-news/n...
January 14, 2015
Noah's story
January 13, 2015
Reprieve for dog sanctuary
January 11, 2015
Book trailer for The Empty Throne
http://sharonkaypenman.com/blog/?p=488
January 8, 2015
Game of Thrones news
Here is some Game of Thrones news--it will start the new season on April 12th; seems a long way off, doesn't it?
http://www.nytimes.com/…/game-of-thro...…
January 7, 2015
My interview with Bernard Cornwell
http://sharonkaypenman.com/blog/?p=488
INTERVIEW WITH BERNARD CORNWELL FOR THE EMPTY THRONE
It is well known that I am one of Bernard Cornwell’s most devoted fans, so it is with great pleasure that I am able to post this interview with BC upon the publication of his latest book in his Saxon series, The Empty Throne. I’d always assumed that his Sharpe series would remain my all-time favorite, but then I encountered the war lord, Uhtred, in The Death of Kings. I am not sure how I had not yet read any of the Saxon books, but after I chose The Death of Kings for an article I was doing for NPR about the Best Historical Fiction of 2011, I fell completely under Uhtred’s spell. Needless to say, real life screeched to a halt while I scrambled to get the first five books in the series and then happily immersed myself in 9th century England with Uhtred as my guide.
He is a marvelous character—clever, courageous, stubborn, sardonic, and reckless. He is a man of honor, loyal to the oath he swore to the Lady of Mercia, Athelflaed, his long-time lover. He is also so very human; often in the books, he is faced with the temptation to do something rash, like braining an annoying priest. He knows very well that he shouldn’t do it, that it will cause him no end of trouble, but more often than not, he goes ahead and does it anyway. Like Richard the Lionheart, he is all but invincible in battle, but none of us can defeat time and he has begun to feel his years. As difficult as this is for Uhtred, it is a challenge for his creator, too, and BC deals with this inevitable aging by letting Uhtred’s now-grown children spend some time on center stage with him. The Empty Throne is a splendid book, Bernard Cornwell at his best, which is very good, indeed. And so, without further delay, I give you the best historical novelist writing today.
Q.: You have now written eight books in the Saxon Tales series. How many more are planned? What is next in store for the characters?
I wish I knew! I can’t plan a book, let alone a series, so every new tale is an adventure. I’ve always thought the joy of reading a book is ‘to see what happens’, and that’s also the pleasure of writing one. I usually have no idea what will happen in the next chapter, and the only way to find out is to write it! That said, there are one or two obvious pointers in the books so far – Uhtred will regain Bebbanburg and a new country, called England, will emerge from the long wars. Essentially the Saxon series is about that; the creation of a nation. Americans have a precise birthdate, July 4th 1776, but the English have no such luxury and are strangely ignorant about how their nation was formed.
When you start out writing a history-based series, do you know where the chronicle will go, or does each novel take shape as you write it?
I wish I could plan a novel; it would probably make life a lot easier. It seems to me there are two basic methods of novel writing; those who plan their books meticulously and have this wonderful outline to flesh out, and those like me who just start and stagger on till the story is told. I think it was E.L. Doctorow who said that writing a novel is like driving at night down an unfamiliar country road and you can only see as far ahead as your rather dim headlights allow. That’s me. Dim. I reached the last chapter of The Empty Throne and genuinely had no idea what would happen, but was delighted when I found out!
Q.: Unlike in your Sharpe or Starbuck series, here you are writing about a historical period that is much less documented. How do you conduct your research?
Read, read, read, then read some more. Research takes a lifetime of reading. I suppose you soak yourself in a period until it exists in the imagination.
Q.: Is this lack of historical data a handicap or does it free you as a writer of fiction?
It’s wonderfully liberating! I love the shadowed parts of history that have no explanations because that gives me the freedom to fill in the gaps. For instance we know that someone called Uhtred was the lord of Bebbanburg in the 9th Century, and we know he was Saxon even though all the land about him was ruled by the Danes, but beyond that nothing! So how did he keep his land? The true answer, probably, is that he collaborated, but that’s dull so I can invent other explanations.
Q.: One of the seminal questions at the heart of THE EMPTY THRONE is will Athelflaed, sister to King Edward of Wessex, widow of Æthelred, become Queen? Do you think history would have been different if she had been Queen?
She was effectually the Queen of Mercia, so no, I don’t think history would have been different. She ruled Mercia very successfully, but always in concert with her brother who was the King of Wessex. History might have been different if she had started a dynasty, but her only child was a daughter who appears to have inherited none of her mother’s abilities. I think the sad thing about Æthelflaed is that she’s been forgotten. She took a crucial lead in the creation of England and deserves to be remembered for that.
Q.: One of the themes in the early books was Uhtred of Bebbanburg’s resistance of Alfred’s Christianity. Now that Alfred is dead, does religion still play a role in this new book?
Probably! The wars that ravaged Britain in the ninth and tenth centuries were not just about land and who should rule, but were also religious. The Danes and the Norsemen were, by and large, pagan, the Saxons (and Angles) were Christian, and the Christians undoubtedly saw their struggle as a crusade. They were doing God’s work! In the end, of course, Christianity prevailed and that did not stop the wars, but they were not to know that. And Uhtred, stubborn as he is, will not abandon his paganism so yes, the religious themes will continue!
Q.: The Saxon Tales, like most of your fifty-plus books – from the Sharpe books and the Nathaniel Starbuck Chronicles to your stand-alone novels – are centered on war and set on the battlefield. What attracts you to viewing history through the lens of war?
War is a wonderful background for any adventure story, mainly because history provides you with a ready-made background of mayhem and conflict. What interests me more is the character’s reaction to war. Every society has a moral basis, and almost all condemn murder and manslaughter (‘Thou shalt not kill’), but those moral constraints are lifted by wartime and men (mostly men) are encouraged to flout this basic rule. So how do they react? Some misuse the freedom it offers, other have a more nuanced reaction, and that offers enormous scope for storytelling.
Q.: It was recently announced that the Saxon Tales will be adapted for television by BBC America. How far into the series will the adaptation go?
I have no idea! I guess I depends how successful the first series is.
Q.: Are you involved in the adaptation and filming?
Not even slightly, nor do I want to be. I worked in television for a decade, as a producer of News and Current Affairs, and I learned that I know nothing about producing television drama, so I stay well away. Leave it to the experts! If they want me to be a cheerleader for them then I’ll happily get out the pom-poms, but other than that? Nothing.
Q.: You are soon publishing your first non-fiction book, Waterloo. Did you find it different writing history as non-fiction rather than fiction? How so?
The biggest difference was not having to devise a plot! Plot drives a novel and the hardest thing about writing a novel is discovering that plot, but that burden is entirely taken away. The book still needed shaping, but the story of Waterloo is so compelling that essentially it shapes itself – it all takes place in a very short time (the campaign is just four days), and in a very small space (the battlefield was very restricted) and it has compelling major characters; Napoleon and the Duke of Wellington who were acknowledged as the two greatest soldiers of the age, but who had never fought against each other. The story of Waterloo has everything, even an amazing cliff-hanging ending. So the ‘plot’ was handed to me on a plate by history, so the hard work was to discover memoirs, diaries and letters that conveyed the real horror of that dreadful day, and I wanted those eye-witness accounts to come from all sides, French, Prussian, Dutch and British, so there was an enormous amount of research and editing to do. I love the book, but am not sure I want to write any more non-fiction!
Bernard, thank you so much for agreeing to do this interview. It is very reassuring to know that we can look forward to more Uhtred adventures.
January 7, 2015
January 4, 2015
Downton Abbey
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