Sharon Kay Penman's Blog, page 22
November 12, 2018
Our veterans need help
https://www.nbcnews.com/news/us-news/...
November 10, 2018
On November 6th
I am finding it hard to focus on the past when the present is so troubling, but I’ll give it a try. On Tuesday, I’d urged all my American friends and readers to vote. But here is what happened on the historical front on that date.
On November 6, 1153, the Treaty of Wallingford was signed, providing that Stephen would hold onto his crown until his death, but Henry (and not Stephen’s surviving son) would be recognized as his heir. Napoleon asked of a general not “Is he good?” but “Is he lucky?” Well, Henry was both good and lucky. Stephen was 57, could easily have lived for another decade. But Henry had less than a year to wait, for Stephen died on October 25, 1154. Henry and Eleanor sailed in a storm to claim his crown and the Angevin dynasty began.
On November 6, 1479, the sad Queen of Castile, Juana, was born. She has gone down in history as Juana la Loca; she was betrayed by the men whom she had most reason to trust—her father, her husband, and then her son. But Christopher Gortner has done her justice in his novel, The Last Queen, which I recommend.
On a non-medieval note, America’s greatest president, Abraham Lincoln, was elected to that office on November 6, 1860.
November 8, 2018
A glimmer of light midst the dark
https://www.washingtonpost.com/lifest...
November 7, 2018
My favorite dragon
November 6, 2018
Ben Franklin's warning
Please keep Dr Franklin’s warning in mind today. Exercise the right that so many have died to protect. Please go to the polls in your town and vote.
November 5, 2018
INTERVIEW WITH MARGARET GEORGE
http://sharonkaypenman.com/blog/?p=686
INTERVIEW WITH MARGARET GEORGE
No you all are not hallucinating. My blog is no longer covered with cyber-space cobwebs; I have a brand-new blog up and ready to read. Who says the Age of Miracles is over? I was fortunate enough to lure Margaret George here to discuss her new novel. But before we begin the interview, I have news about my own new novel, THE LAND BEYOND THE SEA. It is finally done and is currently in the care of my editors at Putnam’s and Macmillan’s. While there are some loose ends to tie up and the Author’s Note still to finish, the Deadline Dragon has been defeated at long last. Of course he is still hanging around the house, blowing smoke rings and sneering. It is not easy to evict a dragon, but at least he can be ignored for now. I do not know when THE LAND BEYOND THE SEA will be published, will spread the word as soon as it reaches me.
I am so pleased to have Margaret George here. She is one of my favorite writers and a friend and wherever he is in the Hereafter, Nero must be thanking his lucky stars that she chose to tell his amazing, improbable story. Welcome, Margaret. Shall we get started? I suspect that patience is not one of Nero’s virtues. In fact, many people probably assume he had no virtues at all, so your novel is going to be a revelation for them.
SKP: It’s a pleasure to talk with you about the continuation of Nero’s life story, THE SPLENDOR BEFORE THE DARK. Tell me, how did you choose that title?
MG: The right title is hard to find, but I thought this one really summed up his reign—there was a burst of creative energy, glitter, and excitement about it, before his dynasty, that was founded by Julius Caesar, collapsed in A.D. 68. I wanted people to realize it was a high point in Roman history, not to be overshadowed by the negative things in the popular imagination connected with Nero. Historians have dubbed it ‘the Neronian Era’ and very few rulers get an era named after them.
SKP: Of course the first question people probably ask you is: why Nero? Why did you want to write about him?
MG: I am drawn to people in history that seem to be unfairly condemned in the popular imagination, starting with Henry VIII. You remember that, as an anti-Tudor person. But you kindly read that book with an open mind. I am just asking people to set aside their preconceptions and read about Nero with an open mind.
SKP: But I assume there must be more to it than just that someone has a bad reputation. After all, some people have earned that bad reputation!
MG: Indeed they have, and well deserve it! But Nero is an example of those whose legacy was written entirely by his enemies, and who had the misfortune to have the balancing positive appraisals of him lost in time. Whenever a new regime comes in, whether it’s a change of dynasty in ancient Rome or a change of president in the U.S., immediately the new emperor or president, and their party, want to undo what their predecessor did, and blacken their name. Nero was a victim of this. I am just trying to let the suppressed voices on the other side have a say.
SKP: Nero is one of those larger than life characters, who scarcely seem real. He’s the Roman emperor who is a household name, who is seen in countless cartoons fiddling while Rome burned. What was the real Nero like?
MG: I think the key to his character was that he was like a modern young person (and remember, he became emperor when he was only sixteen) who wants to be an artist—a writer, a musician, an actor—and is told by his family it’s not practical, and he has to go to law school instead. In Nero’s case, it was that he had to be a politician. But the conflict between the role he had to play in order to survive, and what he felt was the ‘real him’ is what makes him fascinating, sympathetic, and modern. We can relate to that.
SKP: But what about his art? Was he any good? People now laugh about it and assume he was a buffoon.
MG: He was involved in many facets of art. But none of his poetry, none of his sculpture, none of his musical compositions survive. The one thing that does, however, the Domus Aurea—the Golden House in Rome—is a showcase of his revolutionary architectural vision. Nero was actively involved in designing of the building, working closely with his favorite architects Severus and Celer. Its stunning frescoes (the palace was rediscovered in the late 1400’s) influenced Raphael, who visited it, and other Renaissance artists. It used light as an architectural element, centuries before Frank Lloyd Wright. The Octagon Room, the first Roman building to have an open dome supported not by central pillars but by weight-baring arches on the sides, was the forerunner of the Pantheon.
SKP: But it was not all work with him, right? He is famous for throwing the ultimate toga party. Probably in the Domus Aurea!
MG: No doubt about it, he liked to have a good time, and insisted on inviting the common people—with whom he felt more at home than with the senators and patricians—to join in with him, with banquets in the Forum, chariot racing, and athletic contests. (Ironically, he didn’t like togas—he found them uncomfortable and too ‘establishment’.) He gave the city a state of the art gymnasium and training ground, and would exercise there in public in his loincloth!
SKP: But in spite of this, he fell from power and was ousted by a new dynasty, the Flavians. Why?
MG: There are several theories about this—that he had made enemies of the Senate by bypassing them for the common people, that he didn’t pay enough attention to the military, that he was seen as a byword for frivolity—but I think the ultimate reason was that he chose his art over being emperor. He embarked on a sixteen month artistic and athletic tour of Greece, in spite of warnings this was dangerous. Sure enough, in his absence conspiracies grew in Rome. By the time he was summoned back to save his reign, it was too late. His last words, “What an artist the world is losing!” shows how he saw himself. He didn’t say, “What an emperor the world is losing!”
SKP: Is there any parallel to him today?
MG: Unlike some historical characters that get a modern makeover, Nero is impossible to update, he was so unique, and his actions so specific to that time and place, that no—there has never been, and will never be, another Nero.
SKP: This was fascinating, Margaret. Thank you so much for agreeing to discuss the new book with us. For new readers, THE SPLENDOR BEFORE THE DARK is the second in a two book series by Margaret; she began Nero’s story with THE CONFESSIONS OF YOUNG NERO. I knew very little about Nero before reading these books and have a much better understanding now of this controversial yet compelling man and the times in which he lived.
November 5, 2018
November 4, 2018
Another point of light
https://www.nbcnews.com/news/us-news/...
November 3, 2018
An execution on All Soul's Day
The Sunne in Splendour, pages 1037-1039
* * * * *
Shaded by cedar trees, bathed in blinding sunlight, the cloisters of St Mary’s offered a refuge of awesome beauty, an almost unearthly quiet. Richard was seated on a bench in the south walkway; he looked up as they approached, rose to his feet.
By comment consent, they all moved up the east walkway, sought the greater privacy of the chapter house. Richard waited until Francis had closed the door and then said only, “It is done?”
Francis nodded, waited for questions that didn’t come. (omission) “Will Hastings tried to warn me,” Richard said at last, not looking at either man as he spoke. “He told me I was a fool to trust Buckingham. ‘Ned made more than his share of mistakes,’ he said, ‘but Bucking-ham was not one of them.’ Buckingham, he said, was mine.”
It was the first time in more than four months that Francis could recall Richard mentioning Will Hastings’s name, a stark silence dating from that June day when he’d summarily ordered Hastings to his death. Francis drew a quick breath, said, “Christ, Dickon, Hastings was jealous of Buckingham, that’s all! He did not have second sight, did not suspect any more than the rest of us what Buckingham had in mind. He was right about Buckingham, but for the wrong reasons.”
“If truth be told,” Jack interrupted, “none of us had much liking for the man. But it is one thing to dislike a man for his arrogance, for the way power seemed to have gone to his head, and quite another to think him capable of treason, of child-murder. You cannot blame yourself because you trusted the man. He’d given you reason for trust, after all.”
“Yes,” Richard said tonelessly, “I trusted him. And because I did, my brother’s sons are dead.” He turned to face them both, saw that neither one knew how to answer him. “Tell me,” he said abruptly. “Tell me how he died, Francis.”
“Badly.” Francis made an involuntary grimace. “Very badly. Right up to the time he was taken out to the block, he kept begging for an audience with you, though what in God’s name he thought that would accomplish….”
(Omission.)
“I told him there was no way on God’s earth you’d ever consent to see him and he….well, he forgot all pride, all dignity.” A shadow of distaste crossed Francis’s face, bordering on revulsion. “I’ve never seen a man show his fear so nakedly,” he said slowly.
“Does that surprise you so much, Francis? After all, the man knew he was facing eternal damnation. Would you not be fearful to go before the Throne of God with so great a sin on your soul?”
Francis was shaking his head. “No, Jack,” he said thoughtfully, “I do not think it was that sort of fear. It seemed to be purely physical, a fear of the axe, of death itself. When he saw there was no hope, he began to plead for time, for a day’s grace. He reminded the priests that it was All Soul’s Day, entreated them to intercede with you, Dickon, to persuade you to postpone the execution until the morrow.”
“Did he, by God?” Richard was staring at Francis. “And that is all today did mean to him….that it is All Soul’s Day?”
Francis was at a loss. “Dickon?”
Richard turned away. He could feel it starting to slip, the rigid self-control he’d been clinging to these past three weeks, and he bit down now on his lower lip until he tasted blood.
“Today,” he said unevenly, “would have been Edward’s thirteenth birthday.”
* * *
November 1, 2018
A good king, but not a nice guy
November 1st was a bad day for English Jews, too. In 1210, John put a high tallage of 60,000 marks upon the country’s Jews and those who could not pay were arrested and imprisoned until they scraped up the money.
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