Terry Teachout's Blog, page 265
December 24, 2010
TT: Safety first, surprises second

Among other things, I single out Gordon Edelstein's breathtakingly fresh and poignant production of Tennessee Williams' The Glass Menagerie (pictured here) as the best revival of the year and Chicago's TimeLine Theatre as the company of the year:
Chicago's TimeLine Theatre, which specializes in "stories inspired by history," outdid itself with better-than-the-original productions of Aaron Sorkin's "The Farnsworth Invention" and Peter Morgan's "Frost/Nixon" performed in its own 87-seat theater, showing that a small troupe with creativity and nerve to burn can make as much magic as a big-ticket Broadway extravaganza....
To find out what what else I liked in 2010, go here .
Published on December 24, 2010 05:00
TT: 'Tis the season (IV)
Louis Armstrong recites "The Night Before Christmas":
Published on December 24, 2010 05:00
TT: The beautiful sound of sorrow
In today's "Sightings" column for The Wall Street Journal, I write about Archeophone Records'
There Breathes a Hope: The Legacy of John Work II and His Fisk Jubilee Quartet, 1909-1916
. Here's an excerpt.
* * *
Century-old records are the closest thing we have to a time machine. To listen to the voice of Theodore Roosevelt or the piano playing of Claude Debussy is to feel the years falling away like autumn leaves from a maple tree. Rarely, though, have I been so engrossed by an album remastered from antique 78s as I was by "There Breathes a Hope: The Legacy of John Work II and His Fisk Jubilee Quartet, 1909-1916," an anthology released by Archeophone Records. This two-CD set, which also includes a profusely illustrated 100-page booklet, contains 43 of the first recordings of black spirituals. It is the most important historical reissue of 2010--and one that tells a story about turn-of-the-century black culture that may make some listeners squirm with retrospective discomfort.
Nashville's Fisk University, which opened its doors in 1866, is one of America's oldest historically black colleges. It is also known to scholars of American music as the home of the Fisk Jubilee Singers, an ensemble founded in 1871 that introduced concertgoers around the world to such deathless songs of sorrow and hope as "There Is a Balm in Gilead" and "Roll Jordan Roll," in the process raising hundreds of thousands of dollars for the inadequately funded school. The original Fisk Jubilee Singers disbanded before the invention of the phonograph, but in 1899 John Work II, a teacher at Fisk, reorganized the group, and a male quartet drawn from the chorus started making recordings for the Victor Talking Machine Company in 1909.
No matter how much you think you know about spirituals, I think you'll be surprised to hear these performances, because few of them sound anything like what you're likely to be expecting. Their musical tone is formal, sometimes even a bit staid, as if you were hearing four gentlemen in high-button shoes warbling close-harmony hymns in the parlor. Not always--the quartet tosses off the syncopations in the up-tempo tunes with a light, dancing touch--but it's downright startling to hear them sing "CHAH-ree-AHT" in the very first recording of "Swing Low, Sweet Chariot." No less surprising is that they recorded "Old Black Joe," one of Stephen Foster's nostalgic plantation songs, at their third session....
* * *
Read the whole thing here .
* * *
Century-old records are the closest thing we have to a time machine. To listen to the voice of Theodore Roosevelt or the piano playing of Claude Debussy is to feel the years falling away like autumn leaves from a maple tree. Rarely, though, have I been so engrossed by an album remastered from antique 78s as I was by "There Breathes a Hope: The Legacy of John Work II and His Fisk Jubilee Quartet, 1909-1916," an anthology released by Archeophone Records. This two-CD set, which also includes a profusely illustrated 100-page booklet, contains 43 of the first recordings of black spirituals. It is the most important historical reissue of 2010--and one that tells a story about turn-of-the-century black culture that may make some listeners squirm with retrospective discomfort.

No matter how much you think you know about spirituals, I think you'll be surprised to hear these performances, because few of them sound anything like what you're likely to be expecting. Their musical tone is formal, sometimes even a bit staid, as if you were hearing four gentlemen in high-button shoes warbling close-harmony hymns in the parlor. Not always--the quartet tosses off the syncopations in the up-tempo tunes with a light, dancing touch--but it's downright startling to hear them sing "CHAH-ree-AHT" in the very first recording of "Swing Low, Sweet Chariot." No less surprising is that they recorded "Old Black Joe," one of Stephen Foster's nostalgic plantation songs, at their third session....
* * *
Read the whole thing here .
Published on December 24, 2010 05:00
TT: Almanac
"Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home!"
Charles Dickens, The Pickwick Papers
Charles Dickens, The Pickwick Papers
Published on December 24, 2010 05:00
December 22, 2010
TT: Snapshot
The Choir of King's College, Cambridge, sings Peter Warlock's "Balulalow":
(This is the latest in a weekly series of arts-related videos that appear in this space each Wednesday.)
(This is the latest in a weekly series of arts-related videos that appear in this space each Wednesday.)
Published on December 22, 2010 05:00
TT: Almanac
"I hear that in many places something has happened to Christmas; that it is changing from a time of merriment and carefree gaiety to a holiday which is filled with tedium; that many people dread the day and the obligation to give Christmas presents is a nightmare to weary, bored souls; that the children of enlightened parents no longer believe in Santa Claus; that all in all, the effort to be happy and have pleasure makes many honest hearts grow dark with despair instead of beaming with good will and cheerfulness."
Julia Peterkin, A Plantation Christmas
Julia Peterkin, A Plantation Christmas
Published on December 22, 2010 05:00
December 21, 2010
TT: Entry from an unkept diary

Thus I rejoice to report what happened when I accompanied Mrs. T to the University of Connecticut Health Center last week for a day's worth of visits to various and sundry doctors. Her appointments were non-consecutive, meaning that I had to spend some six-odd hours sitting in waiting rooms. Not wanting to fritter away a whole day reading or idly surfing the Web, I decided to write a "Sightings" column for next week's Wall Street Journal. It came with unexpected ease and I sent it off to the paper. Then inspiration struck, and I started writing a second "Sightings" column, which I finished just as Mrs. T emerged from the day's last appointment. I sent it in and we went home.
The best part of this story is that my editors at the Journal approved both pieces with nothing more than trivial queries, so they'll be going into the paper just as I wrote them--back to back in the waiting room.
Forgive my vanity, but there's life in the old boy yet!
Published on December 21, 2010 05:00
TT: 'Tis the season (II)
Bing Crosby sings Irving Berlin's "White Christmas" in Holiday Inn:
Published on December 21, 2010 05:00
TT: Almanac
"Hope is the best possession. None are completely wretched but those who are without hope; and few are reduced so low as that."
William Hazlitt, Characteristics
William Hazlitt, Characteristics
Published on December 21, 2010 05:00
December 19, 2010
TT: Almanac
"Christmas is a holiday that persecutes the lonely, the frayed and the rejected."
Jimmy Cannon, Nobody Asked Me, But...
Jimmy Cannon, Nobody Asked Me, But...
Published on December 19, 2010 16:20
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