Aberjhani's Blog: Notes of a 21st Century Digital Scribe, page 16
February 13, 2016
Christmas Gets a Valentine's Day Weekend Reboot

Another is the opportunity it presents to participate in a bold new global publishing platform, Fre...
Published on February 13, 2016 16:04
February 1, 2016
Harlem Renaissance Notebook for National History Day and Black History Month

The Harlem Renaissance has long been a favorite subject of discussion and exploration during Black History Month. One of the reasons that make a lot of sense is because the observations of African-American history first proposed by historian Carter Godwin Woodson (1875-1950) were started during the Harlem Renaissance. In more recent...
Published on February 01, 2016 00:00
January 12, 2016
Dancing with David Bowie 'under the Serious Moonlight'

Published on January 12, 2016 13:00
January 1, 2016
Giving Hope and Compassion a Chance in 2016

Hearts rebuilt from hope resurrec...
Published on January 01, 2016 19:22
December 10, 2015
The Haunting Splendor of Marie Uchytilová’s Memorial to the Children of Lidice

Published on December 10, 2015 15:00
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November 21, 2015
For Love of Paris and a More Compassionate World (Part 2)

Impressive 21st-century technological advances notwithstanding, we have no reasons at present believe our modern global version of the Tower of Babel is about to crumble and then reconstruct itself any time soon. Terrorists, warlords,...
Published on November 21, 2015 19:06
November 16, 2015
The 2015 Bid for Power and History in Savannah

Published on November 16, 2015 12:35
November 3, 2015
10 Books Keeping One Writer’s Company During the 2015-2016 El Nino Winter

Published on November 03, 2015 22:27
October 30, 2015
Many Inspired by Amazing Grace of Brotherhood Advocate Semaj Clark

The greater cost is in that of lives lost or irreparably damaged. Somet...
Published on October 30, 2015 21:35
September 20, 2015
When the Lyrical Muse Sings the Creative Pen Dances

Published on September 20, 2015 14:37
Notes of a 21st Century Digital Scribe
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