Christine Valters Paintner's Blog, page 101
August 19, 2017
Cultivating “Eyes of the Heart”
Dearest monks and artists,
The Gospels are filled with stories about seeing, or not seeing, as the case may be. On the road to Emmaus the disciples are walking with Jesus and breaking bread with him. We read that their “eyes were prevented from recognizing him.” (Luke 24:16) When Jesus returns in resurrected form, he is fully embodied, yet hard for them to see clearly. The disciples do not expect their dear friend to be among them again and so they miss this truth with their limited vision.
We find a similar emphasis on vision in the story of Jesus’ Transfiguration. The burning light that once appeared to Moses in the bush now radiates from Jesus himself: “His face shone like the sun.” For the ancient writer Gregory Palamas, it was the disciples who changed at the Transfiguration, not Christ. Christ was transfigured “not by the addition of something he was not, but by the manifestation to his disciples of what he really was. He opened their eyes so that instead of being blind they could see.” Because their perception grew sharper, they were able to behold Christ as he truly is.
This speaks of an invitation to see the world in a different way. When we rush from thing to thing, never pausing, never allowing space, we see only what we expect to find. We see to grasp at the information we need. We see the stereotypes embedded in our minds. We miss the opportunity to see beyond what we want. We walk by a thousand ordinary revelations every day in our busyness and preoccupation.
We move through our lives, often at such speed, that our perception of time becomes contorted. We begin to believe that life is about rushing as fast as we can, about getting as much done as possible. We are essentially skating across life’s surface, exhausted, and disoriented.
The World Breaks In
You may have had an experience where you are moving through a most ordinary day, when suddenly something shifts. Where there was drudgery and habit, suddenly you become aware of the way sunlight is spilling across the living room rug and your heart breaks open at the splendor of it all. Or you see a loved one in a new way and revel in their beauty. Or maybe it is as simple as savoring the steam rising from your morning coffee like incense lifting the longings of your heart.
Contemplative practice calls us to change our perspective and awaken to a different reality, one that is governed by spaciousness, slowness, stillness, and presence. Contemplation invites us to tend the moments and see what is there, rather than what we expect.
Moments are holy doorways where we are lifted out of time and we encounter the sacred in the most ordinary of acts. Moments invite us to pause and linger because there is a different sense of time experienced. Moments are those openings we experience, where time suddenly loses its linear march and seems to wrap us in an experience of the eternal.
We are called to open ourselves to these moments of eternity, or better yet, how we allow the moment to find us. We only need to make ourselves available to them, to receive them as the gifts that they are, rather than seek them out as something we are entitled to have.
Learning to Trust What Shimmers
Our habitual ways of perceiving the world, which help us navigate things like stopping at a red light or stop sign, also stand in the way of seeing the world in fresh and new ways. So often, we are looking for information, rather than truly seeing.
I find inspiration in the ancient practice of lectio divina, or sacred reading. In lectio, we read scripture and listen for what word or phrase is shimmering. This practice is always in service of contemplative vision in daily life. Lectio invites us to slowly see more and more of the world as a sacred text, ripe with possibility for meaning. We can expand our contemplative practice to include a kind of visio divina, or sacred seeing, where we gaze on an icon or painting we love and look for something that shimmers – perhaps a symbol, a color, a brushstroke, the play of light and shadow. And in that shimmering we know there is a gift for us, even if we don’t fully understand its meaning in the moment.
We can then expand our practice of sacred seeing even further to include what we see all around us in our daily lives. What would it be like to move through our day, watching for what shimmers, waiting to receive these moments of revelation, and then savor them?
A question I often receive from people cultivating the contemplative path is: How do I cultivate trust in what shimmers? How do I know what I am drawn to is sacred?
We are so used to moving through the world analyzing and judging, bringing our expectations to each encounter, planning for the next several steps ahead. It can feel awkward to bring ourselves fully present and draw on intuition, wisdom, and experience, rather than logic and analysis, to see what is most true. This heart-centered knowing comes through practice.
The most essential way I learn to trust what shimmers, is to ask myself if this encounter increases my compassion. Do I feel a sense of expansiveness toward myself and others? When the holy shimmers before us, it is always in the service of greater love.
As I cultivate this practice of attending to the gifts the world has to offer me, to what shimmers, I am at the same time nurturing the opening of my own heart. Our minds harden our defenses, but the heart softens and blooms forth slowly, so that we find ourselves looking with more compassion on those who annoy us, and perhaps later, those we actively dislike, and finally those we have previously ignored and not even allowed into our line of sight.
When we discover ourselves surprised by love and grace, we come to trust what shimmers forth as gift. We receive without needing to figure things out. We begin to follow the thread of moment by moment revelation, not knowing where it leads, only embracing the call to see with eyes of the heart.
Photography as a Doorway into Transformed Seeing
Photography is an especially accessible art medium in our modern world, where almost everyone carries a camera built into their phone, or small, portable cameras with good picture quality are widely available. In my book, Eyes of the Heart: Photography as a Christian Contemplative Practice, I suggest ways to engage your camera as a tool for prayer and to cultivate a different way of seeing the world.
We talk in our culture a lot about taking photos. Cultivating “eyes of the heart” (Ephesians 1:18) refers to a kind of graced vision that is focused more on receiving gifts. Seeing in this way is different from our ordinary way of scanning our field of vision for the information we want to find. Instead, it is a spacious gaze which savors each moment.
In the Benedictine monastic tradition, everything is considered sacred. The stranger at the door is to be welcomed in as Christ. The kitchen utensils are to be treated just like the altar vessels. The hinges of the day call us to remember the presence of God again and again, so that time becomes a cascade of prayers.
Photography can become an act of deepened awareness and love. We can begin to see the everyday things of our lives as openings into the depth dimension of the world: the bird singing from a tree branch outside my window, the doorbell announcing a friend’s arrival, the meal which nourishes my body for service. Each of these moments invites us to pause and to see it through a different kind of vision.
Call to mind a time when you were so present to the moment, to the sheer grace of things. Then the thoughts broke in which seemed to wield only criticism and dissatisfaction. Maybe you remember the items still languishing on your “to do” list back at home and you felt an anxious dread. Contemplative practice cultivates our awareness of this pattern, so that we might be able to change it. We can become aware of our thoughts and gently release them. When moments come to visit us, we are then able to savor and bask in wonder rather than reach for what is next.
Contemplative practice also cultivates our profound awareness of life as an unending stream of gifts. From this arises the impulse to create. When we open ourselves to the sheer grace of things, we tap into a source of inspiration. We feel moved to create something out of that gratitude.
For me, the creative practice of photography can be a powerful doorway into transformed seeing. When we open ourselves to receiving photos, rather than taking them, we are offered a gift. By bringing the camera to the eye and allowing an encounter with the holy to open our hearts, we might be transformed.
Look through the lens and imagine that it is a portal to a new way of seeing. Let the focus of the frame bring your gaze to the quality of light in this moment or the vibrancy of colors. Pay attention to what is shimmering. Even five minutes can shift your gaze to a deepened quality of attentiveness. No need to capture everything you see, but simply an invitation to breathe in the beauty of this moment.
Let yourself be willing to see the world differently, so that what others miss in the rush of life becomes transfigured through your openness and intention. This practice invites us to walk along the road and pay close attention, make space to receive the gift of bread, the nourishment of conversation, and a vision of the sacred.
For me, photography and writing are the ways I feel most often moved to respond to the generosity of life. Try this next time you feel overcome by beauty — pause there as long as you can without moving to do something else or complete another task. And then, when there is a sense of fullness or completion, pick up a camera or a pen, and allow them to become the tools to honor what you have experienced and your expression of deep gratitude. Rather than “capturing” the encounter, let this be a prayer, so that slowly over time you might find yourself in an unending litany of praise.
Bless the World with Your Eyes
There is a beautiful practice in Jewish tradition of blessing the day. In this worldview, each act becomes worthy of blessing. Gratitude is offered for the gift of every moment: upon awakening, when crossing a threshold, eating a meal, lighting candles. The Talmud calls for 100 blessings each day.
This act of blessing is really a special way of paying attention. It is a moment of remembering wonder as our primary response to the world. It is an act of consecrating the day.
What if you imagine your eyes as a vessel of blessing? What if you moved through the day, and each time you felt drawn to take out your camera, you paused before pushing the button and consecrated what you were gazing upon?
Perhaps you might even say a short prayer: “Bless this shimmering moment, may my eyes receive its gifts, may my heart open ever wider in response” or craft your own holy words.
This is how we cultivate eyes of the heart for deeper vision, how we restore sight to the blind, our own blindness, missing what is there before us moment by moment, worthy of devotion.
(This reflection first appeared in an issue of Weavings journal)
If you want support in cultivating a new way of being in the world, we will be offering an online companion retreat to the book called Way of the Monk, Path of the Artist. A vibrant community forms under the wonderful facilitation of our discussion guides and spiritual directors Stacy Wills and Cheryl Macpherson. I offer six live webinars where we join together for meditation and questions. (These are recorded if you can’t join live).
With great and growing love,
Christine
Christine Valters Paintner, PhD, REACE
Photo © Christine Valters Paintner (Galway City)
August 15, 2017
Monk in the World Guest Post: Polly Burns
I am delighted to share another beautiful submission for the Monk in the World guest post series. This is from Polly Burns, the newest member of our Wisdom Council.
When Christine asked me to introduce myself through this post, it was hard to know where to start. If you are a regular at the Abbey of the Arts, you will have heard the phrase ‘Go to your cell, it will teach you’. It was this phrase that floated into my mind as I tried to decide what to write. Although often taken as a metaphor for the inner cell of the heart, it also speaks to me of the little places of sanctuary I have found along the way. Places of solitude and silence. Ever since I was a child, such places have been important to me. Whether it was the old wooden summer house at the end of an acre of rambling garden, a den hidden in the trees or even the inside of a large built in wardrobe in the 18th Century house I lived in, these places have been threshold places. Places where I could imagine that the other worlds were as close to me as breathing . . . which of course they were.
And so I went to my cell to listen. These days my cell is a small log cabin. Lovingly called The Lodge –its name a reminder of its former days as a fishing lodge where breakfasts and cups of tea were shared with fishermen-the cabin sits at the head of a lake and is surrounded by trees and rolling fields. A place of reflection and prayer, of art making and creativity, it is a place where I take my clients and where I witness the transforming power of connection to Nature and Creativity.
As I sat and listened, gazing out at the Lake and fields, it was the fields that shimmered for me, much as a phrase would in Lectio Divina. Golden with crops and ready for harvest, I saw how much of what I am harvesting in my life now was planted as seeds along the way.
Thresholds have always captured my imagination. As a little girl brought up in the Catholic Church, I loved the moment when I entered a church. Moving from the busy existence outside on the street, we would enter the church buildings where footsteps and whispers echoed through the air. My fingers would reach out and be dipped in the holy water, I would use them to make a sign of the cross. I wonder now what it meant to a child of seven or eight years old. I think it was an instinctive knowing that I was encountering Mystery, a Mystery that was not confined to a church building but who also met me when I was out in the woods or gazing into the liquid eyes of a horse.
This Mystery called me by Name. It seemed to see into my soul, see who I really was. Over the years there were times when I lost this sense. Struggling with chronic and sometimes serious illness and addiction to the opiate medications prescribed, caused me to disconnect from my body. Involvement in extreme Evangelical churches deepened this disconnection. It was a confusing time. I lived in a community setting. There was much to love. Our days were framed by communal prayer and worship. Times of silence and study of scriptures was encouraged, as was serving the vulnerable around us. The confusion came because of the interpretation of the scriptures where the Mystery was replaced by a patriarchal male figure who demanded that as a woman, I submit to men, be silent in the church and disown anything to do with my sexuality or sensuality.
My path away from those confusing days was long and winding. It took me to Israel to work amongst Russian immigrants, led me back to my home in the Cotswolds and into training as a therapist. Another spell of community living ended when I sat in a meeting and heard a well known speaker say, “The pedophiles will end up where the homosexuals are now, being normalized and accepted instead of being seen for what they are . . . an abomination before God”. My heart breaking, I sat frozen as people stood to applaud, shouting “praise God and Hallelujah”
The next day I packed my car and left, driving to the home of the woman I loved.
The next twenty years contained many more seeds. We became deeply involved with our local church providing a children’s work that grew out of a community arts programme. Dance, art and mime clowning were an integral part of the worship and I was commissioned as a cell pastor by our Bishop, in recognition of the unique way the church was operating. The church part funded my role as Community Link worker which enabled me to provide therapy in a local family project and in the junior and infant school. In 2002 I was hallowed as a member of the Iona Community, going on to help facilitate their Healing ministry as the Iona Prayer Circle Co-ordinator for eleven years. Part of this role was running a week on Iona every year. Up to fifty guests would gather from all sorts of backgrounds and experience to form community. We shared chores and prayer and explored spirituality, prayer and healing, using the arts and the natural world that surrounded us. I was always deeply moved by how a group of diverse people, often strangers, would come together, open their hearts and be willing to look at things in a different way. Many people came from churches but would say they struggled to pray. So many had been brought up to think that prayer had to involve words and it made my heart sing when I saw people realise that they could pray with their creativity or by connecting to the seasons or the elements. Faces and eyes would shine as if some inner light had been switched on.
As a member of the Iona Community I am committed to living by a Rule of life. This Rule held me through the difficult years when my partner and I no longer felt able to remain in the institution of the church because of homophobia. I found my spiritual path leading me into Nature based practice and discovered the Celtic Wheel of the Year. At the same time, I discovered the Abbey of the Arts which helped me deepen my prayer life in a way that resonated so deeply.
Looking back at some of those difficult times, when I felt that things were being ripped away, I can see now that seeds were being planted in the earth. The seed loses its form, it disintegrates in the darkness so that the new life can come through it. As I work as a Soul Care Practitioner and therapist, I feel a deep sense of calling to those who have been wounded by the institutional church. As part of my daily office I say the words “With the whole church, I affirm that I am made in God’s image”. Sadly many do not experience that truth and my passion is to help restore the broken image, be that the image they have been given of God or the image they have of themselves.
So: Who am I?
An Artist
A Priestess
A Wild Child
A herbalist
A weaver of cloth and a weaver of dreams
A rebel
A Nun
A pioneering, forest foraging, path-finding mystic with muddy knees and dirty hands
A poet
An activist whose social justice is fuelled by prayer
A Druid Bard
Healer
A Visionary who cleans toilets and does barn chores
Dancing horse girl
Raven’s friend
Living on the edge
Passionate about the Wild
Sister of the Moon
Embodied with the Earth.
Who are you?
Polly Burns, MA UKCP has worked for many years as a psychotherapist and trainer in the field of trauma. Most days she can be found in her Lodge by the Lake, creating art and helping clients to connect to the Divine through art and nature.
Polly has travelled widely to train as a facilitator of Equine Facilitated therapy, Expressive Arts and Eco-therapy. Always been a lover of nature, horses and creativity Polly now integrates all of these into her practice. She is a licenced facilitator of Chakradance, The Art of Allowing , Creative Awakenings and is a facilitator and Instructor for the HEAL method of Equine Facilitated Therapy.
A member of the Iona Community, Polly was coordinator of their healing ministry for 11 years and when in that role ran regular retreats on the Isle of Iona. With roots in the contemplative and monastic traditions, Polly also draws wisdom from other spiritual paths such as Druidry and Sufism. She is passionate to help those wounded by the institutional church, to restore their image of God and themselves. She is available for spiritual accompaniment and mentoring in person or by skype. www.wildsoulcalling.co.uk
August 12, 2017
Join us for Way of the Monk, Path of the Artist ~ A love note from your online abbess
Dearest monks and artists,
Be. Here. This Moment Now is all there is, don’t go seeking another. Discover the sacred in your artist’s tools, they are the vessels of the altar of your own unfolding. Look at this cup of holy water, washing clean the brushes. See the blank page, awaiting your blessing. Gaze on the colors before you, each one a name of God: Saffron, Cobalt, Azure, Ruby. Say each one slowly and taste its juice in your mouth. Let this be your prayer. Brush them across the page. First the small strokes, then the larger sweeps. Lose track of all time. This too is prayer. Listen for the words that rise up: Awaken. Envision. Sing. Alleluia. Place marks on the page saying I am here. Watch as word and image dance together. Luminous. Illuminated. This is your sacred text. This is where God’s words are spoken, sometimes in whispers, sometimes in shouts. Be there to catch them as they pass over those sacred lips, tumbling so generously into your open arms.
Those words come from my book The Artist’s Rule: Nurturing Your Creative Soul with Monastic Wisdom. In some ways this book is the closest to expressing the heart of what we do at Abbey of the Arts.
Bringing together the poet and the mystic, the artist and the monk, the dancer and the pilgrim – I believe these partnerships offer much grace and healing to our soul-starved world. In my own life, I am feeling the pull of the poet and the hermit quite strongly these days – hungry to sit and listen to the music of silence and offer what is revealed there to me back to the world.
In light of this, I thought I would share four of my own poems (three inspired by Celtic saints) which are published at various links. You might pour a cup of tea and read each one twice slowly and see what invitations arise. Perhaps your own inner artist longs to dance with the monk and mystic.
“Listen” at Anchor
“Dreaming of Stones” at Spiritus Journal (a poem inspired by St. Ita)
“St Gobnait and the Place of Her Resurrection” at Poetrystuff
“Holy Mountain” at Galway Review (a poem inspired by St. Patrick)
This fall we will be offering an online companion retreat to the book called Way of the Monk, Path of the Artist. A vibrant community forms under the wonderful facilitation of our discussion guides and spiritual directors Stacy Wills and Cheryl Macpherson. I offer six live webinars where we join together for meditation and questions. (These are recorded if you can’t join live.)
With great and growing love,
Christine
Christine Valters Paintner, PhD, REACE
Photo © Christine Valters Paintner (Claregalway Franciscan Friary in Ireland)
August 8, 2017
Monk in the World Guest Post: Monette Chilson
I am delighted to share another beautiful submission for the Monk in the World guest post series from the community. Read on for Monette Chilson's reflection "Monk in the Darkness."
It is hard to be a monk in the dark. Our old ways don’t work. We bump, flail and wail in our blindness. We can easily get stuck in the disorienting fog.
I want to usher in the light. Celebrate the joyful. Be grateful for the blessings. That’s the kind of monk I want to be in this world. The serene, meditating variety with a bemused half smile upon my face. But that’s not always the reality of my calling or yours. Sometimes, we are asked to be monkish when the world goes black. Our private world or one of the concentric circles that contain it—our family, our city, our nation or what feels like the entirety of Planet Earth.
I find that I can’t think or analyze my way through this blackness, these places that feel like voids that might consume me. These places so bleak that I want to be consumed. What I have come to know is that these places are portals. They are dark, yes, but their darkness is holy. They are the way through to whatever Spirit has for you next. If we can’t intellectualize this passage, then how are we to traverse it? Religious platitudes have not helped me find my way.
What has helped is embodying the darkness. Diving into it and exploring it. In practical terms, using a yogic approach—one that includes the physical practices and the more subtle spiritual ones—has been the way through for me. Monks all know there is more to the world than that which we can see with our eyes. In the darkness, though, we forget. We need ways of reminding ourselves. Movements to awaken our body. Mudras to help us wrap our hands around what we’d rather push away. Meditation to help us sink down deep into the darkness rather than running away.
All this to make the unseen reality visible to our spirits. When we see this way, the material happenings around us take on a spiritual significance we would otherwise miss. A bolt becomes a beacon. Let me explain by way of a story.
Angie—my healthy, happy 42-year-old sister—had been gone long enough that I was still marking time in hours—18, 24, 36 hours. Surviving each felt like a milestone. I was not yet engaged in the busy work of writing the obituary that would come with the morning light and would make it feel real in a way that words do for me. Standing in my son’s dark room, groping desperately around his bunk beds for a tiny pillow to which he’d entrusted his most recently lost tooth, I just wanted to fulfill my tooth fairy duties and retreat back inside myself.
Frustrated, I silently wailed at my inability to do this one simply thing, tears rolling down my face. I felt defeated and disproportionately bereft at my failure. That is when I felt it. Something brushed against my hair en route to the floor where it landed on the wood with a solid clunk. I reached down to where I’d heard its metallic landing. I felt something cold. And hard. And real. A bolt. And next to it, the elusive tooth pillow, with the tiny ivory kernel tucked safely inside.
And then, through my tears, I smiled. I mouthed a whispered thank you to Angie. Angie who we’d jokingly called MacGyver. Angie who could fix anything. Angie who was somehow both wildly artistic and exactingly analytical. Angie who’d just pulled a bolt out of thin air to put me back together one last time.
This is the kind of seeing we need in the darkness. I could have missed it entirely, dismissing the bolt as an oddity. We need to open our hearts to the miracles that fall from the sky even when we are feeling forlorn and forgotten. When any God we ever thought we knew seems to have evaporated. When things can’t get any worse, still there is holiness. We can feel desolation and receive divinely orchestrated messages at the same time. In fact, our despair may sharpen our ability to receive them. When we have reached the end of us, that is when God steps in. That is when we become monks in the darkness.
Monette Chilson, author of Sophia Rising: Awakening Your Sacred Wisdom Through Yoga, has lived her yoga on and off the mat for more than twenty years. She writes and speaks about the melding of faith and yoga and about the feminine face of God. She has written for publications including Yoga Journal, Integral Yoga Magazine and Elephant Journal and has contributed to numerous anthologies, most recently Jesus, Muhammad and the Goddess, Whatever Works: Feminists of Faith Speak and A Journey Toward Home: Soul Travel from Lent to Easter. She was awarded an Illumination Book Award gold medal, as well as the Hoffer Small Press and First Horizon Awards. Her children’s book——was released in March 2017. Connect on Twitter and Instagram (@MonetteChilson) or explore her work at www.SophiaRisingYoga.com.
August 5, 2017
Finding the Mystic Within ~ A love note from your online abbess
Dearest monks and artists,
Welcome to all of our new subscribers who signed on during our sabbatical time!
I have thoroughly enjoyed taking this time to step back from email and social media and allowing more time for silence and reflection. Summer lends itself to a holy pause and a time to look ahead to the coming year and what rhythms we want to create for ourselves that allow listening to a deeper voice. I was reminded too of those foundational things which sustain and nourish me most. I feel ready to dive back into the work I love so much with renewed commitment and vision.
John and I also traveled back to the U.S. to visit family. It was a rich time of reconnection, conversation, laughter, and just being in one another’s presence. John’s father passed away after a long illness last May, and so the trip was in part a time to gather with his sisters and remember. There is a new grandbaby in the family as well who was baptized, so the cycles of life weave together and offer the hope of new life amidst the poignancy of loss. Holding this tension is at the heart of our work as monks, artists, pilgrims, and mystics.
I returned home to find a copy of Mysterious Ways magazine where I am interviewed on Finding the Mystic Within. Here is a brief excerpt:
What drew you to a life of monks and mysticism?
I’ve always had a contemplative heart, which means I’ve always been drawn to periods of silence and solitude, even though I grew up in New York City. When I was 21, I was diagnosed with rheumatoid arthritis, and I quickly became aware of the rush of life and the push to produce and keep your schedule as full as possible. I couldn’t ignore what my inner voice was telling me—my inner monk, if you will. I needed to find a gentler way.
Does everyone have an inner monk, just waiting to come out?
That desire for a different way of being in the world is often the first spark that brings people to our abbey. A longing for a way to live that’s not quite so hectic and allows time for savoring. A voice deep inside that knows the importance of rest. We don’t always have a name for that longing, but we all have it within us.
How can you take what a monk does and apply it to “normal” life?
At the heart of it is spiritual practice. For instance, an important monastic principle is radical hospitality, welcoming the stranger in our midst. That can also mean welcoming the aspects of ourselves that we pay less attention to—our secret yearnings and needs. We need to acknowledge them in our contemplative practice.
You can read the whole interview here>>
If you want support in cultivating your own inner mystic, join us this September for Way of the Monk, Path of the Artist – a 12-week online journey in community through my book The Artist’s Rule. The monk and artist archetypes are two pathways to the mystic within!
With great and growing love,
Christine
Christine Valters Paintner, PhD, REACE
Photo © Christine Valters Paintner
August 4, 2017
Writing on the Wild Edges – Participant Poems (Lucy Wilson)
This past April we led one of our Writing on the Wild Edges retreats on the beautiful island of Inismor off the coast of Galway. We will be sharing some of the writing which participants gave us permission to share here in the next few weeks. Up next are poems by Lucy Wilson.
(If you'd like to join us, we have our dates open for 2018 – August 26-September 1)
ST. CIARAN’S WELL AND CHURCH
At St. Ciaran’s holy well
my prostrated body stretched
till finger tips
touched holy water.
I brushed my forehead
a baptism of resurrection.
The well green-surrounded:
moss, ferns, wild herbs,
lush broad-leafed grass,
interspersed with sparkling
white daisies,
tangled vines joining rock walls
in mutual support.
Adjacent to all
an ancient church stands
juxtaposed between
etched stone slabs,
pre-Christian and Christian symbols.
Inside a stone altar
beckons me
to kneel and pray.
A side window
opens to the ocean
breath of a faint breeze
murmurs my blessing.
The bird chorus continues
its call and response.
In this sacred space
—time pauses—
I am engulfed in the eternal.
INIS MOR—April 22, 2017
The wild edge is gentle today
a caressing tender breeze,
slow undulation of a blue-grey ocean
stretching to a distant grey coast,
mountains—perhaps the Twelve Bens
looming in the distance,
birdsong blending with all.
“Be still and know…..”
A deep peace sweeps over me—
realization that I am being held
in the arms of God.
Paradise.
—Lucy Wilson
June 24, 2017
Summer Sabbath Time at the Abbey until August 6th ~ A love note from your online abbess
Dearest monks and artists,
We like to take some Sabbath time each summer to step back from the work at hand and have time for play and free flow of ideas. Usually this happens in August, but because we will be traveling back to the States for a family visit in July, we decided to take our newsletter and posting break during this next month or so until early August.
The following reflection is an excerpt from our Monk in the World online retreat. It is one of the principles of our Monk Manifesto:
"The meaning of the Sabbath is to celebrate time rather than space. Six days a week we live under the tyranny of things of space; on the Sabbath we try to become attuned to holiness in time. It is a day on which we are called upon to share in what is eternal in time, to turn from the results of creation to the mystery of creation; from the world of creation to the creation of the world."
—Abraham Joshua Heschel, The Sabbath
The work of the monk is important, but equally important are rhythms of rest and restoration. Benedict's Rule is exquisitely balanced. In a world which runs nonstop where we are always accessible, we have to make the choice to step out from under its tyranny of demands. Sabbath calls us to restore ourselves and remember that the world will go on without our labors. It is ultimately an act of humility which means to remember our earthiness. Sabbath gives honor to our gifts by also acknowledging our limitations.
Connected to the seasons of each day's rise and fall, we are called to embrace times of fallowness, of doing nothing, of simply being. Sabbath offers us this gift and helps to cultivate a contemplative commitment in the world.
We strive to live our values and so we are taking a break from now until August 6th from the email newsletters (including the weekly and daily notes) as well as blog posts. We will let you know what we discover in the time away!
If you need to contact us by email during this time, please allow a few extra days for response. We will still be accepting registrations for our self-study retreats and our live programs.
With great and growing love,
Christine
Christine Valters Paintner, PhD, REACE
Photo © Christine Valters Paintner
June 20, 2017
Monk in the World Guest Post: Sibyl Reynolds
I am delighted to share another beautiful submission for the Monk in the World guest post series from the community. Read on for Sibyl Reynolds' reflection Gifts from Mary and Martha: Sacred Practices for a Recollected Life.
Many people today are experiencing a call to live a contemplative life. The human spirit longs for peace, serenity, connection with the Holy One, and a return to the Self. In the midst of the tsunami of countless daily demands and the immediacy of email, social media, and information overwhelm, the contemplative heart awaits nourishment and intimacy with the Divine.
Myriad responsibilities and life’s frenetic pace, fragment the psyche and soul. Meanwhile, the spirit gravitates to the blessed moments of pause and exhale, the space that connects one action with the next. These illuminated instances of “in-between” hold the potential for spiritual and creative refreshment.
The contemplative heart and spirit may take comfort through the revisiting of ancient wisdom stories that hold guidance for our contemporary challenges. The spiritual guidebook, The Way of Belle Coeur: A Woman’s Vade Mecum, offers a valuable teaching for today through the exploration of Luke’s story of sisters, Mary and Martha, and their archetypal qualities.
The story of Jesus’s visit with the sisters of Bethany, provides direction for contemplative and active living. Mary and Martha are two sides of the same coin. Their conflict and contrast between the reflective needs of contemplative Mary, with her sister, Martha the doer, illustrate a timeless dilemma applicable for the here and now. The following passage from Scripture recounts the sisters’ story.
Luke 10:38-42
As they traveled, Jesus entered a village where a woman named Martha welcomed him to her home. She had a sister named Mary, who seated herself at Jesus’ feet and listened to his words.
Martha who was busy with all the details of hospitality, came to Jesus and said, “Rabbi, don’t you care that my sister has left me all alone to do the household tasks? Tell her to help me!”
Jesus replied, “Martha, Martha! You’re anxious and upset about so many things, but only a few things are necessary—really only one. Mary has chosen the better part, and she won’t be deprived of it.”
Mary and Martha’s story reflects the inner struggle that many today seek to resolve. Their archetypal spirits live within us. However, it’s often easier to identify with inner Martha’s frenetic busyness and management of the endless details and tasks of daily life, rather than inner Mary’s peaceful and reflective countenance.
In their story, Mary is perceived by Martha to be somewhat lazy and unconcerned regarding what she “should be doing.” Mary, unlike her busy sister, chooses prayerful awareness through her practices of contemplation and her ministry of “presence.”
When Mary and Martha are considered as personal archetypes, a question arises: How is it possible to maintain spiritual and creative balance while multi-tasking in today’s fast paced, technological, and demanding world?
Daily responsibilities definitely call for Martha’s sense of duty, organizational skills, and intentional action in the outer world. Meanwhile, the soul yearns to join Mary for prayer and contemplation, to experience the still and grace-filled terrain of the inner world.
Perhaps the way to lasting inner and outer harmony is through the conscious, sacred, indwelling partnership of Mary and Martha. Inner Mary and Martha must make peace with one another and honor and respect their two distinct charisms: Mary, the introverted, reflective, and prayerful, contemplative, and Martha, the extroverted, diligent, and active, taskmaster.
Through sacred awareness and the commitment to daily sacred practices, it’s possible to encourage the archetypal presence of Mary and Martha to work together. Their collaboration increases the potential to bring balance to life’s aspects of being and doing.
The weave of Mary’s prayerful and reflective focus with Martha’s task mastery, creates a harmonious tapestry of seeming disparate pieces. The fragmented spirit becomes recollected as Mary’s grounded and contemplative nature supports Martha’s energetic response to situations as they arise. The two aspects of the Self, the contemplative and the doer, join together to complete the unending and diverse array of tasks that comprise contemporary life through prayerful commitment and sacred intention.
You’re invited to explore the following prompts in your journal:
How does your contemplative nature receive sustenance and nourishment?
What are the sacred practices you observe to honor your inner Martha and Mary?
How would it feel to begin to live your “recollected life,” in balance and cadence with your contemplative nature?
Sacred practices such as: silence and contemplation, prayer and devotion, study and reflection, etc. inspire, nourish, and recollect the fragmented body, mind, and spirit. Additionally, the incorporation of (active and contemplative) sacred practices incorporated throughout each day, offer pathways to wholeness and renewed ways of living and being. In this way, the inner Mary and Martha unite to experience a blessed and recollected life.
In my heart of hearts, I'm a monastic and contemplative. Nostalgia and melancholia feed my writer's spirit. I put pen to paper and await the story. Prayer is a river running through each day. I dwell in the Mystery while I ache to inhabit and know the ancient time and place that lives within a memory, hidden deep inside my bones.
As the founder of the Sisters of Belle Coeur, I am inspired by the sacred wisdom within women's stories and the blessings of sisterhood. Christ, the Beloved, is at the center of my life, my compass, and True North. I draw sustenance from the writings of the early feminine saints and mystics such as; St. Hildegard of Bingen, St. Teresa of Avila, and the Beguine, Mechtild of Magdeburg. My intention through my work is to serve as a midwife for our planet's rebirthing. I can imagine no greater privilege.
Sibyl is the author of the award-winning novel, Ink and Honey, and the companion guidebook, The Way of Belle Coeur: A Woman’s Vade Mecum. She is a spiritual director. For thirty years Sibyl has been a facilitator for the feminine spiritual/creative process. She lives in California with her husband.
Soul's Slow Ripening Pilgrimage – Participant Poems (Maureen Winters Perry)
This past March/April we led one of our Soul's Slow Ripening Pilgrimages based out of Galway City. We have been sharing some of the poems from the writing retreat which participants gave us permission to share over the last several weeks. But poems emerge on the pilgrimage as well. Here are a series of short poems by Maureen Perry.
*I cannot sit still now
Guide my feet on this journey Lord
Let my mind, heart rest.
*The smell of the sea
The company of a dear friend
And friends I don't know…Yet.
*Breathe on me breath of God
Let my inhalation and exhalation
All be as praise to you.
*Search out the thin place
Join my soul with those others
Find peace in this place.
*I have set my coracle adrift with you, fellow pilgrims
Looking forward to the journey
And seeing where we land together.
*Sunrise walking round
The well casts its magic spell
Shall I just dive in?
*The ferry, the wind!
Breathe on me breath of God
Your light shine on me.
*Walking in a line
Not worrying about time
Humming, sing your praise.
*Connecting, new friends!
Sharing with my dear. Annam Cara
Washing away tears .
*Considering our way,
Watching and waiting for signs
Burying our ghosts.
*Wait, is this her path?
Shouting, go the other way!
Praying her alive!
*I feel like a turtle
Drawn to the sea full of life
Washing away cares.
*Like a sharp pebble
Surfaces warn smooth by currents
Repeating age old rhythms
*Barnacle on rocks
Help me find my mooring place
Not get lost at sea.
*Promenade and prayer
Knowing God is always there
Life and tea and cake!
*To the lighthouse go
Waves crash and the wind will blow
Hang on; God hold me.
*Goat cheese and fresh greens
Blessed everyday to be fed
Hunger satisfied.
*Look east, quick! God is there!
Circle sun wise, thrice repeat
West, we move out of life.
*Sing the Caim, move 90 degrees
Stop each direction, just breathe
Keeping peace within.
*Shall we hold onto ghosts?
Or leave them behind, pilgrims?
Risk memories lost?
*Water and loose rocks
Slow me down on the way
Patrick's church, holy well!
*Step by step I go
To the center with my God
Bringing his peace home.
—Maureen Winters Perry
June 17, 2017
Celebrating the Summer Solstice + Self-Study Sale ends tomorrow ~ A love note from your online abbess
Dearest monks and artists,
In the northern hemisphere we approach the celebration of the summer solstice, the longest day.
The seasons are connected to the different cardinal directions, as well as the four elements. Hildegard of Bingen, a 12th century Benedictine Abbess, allied the direction of the south and the season of summer with the element of fire. We find a similar connection in the Native American Cherokee tradition and in the Irish Celtic tradition.
We might think of summer as the season of fire and stoking our passions. It is the season of coming to fullness connected to the Hour of noon and midday, when the sun reaches its peak in the sky. It is the time of fruitfulness, when blossom gives way to sweet abundance of berries and peaches, delicate lettuces and gorgeous tomatoes.
While Beltane on May 1st invited us to tend to the very first fruits of summer’s arrival, the Summer Solstice announces the time for full fruits and an extravagance of color and sweetness in the world around us.
To honor the coming of summer in ritual, consider facing the direction of the south and taking some deep breaths. Let your breath draw your awareness down to your heart center, the place where the mystics tell us the living flame of love dwells within us. You might place a candle on your altar to remember the fire alive within you and the world.
Spend some time in meditation on what your own passions are. What would you like to kindle? Where have been the sparks of joy in your life? What is coming to full fruitfulness? How might you welcome in your own growing fullness?
To enter more deeply into the gifts of the Summer Solstice and the Feast of John the Baptist, consider registering for our yearlong Sacred Seasons program with a mini-retreat for each of the eight turning points of the Celtic wheel of the year.
With great and growing love,
Christine
Christine Valters Paintner, PhD, REACE
Photo © Christine Valters Paintner

When Christine asked me to introduce myself through this post, it was hard to know where to start. If you are a regular at the Abbey of the Arts, you will have heard the phrase ‘Go to your cell, it will teach you’. It was this phrase that floated into my mind as I tried to decide what to write. Although often taken as a metaphor for the inner cell of the heart, it also speaks to me of the little places of sanctuary I have found along the way. Places of solitude and silence. Ever since I was a child, such places have been important to me. Whether it was the old wooden summer house at the end of an acre of rambling garden, a den hidden in the trees or even the inside of a large built in wardrobe in the 18th Century house I lived in, these places have been threshold places. Places where I could imagine that the other worlds were as close to me as breathing . . . which of course they were.
It is hard to be a monk in the dark. Our old ways don’t work. We bump, flail and wail in our blindness. We can easily get stuck in the disorienting fog.
