Corey Robin's Blog, page 107
December 19, 2012
Statement of Support for Erik Loomis
I and my fellow bloggers at Crooked Timber have written this statement below in support of Erik Loomis, who is being targeted by a vicious right-wing campaign of intimidation. Please go to the Crooked Timber site and voice your support for the statement. Also, and perhaps more important, please send an email of support for Loomis to the following top three administrators where he teaches:
Dean Winnie Brownell: winnie@mail.uri.edu
Provost Donald DeHays: ddehayes@uri.edu
President David Dooley: davedooley@mail.uri.edu
Thanks!
● ● ● ● ●
Erik Loomis is no stranger to this blog. A gifted young scholar of US labor and environmental history, Loomis is also a blogger at Lawyers, Guns and Money. Many of us have tussled and tangled with him, most recently over whether leftists should vote for Obama. We have often disagreed with Loomis, not always pleasantly or politely, and he has certainly given as good as he has got.
But now we must stand by Loomis’s side and speak up and out on his behalf, for he has become the target of a witch hunt, and as an untenured professor at the University of Rhode Island, he is vulnerable. Loomis needs our solidarity and support, and we must give it to him.
This past Friday, in the wake of the tremendous grief and outrage millions of people felt over the Newtown mass shooting, Loomis tweeted the following:
I was heartbroken in the first 20 mass murders. Now I want Wayne LaPierre’s head on a stick.
Wayne LaPierre is the head of the National Rifle Association.It seems obvious to us that when Loomis called for LaPierre’s head on a stick, he had in mind something like this from the Urban Dictionary:
A metaphor describing retaliation or punishment for another’s wrongdoing, or public outrage against an individual or group for the same reason.After the BP Oil Spill; many Americans would like to see Tony Hayward’s head on a stick, myself included.
Ever since putting someone’s head on a stick ceased to be a routine form of public punishment—indeed, the last instance of it we can think of is fictional (Dickens’ A Tale of Two Cities, though it references an actual event from the French Revolution)—calling for someone’s head has been a fairly conventional way to express one’s outrage or criticism. Two months ago, for example, right-wing blogger Glenn Reynolds voiced his anger over the State Department’s lax provision of security in Benghazi by demanding, “Can we see some heads roll?”Yet that very same Glenn Reynolds is now accusing Loomis of using “eliminationist rhetoric.”
Other conservative voices have joined in. The Daily Caller says Loomis “unleashed a flurry of profanity-ridden tweets demanding death for National Rifle Association executive Wayne LaPierre.” Townhall put Loomis’s tweets in the context of NRA members and leaders getting death threats. And just this morning, Michelle Malkin wrote at National Review Online:
What’s most disturbing is that the incitements are coming from purportedly respectable, prominent, and influential public figures.Consider the rhetoric of University of Rhode Island professor Erik Loomis….
Unfortunately, Loomis is not alone….
So, it’s come to this: Advocating beheadings, beatings, and the mass murder of peaceful Americans to pay for the sins of a soulless madman. But because the advocates of violence fashion themselves champions of nonviolence and because they inhabit the hallowed worlds of Hollywood, academia, and the Democratic party, it’s acceptable?
Blood-lusting hate speech must not get a pass just because it comes out of the mouths of the protected anti-gun class.
This campaign has now brought Loomis into the crosshairs of the state and his employer.Loomis has already been questioned by the Rhode Island State Police, who told him that someone had informed the FBI that Loomis had threatened LaPierre’s life. Loomis also has been hauled into a meeting with his dean. And now the president of the University of Rhode Island, where Loomis teaches, has issued the following statement:
The University of Rhode Island does not condone acts or threats of violence. These remarks do not reflect the views of the institution and Erik Loomis does not speak on behalf of the University. The University is committed to fostering a safe, inclusive and equitable culture that aspires to promote positive change.
We do not expect any better of the orchestrators of this campaign—this is what they have done for many years, and doubtless will be doing for years to come. We do expect better of university administrators. Rather than standing behind a member of their faculty, the administration has sought to distance the university from Loomis.Even to suggest that Loomis’s tweet constitutes a “threat of violence” is an offense against the English language. We are dismayed that the university president completely fails to acknowledge the importance of academic freedom and of scholars’ freedom independently to express views (even intemperate ones) on topics of public importance. This statement—unless it is swiftly corrected— should give alarm to scholars at the University of Rhode Island, to scholars who might one day consider associating themselves with this institution, and to academic and professional associations that value academic freedom.
However, this is not merely a question of academic freedom. It also speaks to a broader set of rights to speak freely without the fear of being fired for controversial views that many of us have been flagging for years. Everyone should be clear what is going on. As a blogger at Atrios has pointed out, what the witch hunters want is for Loomis to be fired. Indeed, the calls have already begun (see comment thread here). Though Loomis has a union, his lack of tenure makes him vulnerable.
We insist that the University of Rhode Island take a strong stand for the values of academic freedom and freedom of speech, that it not be intimidated by an artificially whipped-up media frenzy, that it affirm that the protections of the First Amendment require our collective enforcement, and that all employers—particularly, in this kind of case, university employers—have a special obligation to see that freedom of speech become a reality of everyday life.
We urge all of you to contact the following three administrators at the University of Rhode Island:
Dean Winnie Brownell: winnie@mail.uri.edu
Provost Donald DeHays: ddehayes@uri.edu
President David Dooley: davedooley@mail.uri.edu
Be polite, be civil, be firm.We also call upon all academic and other bloggers to stand in support of Loomis. We invite others who wish to associate themselves with this statement to say so in the comments section to this post, and to republish this statement elsewhere.
Chris Bertram, University of Bristol
Michael Bérubé, The Pennsylvania State University
Henry Farrell, George Washington University
Kieran Healy, Duke University
Jon Mandle, SUNY Albany
John Quiggin, University of Queensland
Corey Robin, Brooklyn College
Brian Weatherson, University of Michigan


December 17, 2012
Taxes, and Cuts, and Drones: Obama’s Imperialism of the Peasants
In my very first post as a blogger, I wrote the following:
One problem with liberals in the tax debate is that they don’t realize just how little Americans actually get from the government. When the government doesn’t provide you with universal health care, a decent pension, good schools, or accessible and affordable public transportation, why should you want to pay taxes? The answer, of course, is not for Americans to pay less but for government to spend more. As Thomas Geoghegan explains here, “people are willing to pay taxes that they spend on themselves.”
Ezra Klein is now reporting more details on what the impending fiscal cliff deal between Obama and the Republicans is going to look like: among other things, it includes cuts in Social Security benefits, and if this Dylan Matthews post from last week is correct, tax increases that would be slightly regressive in their effects (I’m not talking here, obviously, about the tax increases that would come from undoing some of the Bush tax cuts).
So that’s the deal: We raise taxes. And what do we get in return? Lower benefits. Genius!
As I wrote in the London Review of Books during the Summer 2011 debt ceiling negotiations:
If there’s a master text for this moment, it’s Marx’s Eighteenth Brumaire. Not the over-cited first time as tragedy, second time as farce line, but his astonishingly prescient analysis of the reactionary behaviour of the French peasantry during the Bourbon and July monarchies. Though the 1789 Revolution and Napoleon had liberated the peasants from their landlords, the next generation of peasants was left to confront the agricultural market from small private holdings that could not sustain them. They no longer had to pay their feudal dues, but now they had to pay their mortgages and taxes to a state that seemed to do little for them. What the state did provide, under Napoleon III, was imperial spectacle. That wasn’t nothing, as Marx noted, for in and through the army the peasants were ‘transformed into heroes, defending their new possessions against the outer world, glorifying their recently won nationality, plundering and revolutionising the world. The uniform was their own state dress; war was their poetry.’ This Marx called ‘the imperialism of the peasant class’.
In Marx’s analysis we see the populist underbelly of the debt crisis, indeed of the last four decades of the right-wing tax revolt, from Howard Jarvis’s Proposition 13 of 1978, which destroyed California’s finances by putting strict limits on property tax increases, to the Tea Party. Liberals often have a difficult time making sense of these movements – don’t taxes support good things? – because they don’t see how little the American state directly provides to its citizens, relative to their economic circumstances. Since the early 1970s, with a few brief exceptions, workers’ wages have stagnated. What has the state offered in response? Public transport is virtually non-existent. Even with Obama’s reforms, the state does not provide healthcare or insurance to most people. Outside wealthy communities, state schools often fail to deliver a real education. In such circumstances, is it any wonder ordinary citizens want their taxes cut? That at least is change they can believe in.
And here Democrats like Obama and his defenders, who bemoan the stranglehold of the Tea Party on American politics, have only themselves to blame. For decades, Democrats have collaborated in stripping back the American state in the vain hope that the market would work its magic. For a time it did, though mostly through debt; workers could compensate for stagnating wages with easy credit and low-interest mortgages. Now the debt’s due to be repaid, and wages – if people are lucky enough to be working – aren’t enough to cover the bills. The only thing that’s left for them is cutting taxes. And the imperialism of the peasants.


December 14, 2012
The Four Most Beautiful Words in the English Language: I Told You So
It was hard not to think of Gore Vidal’s aperçu when I read this piece on Cory Booker in the New York Times this morning.
When snow blanketed this city two Christmases ago, Mayor Cory A. Booker was celebrated around the nation for personally shoveling out residents who had appealed for help on Twitter. But here, his administration was scorned as streets remained impassable for days because the city had no contract for snow removal.
Last spring, Ellen DeGeneres presented Mr. Booker with a superhero costume after he rushed into a burning building to save a neighbor. But Newark had eliminated three fire companies after the mayor’s plan to plug a budget hole failed.
In recent days, Mr. Booker has made the rounds of the national media with his pledge to live on food stamps for a week. But his constituents do not need to be reminded that six years after the mayor came into office vowing to make Newark a “model of urban transformation,” their city remains an emblem of poverty.
Cory Booker’s promise — captured in two books, two documentaries and frequent television appearances — was to save a city that had been hemorrhaging residents, industry and hope since the riots that ripped it apart 45 years ago. But a growing number of Newarkers complain that he has proved to be a better marketer than mayor, who shines in the spotlight but shows little interest in the less-glamorous work of what it takes to run a city.
…
…Mr. Booker is better suited to speechmaking in Washington than to governing a state.
…
They say Mr. Booker’s frequent Twitter posts to his 1.3 million followers, his appearances on television and at gatherings of moguls and celebrities — he was out of town nearly a quarter of the time between January 2011 and June 2012, according to The Star-Ledger — have distracted him from the local trench work needed to push his agenda. Business leaders say he dazzles at news conferences, but flags on the follow-through. Residents have wearied of the outside fascination for the mayor whom Oprah Winfrey called “a rock star” and Jon Stewart on Wednesday referred to as “the superhero mayor of Newark.”
Taxes have risen more than 20 percent over the past three years, even after the city laid off about 1,100 workers, including more than 160 police officers. Crime has risen, and unemployment is up. Schools remain under state control, and the city’s finances remain so troubled that it cannot borrow to fix its antiquated water system. While new restaurants have risen near the Prudential Center downtown, those in the outer wards were placed under a curfew this year because of shootings and drug dealing.
“There’s a lot of frustration and disappointment,” said Assemblyman Albert Coutinho, a Democrat representing Newark. “People feel that the mayor basically is out of the city too much and doesn’t focus much on the day-to-day.
…
Asked about complaints from residents and business owners that garbage is not picked up, abandoned buildings are not boarded up and public spaces are in disrepair, the mayor talked about a new system that allows him to track which streets need snowplows and which departments are paying for too much overtime — even when he is out of town.
He invited a reporter to see the system in action. He then called to apologize that he could not be there: “I’m in and out of New York all day.”
Instead, his staff demonstrated the system. Mr. Booker was on his way to host a reading at a bookstore on the Upper West Side, filmed by CNN. He then spoke at a benefit at Cipriani and attended a movie premiere at Google’s New York headquarters. Afterward, he announced on Twitter, “I sat on a panel with Richard Branson.”
Yes, I told you so.


December 12, 2012
An Open Letter to Glenn Greenwald
Dear Glenn:
I liked your recent post criticizing those film critics who are championing Zero Dark Thirty despite its false depiction (and implicit celebration) of the role of torture in capturing Osama bin Laden.
But I think you’re going about this business of criticizing film critics all wrong.
Here’s a little pro-tip I learned in my recent foray as an amateur critic of Lincoln.
Apparently it’s not good form to ask a film to be something other than what it is. You can’t criticize the film you didn’t see—only the film you did see. (I know, James Agee makes a hash of that distinction, but he’s no Roger Ebert.)
In your case, that means you have to criticize the criticism we have, not the criticism you wish we had. So if the critic is defending a film that glorifies torture, you can’t criticize said critic for defending said film. That’s like taking Spielberg to task for not including in a film about black emancipation more depictions of blacks emancipating themselves and pushing for emancipation.
Instead, you should…beats the shit out of me.
Best,
Corey


December 6, 2012
New York Times: It’s Not Like Bradley Manning is O.J. Simpson or Something
New York Times Public Editor Margaret Sullivan has criticized the Times‘ decision not to send a reporter to cover Bradley Manning’s pretrial testimony. Good for her. Times Washington Bureau Chief David Leonhardt, however, defends the paper’s decision.
We’ve covered him and will continue to do so. But as with any other legal case, we won’t cover every single proceeding. In this case, doing so would have involved multiple days of a reporter’s time, for a relatively straightforward story. The A.P. article recounting the main points of Mr. Manning’s testimony about his conditions of confinement that ran on page A3 of The Times conveyed fundamentally the same material as a staff story would have. And Charlie Savage covered his conditions of confinement, as they were being debated, in two previous articles: http://goo.gl/dvFV0, http://goo.gl/gYTX7.
Again, though, readers can definitely expect more coverage of Mr. Manning in the weeks to come.
Not so good for him.
Cause here’s the deal. Once upon a time, there was a trial involving O.J. Simpson. Nicole Brown Simpson, his ex-wife, was found dead on June 12, 1994. After that, the Times ran 494 stories—and that was before the jury had even been sworn in on November 2, 1994. Then the Times ran 453 stories—and that was before the prosecution even made its opening statement on January 4, 1995. And then the Times ran 1110 stories—before the jury delivered its verdict on October 3.
The reporting pieces were written by senior Times staffers such as Seth Mydans, David Margolick, and Francis X. Clines. And the commentary elicited the efforts of William Safire, Russell Baker, Anna Quindlen, Frank Rich, Brent Staples, A.M. “Out of My Mind” Rosenthal, Michiko Kakutani, and more.
So I think Mr. Leonhardt can spare a reporter or two to tell us what Bradley Manning has to say.
Update (1 pm)
I should have mentioned this in my original post: If you want the whole story on Bradley Manning, you have to read Chase Madar’s book The Passion of Bradley Manning. Chase has been on this case for a long time; would that the Times took his lead.


December 4, 2012
A Question for A.O. Scott and Ta-Nehisi Coates
Ta-Nehisi Coates is sponsoring a fascinating conversation between himself, New York Times film critic A.O. Scott, and historian Kate Masur about the film Lincoln. It’s a real treat to read these three distinct and expert voices engage with each other; I’m eager to hear Kate’s response to what’s been said so far.
Both Coates and Scott bring up an interesting point that I hadn’t really considered about the film: not only how it represents the Civil War as fundamentally a fight about slavery, but also how radical, even revolutionary, that is in the context of American film history. I don’t know a lot about film history, but that makes a lot of sense to me.
But it also raises a question for me. Both Coates and Scott seem to assume—they’re not explicit about this, so I emphasize the “seem”—that movies are the medium of mass culture, the vehicle by which people learn their history. Scott writes:
And I also think that, within the history of American film and of pop-cultural depictions of the Civil War more generally, it is radical in ways that have not been sufficiently noted.
…
I have no confirmation of this from any source, but it is my hunch that some of the intention in making Lincoln was to offer a corrective to Birth of a Nation and Gone With the Wind, films that are hardly taken seriously as history but that nonetheless still constitute part of the fantasy life of the Republic. You could say that Spielberg and Kushner propose a counter-fantasy.
Coates is more explicit:
Thus the reason I think we don’t see more liberals engaging in a full-throated defense of Lincoln is that the opposing view—the one that animates films like the Gone With Wind and Gods and Generals, which animates television shows like Hell on Wheels, which finds people holding Secession Balls and celebrating the attempt to raise a republic premised on white supremacy—has no respect among anyone who’s seriously thought about the issue.
Think about it like this. There’s been a great debate roiling the academy between people like Sean Wilentz who think we underplay the importance of politicians, and historians who emphasize the actions of activists and radicals. This has been a pretty heated debate, and I think we see it play out in Lincoln. But it’s not like Wilentz is trying to “clean” slavery. The role of politicians and radicals in democracy is a legit and interesting debate in a way that debating states rights vs. slavery just isn’t.
Conservatives, as they have in other intellectual arenas, have simply fled the field. The result is that when you see a film like Lincoln, what you find is liberals hotly critiquing the film because things that may seem revolutionary in the grand sweep of American politics aren’t among people who’ve spent years thinking about Lincoln’s legacy and the Civil War.
Coates says that the wrong view of the Civil War—that it wasn’t about slavery—”has no respect among anyone who’s seriously thought about the issue.” The implication is that the right view is mostly, or even only, held by academics and serious readers.
What both Scott and Coates are leaving out of their account of mass culture is the most common cultural institution of all: the school. Not everyone sees Lincoln, but everyone does go to school. (And as Aaron Bady pointed out to me in an email, how many people have seen Birth of a Nation?) Of course, Coates and Scott aren’t really saying that people only get their history from film, but they are suggesting that film is the cultural medium by which the polity narrates its history to itself. But aren’t schools—public and private— the more likely medium of the mass cultural transmission of history, and a better, or at least comparable, indicator of how the polity understands itself?
And then the question becomes: what are students learning about the Civil War in the schools? Coates, Scott, and Masur agree that the historiographical consensus is that slavery lay at the root of the Civil War. Insofar as history teachers in the schools are trained to some degree in their field, wouldn’t that consensus be taught in the classroom? Found in the textbooks?
To answer this, we’d have to look at state curricula, and as Connor Kilkpatrick pointed out to me in an email, Texas plays an outsized role in creating textbook content. So that’s not promising. And a fair number of teachers, particularly of a previous generation, were schooled in a kind of soft-left critique of the Northern position during the Civil War, which gave the impression that it was all about greedy northern capitalists. In addition, if you read comments threads of many blogs (not the most reliable indicator of mass opinion but still), the Lost Cause theme is out there. Coates has been rightly flagging this crap for years, and it plays a big role, as he says, on the Right.
Still, I’d be curious to find out how the Civil War is taught today in the schools. And here I defer to Coates and Masur, as well as my readers, many of whom are public school teachers who would definitely know a lot more about this than I do.
Because I’m wondering if there isn’t a vast majority—somewhere between the history profession and the Lost Causers that surround the Ron Paul movement that Coates speaks of—that both Coates and Scott are leaving out.
That said, I did overhear this on 12th Street, not more than an hour ago.
So I was telling her about Lincoln, but I didn’t want to give it away and say that he got shot.
Update (1:10 pm)
Well, that was fast. Henry Farrell just sent me a link to this post he wrote last year. Long story short, I’m probably wrong (though Henry doesn’t talk about the schools or curricula).
I became a US citizen yesterday, after spending some time over the previous few days reading the US civics study guide to study for the citizenship exam (since I am a political scientist, it would have been particularly embarrassing for me if I had failed it). For better or worse, it’s hard for me to switch off my inner social scientist. Hence, I started paying a different kind of attention when I read that ‘states rights’ is one of three acceptable answers to the civics question ‘name one problem that led to the Civil War’ (slavery and economics are the other two). My understanding, perhaps mistaken, is that ‘states’ rights’ is typically employed as an explanation by those who would prefer to forget (as Ta-Nehisi Coates notes; also here) that it was one particular right – the right to own slaves – that was what was really at stake in the conflict. The study guide goes on to elaborate that:
The Civil War began when 11 southern states voted to secede (separate) from the United States to form their own country, the Confederate States of America. These southern states believed that the federal government of the United States threatened their right to make their own decisions. They wanted states’ rights with each state making their own decisions about their government. If the national government
contradicted the state, they did not want to follow the national government.
after which it does get into a discussion of the relationship between slavery and economic systems in North and South, and its relationship to the Civil War.
This – of course – was only a very small part of the event in question (and in any event I got asked a completely different set of questions on the day) – but it was interesting. Tests of this kind are a very useful way of gauging what is accepted, and what is not accepted as part of the official national narrative, especially when, as in the US, there is no national history curriculum. I was surprised that this was part of the accepted (or at least acceptable) narrative…
Update (2:30 pm)
Kate Masur has a very powerful response to Coates and Scott.
Tony argues that the film is a “radical” contribution to the film history of the Civil War because it doesn’t trade in Lost Cause nostalgia or the hackneyed idea of the tragic “brothers’ war.” I don’t quite agree with that interpretation. What I want to emphasize here, however, is that by deciding to focus on Lincoln’s struggle to abolish slavery, Spielberg and Kushner ensured that the film would be seen within another history: the history of films about struggles for black civil rights and equality. In that context—with its benevolent white heroes and patient, passive African Americans—the film is decidedly not innovative.
I agree that this is not a reactionary film. It does not repeat many of the historical inaccuracies and white supremacist messages of earlier films about the Civil War. It does not argue that Lincoln was a tyrant or that African Americans were better off in slavery. But isn’t that setting the bar awfully low? Aren’t we entitled to expect a bit more from people as smart and well-financed (and liberal) as Spielberg and Kushner?


December 2, 2012
Jefferson’s Race Obsession is a Response to Emancipation, not Slavery
Thanks to some provocative comments from my friend Nikhil Singh, and a spirited critique of my post from someone at Crooked Timber, it occurred to me that we may really be missing the significance of Jefferson if we think of him solely in the context of slavery (and I may have contributed to that). As both scholars and defenders of Jefferson have pointed out, Jefferson was not a fan of slavery. He had grave moral doubts about the institution, which he expressed in Notes on the State of Virginia and elsewhere, even if he almost never acted on them. Especially in his earlier years, he thought emancipation was inevitable (though that belief got somewhat more strained as time went on).
But if we shift our lens of analysis from slavery to post-slavery, Jefferson’s writings on race, which I explored at length yesterday, assume a far more illuminating—and ominous—cast. For what Jefferson is clearly trying to grapple with, in a way that few other theorists of his time are, is: what in the world are we (whites) going to do with these people (blacks) once they are free? How can we share this land with creatures that are so obviously inferior and subordinate and other? And the solutions he comes up—not just colonization but actual deportation (or extermination through race war)—reflect his orientation to the future, not to an institution that he doesn’t believe will exist much longer, but to a post-emancipation situation.
Jefferson’s haunting obsession, in other words, is black freedom, not black slavery—and indeed he spent quite a bit of time drawing up legislative codes in Virginia that would have imposed major liabilities and restrictions upon the movement and freedom of free blacks.
And it is in that light that we start to see the European parallels. For what was the Jewish Question of the 19th century if not an extended meditation on what we Germans or Europeans were going to do with this ancient inscrutable people who, thanks to Napoleon, had suddenly been thrown among us. Among us, but not of us. Simply read Richard Wagner’s Judaism in Music (1850) to get a taste of an equally cultivated European grappling with a similar problematic as Jefferson.
And the answers, of course, that Jefferson mooted—deportation, elimination—point us, as I said, forward. It’s not to say he was a fascist; too many other elements would have to cohere for that to occur. But he was laboring in nearby vineyards. Again, because unlike many of brethren, North and South, he truly grappled with the problem of how a dominant majority must deal with a despised minority when it has been forced upon the national scene.


December 1, 2012
Thomas Jefferson: American Fascist?
It’s Old Home Week in the American media. First there was the welcome back of Abraham Lincoln (and the brouhaha over the Spielberg film). Now Thomas Jefferson is in the news. But where it was Lincoln the emancipator we were hailing earlier in the week, it’s Jefferson the slaveholder who’s now getting all the press.
Yesterday in the New York Times, legal historian Paul Finkelman wrote a bruising attack on Jefferson titled “The Monster of Monticello.” This was a followup to some of the controversy surrounding the publication of Henry Wiencek’s new book on Jefferson, which makes Jefferson’s slaveholding central to his legacy.
Finkelman’s essay has already prompted some pushback. David Post at The Volokh Conspiracy (h/t Samir Chopra) wrote:
Jefferson, Finkelman tells us, was not a “particularly kind” slave-master; he sometimes “punished slaves by selling them away from their families and friends, a retaliation that was incomprehensibly cruel even at the time.” And he believed that ”blacks’ ability to reason was ‘much inferior’ to whites’ and that they were “in imagination they are dull, tasteless, and anomalous.” So what? Really – so what? If you want to think that he was a bad guy — or even a really bad guy, with truly grievous personal faults — you’re free to do so. But to claim that that has something to do with Jefferson’s historical legacy is truly preposterous.
Jefferson’s real legacy, says Post, is not what he did or didn’t do to his slaves—that’s a strictly personal failing, I guess—but the glorious words he wrote in The Declaration of Independence. We hold these truths…you know the drill. (Various folks on Twitter have made similar claims to me.) Post also links to a short paper he wrote on Jefferson’s contributions to the cause of antislavery.
In that paper, Post liberally quotes from Jefferson’s Notes on the State of Virginia, “an extraordinary book” according to Post, in which Jefferson does voice some of his ambivalence over slavery. Curiously, Post never cites the lengthy and disturbing passages from Query XIV, where Jefferson offers his most considered views on the nature and status of black people and their fate in America. And it’s clear why. It makes for chilling reading. I’ll just cite some brief excerpts here:
The first difference which strikes us is that of colour. Whether the black of the negro resides in the reticular membrane between the skin and scarf-skin, or in the scarf-skin itself; whether it proceeds from the colour of the blood, the colour of the bile, or from that of some other secretion, the difference is fixed in nature, and is as real as if its seat and cause were better known to us. And is this difference of no importance? Is it not the foundation of a greater or less share of beauty in the two races? Are not the fine mixtures of red and white, the expressions of every passion by greater or less suffusions of colour in the one, preferable to that eternal monotony, which reigns in the countenances, that immoveable veil of black which covers all the emotions of the other race? Add to these, flowing hair, a more elegant symmetry of form, their own judgment in favour of the whites, declared by their preference of them, as uniformly as is the preference of the Oranootan for the black women over those of his own species. The circumstance of superior beauty, is thought worthy attention in the propagation of our horses, dogs, and other domestic animals; why not in that of man? Besides those of colour, figure, and hair, there are other physical distinctions proving a difference of race. They have less hair on the face and body. They secrete less by the kidnies, and more by the glands of the skin, which gives them a very strong and disagreeable odour. This greater degree of transpiration renders them more tolerant of heat, and less so of cold, than the whites. Perhaps too a difference of structure in the pulmonary apparatus, which a late ingenious experimentalist has discovered to be the principal regulator of animal heat, may have disabled them from extricating, in the act of inspiration, so much of that fluid from the outer air, or obliged them in expiration, to part with more of it. They seem to require less sleep. A black, after hard labour through the day, will be induced by the slightest amusements to sit up till midnight, or later, though knowing he must be out with the first dawn of the morning. They are at least as brave, and more adventuresome. But this may perhaps proceed from a want of forethought, which prevents their seeing a danger till it be present. When present, they do not go through it with more coolness or steadiness than the whites. They are more ardent after their female: but love seems with them to be more an eager desire, than a tender delicate mixture of sentiment and sensation. Their griefs are transient. Those numberless afflictions, which render it doubtful whether heaven has given life to us in mercy or in wrath, are less felt, and sooner forgotten with them. In general, their existence appears to participate more of sensation than reflection. To this must be ascribed their disposition to sleep when abstracted from their diversions, and unemployed in labour. An animal whose body is at rest, and who does not reflect, must be disposed to sleep of course. Comparing them by their faculties of memory, reason, and imagination, it appears to me, that in memory they are equal to the whites; in reason much inferior, as I think one could scarcely be found capable of tracing and comprehending the investigations of Euclid; and that in imagination they are dull, tasteless, and anomalous. It would be unfair to follow them to Africa for this investigation.
…
The Indians, with no advantages of this kind [as that enjoyed by black slaves in America], will often carve figures on their pipes not destitute of design and merit. They will crayon out an animal, a plant, or a country, so as to prove the existence of a germ in their minds which only wants cultivation. They astonish you with strokes of the most sublime oratory; such as prove their reason and sentiment strong, their imagination glowing and elevated. But never yet could I find that a black had uttered a thought above the level of plain narration; never see even an elementary trait of painting or sculpture. In music they are more generally gifted than the whites with accurate ears for tune and time, and they have been found capable of imagining a small catch. Whether they will be equal to the composition of a more extensive run of melody, or of complicated harmony, is yet to be proved. Misery is often the parent of the most affecting touches in poetry. — Among the blacks is misery enough, God knows, but no poetry. Love is the peculiar oestrum of the poet. Their love is ardent, but it kindles the senses only, not the imagination. Religion indeed has produced a Phyllis Whately; but it could not produce a poet. The compositions published under her name are below the dignity of criticism. The heroes of the Dunciad are to her, as Hercules to the author of that poem. Ignatius Sancho has approached nearer to merit in composition…But his imagination is wild and extravagant, escapes incessantly from every restraint of reason and taste, and, in the course of its vagaries, leaves a tract of thought as incoherent and eccentric, as is the course of a meteor through the sky. His subjects should often have led him to a process of sober reasoning: yet we find him always substituting sentiment for demonstration. Upon the whole, though we admit him to the first place among those of his own colour who have presented themselves to the public judgment, yet when we compare him with the writers of the race among whom he lived, and particularly with the epistolary class, in which he has taken his own stand, we are compelled to enroll him at the bottom of the column.
…
With the Romans, the regular method of taking the evidence of their slaves was under torture. Here it has been thought better never to resort to their evidence. When a master was murdered, all his slaves, in the same house, or within hearing, were condemned to death. Here punishment falls on the guilty only, and as precise proof is required against him as against a freeman. Yet notwithstanding these and other discouraging circumstances among the Romans, their slaves were often their rarest artists. They excelled too in science, insomuch as to be usually employed as tutors to their master’s children. Epictetus, Terence, and Phaedrus, were slaves. But they were of the race of whites. It is not their condition then, but nature, which has produced the distinction.
…
To our reproach it must be said, that though for a century and a half we have had under our eyes the races of black and of red men, they have never yet been viewed by us as subjects of natural history. I advance it therefore as a suspicion only, that the blacks, whether originally a distinct race, or made distinct by time and circumstances, are inferior to the whites in the endowments both of body and mind. It is not against experience to suppose, that different species of the same genus, or varieties of the same species, may possess different qualifications. Will not a lover of natural history then, one who views the gradations in all the races of animals with the eye of philosophy, excuse an effort to keep those in the department of man as distinct as nature has formed them? This unfortunate difference of colour, and perhaps of faculty, is a powerful obstacle to the emancipation of these people. Many of their advocates, while they wish to vindicate the liberty of human nature, are anxious also to preserve its dignity and beauty. Some of these, embarrassed by the question `What further is to be done with them?’ join themselves in opposition with those who are actuated by sordid avarice only. Among the Romans emancipation required but one effort. The slave, when made free, might mix with, without staining the blood of his master. But with us a second is necessary, unknown to history. When freed, he is to be removed beyond the reach of mixture.
I bring up these passages less because I’m interested in Post’s omissions and his arguments than because of the general way the debate about Jefferson has been framed thus far. The basic idea seems to be that Jefferson had some fine ideas—and terrible practices. And whatever of his legacy that’s terrible, the argument goes, is entirely caught up with, and consumed by, the institution of slavery. So once we abolish slavery, thanks in part to the words of the Declaration that Jefferson wrote, we’re in the land of the good Jefferson.
But as this passage in Notes on the State of Virginia suggests, Jefferson’s real and lasting contribution to the American experiment is not exhausted either by the Declaration or by the institution of slavery. It is as a theorist of race domination—of white supremacy, of the perdurability of race (and specifically the black race), of the ineradicable shallowness of blackness as against the textured profundity of whiteness—that he stands out. And that is a legacy that persists to this day.
Jefferson was not a liberal hypocrite, a symptom of his time. He was the avant garde of a group of American theorists who were struggling to reconcile the ideals of the Declaration with the reality of chattel slavery. His resolution of that struggle took the form of one of the most vicious doctrines of racial supremacy the world had yet seen. That is his legacy, or at least part of his legacy. He was by no means the only one to take this route, but he was one of the earliest and easily the most famous. He is the tributary of what would become an American tradition.
And as I argue in what follows, which is an excerpt from a paper on Louis Hartz that I never published (though a passage or two of it may appear in The Reactionary Mind), Jefferson’s race theory—along with that of such men as Thomas Dew, James Henry Hammond, and William Harper, who feature prominently in my discussion—points not only to the eighteenth century (he was much more than a man of his times) and not only to the categories of liberalism and republicanism, which are so familiar to US intellectual historians. It also points, albeit only in a suggestive way, to the future, to the twentieth century and European doctrines of racialized fascism.
Jefferson, I would submit, should be remembered not only as the writer of the Declaration of Independence and owner of slaves, but also as a contributor, along with his successors, to a doctrine of race war and what Hannah Arendt would later call, in another context, “race imperialism”—which would find its ultimate fulfillment a century later, and a continent away.
In the interest of legibility and flow, I’ve eliminated all the footnotes
● ● ● ● ●
Racism was tailor made to the counterrevolutionary task of combating abolition, of reconciling the Declaration of Independence with the reality of chattel slavery. It combined ideas of equality and inequality, and fused the radical’s vision of political plasticity with the conservative’s notion of the stubbornness of history. It proved an ideology of extraordinary and protean—extraordinary because protean—resilience, precisely because it had something for everyone, save of course for the slaves themselves.
According to Josiah Nott, races are “marked by peculiarities of structure, which have always been constant and undeviating. Human races—as opposed to other species of animal or plant—are particularly immutable.” From these deep and enduring differences of physical structure, moral differences, equally enduring, followed. “Is it not a law of nature, that every permanent animal form…carries with its physical type a moral of its own, which cannot be obliterated, changed, or transferred to another, so long as the physique stands?”
More than classifying men and women into distinctive types, slavery’s racial theorists made the quite radical argument that humanity’s every attempt to rise above its physical nature was a misbegotten enterprise. We are, they claimed, beings of the utmost and comprehensive constraint. Our character, personality, individuality—none of these is self-fashioned or amenable to artifice. Each is an irrevocable and irreversible given.
If the intransigence of biology was the back-story of race, it followed that there was only one race, properly understood, in America: the black race. According to Nott, white people reason, imagine, and create—activities of transcendence that do not jibe with the liabilities of race. The white man “takes up the march of civilization and presses onward.” He frees himself of his inheritance, his circumstance, history itself. For that reason, “the Caucasian races have been the only truly progressive races of history,” which means nothing so much as that whites were not a race at all.
Among blacks, however, “one generation does not take up civilization where the last left it and carry it on as does the Caucasian—there it stands immovable; they go as far as instinct extends and no farther.” In the words of Thomas Cobb, the black man’s “mind is never inventive or suggestive. Improvement never enters into his imagination. A trodden path, he will travel for years, without the idea ever suggesting itself to his brain, that a nearer and better way is present before him.” Blacks can no more rise above their station than they can sink below it. They are what they are, have been and will be. As William Harper wrote, “A slave has no hope that by a course of integrity, he can materially elevate his condition in society, nor can his offence materially depress it…he has no character to establish or lose.” Even contempt or scorn, claimed Harper, would not spur the black race to do better.
Writing long before these theories of racial difference were fully formulated, Thomas Jefferson offered a glimpse of what it means to think of blacks as a race, as the race, and whites as individuals. Blacks are brave, he says, but this is due to “want of forethought.” The black man is “ardent,” but this is lust, not love. “In general,” he says, “their existence appears to participate more of sensation than reflection.” In “imagination they are dull, tasteless, and anomalous.” One can see their brute incapacity for historical transcendence and moral or political freedom in the color of their skin. While whites sport “fine mixtures of red and white,” reflecting the diverse range of passions and sensibilities at their disposal, blacks suffer from the “eternal monotony” of blackness, that “immovable veil” that makes any subtlety or nuance, any gradation of feeling, any distinctiveness or idiosyncrasy of character and personality, impossible.
No mere contradiction or sleight of hand, this dual portrait of whites as individuals and blacks as a race was the perfect counterrevolutionary argument. It ascribed to whites all the virtues of a ruling class—capable of action, freedom, politics itself—and to blacks all the deficits of a class to be ruled. “This unfortunate difference of color, and perhaps of faculty, is a powerful obstacle to the emancipation of these people,” wrote Jefferson of black slaves. Even among free blacks in the North, Thomas Dew argued, “the animal part of the man gains the victory over the moral.” After the Civil War, Nott would write that “all the powers of the Freedmen’s Bureau, or ‘gates of hell cannot prevail against them’ [the inequalities between whites and blacks].”
But while race thinking prescribed the most vicious forms of domination, it also absorbed a mutant strain of the egalitarianism then roiling America and turned it into a justification for slavery. “Jack Cade, the English reformer, wished all mankind to be brought to one common level,” wrote Dew. “We believe slavery, in the United States, has accomplished this.” By freeing whites from “menial and low offices,” slavery had eliminated “the greatest cause of distinction and separation of the ranks of society.” Anticipating the writings of W.E.B. DuBois, Edmund Morgan, and David Roediger, the slaveholders openly acknowledged that slavery made white men feel equal. Equal and, more important, superior: under slavery, freedom became a scarce privilege, a prized distinction that just happened to be possessed by all white men. It thus discharged the egalitarian debts of America—not by paying them (Alexander Stephens would claim that the claim of equality in the Declaration of Independence was “fundamentally wrong”) but by democratizing feudalism.
However vigorous were these nods to a feudal—if democratized—past, the defenders of slavery remained firmly fixed upon the future. Refusing the identity of the staid traditionalist, they preferred the title of the heretic and the scientist, that fugitive intelligence who marched to his own drummer and thereby advanced the cause of progress and civilization. John C. Calhoun compared the criticisms he received for his positions to the “denunciation” that had fallen “upon Galileo and Bacon when they first unfolded the great discoveries which have immortalized their names.” Like all the great modern—William Harvey, Adam Smith, David Ricardo, and James Mill were also among their other models—the slaveholders were guided, or claimed to be guided, by the light of truth and reason. Just as Galileo was initially persecuted and now revered, so would the South one day be hailed for its innovations. “May we not,” asked Stephens, “look with confidence to the ultimate universal acknowledgment of the truths upon which our system rests?” In 1837, Calhoun declared that the “experiment” of racialized slavery “was in progress, but had not been completed.” The “judgment” of society, he warned, “should be postponed for another ten years,” when the experiment would presumably be concluded.
But there was another side to this embrace of the fugitive intellect: the acute sense of wounded victimhood, which sounded like nothing so much as the grievances of a revolutionary class in the making. The master class performed that strange alchemy, so peculiar to privileged groups, by which the enjoyment of power—not just on the plantation or in the South but in national political institutions as well—is turned into the anxiety of persecution. Calhoun was the master of this transposition, borrowing directly from the abolitionist canon to make the case that it was the slaveholder that was the true slave. He compared the tariff to the exploitation and extraction of slavery and the federal government’s use of coercive power against the states to the “bond between master and slave—a union of exaction on one side and of unqualified obedience on the other.” Burke made a similar move in his account of the fate of Marie Antoinette during the French Revolution: his treatment of the hounded queen resembles those stories of feminine victimhood—think of Richardson’s Pamela—that Lynn Hunt has recently argued helped give rise to the popular discourse of human rights during the eighteenth century.
The slaveholders’ sense of being besieged was not imaginary: outside of Brazil and the Caribbean, they were a lonely outpost of domination; with the abolitionists beginning to gain traction in some northern circles, they were acutely aware—Calhoun earlier than most—of the writing on the wall. Even so, their perception of themselves as aggrieved subalterns subjugated by imperious elites reflects more than a prophetic realism. It testifies to the curious ways in which a revolutionary idiom can infiltrate the most exalted of classes. “We…are in a hopeless minority in our own confederated republic,” cried Harper. “We can have no hearing before the tribunal of the civilized world.”
With their orientation to the future and acute sense of victimhood, the southern writers adopted an ethos geared less to liberalism or conservatism—ideologies arising from previous centuries of European conflict—than to fascism, the one ism of the twentieth century that could and would make a legitimate claim to novelty. They beat the drums of race war. Like the Nazis ca. 1940, they offered deportation and extermination as final solutions to the Negro Question. If blacks were set free, Jefferson warned, it would “produce convulsions which will probably never end but in the extermination of one race or the other.” The only alternative was an “effort…unknown to history. When freed, he [the slave] is to be removed beyond the mixture.” Anticipating the writings of Robert Brassilach, the French fascist who argued that compassion meant that Jewish children should be deported from France with their parents, Dew claimed, “If our slaves are ever to be sent away in any systematic manner, humanity demands that they should be carried in families.” If the slaves were freed, Harper concluded, “one race must be driven out by the other, or exterminated, or again enslaved.”
Like the Nazis, the defenders of slavery spoke of lebensraum. We often forget that Hitler, in Mein Kampf, spurned Europe’s pursuit of overseas colonies, arguing instead that his countrymen should “direct [their] eyes toward the land in the East” where Germany could escape the industrial present and build an agrarian future. In Poland and Russia, the Germans could “finally put an end to the prewar colonial and trade policy and change over to the land policy of the future” based on the slave labor of the Slavic peoples. The slaveholders spoke of expanding to the west, where they too would create an alternative modernity, an agricultural utopia that would validate their new political economy of land and forced labor. They dreamed of vast empires, like the Roman or the Egyptian, but on the Mississippi. (Why Memphis, after all, or Cairo, Illinois?) “In our own country, look at the lower valley of the Mississippi,” wrote Harper, “which is capable of being made a far greater Egypt.” In “the great valley of the Mississippi” James Hammond thought he saw “the acknowledged seat of the empire of the world,” perhaps even “an empire that shall rule the world.”
Lurking beneath the South’s notions of race war and land empires was a vision of life as permanent struggle, of history as a ledger of agonistic conflict. Not for the slaveholders the pastorals of old Europe, where time stood still or moved forward at glacial pace. “Mutation and progress is the condition of human affairs,” wrote Harper. Like Nietzsche and the Social Darwinists, the master class believed that social friction and political contest made for passion and greatness. The problem with the abolitionist creed, Harper argued, was that it would create a society where “if there is little suffering, there is little high enjoyment. The even flow of the life forbids the high excitement which is necessary for it.” Only in struggle and domination could “the moral and intellectual faculties…be cultivated to their highest perfection.” Better the inequality of slavery, which allows for the highest cultivation of the few, than the mediocrity of equality. Only the “inequality of condition between the front and rear ranks,” wrote Calhoun, gives “so strong an impulse to the former to maintain their position, and to the latter to press forward into their files.” Only inequality, in other words, would guarantee “the march of progress.” Slavery, Dew concluded, would produce not only an efficient economy but also the most dynamic and expansive society the world had ever seen.


November 30, 2012
Brian Leiter on Nietzsche and Ressentiment
In his excellent book Nietzsche on Morality, which I highly recommend to everyone, Brian Leiter has one of those lovely little footnotes, which you so rarely find in academic scholarship, that clears up a confusion I’ve long had in my head.
Bittner (1994: 128) points out that, “The German word [ressentiment]…needs to be distinguished from the French word spelled and pronounced alike, which is also its source. The words need to be distinguished because they differ in sense…[B]oth ‘to resent’ in English and ‘ressentir‘ in French suggest a more straightforward annoyance, less of a grudge than the German word does.” Bittner’s point is confirmed by the fact that in the German, Nietzsche does not italicize “ressentiment” except for occasional emphasis: Nietzsche treats the word like any other German word. This, of course, is lost in the English, where most translators continue to use Nietzsche’s German word, thus italicizing it.
That’s all.


November 29, 2012
Dwight Garner: Meet George Orwell
Dwight Garner on Katie Roiphe:
Ms. Roiphe’s are how you want your essays to sound: lean and literate, not unlike Orwell’s, with a frightening ratio of velocity to torque.
George Orwell on “Politics and the English Language“:
…banal statements are given an appearance of profundity by means of the not un- formation.


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