Yvonna Russell's Blog

MAD Museum Luncheon for Douriean Fletcher

Douriean Fletcher and Barbara Tober PHOTOS BY PATRICK MCMULLAN

Find your tribe and love them hard. Chairman Emerita Barbara Tober, along with Tim Rodgers, Director, invited museum friends to a day at the Museum of Arts and Design (MAD) to celebrate the opening of Douriean Fletcher: Jewelry of the Afrofuture.

Janna Bullock, Nicole Miller, Nikoa Evans PHOTOS BY PATRICK MCMULLANSharon Bush, Layla Diba PHOTOS BY PATRICK MCMULLANCarrie Rebora Barratt and Kay Unger PHOTOS BY PATRICK MCMULLAN

Barbara hosted a swank luncheon at Robert Restaurant on the afternoon of Wednesday, October 8, 2025.

Rene Saheb, Douriean Fletcher PHOTOS BY PATRICK MCMULLANMark Anthony Edwards, B. Michael, Douriean Fletcher, Sebastian Grant PHOTOS BY PATRICK MCMULLANMachine Dazzle and Tinu Naija PHOTOS BY PATRICK MCMULLANNadja Sayej, Laural Marcus PHOTOS BY PATRICK MCMULLAN

The beautiful artist and iconic philanthropist welcomed guests Carrie Rebora Barratt, Janna Bullock, Sharon Bush, Barbara Cirkva, Machine Dazzle, Layla S. Diba, Helen Drutt, Layla S. Diba, Isabelle Harnoncourt Feigen, Susan Gutfreund, Dr. Bruce C. Horten, LaVon Kellner, Elbrun Kimmelman, Michele Gerber Klein, Thomas Knapp, B. Michael, Nicole Miller, Chris Minev, Tinu Naija, Cheryl R. Riley, Kay Unger, and Rolonda Watts.

Dr. Bruce C. Horten, Barbara Tober, LaVon Kellner PHOTOS BY PATRICK MCMULLANElbrun Kimmelman, Susan Gutfreund PHOTOS BY PATRICK MCMULLANTim Rodgers PHOTOS BY PATRICK MCMULLAN

The delicious lunch preceded a conversation led by MAD Senior Curator Barbara Paris Gifford and co-curator Sebastian Grant, who spoke eloquently in a conversation with artist Douriean Fletcher.

Douriean Fletcher, Sebastian Grant, Barbara Paris Gifford PHOTOS BY PATRICK MCMULLAN

“Douriean is the very first jeweler to be recognized by the Motion Picture Costumer Union, a very high honor,” said Gifford. “Usually when we’re talking about a film, we know the director, the production designer, the costume designer — but we don’t necessarily know about all the craftspeople who work on those films. Douriean is one of those people who makes magic happen on the big screen.”

Douriean Fletcher, Sebastian Grant, Barbara Paris Gifford PHOTOS BY PATRICK MCMULLAN

Fletcher said, “To me, Afrofuturism means putting me, or one who identifies as Black or African, in the middle of their own story — removing Eurocentric ideals and beliefs and really putting themselves in the middle of their fashion, their decor, their story, their identity, their religion, their spiritual beliefs, and finding strength in that.”

Artist and Jeweler Douriean Fletcher’s new exhibition is a deep dive into her process, travels, accomplishments, and work in artisan jewelry. The exhibition evolved over three years and showcases 75 works that trace Fletcher’s journey from self-taught metalsmith to influential designer.

Douriean Fletcher: Jewelry of the Afrofuture Photo courtesy of MAD museum

After mastering her craft, exploring her heritage, and traveling to Africa, Douriean discovered her artistry. Fate stepped in when two-time Oscar-winning costume designer Ruth Carter tapped her talent for jewelry design for feature films, Coming 2 America, Black Panther, and Black Panther: Wakanda Forever.

The exhibition’s centerpiece is the breastplate created for Angela Bassett’s Queen Ramonda in Marvel Studios’ Black Panther: Wakanda Forever.

Douriean Fletcher: Jewelry of the Afrofuture Photo courtesy of MAD museum

Fletcher said, “It was important to me to put as many stones on this breastplate as possible because in media and film, we don’t see Africans wearing their own resources. I wanted to really show the beauty of these semi-precious stones in Africa and see an African queen wearing her own resources.”

Messenger Collection, gold and semi-precious stones, c. 2021 Photo: Brittany Johnson.

Crafted from brass, gold, and semi-precious stones, her sculptural adornments explore Afrofuturism, Black identity, and the cultural connections between African and African American jewelry traditions. The exhibition highlights her vision of art as a bridge uniting communities and histories divided by colonialism and oppression.

Messenger Collection, gold and semi-precious stones, c. 2021 Photo: Brittany Johnson.

Douriean’s jewelry collection has been retailed at Bergdorf Goodman, and limited editions are available at The Store at MAD. MAD champions contemporary makers across creative fields, presenting artists, designers, and artisans who apply the highest level of ingenuity and skill to their work.

Messenger Collection, gold and semi-precious stones, c. 2021 Photo: Brittany Johnson.

Douriean Fletcher: Jewelry of the Afrofuture is on view through May 15, 2026, at the Museum of Art and Design in Manhattan.

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Casita Maria Fiesta 2025 Kickoff

Kamie Lightburn, Barbara Tober, Jacqueline Weld Drake, Tina Vidal-Duart

The crown jewel of the New York benefit gala season, Casita Maria’s Fiesta, has for decades been the signature fundraiser, supporting arts education and youth programs in the South Bronx and East Harlem while celebrating the organization’s now 91 years of service.

Prince Dimitri of Yugoslavia, Mai Hallingby, Edgar Battista, Michele Gerber Klein, Cheri Kaufman.Joan Hardy Clark, Jacqueline Weld Drake, August Quinn, Topper Quinn

Casita Maria celebrated the upcoming 25th annual Fiesta with a kickoff cocktail party at Findlay Galleries in Midtown Manhattan on the evening of September 18th. Fabulous gala chair Jackie Weld, fresh from a trip to London and the South of France, greeted board members, honorees, and supporters.

Jackie Weld Drake, Prince Dimitri of YugoslaviaFred Clark, Stephanie Clark

Guests were welcomed by Findlay Galleries owners Stephanie and Fred Clark, who graciously hosted the cocktail party among the current exhibition of artist Amy Grantham and treasured master paintings by Georges Braque, Childe Hassan, Jean Dufy, Marc Chagall, and Pierre Bonnard. Guests were tempted with an open bar and hors d’oeuvres in the elegant space overlooking 57th Street.

Barbara Tober, Prince Dimitri of Yugoslavia

The gala cochair, HRH Prince Dimitri of Yugoslavia, and Board Trustees, Martha Bograd, Michèle Gerber Klein, Patrick Moran, and Jean Shafiroff, arrived with equally exciting adventures, but none more important than this evening.

Jacqueline Weld Drake, Jean Shafiroff

“This event is to thank all our supporters and people that we love–” said Casita Maria Board Chair Jacqueline Weld Drake, “and we hope that you will all buy tickets, if not tables, and meet us all at Fiesta! as this year is truly special. We’re honoring my dear friends Kamie Lightburn, David X. Sánchez (a.k.a. David Daxsen), and Tina Vidal-Duart — each recognized for their work in youth empowerment, cultural leadership, and community advancement. Barbara Tober will also receive the special Jackie Award, recognizing her long standing service in support of Casita Maria’s mission and her many philanthropic projects.”

Susan Gutfreund, Katlean de Monchy

The event also drew distinguished supporters Muffie Potter Aston, Peter Bacanovic, Paola Bacchini, Edgar Batista, Louis and Cece Black, Kathy Bleznak, Lady Liliana and Lord William Cavendish, Angela Chen, Joan Hardy Clark, Lee Fryd, Susan Gutfreund, Mai Hallingby, Cheri Kaufman, Margo Langenberg, Christopher Mason, Brock Pierce, Encarnita and Robert Quinlan, Topper Quinn, Marc Rosen, Hunt Slonem, Mary Snow, Kyle Thompson, and Saundra Whitney.

Kamie Lightburn, Muffie Potter AstonMarc Rosen, Jamie Sarquitly

On the evening of October 20th at The Plaza Hotel, Casita Maria will honor philantrophist and entrepreneur Kamie Lightburn who currently serves as a Trustee of Youth America Grand Prix, The Foundation Board of FIT, The New York Academy of Art and the board of the Society of Memorial Sloan Kettering Cancer Center, CEO of CDR Health Care and Board Chair of the Florida Grand Opera Tina Vidal-Duart, and world-renowned Grammy-winning tenor saxophonist and composer David X. A special Jackie award will be presented to Barbara Tober iconic arts patron, philanthropist, active Board member and supporter of The Metropolitan Museum of Art, The Metropolitan Opera, New York Philharmonic, New York City Ballet, Lincoln Center, and the Chairman Emerita of the Museum of Arts and Design.

Margo Langenberg, Edgar Battista, Angela ChenJacqueline Weld Drake, Hunt Slonem, Liliana Cavendish, Mike Cavendish

Save the date for the black-tie gala on the evening of October 20th at the New York landmark Plaza Hotel, where you can celebrate Fiesta 2025 with a cocktail party, sumptuous dinner, and dancing to live Latin music.

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The Casita Maria Center for Arts & Education provides arts education, leadership development, and comprehensive support to young people in the South Bronx and East Harlem.

PHOTOS BY ANNIE WATT AGENCY / JOHN SANDERSON

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NARDOS PRESENTS SPRING / SUMMER 2026 COLLECTION

Nardos Ingram and the finale walk (Photo Credit: Courtesy of NARDOS)

All fairytales should begin like this as the luxury fashion house NARDOS unveiled its Spring/Summer 2026 collection at The Pierre Hotel on the morning of Tuesday, September 16th, in New York City.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

Creative Director Nardos Imam’s intricate and unparalleled approach to her signature luxury design captured the whispers of renewal, the organic curves found in nature, and the poetry of romance that is only found in Spring.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

The Grand Ballroom of the Pierre Hotel was abundant in flowers as guests took to gilt chairs adorned with ribbons and gift bags. Her New York Fashion Week 2026 show of 53 looks of modern elegance blended with old-world romance began with a hush of admiration from the first delicious gown, followed by royal ballgowns, sexy minidresses, jumpsuits, tea-length dresses, svelte evening gowns, flowing trousers, and cheeky peplum shorts.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

The collection’s color palette of rose, hydrangea, wildflower, mint, lavender, canary yellow, and sky blue may have been inspired by spring gardens in bloom. The high-end fabrics of silk, lace, charmeuse, organza, tulle, and taffeta beheld hand-applied, detailed embellishments of embroidery and beading. The fashion audience slipped into a trance from the mesmerizing showcase of elevated bespoke couture.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

Anyone’s wish list would include the white charmeuse strapless jumpsuit draped with cascading pearls, a Mikado print gusset-pleated jacket with a silk fall hand-appliquéd floral skirt, and the French print organza strapless gown with embossed florals and a pleated overskirt, and the dusty pink gown with dramatic 3D beaded flowers, and a soft organza finish. The finale was the gilded lace ballgown with metallic blooms and 3D branch detail.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

No show would be complete without styling the carefree coiffures by Matthew Curtis with Goldwell and the seductive whisper of makeup by Marcello Costa. JJR Designer Jonathan Joseph Rosse’s diamond and colorful gem jewelry complemented but did not compete with the stunning fashion designs. The models glided gracefully in Manolo Blahnik chasseurs, with coordinating colors and crystal embellishments.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

Imam’s designs embody her belief that clothing should stir emotion — textiles “dancing” as they move, telling stories without words.

“Fashion is not only what you wear, but what you feel. My hope is that each piece awakens beauty, strength, and renewal with in you” shares Nardos Imam.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

If you’re not familiar, NARDOS is a luxury fashion house renowned for its haute couture artistry. Surrounded by the sound of her mother sewing in her home in Eritrea, Nardos Imam was inspired to pursue a career in the fashion industry. After moving to Dallas, Texas, and graduating, she went on to become the in-house designer at Stanley Korshak. Thirteen years ago, Nardos Imaam launched her fashion house, NARDOS Couture. One of the most sought-after designers for evening wear, couture, bridal wear, ready-to-wear clothing, and accessories, Nardos has flagship stores in Manhattan and Dallas.

Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)Nardos Spring Summer Collection 26 (Photo Credit: Courtesy of NARDOS)

The show, styled by Imam and Grazia USA Editor-in-Chief Joseph Erico, was a triumphant celebration of women, offering both strength and romance in their dressing, and carrying forward her vision of fashion as a living story.

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The Denyce Graves Foundation Harvest Moon Gala Kickoff

Ann Gottlieb, Denyce Graves, Barbara Tober, Suzi Cordish (Photo Patrick McMullan)

As the sunset on a beautiful September 9th evening in Manhattan, a private cocktail party and opera program for The Denyce Graves Foundation took place at The Cosmopolitan Club. Emmy® and Grammy® award-winning, world-renowned opera star Denyce Graves hosted alongside the gala’s honorary chairs, Barbara Tober and Suzi Cordish, and gala chair Ann Gottlieb to celebrate the upcoming Harvest Moon Gala.

Betsy McCaughey, Barbara Tober, Suzi Cordish and Sharon King Hoge (Photo Patrick McMullan)

Denyce’s storied career has led her to this moment, as she founded the nonprofit organization The Denyce Graves Foundation to celebrate trailblazing musicians, music educators, and composers of color through community engagement programs, concerts and presentations, the creation of new works of art, and the establishment of young artist development training. The Foundation sets the stage for true representation in American vocal arts by providing opportunities, access, and exposure that all singers need to take ownership of their talent and shape their own fulfilling careers.

Denyce Graves (Photo Patrick McMullan)

With the stunning soprano at her side, Barbara Tober described Denyce as, “So beautiful! Her voice and the voice of all of the young people in her Foundation’s program, they are the future, and they are announcing one by one, incredible talent.”

Ann Gottlieb, Richard Troxell (Photo Patrick McMullan)Colleen Keegan, Suzi Cordish (Photo Patrick McMullan)

This was echoed by her co-chair Suzi Cordish, “Ten years ago, I was lucky to discover this organization. What they are doing is so important. The October 6th Gala is the first time the Denyce Graves Foundation had an event in New York City. It will be thrilling. Please join us.”

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Philanthropist par excellence Barbara Tober invited opera loving friends for the party Robert Ainsley, Yanna Avis, Eldric Bashful, Edgar Batista, Janna Bullock, Kym Canter, Machine Dazzle, Priti Gandhi, April Gow, Susan Gutfreund, Nejma Khanum Beard and daughter Sara Beard, Andrew Martin-Weber, Betsy McCaughey and Paul Batista, Bernadette Murray, Ann Nitze, Bill Palant, Jamie Saakvitne, Alexa Smith and Anthony Tommasini, Michele Gerber Klein as well as Foundation board member Clyde Jones.

Pamela Taylor Yates, Barbara Tober, Rosemary McNeely, Ann Nitze (Photo Patrick McMullan)

The social season is here, so champagne flowed, and canapés of crab cakes, duck mousse, smoked salmon, and spring rolls were passed around on silver trays as guests enjoyed the stately salon and balcony of The Cosmopolitan Club.

Machine Dazzle, Andrew Martin-Weber (Photos Patrick McMullan)Claudia Catania, Eldric Bashful, Julie Goddard (Photo Patrick McMullan)

The great beauty and talent shimmered in a black feather cocktail dress and diamonds, Denyce spoke.

“I love performing but teaching changed my life. When I started this Foundation, it was a dream I didn’t know that I had. Now we’ve the great joy of introducing these young people to you. I’m incredibly proud of the way that they support each other. I know that there’s a rumor how, on stage, we’re out to kill. Let me tell you, there’s love and a lot of support.”

Laura Ward, Inayah Raheem, Hannah Jones, Denyce Graves, Lauren Torey and Symone Harcum (Photo Patrick McMullan)

Beaming, she was proud to introduce four singers in the Shared Voices foundation program: Inayah Raheem, Hannah Jones, Lauren Torey, and Symone Harcum. The divas sang opera and popular ballads, each in turn receiving bravos and applause from the awed audience.

Eldric Bashful, Clyde JonesPriti Gandhi, Richard TroxellYanna Avis, Edgar Batista (Photo Patrick McMullan)

The Harvest Moon Gala will honor tenor Andrea Bocelli, who will perform. Also being honored are the Artistic Director for Washington National Opera, Francesca Zambello, philanthropist and singer Chandrika Tandon, and singer, composer, and founder of the African Diaspora Project, Dr. Louise Toppin. The gala on October 6th at Gustavinos will welcome black tie guests, including legends Martina Arroyo, Kathleen Battle, Deepak Chopra, Matthew Epstein, Simon Estes, Sherrill Milnes, Neil Shicoff, George Shirley, and Twyla Tharp.

Eugene Kohn, Kym Canter, George Grella (Photo Patrick McMullan)Julie Goddard, Hannah Jones, Alexa Smith (Photo Patrick McMullan)

A magical night of the full harvest moon, the Denyce Graves Foundation Harvest Moon Gala, is Monday evening, October 6th, in Manhattan.

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VERDAVAINNE: Spring 2026

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

Ilya Serov crooned “C’est si bon” as statuesque models astonished in dramatic style at VERDAVAINNE Spring 2026 Runway Show on Thursday, September 4th in Manhattan. Press, fashionistas, socialites, stylists, and buyers were entranced on the edge of gold chairs inside the landmark’s private restaurant at Cipriani Wall Street to view the Spring/Summer 2026 collection.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

The luxury womenswear label by designer Cyril Verdavainne unveiled like a stroll through a modern garden in bloom, with models as birds of paradise in designs balancing architectural draping with fluid romanticism. As paparazzi took photos, the runway presentation played out onto the block-long balcony framed by iconic granite columns.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

In his own words, Cyril Verdavainne explains what drives his work and defines his latest collection: “My inspiration has always been my client. I design for women who want to feel incredible and at peace with how they look — with silhouettes that are versatile for real life, yet glamorous enough to take her straight from the street to the Emmys.”

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

A spectrum of elegant looks unfolded, dresses and gowns in luminous ivories and periwinkles to bold florals, vivid neons, and gilded metallics. Impossible to have favorites, but the showstoppers, a neon satin ottoman gown stitched with Trapunto detail, a gilded “Temple” motif gown finished with Swarovski crystal buttons, and a closing sequence of golden sequins, champagne “3D Leaf” motifs, and hand-embroidered tulle were distinctive of his artistry and command of both craft and spectacle.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

The sophistication omnipresent in VERDAVAINNE’s brand DNA was evident in meticulous handwork with brocades, Guipure lace, embroidery, and sequins that shimmered under the lights.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

“This season celebrates our signature codes — original VERDAVAINNE prints, trapunto stitch belts, and bold, fresh colors that pop. It’s classic evening wear reimagined with modern textures and unexpected pairings, creating looks that feel effortless, exciting, and unmistakably ours,” notes Verdavainne.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

Yes, exquisite portrait gowns with regal drama ruled the runway. However, playful freshness rocked shirt dresses, shimmering short dresses that danced under the lights, trapeze cocktail dresses with sweeping capes, provocative sheerness, and whispers of lace that would please any sexy nymph.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

Verdavainne’s signature Trapunto belts and sashes provided the collection’s heartbeat, sculpting silhouettes and gracing the waist with dramatic precision.

Cyril Verdavainne speaks to his signature design details, “We discovered early on with our clients that the American woman gravitates toward light, bright, joyful color — she’s not interested in hiding in the dark. That spirit inspires us to design clothes that are clean, modern, and always alive with energy.”

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

Handcrafted couture in his Manhattan atelier; the designer’s custom designs epitomize sophistication, luxury, and elegance. The global fashion journey, from Casablanca to Paris and now New York City, via the Parsons School of Design, includes illustration design for Balmain, Thierry Mugler, and Geoffrey Beene, culminating in his own 25-year-old couture house, which is the designer’s pedigree.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

The gorgeous mannequins with the best legs in the business were coiffed by Mideyah Parker for Bumble and Bumble with maquillage from global director Romero Jennings for Mac Cosmetics and manicures by Julia Sumita for Bisou.

VERDAVAINNE Spring 2026 /Photo Credit: Jason Moy NYC

The VERDAVAINNE: Spring 2026 collection, c’est magnifique.

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The 5th Annual BAAND Together Dance Festival

Alvin Ailey American Dance Theater in Many Angels Photos © Rosalie O’Connor

Pirouettes, relevés, pas de deux, pas de trois, arabesques, échappés; you can’t keep great dancers down. The fifth anniversary of the BAAND Together Dance Festival is back at Lincoln Center for the Performing Arts in New York City.

Alvin Ailey American Dance Theater in Many Angels Photos © Rosalie O’Connor

BAAND is an anagram of the five of NYC’s most iconic dance companies — Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.

Sierra Armstrong and Michael de la Nuez in Midnight Pas de Deux Photos © Rosalie O’Connor

What began during the COVID-19 pandemic, over Zoom and social media, was the finest artists doing what they do best: dance. The bleak times of 2021 gave rise to a new form of collaboration in celebration of the return to live performance. Tumultuous times call for more as the choreographers, dancers, and artistic directors rally to capture the zeitgeist of this moment in time.

Sierra Armstrong and Michael de la Nuez in Midnight Pas de Deux Photos © Rosalie O’Connor

“BAAND Together began as a gesture of hope during a time of crisis. What started as a response to the challenges of COVID has grown into a celebration of what makes New York extraordinary — its creativity, its diversity, and its spirit. These performances remind us that the arts are not just entertainment; they are a vital force that brings people together and lifts us all.” — BAAND Artistic Directors of Ballet Hispánico (Artistic Director & CEO Eduardo Vilaro), Alvin Ailey American Dance Theater (Artistic Director Alicia Graf Mack), American Ballet Theatre (Artistic Director Susan Jaffe), New York City Ballet (Artistic Director Jonathan Stafford, Associate Artistic Director Wendy Whelan), and Dance Theatre of Harlem (Artistic Director Robert Garland).

Opening night on the hot, sultry evening of July 29th at the David H. Koch Theater in Manhattan, the five exceptional performances of beloved programming curated collaboratively by the artistic directors of each company rose to the occasion.

Miriam Miller and Alec Knight of New York City Ballet in Christopher Wheeldon’s After the Rain Pas de Deux. Photos © Rosalie O’Connor

Dance Theatre of Harlem was first with a charismatic, witty contemporary performance of Nyman String Quartet №2 by Robert Garland. The company artists captured the code-switch with abandon. Robert Garland’s inspiration was the defiant 1968 Summer Olympics Track star John Wesley Carlos and DTH founder, Mr. Arthur Mitchell, who started the dance company after the assassination of Martin Luther King Jr., standing for his community and the arts.

Miriam Miller and Alec Knight of New York City Ballet in Christopher Wheeldon’s After the Rain Pas de Deux. Photos © Rosalie O’Connor

After the Rain (Pas de Deux) by Christopher Wheeldon was a sensuous and haunting pas de deux set to Pärt’s Spiegel im Spiegel. Languid and skillfully performed by New York City Ballet company members, Miriam Miller and Alec Knight, magnificently.

Many Angels by Lar Lubovitch questions the 13th-century theologian St. Thomas Aquinas, “How many angels can dance on the head of a pin?”. The Alvin Ailey American Dance Theater company responded with the most poetic and challenging compositions that were mesmerizing.

Dance Theatre of Harlem artists in Nyman String Quartet №2 Photos © Rosalie O’Connor

Midnight Pas de Deux, choreographed by American Ballet Theatre Artistic Director Susan Jaffe, is set to the adagio from Alessandro Marcello’s Oboe Concerto in D minor. The soulful and introspective duet paired Sierra Armstrong and Michael De La Nuez.

Ballet Hispánico’s House of Mad’moiselle, by internationally acclaimed choreographer Annabelle Lopez Ochoa, is a wild romp and a defiant celebration of house culture and fabulous Latin American femininity in a groundbreaking work.

Dance Theatre of Harlem artists in Nyman String Quartet №2 Photos © Rosalie O’Connor

Thanks to the generosity of CHANEL, which has a fifty-year history of dance patronage, BAAND Together Dance Festival offers a rare chance for all audiences to experience the best of the world of dance.

Ballet Hispánico Amanda Ostuni, Olivia Winston, Amanda del Valle, Adam Dario Morales, Andrea Mish, Francesca Levita in House of Mad’moiselle Photos © Rosalie O’Connor

The BAAND Together Dance Festival is part of Summer for the City as Lincoln Center has made the arts more accessible; tickets are available on a Choose-What-You-Pay basis suggested ticket price $35).

Ballet Hispánico Amir J. Baldwin and Amanda del Valle in House of Mad’moiselle Photos © Rosalie O’Connor

Lincoln Center for the Performing Arts (LCPA) is dedicated to ensuring the Lincoln Center campus is a destination that welcomes all. Major support for Lincoln Center Presents and Summer for the City is provided by The Shubert Foundation, the Howard Gilman Foundation, and MOVADO Group Foundation.

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Kudos to National Endowment for the Arts, the New York City Department of Cultural Affairs, Empire State Development, and the New York State Council on the Arts with the support of the Office of the Governor, Mayor of the City of New York, the New York State Legislature and the New York City Council providing public funds for which programs are made possible in challenging times for the arts.

The pièce de résistance! BAAND TOGETHER DANCE FESTIVAL (Jul 29–Aug 2) at Lincoln Center for the Performing Arts in Manhattan.

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Vermeer’s Love Letters

Mistress and Maid oil on Canvas Johannes Vermeer ca.1664–67 (The Frick Collection)

Once upon a time, a handwritten love letter was everything. Vermeer’s Love Letters opens at the Frick Museum today in Manhattan. For the first time, the Dutch master painter Johannes Vermeer’s oil-on-canvas portraits, The Frick’s Mistress and Maid, will be shown alongside special loans from the Rijksmuseum’s Love Letter and the National Gallery of Ireland’s Woman Writing a Letter with Her Maid, united for this special exhibition.

The 17th-century artistic theme of love letters and the unfolding narrative of amorous anticipation, romance, and longing will intrigue viewers. Vermeer’s depiction of leisurely women letter writing, strumming a lute, or desirous in a luxurious fur-lined wrapper. The maidservant is equal parts confidant and trusted courier. Art connoisseurs will notice the signature pearl earrings in each painting.

The Love Letter Oil on canvas Johannes Vermeer ca.1669–70 (Rijksmuseum)

The leading painter of the Dutch Golden Age, Johannes Vermeer (1632–1675), remains a mysterious figure, an art dealer turned artist, a father of eleven children. Due to the Franco-Dutch War, his fortunes and health failed in his 43rd year. Despite his challenging circumstances, Vermeer worked in the most expensive pigment, ultramarine, had no formal training, and produced 50 works of which 34 have survived. His widow sold two paintings to pay a debt to a bakery.

The 220-seat state-of-the-art Stephen Schwartzman Auditorium was where the newly appointed Anna-Maria and Stephen Kellen Director, Axel Rüger, introduced Aimee Ng, John Updike Curator, and Dr. Robert Fucci, guest curator and a distinguished scholar of Dutch art from the University of Amsterdam. Dr. Robert Fucci’s book Vemeer’s Love Letters is published by The Frick Collection and Rizzoli Electa. Fun fact: Aimee Ng appears in the museum’s popular Webby-nominated series and book, Cocktails with a Curator.

Woman Writing a Letter with her Maid Oil on canvas Johannes Vermeer ca.1670–72 (National Gallery of Ireland)

Once the Beaux-Arts home of Gilded Age industrialist Henry Clay Frick, the historic New York City museum has been splendidly transformed for the twenty-first century by a $ 330 million renovation by Selldorf Architects and Beyer Blinder Belle, completed in the spring of 2025. The 70th Street Garden, originally designed by Russell Page, has been restored, maintaining its original flair by public garden designer Lynden B. Miller.

The private art collection of Henry Clay Frick (1849–1919) with masterpieces by Fragonard, Goya, El Greco, Rembrandt, Velasquez, and the Fifth Avenue mansion were donated in 1930 for the public good and enjoyment. The Frick Collection has expanded to 1,800 works of Old Master paintings and outstanding examples of European sculpture and decorative arts.

Friends of Helen Frick posing with Westmoreland railway car near Eagle Rock, the Frick family summer home in Prides Crossing, Massacheuetts ca. 1915 ( The Frick Collection Archives)

Do indulge in the newly opened Westmoreland after being delighted by the Frick’s treasures. The elegant cafe is named for the 1911 private pullman train car, Henry Clay Frick and his wife Helen and daughter Adelaide traveled to their homes.

Westmoreland, the new cafe at The Frick Collection( Photo: William Jess Laird)

Blessed with a commissioned mural by artist Darren Waterston, a Murano glass pendant chandelier, the pastel and moss palette of the cafe has a soothing interior design by BOSS. The elevated American menu from Chef Skyllar Hughes of Italian restaurant Ci Siamo boasts savory dishes of tuna nicoise, tagliatelle pomodoro, and Chicken Milanese with Bagna Càuda Aioli. There are light bites of strawberry tarts, caramelized onion and thyme scones, and kale-ricotta quiche. The charming bar seats four guests and boasts a clever bar menu with cocktails, mocktails, and American and European wines. Reservations are de reiuger for ticketed visitors and museum members for the intimate cafe that seats 50 guests.

Westmoreland, the new cafe at The Frick Collection( Photo: William Jess Laird)

No photography, but feast with your eyes on the exquisite five Vermeers currently in the museum. Two more Vermeer’s Officer and Laughing Girl and Girl Interrupted at Her Music are in the permanent Frick Collection. Vemeer’s Love Letters has been generously funded by the Jasmine Charity Trust in memory of Regina Jaglom Wachchter.

Vermeer’s Love Letters on view at the new Ronald S. Lauder Exhibition Galleries at the Frick Museum in Manhattan June 18th until August 31, 2025.

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MAD About Jewelry 2025

Toni Greenbaum, Michele Cohen, Machine Dazzle, Barbara Tober, Kristen Bateman (PHOTOS BY PATRICK MCMULLAN COMPANY)

The first Monday in May in Manhattan is all about fashion. The stormy day was perfect for a private lunch overlooking scenic Central Park and for shopping at the annual MAD About Jewelry on Monday, May 5th, at the Museum of Art and Design (MAD) in Manhattan.

Donna Soloway, Prince Dimitri of Yugoslavia (PHOTOS BY PATRICK MCMULLAN COMPANY)Joan Hardy Clark, Han Feng (PHOTOS BY PATRICK MCMULLAN COMPANY)

Philanthropist and MAD’s chairman, Emerita Barbara Tober, graciously invited guests to a luncheon and conversation at Robert Restaurant on the top floor of the MAD Museum.

Paul van Ravenstein, Pat Cleveland, Alva Chinn, Antonio Contreras (PHOTOS BY PATRICK MCMULLAN COMPANY)Meriel Lari, Margo Langenberg (PHOTOS BY PATRICK MCMULLAN COMPANY)

Now in its 25th year, MAD About Jewelry is the Museum of Arts and Design’s annual benefit awards celebration and sale of contemporary jewelry.

Toni Greenbaum, Lynn Yaeger, Barbara Paris Gifford (PHOTOS BY PATRICK MCMULLAN COMPANY)

Her fashionable guests included MAD Board Members LaVon Kellner, Barbara Tober, Barbara Waldman, and MAD Curator Elissa Auther, as well as Grimanesa Amoros, Carrie Rebora Barratt, Alva Chinn, Joan Hardy Clark, Pat Cleveland, Paul Van Ravenstein, Machine Dazzle, Tiffany Dubin, Han Feng, Michele Gerber Klein, Susan Gutfreund, Isabelle Harnoncourt Feigen, Margo Langenberg, Bonnie Lautenberg, Jeanne Lawrence, Betsy McCaughey, Katie Ridder, Dame Donna Anne Soloway, Lynn Yaeger, and HRH Prince Dimitri of Yugoslavia.

Tiffany Dubin, Katie Ridder (PHOTOS BY PATRICK MCMULLAN COMPANY)MIchelle Gerber Klein (PHOTOS BY PATRICK MCMULLAN COMPANY)

The delicious lunch at Robert served an entree of Branzino with Pea Leaves & Wild Mushrooms, Citrus Potato Purée, Oreganata, artisan bread, and a selection of red and white wines.

Susan Gutfreund and Lucky (PHOTOS BY PATRICK MCMULLAN COMPANY)

“Everyday I see friends of the museum that understand the beauty of jewelry. Everybody has a certain taste that is just a little different. A little bit special. A little bit creative. And that’s what we do here.” said MAD Director Tim Rodgers.

Tim Rodgers, Lynne MacLachlan (PHOTOS BY PATRICK MCMULLAN COMPANY)

After welcoming remarks by Tim Rodgers, MAD Curator Barbara Paris Gifford and art historian Toni Greenbaum were introduced. The talk was a fascinating conversation about her journey to research African American jewelry designer Art Smith for her book, Messengers of Modernism: American Studio Jewelry 1940–1960.

“Jewelry is wearable sculpture. It’s personal — it tells the world something about you.”, said Greenbaum, adorned in Art Smith jewelry, “Art Smith wasn’t just decorative, it was architectural.”

Lillian Gorbachincky, Barbara Tober, Jane Scher, Dr. Herbert Gould (PHOTOS BY PATRICK MCMULLAN COMPANY)

After hot coffee or tea and a dessert of Lemon Meringue tart with Vanilla Chantilly and Citrus Strawberries, the inspired guests scampered to the third floor, where artists’ jewelry was on sale directly from the makers. This year’s highlights include Xinyi Chen’s “Artificial Intelligems” crafted from electronic waste, Joana Correia’s organic pieces made from silk cocoons and orange peels, and Cano Jewelry’s modern interpretations of pre-Columbian goldsmithing traditions.

Ute van der Plaats, Barbara Tober (PHOTOS BY PATRICK MCMULLAN COMPANY)

MAD About Jewelry is the ultimate pop-up shop for artist-made jewelry, offering collectors and jewelry enthusiasts alike a rare opportunity to meet and acquire pieces from 50 emerging and acclaimed international jewelry artists representing over 20 countries.

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The 29th Annual FGI Rising Star Awards

Alyce Panico, Robert Chavez, Tiffany Haddish, Maryanne Grisz, and Gary Wassner At FGI Rising Star Awards [Addy Media]

The most stylish afternoon soiree in New York is the 29th ANNUAL FGI RISING STAR AWARDS. The annual competition is where new, innovative fashion and beauty entrepreneurs are showcased and acknowledged by the Fashion Group International (FGI), which took place on April 16th at 583 Park Avenue in Manhattan.

Tiffany Haddish and Cyril Verdavainne [Addy Media]

The Rising Star Awards honors the best emerging talent from the fashion, beauty, accessories, and fine jewelry sectors. Over nearly three decades, the FGI Rising Star Awards have served as a launchpad for industry leaders such as Tory Burch, Jason Wu, Brandon Maxwell, Phillip Lim, and Rent the Runway Founders Jennifer Hyman and Jennifer Fleiss.

Peter Malachi and Robert Chavez [Addy Media]

The Rising Star Awards Jury Panel opened applications in September 2024. Honorees were selected via FGI member vote and by an expert jury of fashion leaders, including: Nicole Fischelis, Constance White, Ken Downing, Gary Wassner, Fern Mallis, Sharon Graubard, Ty Hunter, Caroline Fabrigas, Karen Young, Laura Gellar, Claudia Poccia, Bryna Pomp, Roberta Naas, Karen Giberson, Dee Ocleppo Hilfiger, Carlos Campos, Reem Acra, Christina Plumlee, Cheryl Onodera, Jodi Kahn, Grace Chang, Vivian Rivetti, and Francois Damide.

Sydnie Pebbles, Alicia Stemper, Montserrat Messeguer, Rob Bacon, and Nanette (Addy Media)Jeanette Limas, Evan Hirsch, Natasha Das, and Peter Willams (Addy Media)

The soigné fashion fete started with cocktails and hors d’oeuvres. It’s 6 PM somewhere. Fabulous best describes the energy of the eclectic mix of emerging talent mingling with guests and industry networking, and hitting the red carpet for photo ops. The perfect opportunity to engage with the next generation of fashion leaders early in their careers, honoring designers, brands, and founders who have been in business for two to six years.

Eli Tahari and David Serero [Addy Media]Fredrick Anderson [Addy Media]Ken Downing [Addy Media]

The afternoon red-carpet luncheon and awards ceremony was lit with old guard fashion industry leaders: Nicole Fischelis, Constance White, Ken Downing, Fern Mallis, Sharon Graubard, Ty Hunter, Caroline Fabrigas, Karen Young, Laura Gellar, Claudia Poccia, Bryna Pomp, Roberta Naas, Karen Giberson, Dee Ocleppo Hilfiger, Carlos Campos, Reem Acra, Christina Plumlee, Cheryl Onodera, Jodi Kahn, Grace Chang, Vivian Rivetti, Francois Damide, Elie Tahari, Dennis Basso, Gary and Cole Wassner, Cyril Verdavainne, Frederick Anderson, Jonathan Cohen, Ken Downing, James Aguiar, Joanna Coles, Micaela Erlanger, and NJ Falk.

Jonathan Cohen, Sarah Leff and Micaela Erianger [Addy Media]

She Ready! Emmy, Grammy, and NAACP Image Award-winning actress, performer, producer, and New York Times bestselling author Tiffany Haddish (Girls Trip, The Last Black Unicorn) hosted the red-carpet awards ceremony with humor, star power, and camaraderie. Haddish brought her signature wit and sparkled in a Cyril Verdavainne signature gown.

Joanna Coles [Addy Media]

“Today, FGI spans 26 regions globally and continues to connect executive-level leaders from fashion, beauty, tech, wellness, you name it…It’s a powerhouse network…Today we celebrate 29 years of the Rising Star Awards honoring emerging talent who are shaping the future of fashion, beauty, and beyond” Tiffany shared.

The keynote presentation was of the inaugural FGI Lifetime Achievement Award to Robert Chavez, former President and CEO of Hermès Americas. Recently appointed to the board of Macy’s as an Independent Director, accepted the award from old friend Peter Malachi (Hermès USA).

Robert Chavez and Peter Malachi [Addy Media]

Chavez remarked: “For me, it’s always about people. As I look out, there are so many achievers, dreamers that I see, that have touched my life, and it’s been an amazing journey, a really amazing journey.”

Do fashionistas eat? Yes, the two-course luncheon began with a Napoleon of grilled vegetables with spinach cous cous with artichokes, oven-dried tomatoes, and crispy parsnips, followed by roasted Salmon, red quinoa with grilled vegetables. A tier of mini sweets beckoned in the center of the table.

FGI Rising Stars Luncheon [Addy Media]

FGI Rising Star 2025 Award Winners

Beauty: Presented by Caroline Fabrigas (Scent Marketing Inc.) to Pritika Swarup (Prakti)Fine Jewelry: Presented by Joanna Coles (The Daily Beast) to Paola Sasplugas (PDPAOLA)Accessories: Presented by Fern Mallis to Co-Winners Nanette Adair (Rex Shoes) and Sangmin Park (4CCCCEES)Apparel: Bridal: Presented by Reem Acra to Jaclyn Whyte (Jaclyn WHYTE)Reem Acra and Jaclyn Whyte [Addy Media]Apparel: Eveningwear: Presented by Ken Downing (Xcel Brands, Halston CD) to Natalia Fedner (Natalia Fedner)Apparel: Ready-to-Wear: Presented by Jonathan Cohen (Jonathan Cohen Studio) to Bonnie Young (BY.BONNIE YOUNG)Sustainability: Presented by James Aguiar (Isaac Mizrahi) to Omar and Zane Sabré (Maison de Sabré)Omar Sabre [Addy Media]

The 2025 sponsors, Hilldun and Macy’s, provided recognition for awards for sustainability, lifetime achievement, and fashion students, each a creative force shaping the industry’s future.

Sangmin Park, Fern Mallis, and Nanette Adair [Addy Media]

Now in its second year, the Macy’s Future Fashion Award in Fashion Merchandising was presented to Camille Jiang, a standout student from LIM College, who received a scholarship to support her continued studies in fashion.

Pritika Swarup [Addy Media]

On behalf of returning sponsor Hilldun Corporation, Gary Wassner presented the Hilton Business Innovation Award to Carly Bigi, Founder of Laws of Motion, for her use of AI in fashion design.

Carly Bigi [Addy Media]

“The Rising Star Awards and program serve as a premier platform for celebrating the next generation of industry leaders,” said Alyce Panico, Chairperson of FGI Board of Directors and CEO of Luxe Collective Group. “I am incredibly proud of this initiative in championing mentorship and leadership in a year where these values are more vital than ever. FGI remains at the forefront of supporting emerging talent and empowering them to shape the future of our industry.”

Alyce Panico [Addy Media]

The venerable fashion non-profit organization’s global mission is to nurture and support fashion professionals at every stage of their careers with vital resources, educational opportunities, and a global forum for connection across all industries, including beauty, retail, textiles, designers, publishers, marketers, content creators, and more.

Maryanne Grisz [Addy Media]

A founding member of FGI, First Lady Eleanor Roosevelt once said, “The future belongs to those who believe in the beauty of their dreams,’” said President & CEO of FGI.

Maryanne Grisz, saying, “Our FGI Rising Stars embody that spirit. They are the future of our industry, and we’re honored to celebrate the Class of 2025 as they take the next steps in their creative journeys. Today’s event not only recognizes their achievements, but also connects them with a powerful network of peers, mentors, and industry leaders.”

Finale Tiffany Haddish and the FGI Rising Stars winners [Addy Media][image error]

Cosmic Splendor: Jewelry from the Collections of Van Cleef & Arpels

Doubles Galaxies clips, 2021 /Van Cleef & Arpels Collection

Cosmic Splendor: Jewelry from the Collections of Van Cleef & Arpels is a dazzling showcase that celebrates our enduring fascination with the cosmos on view since April 11th at the American Museum of Natural History in Manhattan.

Meteore clip, 1951 /Van Cleef & Arpels Collection

Cosmic Splendor: Jewelry from the Collections of Van Cleef & Arpels features dramatic necklaces depicting rockets in flight, gem-encrusted pendants inspired by distant nebulae, and watches with intricate mechanisms that trace the transit of planetary bodies.

Virgo pendant, 1972 / Van Cleef & Arpels Collection

The 70 celestial, mythological, and astrological jewelry creations celebrate the wonders and mysteries of the universe from the collections of the High Jewelry Maison.

Diane Clip 2011 / Van Cleef & Arpels Collection

The astronomically inspired jewelry designs were influenced by diverse stimuli, such as Jacques Demy’s “Peau D’Ane (Donkey Skin),” starring Catherine Deneuve, Stanley Kubrick’s “2001: A Space Odyssey”, astrology, and science fiction artist Chris Moore.

Etoile filante clip, 2021 / Van Cleef & Arpels Collection

The stunning assemblage of the Van Cleef & Arpels patrimonial collection exhibition celebrates the Maison’s creation as part of the history of jewelry and contributes to the wealth of the French decorative arts.

Fleur de Soleil clip 2016 / Van Cleef & Arpels Collection

Cosmic Splendor is curated by the Director of Patrimony and Exhibitions at Van Cleef & Arpels Alexandrine Maviel-Sonet, guest curator, and Kate Kiseeva, assistant curator in the Museum’s Department of Earth and Planetary Sciences, Division of Physical Sciences. Additional consultation is provided by Denton Ebel, curator in the Museum’s Department of Earth and Planetary Sciences, Division of Physical Sciences, and Ruth Angus, associate curator, Department of Astrophysics, Division of Physical Sciences.

Lady Arpels Heures Filantes watch 2015 / Van Cleef & Arpels Collection

The American Museum of Natural History is one of the world’s preeminent scientific, educational, and cultural institutions. The Museum encompasses more than 40 permanent exhibition halls, galleries for temporary exhibitions, the Rose Center for Earth and Space including the Hayden Planetarium, and the Richard Gilder Center for Science, Education, and Innovation.

Midnight Planétarium watch, 2012 / Van Cleef & Arpels Collection

The exhibit is open to the public and includes admission to the Museum’s Allison and Roberto Mignone Halls of Gems and Minerals. It is as enchanting and popular as Garden of Green: Exquisite Jewelry from the Collection of Van Cleef & Arpels in 2023–24, another collaboration between the Museum and Van Cleef & Arpels.

Spiral clip, 1942/ Van Cleef & Arpels Collection

For people everywhere who have been captivated by the night sky and moved by the grandeur of space and to explore the workings of our universe through captivating works of art.

Asterisk clip, 1966 / Van Cleef & Arpels Collection

Photos Courtesy of Van Cleef & Arpels

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