Thierry Sagnier's Blog, page 48
June 11, 2014
Communications
For the past several years I've been getting my hair cut every six weeks or so by a very nice Ethiopian woman. The challenge is to somehow dissimulate my growing bald spot without making it too obvious, and she does this well. I seldom have to wait, and the shampoo, haircut and conversation run me twenty dollars, which in these days of $400 jeans and $90 tank tops is a pretty good bargain. For a few days I can forget that the top of my head is essentially naked, shiny, and prey to the elements. In the time that I've known her, Beylanesh has dated, married and become the mother or a gorgeous baby boy. She is now a divorced single mother who will readily admit that she married only to have a good-looking child. She is charming and petite, has a wonderful smile and likes to talk. Today, as every time I see her, I realize that I never have had a good grasp of what she's talking about, and vice versa. Part of it is accents, part of it is culture, but a major reason for our lack of tangible process with the spoken word is that we have agreed to miscommunicate. It's easier that way.During our first few encounters, we spent the better part of the twenty or so minutes she works on me saying, "What?", "Excuse me?" or, "Sorry, I didn't get that." It took three sessions for me to understand that Ethiopian women often have names ending in 'nesh,' which means 'you are.' I love knowledge like that. Beylanesh, for her part, learned that I sell used cars. I don’t. How she came to assume such knowledge is beyond my understanding, but I've grown comfortable with it. She asks how business is and I say it's not doing well. She nods and between snips comments, "It's the weather, the economy. Afghans are not buying camels in the summer months. Ronald Reagan." Or at least that's what I think she said. Today, she also told me that her mother barbecued the couch. Our misunderstandings are safe. Beylanesh probably goes home to her son and mom and tells them I tried to sell her a four-wheel drive camel. Nothing will come of this, and it will affect neither of our lives. But what is it about communicating that has become so complicated and error prone?Just recently, a friend and I exchanged a phone call after a long silence, and both of us realized we had misinterpreted an earlier conversation, and that the misunderstanding had caused consternation and sadness. We made amends and we made peace, but some of the harm lingers. Did my friend really say that? And what, exactly, was meant by that choice of words?Something like 80 percent of communications is non-verbal, which explains all the misunderstandings originating with emails and phone calls. We rely on body language, eye cast, arms and hands and the curve of a wrist, the furrow of a brow or the set of a jaw to understand what is really being said to us, and while the friends whom I love deeply will know what is going on in my world without a need for words, most communications remain haphazard, as likely to fail as not. It's the nature of the beast. Words--unlike numbers that are set and definitive--at best convey only a semblance of what we are trying to put forth; they're often more enemy than friend, and I very much doubt any two people in the world speak exactly the same language. On occasion, I find a word in French will come closest to what I want to say, but if I'm talking to an English-speaker, this won't help much. It works the other way if I am in Europe.So what are we to do... Silence is an option I exercise on occasion; if I travel from home I might make it a point not to talk for several days. Not communicating on purpose has its advantages: you can't be misinterpreted if you have nothing to say. Or perhaps you can. As always, there are contradicting thoughts. Confucius called silence the true friend that never betrays. A few hundred years later, Francis Bacon said silence was the virtue of fools. Personally, I like Mark Twain best: It's better to keep my mouth closed and let people think I am a fool than to open it and remove all doubt. I complained that I had no shoes until I met a man who had no hat.
Published on June 11, 2014 11:52
June 9, 2014
The Coffee Shop, Part II
A couple of weeks ago I wrote about my favorite coffee shop, where the bagels are fresh and the coffee satisfying, but the service is execrable unless a crew of West African is working the morning shift. There are four of them, three Senegalese from Dakar, and one from Côte d’Ivoire. They speak Kwa or Wolof, and their common language is French, since both countries once were French colonies and that language is still taught in school. They have been toiling several years in the coffee shop, and none has reached a managerial position, a fact that understandably irks them. In the time I’ve been going there after my six a.m. sessions at the gym, I’ve witnessed the franchise owner install two white Americans who did not know how to operate the espresso machine, a largish Mexican whose command of English was marginal at best, a tall Middle-Eastern man who spent the better part of his time arranging loaves of bread by size, and a spectral Romanian who surveyed the queue of customers with a jaundiced eye free of any sympathy for his clients.
Yesterday, the Africans decided not to show up for work, leading to a state of pandemonium rarely witnessed in the fast-food industry. The owner was called in by his panicked staff of two (one of whom, I am persuaded, does not know how to read) to work behind the counter, dispensing sourdough boules and three-cheese baguettes. The two other employees managed to jam the bagel-cutting machine and short-circuit the commercial toaster. The line of disgruntled customers snaked around the shop. It was, one of the Senegalese later told me, un bordelle complèt, what English speakers call a clusterf*ck.
Today the Africans came back to work. The queue of bagel and java buyers moved at a steady clip, the coffee urns were replenished with alacrity. The regulars got their orders quickly, and even the lady who comes in every Monday, orders two dozen assorted bagels, each either sliced or toasted but not both, left with a smile. Efficiency reigned. The walkout had its desired effect; Mamadou, an Ivorian from Yamoussoukro, was promised a promotion next month to assistant manager. Still, he does not trust the franchise owner who apparently has reneged on his pledges more than once. Mamadou and his co-workers have a plan.
Just a few hundred yards down the street, a new bagel shop will soon be opening. It’s a franchise as well, but one known for its studied productivity and catering prowess. A large sign in the window advertises available positions, and my African friends have already put out feelers.
When they leave--which I’m almost positive they will--they’ll take dozens of customers with them, which is as it should be. I have every intention of being among the deserters.
Yesterday, the Africans decided not to show up for work, leading to a state of pandemonium rarely witnessed in the fast-food industry. The owner was called in by his panicked staff of two (one of whom, I am persuaded, does not know how to read) to work behind the counter, dispensing sourdough boules and three-cheese baguettes. The two other employees managed to jam the bagel-cutting machine and short-circuit the commercial toaster. The line of disgruntled customers snaked around the shop. It was, one of the Senegalese later told me, un bordelle complèt, what English speakers call a clusterf*ck.
Today the Africans came back to work. The queue of bagel and java buyers moved at a steady clip, the coffee urns were replenished with alacrity. The regulars got their orders quickly, and even the lady who comes in every Monday, orders two dozen assorted bagels, each either sliced or toasted but not both, left with a smile. Efficiency reigned. The walkout had its desired effect; Mamadou, an Ivorian from Yamoussoukro, was promised a promotion next month to assistant manager. Still, he does not trust the franchise owner who apparently has reneged on his pledges more than once. Mamadou and his co-workers have a plan.
Just a few hundred yards down the street, a new bagel shop will soon be opening. It’s a franchise as well, but one known for its studied productivity and catering prowess. A large sign in the window advertises available positions, and my African friends have already put out feelers.
When they leave--which I’m almost positive they will--they’ll take dozens of customers with them, which is as it should be. I have every intention of being among the deserters.
Published on June 09, 2014 07:27
•
Tags:
bagels-and-coffee, fast-food, minority-employment, west-africans
The Coffee Shop, Part II
A couple of weeks ago I wrote about my favorite coffee shop, where the bagels are fresh and the coffee satisfying, but the service is execrable unless a crew of West African is working the morning shift. There are four of them, three Senegalese from Dakar, and one from Côte d’Ivoire. They speak Kwa or Wolof, and their common language is French, since both countries once were French colonies and that language is still taught in school. They have been toiling several years in the coffee shop, and none has reached a managerial position, a fact that understandably irks them. In the time I’ve been going there after my six a.m. sessions at the gym, I’ve witnessed the franchise owner install two white Americans who did not know how to operate the espresso machine, a largish Mexican whose command of English was marginal at best, a tall Middle-Eastern man who spent the better part of his time arranging loaves of bread by size, and a spectral Romanian who surveyed the queue of customers with a jaundiced eye free of any sympathy for his clients. Yesterday, the Africans decided not to show up for work, leading to a state of pandemonium rarely witnessed in the fast-food industry. The owner was called in by his panicked staff of two (one of whom, I am persuaded, does not know how to read) to work behind the counter, dispensing sourdough boules and three-cheese baguettes. The two other employees managed to jam the bagel-cutting machine and short-circuit the commercial toaster. The line of disgruntled customers snaked around the shop. It was, one of the Senegalese later told me, un bordelle complèt, what English speakers call a clusterf*ck. Today the Africans came back to work. The queue of bagel and java buyers moved at a steady clip, the coffee urns were replenished with alacrity. The regulars got their orders quickly, and even the lady who comes in every Monday, orders two dozen assorted bagels, each either sliced or toasted but not both, left with a smile. Efficiency reigned. The walkout had its desired effect; Mamadou, an Ivorian from Yamoussoukro, was promised a promotion next month to assistant manager. Still, he does not trust the franchise owner who apparently has reneged on his pledges more than once. Mamadou and his co-workers have a plan. Just a few hundred yards down the street, a new bagel shop will soon be opening. It’s a franchise as well, but one known for its studied productivity and catering prowess. A large sign in the window advertises available positions, and my African friends have already put out feelers. When they leave--which I’m almost positive they will--they’ll take dozens of customers with them, which is as it should be. I have every intention of being among the deserters. I complained that I had no shoes until I met a man who had no hat.
Published on June 09, 2014 07:24
May 28, 2014
At the Local Coffee Shop
Almost every day after the gym I stop by one of those franchise places where you get a free cup of coffee after you’ve been there 23 times. The breads and bagels are good and fresh but the service is generally awful. Efficiency experts have not yet discovered this place where a line of more than three customers creates anarchy and consternation among the help, unless, that is, The Crew is there.
The Crew, The Clan, The Gang, is what the people behind the counter call a group of Senegalese and Cape Verde employees who, when it is their shift, manage to create order out of chaos. They’re as fast as the outmoded equipment lets them be, friendly, and helpful. Three of them speak French, which I greatly enjoy, and their main complaint is that management seems to pass them over when it’s time to select a supervisor. Members of The Crew, though more efficient than anyone else there, have endured a series of bosses who seem to know very little, and care even less, about running a fast food place. In the past few months, I’ve seen a variety of American, Eastern European, Middle Eastern and Asian managers pace about importantly without, as far as I know, adding one iota of efficacy to the running of the place. Abdul, who was there for three weeks supervising and spoke halting English, never quite managed to get a handle on the cash register. He once tried to charge me $27.53 for a cup of coffee. “C’est un bordel,” says my Senegalese friend Mamadou. An impolite way of saying, things are a mess.
I always try to get a booth, and I’ve become familiar with the regulars. There’s a woman I call Debbie Reynolds, there every day to meet a bearded older man who is constantly on the phone and pays no attention whatsoever to her. Debbie, it’s obvious, gets up at dawn to put on her face, do her hair, and choose her jewelry. She calls me ‘honey’ and I’m not sure when that started, but I like it.
There’s a tall man of indeterminate age who stares at the fire in the centrally placed gas fireplace. He knows my name--I’m not sure how--and is there every time I drop by, regardless of time. I suppose he could say the same thing about me. He never reads or eats, and is one of the few people there not wearing ear buds. I wonder what he thinks about, beholden as he is to the flames.
In the afternoon there’s a bunch of kids from the nearby Catholic high school. It’s refreshing to see them in their school uniforms without one pair of flip-flops or a single baseball cap turned sideways.
And as always, there’s a dozen or so men and women attached to their laptop computers. Some also have Blackberry and iPhones at the ready so their tables look like messy display stands at a second-rate electronics show.
Aside from the doubtful service, the only thing that bothers me greatly about the place is that it uses pagers to signal when your food is ready. Personally, I don’t find that the buzzing sound of a hundred angry wasps does much to foster my appetite, and I wish they’d find a warmer, friendlier way to tell me my meal is at hand.
Recently, one of these things came alive on a nearby empty table. It kept buzzing furiouslyy for a really long time. No one paid attention. The longer it was unattended, the louder it got. I tried to get the staff’s attention but The Crew wasn’t there and so chaos reigned. I picked up the buzzer and dropped it into the recycling bin. Debbie Reynolds gave me the thumbs up.
I’m not sorry at all.
The Crew, The Clan, The Gang, is what the people behind the counter call a group of Senegalese and Cape Verde employees who, when it is their shift, manage to create order out of chaos. They’re as fast as the outmoded equipment lets them be, friendly, and helpful. Three of them speak French, which I greatly enjoy, and their main complaint is that management seems to pass them over when it’s time to select a supervisor. Members of The Crew, though more efficient than anyone else there, have endured a series of bosses who seem to know very little, and care even less, about running a fast food place. In the past few months, I’ve seen a variety of American, Eastern European, Middle Eastern and Asian managers pace about importantly without, as far as I know, adding one iota of efficacy to the running of the place. Abdul, who was there for three weeks supervising and spoke halting English, never quite managed to get a handle on the cash register. He once tried to charge me $27.53 for a cup of coffee. “C’est un bordel,” says my Senegalese friend Mamadou. An impolite way of saying, things are a mess.
I always try to get a booth, and I’ve become familiar with the regulars. There’s a woman I call Debbie Reynolds, there every day to meet a bearded older man who is constantly on the phone and pays no attention whatsoever to her. Debbie, it’s obvious, gets up at dawn to put on her face, do her hair, and choose her jewelry. She calls me ‘honey’ and I’m not sure when that started, but I like it.
There’s a tall man of indeterminate age who stares at the fire in the centrally placed gas fireplace. He knows my name--I’m not sure how--and is there every time I drop by, regardless of time. I suppose he could say the same thing about me. He never reads or eats, and is one of the few people there not wearing ear buds. I wonder what he thinks about, beholden as he is to the flames.
In the afternoon there’s a bunch of kids from the nearby Catholic high school. It’s refreshing to see them in their school uniforms without one pair of flip-flops or a single baseball cap turned sideways.
And as always, there’s a dozen or so men and women attached to their laptop computers. Some also have Blackberry and iPhones at the ready so their tables look like messy display stands at a second-rate electronics show.
Aside from the doubtful service, the only thing that bothers me greatly about the place is that it uses pagers to signal when your food is ready. Personally, I don’t find that the buzzing sound of a hundred angry wasps does much to foster my appetite, and I wish they’d find a warmer, friendlier way to tell me my meal is at hand.
Recently, one of these things came alive on a nearby empty table. It kept buzzing furiouslyy for a really long time. No one paid attention. The longer it was unattended, the louder it got. I tried to get the staff’s attention but The Crew wasn’t there and so chaos reigned. I picked up the buzzer and dropped it into the recycling bin. Debbie Reynolds gave me the thumbs up.
I’m not sorry at all.
Published on May 28, 2014 09:37
•
Tags:
bad-service, buzzers, coffee-shop
At the Local Coffee Shop
Almost every day after the gym I stop by one of those franchise places where you get a free cup of coffee after you’ve been there 23 times. The breads and bagels are good and fresh but the service is generally awful. Efficiency experts have not yet discovered this place where a line of more than three customers creates anarchy and consternation among the help, unless, that is, The Crew is there. The Crew, The Clan, The Gang, is what the people behind the counter call a group of Senegalese and Cape Verde employees who, when it is their shift, manage to create order out of chaos. They’re as fast as the outmoded equipment lets them be, friendly, and helpful. Three of them speak French, which I greatly enjoy, and their main complaint is that management seems to pass them over when it’s time to select a supervisor. Members of The Crew, though more efficient than anyone else there, have endured a series of bosses who seem to know very little, and care even less, about running a fast food place. In the past few months, I’ve seen a variety of American, Eastern European, Middle Eastern and Asian managers pace about importantly without, as far as I know, adding one iota of efficacy to the running of the place. Abdul, who was there for three weeks supervising and spoke halting English, never quite managed to get a handle on the cash register. He once tried to charge me $27.53 for a cup of coffee. “C’est un bordel,” says my Senegalese friend Mamadou. An impolite way of saying, things are a mess. I always try to get a booth, and I’ve become familiar with the regulars. There’s a woman I call Debbie Reynolds, there every day to meet a bearded older man who is constantly on the phone and pays no attention whatsoever to her. Debbie, it’s obvious, gets up at dawn to put on her face, do her hair, and choose her jewelry. She calls me ‘honey’ and I’m not sure when that started, but I like it. There’s a tall man of indeterminate age who stares at the fire in the centrally placed gas fireplace. He knows my name--I’m not sure how--and is there every time I drop by, regardless of time. I suppose he could say the same thing about me. He never reads or eats, and is one of the few people there not wearing ear buds. I wonder what he thinks about, beholden as he is to the flames. In the afternoon there’s a bunch of kids from the nearby Catholic high school. It’s refreshing to see them in their school uniforms without one pair of flip-flops or a single baseball cap turned sideways. And as always, there’s a dozen or so men and women attached to their laptop computers. Some also have Blackberry and iPhones at the ready so their tables look like messy display stands at a second-rate electronics show. Aside from the doubtful service, the only thing that bothers me greatly about the place is that it uses pagers to signal when your food is ready. Personally, I don’t find that the buzzing sound of a hundred angry wasps does much to foster my appetite, and I wish they’d find a warmer, friendlier way to tell me my meal is at hand. Recently, one of these things came alive on a nearby empty table. It kept buzzing furiously for a really long time. No one paid attention. The longer it was unattended, the louder it got. I tried to get the staff’s attention but The Crew wasn’t there and so chaos reigned. I picked up the buzzer and dropped it into the recycling bin. Debbie Reynolds gave me the thumbs up. I’m not sorry at all. I complained that I had no shoes until I met a man who had no hat.
Published on May 28, 2014 09:33
May 26, 2014
Memorial Day
The Shriners were doing OK but the Colombians stole the show. The South American boys and girls jumped, capered, spun, skipped, wiggled and beat their hats on the ground. They yipped and hollered and wore fantastic costumes embroidered in silver and filigreed in gold and they had the coolest shoes I’ve ever seen on a man. It was a steamy 85° at the Falls Church Memorial Day parade in Northern Virginia, and their grins never flagged. There were three separate troops of Colombian dancers, ranging in age from four to 50, and a gentleman sitting on the grass watching them go by explained that each of the nine states in Colombia has a variety of dances. Since there’s a healthy Colombian population where I live, dance groups have sprung like weeds. There are more than a hundred in the area, each with its own repertoire, costume and leaders. The gentleman I spoke with belonged to a group that had not marched today, but he told me that towards the end of August, a nearby festival will feature more than 3,000 dancers. “We practice three nights a week,” he told me. “It helps keep the young ones out of places where they should not be.”
The Shriners, well, they were Shriners. They had a dozen floats including the Ladies’ Auxiliary, which was mostly a truck pulling a trailer on which eight stately women sat, hurling candy at the children. They had three clowns who made the kids laugh, or maybe scared them. They had tall papier maché camels, and seven of those little cars that zip around the street driven by very large men wearing fezzes. I’ve seen those guys a dozen times at least, and it’s still a mystery how they can fit in those tiny vehicles. They had a serious looking bagpipe and drums marching band, and it struck me that a couple of the pipers’ faces were an unhealthy purple.
There was a crazy lady marching behind the Shriners making somewhat lewd gestures and everybody pretended not to see her.
There was a solitary man in black pulling a cross that had a lawnmower wheel at the bottom of it for ease of travel.
There was a marching band from a Baltimore high school, led by two statuesque black girls who could have been movie stars and knew it.
There was a truck from the county storm drain team, and a snowplow. There were no cops or firemen, no beauty queen, no Boy or Girl Scouts, but the governor of Virginia was there though I couldn’t tell which of the men foolish enough to wear a suit and tie he was.
And then, of course, there were the Falun Gong ladies, beating small drums in intricate patterns and taking mincing steps. At their head were three men holding up a banner that said, Falun Dafa is Great. I loved the understated assertion; it told me everything I needed to know about their organization. I liked the bright yellow satin pants and tunics, and the Old Navy flip-flops, but I wished they’d been more imaginative in their choice of marching music. In the two minutes it took for them to pass by, the same eight bars were repeated six times, which may have something to do with their persecution in China.
Both Democratic and Republican congressional candidates had volunteers marching and distributing stickers to children, who stuck them upside down on their foreheads.
I got sort of nauseous after two cups of tiger-blood-flavored shaved ice, but I managed to avoid the corn-dog stand and the deadly cheese-fry concession.
I love a parade.
The Shriners, well, they were Shriners. They had a dozen floats including the Ladies’ Auxiliary, which was mostly a truck pulling a trailer on which eight stately women sat, hurling candy at the children. They had three clowns who made the kids laugh, or maybe scared them. They had tall papier maché camels, and seven of those little cars that zip around the street driven by very large men wearing fezzes. I’ve seen those guys a dozen times at least, and it’s still a mystery how they can fit in those tiny vehicles. They had a serious looking bagpipe and drums marching band, and it struck me that a couple of the pipers’ faces were an unhealthy purple.
There was a crazy lady marching behind the Shriners making somewhat lewd gestures and everybody pretended not to see her.
There was a solitary man in black pulling a cross that had a lawnmower wheel at the bottom of it for ease of travel.
There was a marching band from a Baltimore high school, led by two statuesque black girls who could have been movie stars and knew it.
There was a truck from the county storm drain team, and a snowplow. There were no cops or firemen, no beauty queen, no Boy or Girl Scouts, but the governor of Virginia was there though I couldn’t tell which of the men foolish enough to wear a suit and tie he was.
And then, of course, there were the Falun Gong ladies, beating small drums in intricate patterns and taking mincing steps. At their head were three men holding up a banner that said, Falun Dafa is Great. I loved the understated assertion; it told me everything I needed to know about their organization. I liked the bright yellow satin pants and tunics, and the Old Navy flip-flops, but I wished they’d been more imaginative in their choice of marching music. In the two minutes it took for them to pass by, the same eight bars were repeated six times, which may have something to do with their persecution in China.
Both Democratic and Republican congressional candidates had volunteers marching and distributing stickers to children, who stuck them upside down on their foreheads.
I got sort of nauseous after two cups of tiger-blood-flavored shaved ice, but I managed to avoid the corn-dog stand and the deadly cheese-fry concession.
I love a parade.
Published on May 26, 2014 14:32
•
Tags:
falun, memorial-day, parades, shriners
Memorial Day
The Shriners were doing OK but the Colombians stole the show. The South American boys and girls jumped, capered, spun, skipped, wiggled and beat their hats on the ground. They yipped and hollered and wore fantastic costumes embroidered in silver and filigreed in gold and they had the coolest shoes I’ve ever seen on a man. It was a steamy 85° at the Falls Church Memorial Day parade in Northern Virginia, and their grins never flagged. There were three separate troops of Colombian dancers, ranging in age from four to 50, and a gentleman sitting on the grass watching them go by explained that each of the nine states in Colombia has a variety of dances. Since there’s a healthy Colombian population where I live, dance groups have sprung like weeds. There are more than a hundred in the area, each with its own repertoire, costume and leaders. The gentleman I spoke with belonged to a group that had not marched today, but he told me that towards the end of August, a nearby festival will feature more than 3,000 dancers. “We practice three nights a week,” he told me. “It helps keep the young ones out of places where they should not be.” The Shriners, well, they were Shriners. They had a dozen floats including the Ladies’ Auxiliary, which was mostly a truck pulling a trailer on which eight stately women sat, hurling candy at the children. They had three clowns who made the kids laugh, or maybe scared them. They had tall papier maché camels, and seven of those little cars that zip around the street driven by very large men wearing fezzes. I’ve seen those guys a dozen times at least, and it’s still a mystery how they can fit in those tiny vehicles. They had a serious looking bagpipe and drums marching band, and it struck me that a couple of the pipers’ faces were an unhealthy purple. There was a crazy lady marching behind the Shriners making somewhat lewd gestures and everybody pretended not to see her. There was a solitary man in black pulling a cross that had a lawnmower wheel at the bottom of it for ease of travel. There was a marching band from a Baltimore high school, led by two statuesque black girls who could have been movie stars and knew it. There was a truck from the county storm drain team, and a snowplow. There were no cops or firemen, no beauty queen, no Boy or Girl Scouts, but the governor of Virginia was there though I couldn’t tell which of the men foolish enough to wear a suit and tie he was.
And then, of course, there were the Falun Gong ladies, beating small drums in intricate patterns and taking mincing steps. At their head were three men holding up a banner that said, Falun Dafa is Great. I loved the understated assertion; it told me everything I needed to know about their organization. I liked the bright yellow satin pants and tunics, and the Old Navy flip-flops, but I wished they’d been more imaginative in their choice of marching music. In the two minutes it took for them to pass by, the same eight bars were repeated six times, which may have something to do with their persecution in China. Both Democratic and Republican congressional candidates had volunteers marching and distributing stickers to children, who stuck them upside down on their foreheads. I got sort of nauseous after two cups of tiger-blood-flavored shaved ice, but I managed to avoid the corn-dog stand and the deadly cheese-fry concession. I love a parade.I complained that I had no shoes until I met a man who had no hat.
Published on May 26, 2014 14:29
May 13, 2014
Panic Attack!
Back in the days when I had an intimate and passionate relationship with drugs and alcohol, I also had panic attacks that would level me. The effects were always the same: gut-churning terror, a feeling of impending doom, dry mouth and shortness of breath, difficulty in standing up and getting from Point A to Point B. The attacks occurred anywhere and anytime--at home, at the office during staff meetings, while driving or hiking, alone or accompanied. The only time they did not strike was when I was asleep, though I distinctly remember waking up in the morning seized by a sense of impending disaster.
Panic attacks are a response of the sympathetic nervous system (SNS) to a perceived threat. The physical symptoms are interpreted with alarm by the body and this in turn leads to increased anxiety, and forms a positive feedback loop where the attack itself creates even greater anxiety. Attacks may be hereditary. It is possible to medicate against them, and that is what I did.
First, I was given propralonol, then Welbutrin, and eventually Paxil and Xanax. These drugs helped, but the feeling of panic remained just below the surface. In time, I became addicted to Xanax, getting prescriptions from several doctors and pharmacies, and it was not until I completely gave up anything even remotely psychoactive--that is to say all external chemical substances that affected my brain functioning--that the attacks went away.
True, I still did not like heights much, but then again, I never had. Flying became OK, though, as did a lot of other minor actions that once would panic me. I remained blissfully anxiety-free for more than a decade.
Than on Bastille Day--July 14, 2004--while I was walking on the Promenade des Anglais in Nice on France’s Côte d’Azure, an attack levelled me. I couldn’t walk, or breathe. I got dizzy; I sat down on the grass in a nearby park stayed there for an hour before being able to return to the hotel. I’d stopped taking the anti-anxiety drugs long ago, and in fact hadn’t even packed any. The attack lasted almost three days, varying in intensity.
When I got back to the States, my doctor assigned me a non-addictive anti-anxiety medicine that I started taking daily. I stopped any and all caffeine--coffee, tea, chocolate--and began exercising more. It worked. I was panic free for another decades.
Three weeks ago there was another attack. I was driving at night in a misting rain on a crowded Interstate. I couldn’t see clearly, and as other drivers sped by, I felt the fear well up. I asked a friend riding with me to start talking, which helped. Listening to words and focusing on them lessened the anxiety. I wasn’t far from home and as soon as I got to my exit, the panic subsided. It was almost gone by the time I got to my front door.
But it’s still there. It maintains a low profile, but I can feel it waiting to pounce. It’s as if once again a nasty genie has been released from the bottle and there are no free wishes. Except I wish the attacks would stop.
Amazing what your own body can do to you.
Panic attacks are a response of the sympathetic nervous system (SNS) to a perceived threat. The physical symptoms are interpreted with alarm by the body and this in turn leads to increased anxiety, and forms a positive feedback loop where the attack itself creates even greater anxiety. Attacks may be hereditary. It is possible to medicate against them, and that is what I did.
First, I was given propralonol, then Welbutrin, and eventually Paxil and Xanax. These drugs helped, but the feeling of panic remained just below the surface. In time, I became addicted to Xanax, getting prescriptions from several doctors and pharmacies, and it was not until I completely gave up anything even remotely psychoactive--that is to say all external chemical substances that affected my brain functioning--that the attacks went away.
True, I still did not like heights much, but then again, I never had. Flying became OK, though, as did a lot of other minor actions that once would panic me. I remained blissfully anxiety-free for more than a decade.
Than on Bastille Day--July 14, 2004--while I was walking on the Promenade des Anglais in Nice on France’s Côte d’Azure, an attack levelled me. I couldn’t walk, or breathe. I got dizzy; I sat down on the grass in a nearby park stayed there for an hour before being able to return to the hotel. I’d stopped taking the anti-anxiety drugs long ago, and in fact hadn’t even packed any. The attack lasted almost three days, varying in intensity.
When I got back to the States, my doctor assigned me a non-addictive anti-anxiety medicine that I started taking daily. I stopped any and all caffeine--coffee, tea, chocolate--and began exercising more. It worked. I was panic free for another decades.
Three weeks ago there was another attack. I was driving at night in a misting rain on a crowded Interstate. I couldn’t see clearly, and as other drivers sped by, I felt the fear well up. I asked a friend riding with me to start talking, which helped. Listening to words and focusing on them lessened the anxiety. I wasn’t far from home and as soon as I got to my exit, the panic subsided. It was almost gone by the time I got to my front door.
But it’s still there. It maintains a low profile, but I can feel it waiting to pounce. It’s as if once again a nasty genie has been released from the bottle and there are no free wishes. Except I wish the attacks would stop.
Amazing what your own body can do to you.
Published on May 13, 2014 14:54
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Tags:
anxiety, panic-attacks
Panic Attack!
Back in the days when I had an intimate and passionate relationship with drugs and alcohol, I also had panic attacks that would level me. The effects were always the same: gut-churning terror, a feeling of impending doom, dry mouth and shortness of breath, difficulty in standing up and getting from Point A to Point B. The attacks occurred anywhere and anytime--at home, at the office during staff meetings, while driving or hiking, alone or accompanied. The only time they did not strike was when I was asleep, though I distinctly remember waking up in the morning seized by a sense of impending disaster. Panic attacks are a response of the sympathetic nervous system (SNS) to a perceived threat. The physical symptoms are interpreted with alarm by the body and this in turn leads to increased anxiety, and forms a positive feedback loop where the attack itself creates even greater anxiety. Attacks may be hereditary. It is possible to medicate against them, and that is what I did. First, I was given propralonol, then Welbutrin, and eventually Paxil and Xanax. These drugs helped, but the feeling of panic remained just below the surface. In time, I became addicted to Xanax, getting prescriptions from several doctors and pharmacies, and it was not until I completely gave up anything even remotely psychoactive--that is to say all external chemical substances that affected my brain functioning--that the attacks went away. True, I still did not like heights much, but then again, I never had. Flying became OK, though, as did a lot of other minor actions that once would panic me. I remained blissfully anxiety-free for more than a decade. Than on Bastille Day--July 14, 2004--while I was walking on the Promenade des Anglais in Nice on France’s Côte d’Azure, an attack levelled me. I couldn’t walk, or breathe. I got dizzy; I sat down on the grass in a nearby park stayed there for an hour before being able to return to the hotel. I’d stopped taking the anti-anxiety drugs long ago, and in fact hadn’t even packed any. The attack lasted almost three days, varying in intensity. When I got back to the States, my doctor assigned me a non-addictive anti-anxiety medicine that I started taking daily. I stopped any and all caffeine--coffee, tea, chocolate--and began exercising more. It worked. I was panic free for another decades. Three weeks ago there was another attack. I was driving at night in a misting rain on a crowded Interstate. I couldn’t see clearly, and as other drivers sped by, I felt the fear well up. I asked a friend riding with me to start talking, which helped. Listening to words and focusing on them lessened the anxiety. I wasn’t far from home and as soon as I got to my exit, the panic subsided. It was almost gone by the time I got to my front door. But it’s still there. It maintains a low profile, but I can feel it waiting to pounce. It’s as if once again a nasty genie has been released from the bottle and there are no free wishes. Except I wish the attacks would stop. Amazing what your own body can do to you.I complained that I had no shoes until I met a man who had no hat.
Published on May 13, 2014 14:51
May 10, 2014
Critics
Lately I've been doing a lot of reading about Suzanne Valadon and Maurice Utrillo. Both were highly talented artists whose works are found in the best museums and beyond purchase by anyone but the wealthiest collectors. They lived in Montmartre, a Parisian neighborhood known for its Bohemian allure, almost all their lives. Both were miserable and unhappy drunks, which is neither here nor there, and Suzanne was Maurice's mother. She was never quite sure who the father was. She died in 1938; he died in 1953 and they had what can only be described as a strange relationship.
But that's not what I want to write about, since all relationships are strange in one way or another.
No, what I'm interested in is the critics' fashion of parsing an artist's work--and by artist I mean a writer, dancer, musician, sculptor, the whole gamut of people who cannot but be creative--into meaninglessness.
Look at a painting; read a book. What happens? Your imagination, and the writer’s or painter's creation work together to form an alliance. This pact moves you in a way--you feel joy, sadness, revulsion on occasion, pity perhaps, even lust or envy. You and the artist form a symbiotic entente cordiale. He or she presents their work for your consideration, with the understanding that the artist is powerless over the audience. You, the audience, are willing to make a gift of time to the work. You read, you listen, you watch. In the end, both parties are affected by each other's willingness to devote a small period of life to pleasuring the other. An artist without an audience ceases to exist, and with no art there are no spectators.
The critics want to take this process over by dictating their views--which are assuredly more learned and educated than yours or mine ever will be. An author, critiquing Valadon's Nude Girl Sitting on a Cushion, writes: "...Valadon's intense characterization is translated through the deliberate distortion of certain forms, the importance of which is enhanced by their unexpected size... Most of the time the children's alienation is expressed through reductive images whose effectiveness is enhanced through their simplicity."
Do you know what this means? I don’t, and I consider myself a relatively intelligent person. I have no idea what the critic is trying to tell me, other than he or she is the proud owner of a dictionary and a thesaurus. Obviously the author of this paragraph and I are not looking at the same work. I see a small pencil and chalk drawing of a young dispirited nude. It's an evocative and simple work, and I suppose I resent the critic's muddying of what is, all in all, a very basic piece of art.
For the past few years I've spent a lot of time reading the memoires and biographies of some noted painters, and I have yet to find one describing his or her work in the same language as that of the critics. I wish those who write or broadcast opinions on the quality of things such as art, literary works, and society as a whole would do their own thing instead of deconstructing the works of others. That seems like a waste of time, a second-hand way of relating to creativity without adding any creativity of one's own.
Maybe it's just that I don't like critics.
But that's not what I want to write about, since all relationships are strange in one way or another.
No, what I'm interested in is the critics' fashion of parsing an artist's work--and by artist I mean a writer, dancer, musician, sculptor, the whole gamut of people who cannot but be creative--into meaninglessness.
Look at a painting; read a book. What happens? Your imagination, and the writer’s or painter's creation work together to form an alliance. This pact moves you in a way--you feel joy, sadness, revulsion on occasion, pity perhaps, even lust or envy. You and the artist form a symbiotic entente cordiale. He or she presents their work for your consideration, with the understanding that the artist is powerless over the audience. You, the audience, are willing to make a gift of time to the work. You read, you listen, you watch. In the end, both parties are affected by each other's willingness to devote a small period of life to pleasuring the other. An artist without an audience ceases to exist, and with no art there are no spectators.
The critics want to take this process over by dictating their views--which are assuredly more learned and educated than yours or mine ever will be. An author, critiquing Valadon's Nude Girl Sitting on a Cushion, writes: "...Valadon's intense characterization is translated through the deliberate distortion of certain forms, the importance of which is enhanced by their unexpected size... Most of the time the children's alienation is expressed through reductive images whose effectiveness is enhanced through their simplicity."
Do you know what this means? I don’t, and I consider myself a relatively intelligent person. I have no idea what the critic is trying to tell me, other than he or she is the proud owner of a dictionary and a thesaurus. Obviously the author of this paragraph and I are not looking at the same work. I see a small pencil and chalk drawing of a young dispirited nude. It's an evocative and simple work, and I suppose I resent the critic's muddying of what is, all in all, a very basic piece of art.
For the past few years I've spent a lot of time reading the memoires and biographies of some noted painters, and I have yet to find one describing his or her work in the same language as that of the critics. I wish those who write or broadcast opinions on the quality of things such as art, literary works, and society as a whole would do their own thing instead of deconstructing the works of others. That seems like a waste of time, a second-hand way of relating to creativity without adding any creativity of one's own.
Maybe it's just that I don't like critics.
Published on May 10, 2014 13:42
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Tags:
art-critics, maurice-utrillo, suzanne-valadon