In a quarterly online feature for Seaside Gothic, Seb Reilly highlights notable works of seaside gothic literature, including Our Wives Under the Sea by Julia Armfield.
In a quarterly online feature for Seaside Gothic, Seb Reilly highlights notable works of seaside gothic literature, including Our Wives Under the Sea by Julia Armfield.
Tension is essential in fiction, but creating it does not always mean starting a countdown. In this essay on Patreon, Seb Reilly discusses how to create simmering tension.
In this Editor's Letter from Issue 4 of Seaside Gothic, Seb Reilly considers the foundations upon which a magazine is built and how that process relates to its contributors.
Drugs and their use should feel genuine to a reader and put across a response. In this essay, Seb Reilly discusses how to effectively write drug use in narrative fiction.
Writing every day is not always possible and therefore should take on a different definition. In this essay on Patreon, Seb Reilly discusses what this means for writers.
What separates a passion project from a hobby? In his column in the Isle of Thanet News, Seb Reilly meets singer and musician Luke J Dorman as he launches his new single.
Gore should feel graphic and visceral to a reader and elicit a strong response. In this essay, Seb Reilly discusses how to effectively write gore in narrative fiction.
Reading out loud can be a profoundly different experience to reading silently. In this essay on Patreon, Seb Reilly discusses how this can benefit writers.