Eric Stone's Blog, page 4
September 10, 2011
HAVE HIT THE ROAD AGAIN - 1
Winslow, AZ: I'm in the Carole Lombard room of one of my favorite hotels in the world, listening to a mile or more long freight train rumble past outside my window. Earlier I was in a rocking chair in the garden, good scotch in hand, watching the sunset and the trains roll by. (Not to worry, if you don't like the sound of trains all night, they provide you with earplugs in the guest rooms.
La Posada was built in 1930 by the Harvey Company as a railroad hotel. The architect and designer was Mary Colter, the most famous (maybe the only famous) woman architect and designer of her time. It was her favorite building and when you stay here it is obvious why. Colter was one of the first architects to truly appreciate that there was such a thing as a unique American architecture and she made fantastic use of it. She took regional archetypes and developed them into modern (for their time) buildings. One of her first was the Hopi House gift center at the Grand Canyon.
In 1997, La Posada was falling down. It was bought by a guy named Allen Affeldt along with an artist named Tina Mion. They have restored it and done an astounding job. It is also filled with an eclectic wonderful art collection, much of it the paintings of Mion - who is a quirky, amusing and very arresting painter. They also have a great restaurant. I have a reservation for dinner in 40 minutes so I'd best crank out this blog.
In any event, this is one of the reasons why I love road trips even if at times the day's drive seems endless and dull. I took I-40 today, which roughly parallels old Route 66. There are parts of old 66 that are pretty fun and entertaining, a lot of it has become buried under enormous piles of nostalgic kitsch. Funny, it's all '50s Corvettes and crap like that, you don't see much about the Okies and Arkies fleeing the Dust Bowl desperate to find work in the promised land of California. Oh well.
Here's a few pictures. The first is one of the remnants of old 66. The rest are all at or around La Posada.
La Posada was built in 1930 by the Harvey Company as a railroad hotel. The architect and designer was Mary Colter, the most famous (maybe the only famous) woman architect and designer of her time. It was her favorite building and when you stay here it is obvious why. Colter was one of the first architects to truly appreciate that there was such a thing as a unique American architecture and she made fantastic use of it. She took regional archetypes and developed them into modern (for their time) buildings. One of her first was the Hopi House gift center at the Grand Canyon.
In 1997, La Posada was falling down. It was bought by a guy named Allen Affeldt along with an artist named Tina Mion. They have restored it and done an astounding job. It is also filled with an eclectic wonderful art collection, much of it the paintings of Mion - who is a quirky, amusing and very arresting painter. They also have a great restaurant. I have a reservation for dinner in 40 minutes so I'd best crank out this blog.
In any event, this is one of the reasons why I love road trips even if at times the day's drive seems endless and dull. I took I-40 today, which roughly parallels old Route 66. There are parts of old 66 that are pretty fun and entertaining, a lot of it has become buried under enormous piles of nostalgic kitsch. Funny, it's all '50s Corvettes and crap like that, you don't see much about the Okies and Arkies fleeing the Dust Bowl desperate to find work in the promised land of California. Oh well.
Here's a few pictures. The first is one of the remnants of old 66. The rest are all at or around La Posada.






Published on September 10, 2011 18:58
September 9, 2011
WRITING SUCKS, BUT WHAT ELSE AM I GOING TO DO
Published on September 09, 2011 08:02
September 7, 2011
IT'S COUNTY FAIR TIME AGAIN
And of course I went, as I do every year that I can, with my standing County Fair Companion, the multitalented juggler who wears numerous hats - writer, save-the-worlder (or at least improve it), crazed long-distance runner, bunny lover, etc. - Ashley Ream.
And, as I also do every year, I took some pictures. They can tell you more about my experience of the Los Angeles County Fair than I can. So here goes:
There were a lot of people at the Fair other than us:
And of course there were other sorts of animals, too:
And I mentioned that Ashley loves the bunnies. The real ones were out of reach in pens, so I made her pose with this poor young woman who was no doubt sweltering inside of her bunny suit:
And what would a county fair be without stuff to judge and award ribbons to? Here are some pie contest judges, pie contest entrants anxiously awaiting judgement, and a previous cake winner.
People waited for rides and then went on rides.
And people ate stuff, lots of stuff, most of it really bad for them (and me.) The best thing I ate at the Fair was the porkchop on a stick ("A delight like no other.") It was indeed a delight, excellent even, but really, it was very similar to many other porkchops I have had, only on a stick. The Fair seemed the wrong place for sushi. Neither of us was tempted by Buster's 2 lb Belly Buster burger. But other people were.
But the Fair doesn't want to leave its patrons without ways in which to improve themselves as well, physically (and even spiritually but I didn't take pictures of the Christian, Muslim, Scientology or other such booths.) I don't know how long you'd have to stand on the Magic Fit to work off one of those 2 lb burgers, but I imagine it would take quite a while. And if something you ate stained your teeth, well, you could have that taken care of, too. And lastly, if it was all just too much, you could relax in a massage chair.
NOW FOR A BIT OF FAIR WARNING - I MIGHT BE HEADED YOUR WAY
I'm leaving Saturday for one of my road trips. I shall attempt to blog at least once from every place that I spend time. Here's where it looks like I'm going:
Winslow, AZ - overnight stop
Albuquerque, NM - overnight stop
Amarillo, TX - overnight stop
Norman, OK - overnight stop
St. Louis, MO - Bouchercon, 4 nights
Memphis, TN - 2 nights
Clarksdale, MS (Mississippi Delta) - 5 nights
Dallas, TX - overnight stop
Van Horn, TX - overnight stop
Tucson, AZ - overnight stop
HOME
And, as I also do every year, I took some pictures. They can tell you more about my experience of the Los Angeles County Fair than I can. So here goes:
There were a lot of people at the Fair other than us:






And of course there were other sorts of animals, too:



And I mentioned that Ashley loves the bunnies. The real ones were out of reach in pens, so I made her pose with this poor young woman who was no doubt sweltering inside of her bunny suit:

And what would a county fair be without stuff to judge and award ribbons to? Here are some pie contest judges, pie contest entrants anxiously awaiting judgement, and a previous cake winner.



People waited for rides and then went on rides.


And people ate stuff, lots of stuff, most of it really bad for them (and me.) The best thing I ate at the Fair was the porkchop on a stick ("A delight like no other.") It was indeed a delight, excellent even, but really, it was very similar to many other porkchops I have had, only on a stick. The Fair seemed the wrong place for sushi. Neither of us was tempted by Buster's 2 lb Belly Buster burger. But other people were.



But the Fair doesn't want to leave its patrons without ways in which to improve themselves as well, physically (and even spiritually but I didn't take pictures of the Christian, Muslim, Scientology or other such booths.) I don't know how long you'd have to stand on the Magic Fit to work off one of those 2 lb burgers, but I imagine it would take quite a while. And if something you ate stained your teeth, well, you could have that taken care of, too. And lastly, if it was all just too much, you could relax in a massage chair.



NOW FOR A BIT OF FAIR WARNING - I MIGHT BE HEADED YOUR WAY
I'm leaving Saturday for one of my road trips. I shall attempt to blog at least once from every place that I spend time. Here's where it looks like I'm going:
Winslow, AZ - overnight stop
Albuquerque, NM - overnight stop
Amarillo, TX - overnight stop
Norman, OK - overnight stop
St. Louis, MO - Bouchercon, 4 nights
Memphis, TN - 2 nights
Clarksdale, MS (Mississippi Delta) - 5 nights
Dallas, TX - overnight stop
Van Horn, TX - overnight stop
Tucson, AZ - overnight stop
HOME
Published on September 07, 2011 13:08
August 13, 2011
IF YOU DON'T THINK TOO GOOD, DON'T THINK TOO MUCH
Ted Williams - "The Kid", "The Splendid Splinter", "Teddy Ballgame", "The Thumper", "Mr Red Sox", "Toothpick Ted" and "The Greatest Hitter Who Ever Lived" - said that.
He meant it as advice to someone trying to hit a baseball with a bat - arguably the single most difficult thing to do in any sport. Consider that someone who manages to get a hit in baseball three times out of every ten tries is a great success. Only on the rarest of occasions, and not since 1941 (70 years ago), does anyone consistently get a hit four times out of ten. (Oh yeah, and that guy was Ted Williams.)
But as much as I love baseball, this blog isn't about that. What Mr. Williams had to say about hitting a ball with a bat is applicable to all sorts of things, including writing.
Maybe I can press the point with another quote and a video clip. Bruce Lee, in Enter the Dragon, says and demonstrates much the same idea. The quote is: "Don't think; feel. It's like a finger pointing away to the moon. Don't concentrate on the finger, or you will miss all that heavenly glory."
Okay, so maybe that just confuses matters and maybe this whole point I'm trying to make is a stretch anyhow. But the point is that one of the greatest enemies of any writer is over-thinking, over-working, over-tweaking, over-fiddling, over-worrying, over-you-name-it. (Batters, too.)
Once you've put together the basics of something then just do it, and do it some more and even more. An athlete relies on muscle memory to get them through the mechanics of what they need to do. And that only happens through repetition, practice, over and over and boringly over again until you don't need to think about it, you just do it because it's natural.
Writing's no different. The more you do it, the less you have to think about it and the more likely it is you'll find yourself swinging for the fences or reaching out to all that heavenly glory.
He meant it as advice to someone trying to hit a baseball with a bat - arguably the single most difficult thing to do in any sport. Consider that someone who manages to get a hit in baseball three times out of every ten tries is a great success. Only on the rarest of occasions, and not since 1941 (70 years ago), does anyone consistently get a hit four times out of ten. (Oh yeah, and that guy was Ted Williams.)
But as much as I love baseball, this blog isn't about that. What Mr. Williams had to say about hitting a ball with a bat is applicable to all sorts of things, including writing.
Maybe I can press the point with another quote and a video clip. Bruce Lee, in Enter the Dragon, says and demonstrates much the same idea. The quote is: "Don't think; feel. It's like a finger pointing away to the moon. Don't concentrate on the finger, or you will miss all that heavenly glory."
Okay, so maybe that just confuses matters and maybe this whole point I'm trying to make is a stretch anyhow. But the point is that one of the greatest enemies of any writer is over-thinking, over-working, over-tweaking, over-fiddling, over-worrying, over-you-name-it. (Batters, too.)
Once you've put together the basics of something then just do it, and do it some more and even more. An athlete relies on muscle memory to get them through the mechanics of what they need to do. And that only happens through repetition, practice, over and over and boringly over again until you don't need to think about it, you just do it because it's natural.
Writing's no different. The more you do it, the less you have to think about it and the more likely it is you'll find yourself swinging for the fences or reaching out to all that heavenly glory.
Published on August 13, 2011 11:37
August 1, 2011
CENTRAL AVENUE SIGHTS
If you've been following my blog for any length of time, you probably know that I have something of a love affair going on with Central Avenue, south of downtown Los Angeles. Or at least with its history. Up until the late 1940s it was one of the most glamorous, vibrant, fascinating, musically and culturally rich and exciting stretches of street to be found on planet Earth.
I'd learned a bit about it growing up in Los Angeles. I learned a lot more about it in the course of researching my first book: WRONG SIDE OF THE WALL. And then I learned even more about it in researching the book that I have most recently written - which my agent is currently sending out to editors - CENTRAL AVENUE.
I blogged about Central Avenue and included some photos in November 2009. (If you missed it, you can see it by clicking on this sentence.)
This past weekend was the 16th Annual Central Avenue Jazz Festival. The festival is an important part of the efforts to acknowledge the Avenue's history and to revitalize it as a thriving residential and commercial community. It's a good thing to support and it's also a lot of fun.
Some pictures are below. As for the new book, as soon as I know where it's going to find a home, look here - and elsewhere on my website - for an excerpt and further information.
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I'd learned a bit about it growing up in Los Angeles. I learned a lot more about it in the course of researching my first book: WRONG SIDE OF THE WALL. And then I learned even more about it in researching the book that I have most recently written - which my agent is currently sending out to editors - CENTRAL AVENUE.
I blogged about Central Avenue and included some photos in November 2009. (If you missed it, you can see it by clicking on this sentence.)
This past weekend was the 16th Annual Central Avenue Jazz Festival. The festival is an important part of the efforts to acknowledge the Avenue's history and to revitalize it as a thriving residential and commercial community. It's a good thing to support and it's also a lot of fun.
Some pictures are below. As for the new book, as soon as I know where it's going to find a home, look here - and elsewhere on my website - for an excerpt and further information.











Published on August 01, 2011 12:19
July 19, 2011
MY STRUGGLE WITH SUMMER
There are times when I'm pretty sure I would have been better off having gone to summer school all through school, every year. Not because I wish I'd graduated high school at 15 or anything like that, or college at 18. But because if you don't become a teacher summer holidays in your youth set you up for a lifetime of struggle. Especially if, like me, you don't have a boss breathing down your neck other than yourself, spurred on by the occasional horrifying glance online at your bank account or last royalty statement.
Right now it's 83 degrees outside, sunny, not too humid. The me who grew up spending 17 years of summer holidays - kindergarten through my BA - is convinced that I ought to be out and about doing something other than sitting in front of this computer. I should be taking pictures, playing baseball, exploring different parts of the city, walking along the beach, SCUBA diving, sipping drinks on a terrace with a view, something else than what I'm doing.
Just writing this I'm distracting myself. I've got other stuff I ought to be writing: rewriting the second book in my new L.A. Trilogy, writing the third book, writing the first Lei Yue book, there's two other book ideas in varying states of progress and a non-fiction book idea percolating and a couple of short stories I have in mind.
But waaahh! I don't wanna!
I'm too old to be feeling this way, aren't I? I haven't been in school with a summer holiday since, since - oh shit, Gerald Ford was President. But all those damn formative years when I was growing up have apparently suckered something deep inside me into thinking - it's hot outside, it's summer, I should be out somewhere having fun.
I've got a plan. I'm not sure how much good it's going to really do me since I'm only doing it for three days, but I'm heading to the desert where it's 109 at the moment and only likely to be even hotter on the days I'm there next week. No one in their right mind wants to go outside in weather like that. And in spite of all evidence to the contrary, I am, I insist, in my right mind.
Plus, the deluxe hotel room in the deluxe hotel I will be staying in, normally goes for something north of $400 per night when the weather's good. I'm getting it for $89. (It's questionable whether or not the owners are in their right minds - why bother staying open in the summer?) And there's a swimming pool approximately 15 feet from the door of my room. And the air conditioning works.
Maybe I'll get some writing done. Maybe I ought to see about staying out there for the rest of the summer.
I don't have kids but I do have some advice for those of you reading this who do. Do them a favor, send them to summer school or encourage them to go into teaching.
Right now it's 83 degrees outside, sunny, not too humid. The me who grew up spending 17 years of summer holidays - kindergarten through my BA - is convinced that I ought to be out and about doing something other than sitting in front of this computer. I should be taking pictures, playing baseball, exploring different parts of the city, walking along the beach, SCUBA diving, sipping drinks on a terrace with a view, something else than what I'm doing.
Just writing this I'm distracting myself. I've got other stuff I ought to be writing: rewriting the second book in my new L.A. Trilogy, writing the third book, writing the first Lei Yue book, there's two other book ideas in varying states of progress and a non-fiction book idea percolating and a couple of short stories I have in mind.
But waaahh! I don't wanna!
I'm too old to be feeling this way, aren't I? I haven't been in school with a summer holiday since, since - oh shit, Gerald Ford was President. But all those damn formative years when I was growing up have apparently suckered something deep inside me into thinking - it's hot outside, it's summer, I should be out somewhere having fun.
I've got a plan. I'm not sure how much good it's going to really do me since I'm only doing it for three days, but I'm heading to the desert where it's 109 at the moment and only likely to be even hotter on the days I'm there next week. No one in their right mind wants to go outside in weather like that. And in spite of all evidence to the contrary, I am, I insist, in my right mind.
Plus, the deluxe hotel room in the deluxe hotel I will be staying in, normally goes for something north of $400 per night when the weather's good. I'm getting it for $89. (It's questionable whether or not the owners are in their right minds - why bother staying open in the summer?) And there's a swimming pool approximately 15 feet from the door of my room. And the air conditioning works.
Maybe I'll get some writing done. Maybe I ought to see about staying out there for the rest of the summer.
I don't have kids but I do have some advice for those of you reading this who do. Do them a favor, send them to summer school or encourage them to go into teaching.
Published on July 19, 2011 16:17
July 12, 2011
CARMAGEDDON LOOMS
To read the papers, to listen to the radio or watch the TV news, to see the electric signs along the freeways is enough to convince you that the end of Los Angeles as we know it will commence at about midnight this coming Friday, July 15.
Ten miles of the 405 – one of the world's most congested freeways ("free" only in the sense that you don't pay a toll to drive on it, otherwise the word is ironic) will be shut down until about six am the following Monday morning in order to tear down a bridge. According to nearly everyone the result is going to be CARMAGEDDON – THE TRAFFIC OF DOOM.
Oh get over it.
First off, the main part of the city it is going to affect is the Westside. And who wants to go over there anyhow, especially on a weekend? (I suppose beach lovers want to go there on weekends but I'm not one of them so I don't care.) The Westside is Los Angeles-lite at best, the least interesting, least diverse, deathly-dullest part of the urban area.
Secondly, it's the 405 folks! Sure it's going to slow to an average speed of zero miles per hour. That's down, I guess, from its usual average of something like twelve miles per hour or less. Not much of a drop in speed really.
When the 2 or the 210 or the 134 or the 10 east of downtown or the 5 north or the 60 east or the 110 south most of the time or the 101 north most of the time (we are blessed with many freeways on this side of town, unlike the deprived westsiders) – the freeways I take way more often than any others – drop from 65 or 70 to 30 or 40 mph, something they do once in a while – I and everybody else on them simply crank up our radios, suck it up and get where we're going without too much additional fuss.
Thirdly – traffic? We spoiled Americans, we don't know traffic.
Last August, on the outskirts of Beijing there was a nine-day, 100 kilometer traffic jam. And when I say "nine-day" I mean that's how long you would have sat in your car listening to the same stupid blather on CNN or Fox radio (or their Chinese equivalents), or the latest crappy Top-40 playlist over and over and over again while waiting to get where you were going.
When I was in Bangkok for business in the spring of 1991, I got out of my last meeting of the day at a little after seven pm. It was raining and about 98 degrees F (about 37 C.) I got into a taxi and four-and-a-half-hours later I got out at my hotel – a distance of slightly more than three miles (4.828 km.)
The Bangkok correspondent for the magazine I worked for had a desk in the back of a van. While his brother-in-law drove the four to five hours average round trip – about five miles (8.04 km) – to the office, he'd put in office hours on the road.
One enterprising massage parlor bought deluxe vans, put beds in the back of them and offered pick up service from the Bangkok airport. Problem was that it got pretty expensive to spend as many as three hours with a "masseuse" on the way into town – rather than the hour that most customers indulged in at the parlor itself.
Every day is Carmageddon in a lot of places, but I guess we need something to make us feel special, or that we can complain about, or to distract us from the possible real life disasters that are waiting for us just around the corner.
Anyone shorting their U.S. T-notes yet?
Ten miles of the 405 – one of the world's most congested freeways ("free" only in the sense that you don't pay a toll to drive on it, otherwise the word is ironic) will be shut down until about six am the following Monday morning in order to tear down a bridge. According to nearly everyone the result is going to be CARMAGEDDON – THE TRAFFIC OF DOOM.
Oh get over it.
First off, the main part of the city it is going to affect is the Westside. And who wants to go over there anyhow, especially on a weekend? (I suppose beach lovers want to go there on weekends but I'm not one of them so I don't care.) The Westside is Los Angeles-lite at best, the least interesting, least diverse, deathly-dullest part of the urban area.
Secondly, it's the 405 folks! Sure it's going to slow to an average speed of zero miles per hour. That's down, I guess, from its usual average of something like twelve miles per hour or less. Not much of a drop in speed really.
When the 2 or the 210 or the 134 or the 10 east of downtown or the 5 north or the 60 east or the 110 south most of the time or the 101 north most of the time (we are blessed with many freeways on this side of town, unlike the deprived westsiders) – the freeways I take way more often than any others – drop from 65 or 70 to 30 or 40 mph, something they do once in a while – I and everybody else on them simply crank up our radios, suck it up and get where we're going without too much additional fuss.
Thirdly – traffic? We spoiled Americans, we don't know traffic.
Last August, on the outskirts of Beijing there was a nine-day, 100 kilometer traffic jam. And when I say "nine-day" I mean that's how long you would have sat in your car listening to the same stupid blather on CNN or Fox radio (or their Chinese equivalents), or the latest crappy Top-40 playlist over and over and over again while waiting to get where you were going.
When I was in Bangkok for business in the spring of 1991, I got out of my last meeting of the day at a little after seven pm. It was raining and about 98 degrees F (about 37 C.) I got into a taxi and four-and-a-half-hours later I got out at my hotel – a distance of slightly more than three miles (4.828 km.)
The Bangkok correspondent for the magazine I worked for had a desk in the back of a van. While his brother-in-law drove the four to five hours average round trip – about five miles (8.04 km) – to the office, he'd put in office hours on the road.
One enterprising massage parlor bought deluxe vans, put beds in the back of them and offered pick up service from the Bangkok airport. Problem was that it got pretty expensive to spend as many as three hours with a "masseuse" on the way into town – rather than the hour that most customers indulged in at the parlor itself.
Every day is Carmageddon in a lot of places, but I guess we need something to make us feel special, or that we can complain about, or to distract us from the possible real life disasters that are waiting for us just around the corner.
Anyone shorting their U.S. T-notes yet?
Published on July 12, 2011 09:38
July 9, 2011
HOW MANY TIMES MUST I SAY IT?
What is wrong with us Americans? Why do we fawn all over and swoon at the site of members of the British Royal Family? William and Kate are no more than the latest odious, spoiled, inbred relics of the bad old days to pollute our shores and snarl our traffic. Every single thing that they represent, every fabric of their being is antithetical to the ideals that the United States was founded on. We fought a revolution against these assholes! Do I really have to repeat all that's wrong with the very concept of royalty?
Sheesh, if I was King, I'd give the bastards 90 days to vacate all of their ill-gotten premises and move into council housing or off with their heads. (And that's more lenient than I used to be on the subject. I must be mellowing with age.)
Sheesh, if I was King, I'd give the bastards 90 days to vacate all of their ill-gotten premises and move into council housing or off with their heads. (And that's more lenient than I used to be on the subject. I must be mellowing with age.)
Published on July 09, 2011 08:52
July 5, 2011
WHAT IS TO BE DONE? BURNING QUESTIONS for AUTHORS & BOOKSTORES
A spectre is haunting bookstores – the spectre of e-publishing and sales.
Historically bookstores and authors have been partners, they have relied upon each other to try and make a go in two fields that have always been a tough business.
But the times have changed. These days, a lot of what is hurting bookstores is helping authors.
How can a store, working on very thin margins, with increasingly high overhead, hope to compete with Amazon and its deep discounts? Or with e-book sales – the only actual growth part of the book market?
And authors cannot afford to ignore Amazon and e-books. Increasingly, to make any kind of living from their writing, they need to focus their attentions on them.
I have read angry tweets and blogposts from booksellers railing against authors who link to Amazon from their websites to sell their books and who are lavishing their promotional attentions on e-book sales. And as a lover of bookstores I can sympathize with that.
But as an author, what am I supposed to do? Just like a bookstore, I'm trying to stay in business.
I make $2.06 from the $2.99 sale of an e-edition of one of my books through Amazon. I make $1.19 when a bookstore sells a trade paperback of the same book at its list price of $14.95. (Sales of my backlist in trade paperback editions had been at a slow trickle over the past couple of years. Now that the e-books are available, my total royalties are on a pace to increase by more than 350 percent this year.)
Have the changes in technology and the market turned authors and traditional booksellers from friend to foe?
It greatly saddens me that so many bookstores have closed, and that so many more are going to close. There is just no way that the new marketplace for books can possibly support nearly as many bookstores as have existed in the past. Only the strongest, most innovative, most creative bookstores are going to survive.
And as someone who loves bookstores, whose first job was in a bookstore, who credits bookstores for some of the minor success I've achieved so far as an author, I want to do what I can to help at least some bookstores survive, even thrive.
What can I and other authors do to help bookstores without hurting our own sales? I cannot stop promoting the sales of my e-books or even my paper & ink books that people buy from Amazon or other online sellers. How else am I supposed to earn the money that, among other things, allows me to buy books from bookstores?
The important question for us authors is: what do brick and mortar bookstores offer readers/book buyers that they can't get cheaper and more conveniently online?
And, just like anyone in business, the next question for us authors is: what's in it for me? How can working with bookstores help our bottom line?
The one and only thing that traditional bookstores can offer us authors that online booksellers can't, is personal, face-to-face interaction: between us and the bookseller, between us and the book buying public when we show up for events at bookstores, and between the bookseller - who is representing us authors when they sell our books - and their customers.
How valuable are those things in the modern book marketplace is a vital question for both bookstores and for authors, like me, who still want to work with and support bookstores.
The very sad truth seems to be that the fewer bookstores there are - the less impact bookstore sales have on an author's bottom line and the less cost-effective it becomes for authors to work with bookstores to promote their books. (If you know what you're doing, you can reach a whole lot more people in an hour spent online than you will ever reach from any book event – which involve investments of many more hours of time and money.)
I love bookstores and want them to survive and prosper. But there seem to be limits on what I can do to help them.
I can continue to shop at them myself, which I will certainly do.
I can continue to do my best to write books that they can sell. I'd love to write a bestseller for them to sell. That's what I, and every other author, have always done and it hasn't changed.
I can put links to independent stores on my website and find other ways to encourage book buyers to shop at those stores. But I can't afford to not link to Amazon and to my e-books where my readers can, if they choose, buy my books cheaper and more conveniently.
I can continue to do events and drop-in signings at bookstores (if they'll have me after this blog) in the hope of helping them attract more customers – both to the event and afterwards when they know me and my book better and so they can do a better job of hand-selling. But my publishers have never contributed to my book tours – few publishers do for any of their authors – and events end up costing me time and money, just as they do the stores.
I am sorry to say that as much as I want to help, bookstores can really only help themselves if they want to survive. How they can do that is a subject for a whole lot more discussion and experimentation (if they can afford it with their already slim margins.)
In the meantime, if any booksellers can think of realistic (not charity, not compromising our own sales) ways that we bookstore-loving authors can help, I'd sure love to hear them.
Historically bookstores and authors have been partners, they have relied upon each other to try and make a go in two fields that have always been a tough business.
But the times have changed. These days, a lot of what is hurting bookstores is helping authors.
How can a store, working on very thin margins, with increasingly high overhead, hope to compete with Amazon and its deep discounts? Or with e-book sales – the only actual growth part of the book market?
And authors cannot afford to ignore Amazon and e-books. Increasingly, to make any kind of living from their writing, they need to focus their attentions on them.
I have read angry tweets and blogposts from booksellers railing against authors who link to Amazon from their websites to sell their books and who are lavishing their promotional attentions on e-book sales. And as a lover of bookstores I can sympathize with that.
But as an author, what am I supposed to do? Just like a bookstore, I'm trying to stay in business.
I make $2.06 from the $2.99 sale of an e-edition of one of my books through Amazon. I make $1.19 when a bookstore sells a trade paperback of the same book at its list price of $14.95. (Sales of my backlist in trade paperback editions had been at a slow trickle over the past couple of years. Now that the e-books are available, my total royalties are on a pace to increase by more than 350 percent this year.)
Have the changes in technology and the market turned authors and traditional booksellers from friend to foe?
It greatly saddens me that so many bookstores have closed, and that so many more are going to close. There is just no way that the new marketplace for books can possibly support nearly as many bookstores as have existed in the past. Only the strongest, most innovative, most creative bookstores are going to survive.
And as someone who loves bookstores, whose first job was in a bookstore, who credits bookstores for some of the minor success I've achieved so far as an author, I want to do what I can to help at least some bookstores survive, even thrive.
What can I and other authors do to help bookstores without hurting our own sales? I cannot stop promoting the sales of my e-books or even my paper & ink books that people buy from Amazon or other online sellers. How else am I supposed to earn the money that, among other things, allows me to buy books from bookstores?
The important question for us authors is: what do brick and mortar bookstores offer readers/book buyers that they can't get cheaper and more conveniently online?
And, just like anyone in business, the next question for us authors is: what's in it for me? How can working with bookstores help our bottom line?
The one and only thing that traditional bookstores can offer us authors that online booksellers can't, is personal, face-to-face interaction: between us and the bookseller, between us and the book buying public when we show up for events at bookstores, and between the bookseller - who is representing us authors when they sell our books - and their customers.
How valuable are those things in the modern book marketplace is a vital question for both bookstores and for authors, like me, who still want to work with and support bookstores.
The very sad truth seems to be that the fewer bookstores there are - the less impact bookstore sales have on an author's bottom line and the less cost-effective it becomes for authors to work with bookstores to promote their books. (If you know what you're doing, you can reach a whole lot more people in an hour spent online than you will ever reach from any book event – which involve investments of many more hours of time and money.)
I love bookstores and want them to survive and prosper. But there seem to be limits on what I can do to help them.
I can continue to shop at them myself, which I will certainly do.
I can continue to do my best to write books that they can sell. I'd love to write a bestseller for them to sell. That's what I, and every other author, have always done and it hasn't changed.
I can put links to independent stores on my website and find other ways to encourage book buyers to shop at those stores. But I can't afford to not link to Amazon and to my e-books where my readers can, if they choose, buy my books cheaper and more conveniently.
I can continue to do events and drop-in signings at bookstores (if they'll have me after this blog) in the hope of helping them attract more customers – both to the event and afterwards when they know me and my book better and so they can do a better job of hand-selling. But my publishers have never contributed to my book tours – few publishers do for any of their authors – and events end up costing me time and money, just as they do the stores.
I am sorry to say that as much as I want to help, bookstores can really only help themselves if they want to survive. How they can do that is a subject for a whole lot more discussion and experimentation (if they can afford it with their already slim margins.)
In the meantime, if any booksellers can think of realistic (not charity, not compromising our own sales) ways that we bookstore-loving authors can help, I'd sure love to hear them.
Published on July 05, 2011 07:26
June 27, 2011
ENOUGH WITH THE CANNIBAL JOKES
Eva and I were just in Truckee, CA for a couple of days. It's high up - 7,000 feet - in the Sierras, just above Lake Tahoe. We were considering the possibility of spending as much as a month there sometime this coming winter. (If we do, she will spend as much time as she can on cross country skis and I will spend a lot of time writing - and probably drinking.)
Luckily, with a population nearing 15,000 it has come a long way since the Donner Party missed the trail there in 1846, leading to the deaths of 42 of its members and the consumption of several of their corpses by the others. Here's where they took their wrong turn:
If the hotel - wood building in background - and the 76 station had been there 165 years ago probably none of us would have ever heard of the Donner Party.
Here's the monument to them:
If any of you out there reading this can figure out what the hell the inscription means, let me know in the comments. I sure can't figure it out.
It is a beautiful area:
Chinese workers built the western half of the transcontinental railroad right across what is now Donner Pass and down into Truckee:
They built long tunnels to house the tracks so that they wouldn't be impassable with snow in the winter. And they propped up the tracks with boulders where the mountain curves didn't cooperate.
This is tunnel 6, dug 1,600 feet through solid granite. They were able to dig about four inches a day. It would have taken them 17 and a half years except that someone had the bright idea to bore a wide hole through the top of the mountain, halfway into where they wanted the tunnel to go. Workers were lowered down into it so that the tunnel could be dug out from four places at once: both ends and each way from the middle.
We have a whole lot to thank Chinese laborers for, at least historically.
I'm on a quest to find the oldest, continuously operating Chinese restaurant in America. If anyone has any thoughts on the matter, please let me know.
I hereby, probably rashly, promise that should we spend a month in Truckee this coming winter, I will write a blog every day. The Donner Party kept diaries, there's a tradition for me to uphold.
Luckily, with a population nearing 15,000 it has come a long way since the Donner Party missed the trail there in 1846, leading to the deaths of 42 of its members and the consumption of several of their corpses by the others. Here's where they took their wrong turn:

Here's the monument to them:

It is a beautiful area:


Chinese workers built the western half of the transcontinental railroad right across what is now Donner Pass and down into Truckee:




We have a whole lot to thank Chinese laborers for, at least historically.
I'm on a quest to find the oldest, continuously operating Chinese restaurant in America. If anyone has any thoughts on the matter, please let me know.
I hereby, probably rashly, promise that should we spend a month in Truckee this coming winter, I will write a blog every day. The Donner Party kept diaries, there's a tradition for me to uphold.
Published on June 27, 2011 18:26