Steve Stred's Blog, page 80

Book Review: The Old One and the Sea by Lex H. Jones

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Title: The Old One and the Sea

Author: Lex H. Jones

Release date: November 1st, 2019

What a stunning, little piece of fiction ‘The Old One and the Sea’ is.

Released through Sinister Horror Company’s Kids imprint, Lex H. Jones expertly delivers a kids story that introduces young readers to Lovecraft’s The Old Ones, specifically Cthulu, affectionately known as Oolu here.

When this was released, I saw so many folks raving about it. I ordered it on Kindle as well as a physical copy, but for whatever reason I didn’t get to this sooner. Heck, between the time this was released and me reading it, I appeared in an anthology with Mr. Jones (humble brag!).

What I liked: The book follows a young Howard, living at the ocean’s edge. He’s struggling with the reality that his father isn’t returning from war and memories of his dad are everywhere. His mom is doing her best and an older male with a fascination with the stars treats Howard kindly. Then, one night, the town is rocked by an earthquake, which results in an odd, black reef jutting forth from the depths. From this point on, Jones introduces Oolu and we get to see the creature and the boy develop an unlikely friendship while the reader gets to experience some poignant philosophical passages.

Jones has really done a great job of introducing Lovecraft’s mythos to younger readers while also crafting a beautiful story of childhood sorrow and imagination. This book left me with tears a number of times, and now that I’ve read it, I’m excited for when I can read this with my own son.

What I didn’t like: Jones created a perfect set up for the ‘why’ of Lovecraft creating and writing the mythos he does as an adult, and the epilogue was great. One thing that I found interesting (and while I understand it, as it is a kids book) was that in the epilogue there was no mention of Lovecraft’s personal beliefs tainting how he is remembered. It is very minor and when you take this purely as a kids book, completely makes sense, but if you have a slightly older reader who would look into Lovecraft following reading this, a lot of questions may arise.

Why you should buy this: If you’re looking for a fantastic bridge story to introduce your little ones to Cthulu and the Old Ones mythos, this book is perfect. Jones writes with such delicacy in here, really making for a sweet and adorable read filled with so many emotions. I should’ve read this far earlier, but now that I’ve read it, I have to say – if you have this on your TBR, definitely get to it! It was awesome.

5/5

 

Book Review: Jagged Edges & Moving Parts by Pete Mesling

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Title: Jagged Edges & Moving Parts

Author: Pete Mesling

Release date: June 3rd, 2020

I’ve mentioned previously that I’m burned out on collections and anthologies. This is at all no fault of any author or editors, it’s the simple fact that I’ve read a boat load of both this year and reading and reviewing collections and anthologies are incredibly taxing. You take notes, rate each story, try and find interconnected characters or themes – it all adds up to mental exhaustion.

But, a part of me simply can’t stop reading them. Each short story is a new and exciting world. A break from longer reads. A brief glimpse into a horrific painting before being ripped away at the conclusion.

When Pete Mesling emailed me, I was literally updating my site to say I was closed for review requests. I’m trying to play catch up and get a few reads for enjoyment done, but Pete was very kind and considerate in his email and reply back. I’ve seen his name on TOC’s previously and combining the blurbs he’d picked up for this collection as well as the stunning cover art by Mr. Kealan Patrick Burke, I decided to fit it in.

What I liked: Pete Mesling can write. Wow. ‘Jagged Edges & Moving Parts’ is comprised of 27 short stories that cover a wide variety of themes and genres. With a collection featuring that many stories, it was refreshing that they were all fairly short in page count. I found each story ripped along and Mesling attacked each world with confidence.

With this many stories, it was tough to narrow down my favorites, so I’ll highlight three.

‘Barbicide’ was a really simply, straightforward story of revenge. A man heads to his Barber to get his haircut. He is going there to confront the man about a transgression. Mesling doesn’t hold back at all. Succinct in its vengeance.

‘The Tree Mumbles.’ Wowsa. I would say this was my favorite story in the collection. Set in Seattle, people begin to notice odd figures showing up surrounding the city, staring and speaking to the trees. I can’t say much more about this unique take on an apocalyptic/pandemic style story, just that I would love to see this expanded, or better yet, made into a movie.

‘Microphasia.’ I don’t even know how to describe this one. Beautifully poetic without being a poem. Three to four lines of a quick look at a scene, intertwined with the other lines following. This was a fascinating story near the end.

What I didn’t like: While I enjoyed that each story was shorter, I wished some of the stories were not so short, which in turn would maybe limit the volume of stories included. It’s a minor thing for me and granted, a lot of that may be directly related to my personal reading burnout, but even making one or two of them novellas would have been magical.

Why you should buy it: If you love collections or discovering a new-to-you author, Pete Mesling’s ‘Jagged Edges & Moving Parts’ would be a really fine addition to your book shelf. The stories that he’s crafted here are all really engaging and Mesling has no problem going from making the reader cry to making the reader leave a light on.

Fantastic work, and I’m glad I took this one on.

4/5

Cover reveal! Giant update! Kind of! Maybe a bit!

Hey friends! God, it’s been a long time hasn’t it?

I hope the few of you who read this will bear with me as this may end up being a longer than normal update post!

So, for a long time I was doing weekly blog posts. Every Friday, I’d update the world and the four readers of this blog just what the hell was going on with Steve. I then drifted away from that when I was releasing ‘Wound Upon Wound,’ my weekly serial novella.

Now, I’ve completely dropped it, as I’ve been doing a lot more social media posts with my book reviews/Kendall Reviews post and my daily author shouts.

I’ve decided to do a longer post here to update a bunch of stuff.

HANG ON!

1) The Window In the Ground arrives!

Yup! She’s here! Released through The Writing Collective, this coming of age, folklore story has so far been well received, which warms my heart. Because it’s arrival was not without sorrow.

But let’s back track.

How did it come to be? Simples! Auryn, Amanda and I went for a hike at Clifford E. Lee Nature Sanctuary which is about twenty minutes from where we live, a few years back. It was Spring time and when we came over a hill, there was a purely green section of grass off among the snow filled field that made it look like someone had been shoveling the snow off. We actually went back and hiked there this past weekend and I took a photo of where the Window was spotted. The area is really grown in now, so I’ve used added a circle to show you where it was originally spotted!

It was a beautiful day, but we were shocked at just how high the water levels still were, the water almost even with the boardwalk for most of the hike.

It was fantastic to get out there and see the area again, but also to revisit where I’d first spotted the window. When Spring rolls around again, we’ll have to go back and make sure the caretaker is still shoveling the snow off.

I mentioned the sorrow part of the release earlier.

Sadly and unexpectedly, a few days before the release, my father in law, Paul passed away. It was and is still a devastating thing that has happened and we’re trying to navigate the waves of grief as best we can.

On release day, my wife saw a few “happy release day” posts of the book and asked if I had a book out on July 1st. When I said I did, she said I should still celebrate it and the accomplishment and that Paul would be proud. So, we discussed options and ultimately decided to donate all profits/proceeds from the book to the Heart and Stroke Foundation of Canada. So far, since release date, we’ve donated $200 which is just amazing. Thank you to everyone who made release day so special.

If you haven’t snagged a copy yet;

(For those wondering/buying for the donation aspect – each ebook equals $2.03 donated, each paperback equals $2.05 donated, so both are almost identical for supporting the charity!

2) Author shouts!

I’m just going to give a quick blurb about doing this. I love doing these for a few reasons. It gives someone an unexpected smile. Social media can be absolute garbage at times, so I figured it’d be nice to pop onto a platform and see a few nice words! It can give someone an unexpected boost. I’ve had a few authors say that the random shout came at just the right time while they struggled in a section or whatever. How awesome! It can get a few new sales. New readers are always amazing, but old readers who may have missed a release are also amazing. I try to do my four square covers over a section of an authors releases. New, old, anthologies, etc, just a way to show their scope!

I’ll continue doing this for as long as I can. At first I was doing three a day, but have adjusted to one a day, to make sure I can keep sharing some love and positivity.

3) Self promo.

Good lord. I’ve actually started doing some self promo. It makes me nauseous on the best of days and down right ill most other days, but I guess I need to do some self promo and celebrate my books as well!

4) What I’m working on.

Ok – here’s a bit on every single thing I have on the go!

Scott: A Wagon Buddy Tale. Copy editing notes are done, I just need to go through and make final tweaks. This will be released end of year. Most likely November.

Cathedral of the Skinned: Sermons of Sorrow Book Two. Bogged down at the moment. I’ve been mentally questioning every single thing about the first draft. Too much of this, not enough of that, blah blah. It’ll get a kick in the arse shortly.

Book Three of the Father of Lies Trilogy. 25% done draft one. Cover art done. This is going to be deep, dark and brutal. Father is a disgusting creature/character. Expect to be repulsed. I’ve also created something unique as a giveaway for this. Sodergren has heard the plan and thought it was awesome. I’ll be doing a compendium release for this that’ll also include a novella which will essentially be a four book set then.

456 Blatchford Drive. I can’t think if I’ve actually shared the cover of this one yet? Either way, here you go!

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This one is done draft one. Almost done draft two. Set over a bunch of decades, this is a folklore, haunted house story. As of this time, I’m still planning on making this an ultra limited “fan” release. I’m still thinking only 10 hardcovers and 20 paperbacks and that’s it. But we’ll see. I’ll keep you posted!

Mastodon. Another one long in the burner. I completely rewrote the entire novel over the course of being laid off at the start of COVID arriving. I’ve decided to let this sit for a bit before I return for draft two. I’m still processing how I want to move forward with this book. But expect a 2021 release date as of right now.

September collection. Haven’t mentioned anything about this publicly until now. I’ve mentioned it to a few people behind the scenes. Expect a cover review soon on Kendall Reviews. This features a foreword and art by my friend, the amazing Miranda Crites. Think you’ll really dig this!

TNN. Co-written with my friend, David Sodergren, this is a fantastic western horror that we collaborated on. We’d talked about doing this for some time and then just banged out a 1st draft over the course of a week or so. Expect more details at some point here, but we’ve both been content with it arriving next year.

I think that’s everything? Maybe? haha! Not 100% sure honestly!

5) Review Requests.

You may have seen it on my site here, but I am officially closed to review requests at the moment. I’m playing catch up (like many!) and I’m trying to get through a lot of amazing books I’ve bought over the last few years that I haven’t been able to get through. Saying that – if you are someone I’ve reviewed before, still reach out. And if you are very much struggling to get traction/reviewers, do message. I’ll see what I can do.

 

Until we meet again,

Steve

Interview: Carl John Lee, Author of The Blood Beast Mutations

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‘The Blood Beast Mutations’ by Carl John Lee was an unexpected delight. Part creature-feature, part scathing political statement against the current US presidency, I wasn’t prepared for both the topical plot line but also for the human side of this story.

Oddly, Carl John Lee seems to barely exist. In the world of social media and selfies, Carl has his Twitter account and, at the time of writing this, that’s it. I searched Instagram and Facebook and struck out. He is listed on Goodreads, but that’s hardly a go-to site for personal interaction.

‘The Blood Beast Mutations’ came my way just as oddly as connecting with John Lee.

One day, I randomly had a Carl John Lee follow me on Twitter. I followed back. Then Carl commented on how much he’d enjoyed one of my books. “Thank you!” I replied back.

Then on our Kendall Reviews group chat his book came up for offer. I accepted. But then I saw that it was about to be released and was only $0.99 for Kindle (which is still is), so I bought it instead and damn what a great buy.

(You can read my review here: http://kendallreviews.com/book-review-the-blood-beast-mutations-carl-john-lee/)

But then, it got me thinking. I don’t see much from Carl John Lee. He retweets some stuff here and there, so I reached out to see if he’d be up for an interview. He mentioned he’d had a few requests, but didn’t see the need.

Until now. Not sure what’s changed, but I woke up to a message from Carl recently on Twitter that said simply “OK, let’s do it.”

So, without further wait – I present the first (and maybe only) interview with Carl John Lee.

Steve: Carl, thanks for doing this. You’ve recently released your debut book ‘The Blood Beast Mutations.’ It was a really fun, quick read. What prompted you to write it?

CJL: Well Mr. Stred, thanks for asking. You’re a persistent guy, you know that?

Well, I guess what prompted me to write The Blood Beast Mutations was my anger and frustration at the clusterfuck going on over here in the States. Every day things were — and still are — getting worse and worse. A virus raging out of control, met at every stage by incompetency and outright idiocy from the people who’s job it is to protect us. The book was a form of therapy, to stop me from going completely out of my mind.

Look, I know some people think it’s bad taste to write a book about the pandemic, but I don’t give a fuck about good or bad taste. We have a psychopath in charge who’s letting people DIE. We have whole swathes of the population refusing to wear masks out of some lunatic desire to “own the libs”. Greed and selfishness run rampant now. We live in a fucked-up world. You wanna talk about bad taste? How about faceless stormtroopers kidnapping peaceful protestors? How about the erosion of the separation between church and state? How about police brutality and the rise of fascism?

There ain’t no happy endings, not any more. But I still believe in the goodness of people’s hearts. The Black Lives Matter protests are testament to that. I wanted to focus on the good people in my book, and ask — is there a way out of this hell? And you know what, Steve? I think there is. I hope there is.

Steve: Can you share anything about your background? Where you live or what you do when not writing?

CJL: I’ve been writing my whole life. That’s what I do. I started in screenwriting, wrote a bunch of what was known as ‘exploitation’ pictures back in the 70s and 80s; biker movies, skin flicks, horror movies, shit like that. It was fun, but I retired from that when the studios took over and all the really interesting shit stopped getting made. Since then I’ve…been around.

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(Author photo provided by Carl John Lee)

Steve: Who are some authors that have inspired you?

CJL: He’s no damn author, but Roger Corman is my inspiration. That man could take a political hot-button topic and turn it into an entertaining good time, and he always — well, let’s not get too crazy — he usually had something to say about it. The other guy is David Cronenberg, and hey, that guy has written a book. Someone said my story reminded them of Cronenberg’s early body-horror films like Shivers and Rabid, and I have no problem with that, except that Cronenberg is a goddam genius and I’m some cranky old bum with an attitude problem.

Steve: Do you have a favorite book or movie?

CJL: Like I already said, I’m an old fart, so I love classic Hollywood cinema, auteurs like Hawks and Hitchcock, then later Coppola and Friedkin and De Palma. Sure, there’s some interesting shit being made now, but man, I miss the days before studio interference and producers with their notes and test screenings and homogenized Disney-owned bullcrap.

Steve: While writing, do you enjoy listening to music? If so, what do you listen to?

CJL: When I write, that’s the only time the voices in my head shut up for a few hours, so I guess you could say I listen to blessed silence when I write. Outside I can always hear the city, and that reminds me I’m alive. And then sometimes I put on some Charlie Parker, because that shit is a direct line to god himself.

Steve: ‘The Blood Beast Mutations’ seems to be an equal split between creature-feature and political anger. Did you start off writing a political book and added the creatures or a creature book where you added the politics?

CJL: My pa always told me that the older I got, the more conservative I’d become. That old bastard’s dead now, but I wish he was alive so he could see how wrong he was. I think it’d be harder for me to write something not political these days. When I started writing Blood Beast, I had no intention of putting it out. I write most days, like I said, to stay sane. I need to get my thoughts down on paper so they don’t rattle around in my head and torture me. This one started out as a purely political piece, but I guess I’m hardwired all wrong, because the old exploitation genes kicked in again, and I found myself having, I dunno, fun or something writing it. People talk about catharsis a lot in relation to horror, mostly to make themselves sound intelligent or to justify their love of dark, nasty shit, but sometimes they’re bang on the money. I could feel the darkness seeping out of me and onto the page. It was a release. But because, deep down, I’m a sentimental sap, things didn’t turn out quite as dark as I’d expected. I’d even say there’s a glimmer of hope in there, a light at the end of the tunnel.

Steve: There’s an interesting bit in there where murder hornets arrive and um… relieve the president from his position. Where did that visual come from?

CJL: It’s just a fantasy of mine, Mr. Stred. A deep, erotic fantasy.

Steve: What’s next from Carl John Lee? Will we see a sequel? A new release? Or is this it?

CJL: Well, I’m sitting on several decades worth of scripts and notes and ideas, so expect to see a lot more from me, whether you want to or not. My dearly-departed wife introduced me to the world of self-publishing a few years back, and I’ll be damned if it didn’t remind me of the good old lawless days of movie making. That’s how I found your work. Ritual reminded me of the sort of low budget film I’d get a kick out of in the 70s, well-written and imaginative, and totally outside the mainstream. So, I guess now I’m on my own for the first time in thirty years, I got plenty of time to dust off the old manuscripts and polish ‘em up for publication. My son did the artwork for Blood Beast, so he’s gonna be busy over the next few years. I hope a few readers are willing to take a chance on me, but if not, I’m still gonna keep writing. I’m too old and stubborn to stop.

 

In closing, I’d just like to thank Carl John Lee for such an entertaining interview. His responses, while candid, reminded me a lot of having a conversation with my grandpa. I personally look forward to seeing what Carl has up his sleeve.

If you’d like to find out more about Carl, his Twitter page is: @CarlJohnLee666

If you’re now keen on checking out the phenomenal ‘The Blood Beast Mutation,’ you can order a copy here;

Book Review: Under Black Wings – 2020 Women of Horror Anthology

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Title: Under Her Black Wings – 2020 Women of Horror Anthology

Author: Kandisha Press

Release date: January 12, 2020

It’s odd sometimes in the book world how things can get missed. Somehow, I completely missed checking this anthology out when it was announced at the start of the year. Now, whether that was because it was offered up on Kendall Reviews and someone else snagged it, or simply because there is SO MUCH amazing work coming out, for whatever reason, this wasn’t even on my radar until just last week, when Sonora Taylor put me in touch with Jill Girardi of Kandisha Press about reviewing Vol. 2. Jill asked if I’d like to check out Vol. 1, which I happily agreed to read. I devoured Vol. 2 in one sitting. It was amazing. I immediately dove into Vol. 1 once finished and over the course of a few days, cruised through this anthology as well.

What I liked: ‘Under Her Black Wings’ brings a stunning variety of women authors, who all put their soul into creating some truly bleak stories.

The anthology opens with the amazing ‘What You Eat’ by Alys Hobbs. Much like Vol. 2 opened with a fantastically strong story, Vol. 1 uses that story to spring board into tale after tale of blackness and biting scenarios.

‘The Riddled Path’ by Somer Canon creeped me the hell out, ‘Desert Kisses’ by Michelle Garza & Melissa Lason reinforced why the Sisters of Slaughter are a force to be reckoned with (and I still need to get to their long work, sheesh!). In Vol. 2 one of the strongest stories was ‘Love You to Death’ by Yolanda Sfetsos. Here she is, featured in Vol. 1 as well and her story ‘Somewhere to Belong’ once again stands as one of the top dogs. Seriously, give her work a read. Her Short! Sharp! Shocks! release was outstanding as well.

‘Cold Calling’ by Paula R.C. Readman had me completely captivated. Readman also was in Vol. 2 and again – another of the S!S!S! family you should read.

Personally, I think my favorite was Jill Girardi’s. Her story ‘Firstborn’ was not only super intense and emotionally ravaging, but the subject matter was very refreshing. It’s not often we get middle eastern based horror stories (and I probably messed up on my region labeling) but wow! Loved that bit of folklore!

What I didn’t like: Much like Vol. 2, this will feel like a cop out, but there really isn’t anything I wasn’t a fan of. While Vol. 2 was so strong I had suggested it might’ve made sense to cut it into two releases, Vol. 1 felt perfect in it’s story quantity and the flow was done just right.

So, to be fair to my own reviews, I’ll give the company line of “some stories that I liked may not be the ones other readers like.”

There!

Why you should buy it: Look, I’ve been singing this loud and clear for what? two years now? SUPPORT WOMEN AUTHORS IN THE DARK FICTIONS! These stories were fantastic and there is some theme or narrative that will make each reader go “WOW!”

I absolutely dropped the ball here. I should’ve read this when it came out, but I have now and for those out there who have also missed it – time to fix that.

I would highly recommend you pair Vol 1. with Vol 2. They work so well as a pair and I think seeing as Vol. 2 is arriving in four days now, I can’t imagine we won’t get a Vol. 3.

Kudos again to Kandisha Press for their diligence in putting together two truly amazing anthologies.

5/5

Book Review: Graveyard Smash: Women of Horror Anthology Vol. 2

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Title: Graveyard Smash: Women of Horror Anthology Vol. 2

Author: Various

Release date: July 20, 2020

Well, this is embarrassing.

You see, I kinda… accidentally… received this yesterday and kinda… accidentally… read it in one sitting.

This anthology is STACKED. Jam packed with such amazing stories, I couldn’t stop. I initially was just going to read the first two stories of Vol.2 as well as Vol. 1 which Jill kindly sent my way… but that went out the window as soon as I read the opening story ‘Holes’ by R.A. Busby.

What I liked: Look, the TOC listing alone should get you excited to dive into these amazing authors stories. This is a veritable who’s who of Women in Horror and never once do these stories let up. It’ll sound cliched, but there is a story for everyone here.

Typically in an anthology, there are one or two ‘highlights,’ you know, the stories that were the strongest and are often marketed to entice buyers in. Much like a hit single for an album. Stunningly – there are no misses here. Every story was top notch, which really speaks to the level of story telling here.

‘Holes’ by R.A. Busby starts us off. This was an absolute hair-raising story about someones personal phobia and how it completes consumes all aspects of their life.

A few stories after, Sonora Taylor unleashes ‘The Clockmaker.’ Jesus. Wow. Look, I’m a massive fan of Taylor’s writing, but this story showed an entirely new level for her. I’ve praised ‘Weary Bones’ from her ‘Little Paranoias’ collection ever since reading this, but wow, this story was perfect.

‘Love You to Death’ by Yolanda Sfetsos will make you rethink visiting any establishment named Hades, and ‘Cicada Song’ by Michelle Renee Lane will have you second guessing just what is happening in the world when you hear those little critters singing.

‘Templo Mayor’ by V. Castro follows Renee Lane’s and if you’ve ever read any of Castro’s work, you’re in for a treat. I’d love to see V. dive into reworking or creating her own version of Indiana Jones/Lara Croft with the fantastic Mexican stories and myths she dives into so masterfully.

But don’t worry – things don’t slow down at all.

In fact, we get the one-two punch soon after of the stunningly dark ‘The Roll of the Dice’ by Beverley Lee, paired with ‘Rewake’ by Ellie Douglas. You could release that as a double feature and it would fly off the shelves. Absolutely fantastic stories.

The back nine stories of this anthology feature some hidden gems.

‘Graveyard of the Lost’ by Tracy Fahey was really great, a creep fest for sure, and I loved ‘The Snow Woman’ by Susan McCauley.

For me personally, the highlight of the second half was ‘The Invitation’ by Janine Pipe. The set up was swift, the usage of text messages between daughter and mom was bang-on needed for the story and the ending hits you like a ton of bricks. Great story and I’d love to see more of just what that world is.

All in all – this TOC knocks it out of the park

What I didn’t like: I adored this anthology, and even though I’m going through a ‘not wanting to read collections/anthologies’ phase in my head, I couldn’t put this down and have already started on Vol. 1. So, my one note here would be, I wish there wasn’t so many stories. The quality of stories was so strong, that splitting this up wouldn’t hurt either release (at least I don’t think so), which would in turn give some of the later stories in the anthology earlier billing.

Why you should buy it: A) IT’S AMAZING. B) LOOK AT THE FRIGGIN’ TOC?! C) I’m not lying here when I say the majority of these stories could easily find themselves shortlisted for a Stoker and when that happens, I’d still feel sad for the other stories not nominated. This was such a well done grouping of stories that each one worked to elevate the one immediately before and after.

Kudos to Kandisha Press for this release. This is a must read.

5/5

(PS – This is where I normally add the Amazon link to buy/preorder, but at the time of posting, I am unable to find it. I will update this once it’s available!)

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Book Review: The Download by R.E. Carr

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Title: The Download

Author: R.E. Carr

Release date: May 9th, 2017

R.E. Carr and myself have followed each other on Twitter for some time, and when I recently tweeted that if people were looking for reviews, to message me, we got in touch. After giving me some synopsis’ of releases, I decided on ‘The Download.’

I really do enjoy reading a full on science-fiction story from time to time and this ticked all of those boxes.

What I liked: Don’t be shocked with the page count (559) Carr wastes no time diving into the action. We are introduced to two roommates, one of whom is experimenting with computer software. When all goes black, our main character Jenny wakes up to a whole new world.

From there, Carr takes us on a spell binding ride. We get extraterrestrial worlds and species, great inter-personal relationships, all the while watching the story arc of Jenny progress. This reminded me at times of ‘Stargate’ or ‘The Fifth Element,’ or more recently Joseph Sale’s ‘Gods of the Black Gates.’

The epilogue was great, and I’m not sure if more are planned in this world/with these characters, but I sure hope so.

What I didn’t like: The length may be a turn off for some, but I never felt as though the book dipped or dived.

As for anything else, with a book this large and a cast to match, I did find myself struggling in the first 1/4 to keep a firm grasp on who was who. I don’t make notes when doing a long read (I do on short story collections/anthologies) but that might have been a way to keep track of the characters looking back at the book.

Why you should buy it: If you’ve followed any of my reviews, you know I’m a fan of reading everyone, so if you’re looking for an under the radar science fiction book that doesn’t fall into the classic tropes over and over again, look no further. Carr writes with ease and the book progressed really nicely for me!

4/5

Book Review: Payable on Death by RJ Roles & Jason Myers

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Title: Payable on Death

Author: RJ Roles & Jason Myers

Release date: July 13, 2020

I’ve long been a fan of RJ Roles work, his two releases ‘Girl’s Best Friend’ and ‘Loose Strands’ showing his knack for story telling as well as his continued progression as he becomes a stronger writer. I’ve seen a few of Jason’s works mentioned before, over on the Books of Horror Facebook page, but hadn’t yet read any of his individual work. When the two teamed up, I was excited for another RJ release and he kindly sent me a digital copy to review.

What I liked: ‘Payable on Death’ follows a group of women who have been friends for many years. All attending a private school, where they discovered that they could harness powers.

The story bounces between the past and the present and Myers and Roles create a mythology that at times is what you would expect of the “classic” witch, but they also take some liberties with the tried and true to update the stereotypes and allow the women to not be simple “spell casters.” This act of thinking outside the box definitely works in the stories favor, as it allows for somethings to happen that otherwise wouldn’t. A totally vague statement, I know, but to stay spoiler free, you’ll understand when you read it.

The two authors write with a singular, seamless voice, which was great to see. Never once did it come across as RJ wrote this part and Jason wrote this part, which can be the toughest act when co-writing.

Short, punchy chapters let the story fly by and I found I was engrossed throughout. This is part one, so it’ll be interesting to see where it goes from here.

What I didn’t like: I think reader mileage will vary with this one, as at times I was wishing for it to jump into the rated R realm, when the two authors stayed firmly in PG-13. For some, this will work just fine, for others they may wish it was less The CW and more Dr. Giggles.

The other thing that I found threw me out of the story was the usage of familiar names. Oddly, I had no issues with that when I read The Roo by Alan Baxter, but that was a part of the process. I knew that going in. Here, seeing the name Dr. Merry (I assume a nod to mutual friend and author Eleanor Merry) and Nurse Justine Woodward (another nod to author and friend Justin Woodward) made it hard for me to fully embrace those characters.

Why you should buy it: This was a really fun read, as I mentioned before, I was wanting to see how things played out and the back and forth between seeing how they arrived at their powers as well as how their present lives were being affected by that was great. For people longing for a new, supernatural series to dive into, this would be a great one to choose and when it comes from two great guys, even better.

4/5

Double Review: Peck & Following the Dead Tracks by Aiden Merchant

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Title: Peck

Author: Aiden Merchant

Release date: August 7th, 2020

I’ve know Aiden for a bit now and have read a few of his works and he had kindly asked me to beta read his story ‘Pray’ recently as well. He emailed me two short stories for review recently, which I read last night.

The first of the two is ‘Peck.’ Immediately, I was interested in what this story might encompass by the plague doctor mask adorning the cover.

‘Peck’ was a straight forward story filled with horrific gore. We are introduced to a man walking at night, only to have a creep rush them. They wake up naked, strapped to a table and this mysterious individual, who won’t speak a word then has their sadistic way.

I enjoyed the unflinching torture that occurred, with our character having no idea why they were chosen or why this individual was inflicting these acts on them.

I wasn’t a fan of the ending, finding out the real identity seemed a bit rushed and, while Aiden mentions in the afterword, it was designed to be humorous, it didn’t come across as all that funny without diving deeper into the story.

I think I would’ve enjoyed this one significantly more if it was a full length, detective murder mystery in the vein of the Saw series.

3/5

https://www.goodreads.com/book/show/54010620-peck

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Title: Following the Dead Tracks

Author: Aiden Merchant

Release date: July 3, 2020

The second of the two short stories Aiden sent along was ‘Following the Dead Tracks.’ Of the two (the other being ‘Peck’) this was the stronger of the two, hands down.

Ben’s new boyfriend visits the same section of train tracks every Tuesday night. Eventually, he invites Ben to come visit the area but on a different night. We soon discover why and I really enjoyed the ‘why.’ The location and setting created was eerie and I enjoyed seeing the connection between the two characters.

One thing that I thought was a bit of a stretch was that a heinous crime had occurred where they were heading and Ben didn’t connect the dots between the crime, the victim and his boyfriend. The story mentioned that it had been on the news a lot, so that seemed a bit odd.

Aiden did mention that he was looking at expanding this story in the future, but I personally really enjoyed how this played out.

4/5

https://www.goodreads.com/book/show/53887823-following-the-dead-tracks

 

Book Review: The House on Abigail Lane by Kealan Patrick Burke

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Title: The House on Abigail Lane

Author: Kealan Patrick Burke

Release date: June 17th, 2020

Kealan Patrick Burke is a man of many hats; writer, cover designer and one of the most engaging authors on Twitter.

His new releases are always cause for celebration, and so it was that the horror world erupted in jubilation when Tracy aka @tracy_reads79 essentially leaked the secret that a new book had been unleashed. There was almost a palpable rush to Amazon, as more and more people caught on that Tracy wasn’t reading an ARC (advanced readers copy) but was in fact reading a book that Kealan had released without any pre-release build up.

The cover was both stark but intriguing. Featuring sunflowers and a house, it left a lot of imagery up for the readers imagination.

I’ve read a number of Kealan’s books, and still have a number of more to read, but this particular one spoke to me. So, after snagging it, I jumped it to the top of my TBR, as I suspect a number of readers have already done.

What I liked: ‘The House on Abigail Lane’ is a very different type of book than I’ve become accustomed to with Patrick Burke. Written in faux documentary/non-fiction style, the reader is treated to a straight forward historical telling of the events at house number 56. For fans of the paranormal, this was incredibly intriguing and in typical Kealan fashion, he continued to give us just the bare minimum details in each incident, while introducing a singular new action element that pulled you into wanting to know what would happen to the next home owners or investigators.

I particularly enjoyed the commentary on paranormal investigators through the years with their embellishments and sensationalism, when for the most part, what they tried to add to make money wasn’t even close to the real issues going on with the house.

What I didn’t like: I’ve seen a few reviewers already mention that once they’ve finished, this didn’t read like a ‘normal’ Kealan book, and I think the thing for me personally that I found, was that I wished for a specific person or character to latch onto and watch them investigate. This was very much a ‘historical telling’ as Patrick Burke mentioned in the synopsis, but I still, at times wondered who the person telling the events was.

Why you should buy it: If you are a fan of Patrick Burke, you’ve probably already bought this – let’s be honest here. If you’ve not read Kealan, this is a really great book and is a great paranormal investigative story to dive into to. I really enjoyed how this played out and when we get to nearer present day and Patrick Burke introduces some technology into the events, what you discover will visit your dreams.

5/5