Mary R. Davidsaver's Blog, page 9

Battle of the Prophets

Under the Banner of Heaven by Jon Krakauer was one book I had to finish. Not so much because of the true crime aspects, as sensational as they may be, but because of the history of The Church of Jesus Christ of Latter-day Saints that Krakauer reported. As I read, I began to note some basic similarities between Joseph Smith and Eric Janson. The former was the founding prophet for the Mormons and the latter was the founding prophet of the Bishop Hill colony in Henry county, Illinois. I made my home in Bishop Hill for years, so reading this book became something of a personal journey.
Joseph Smith Jr.Born: Dec. 23, 1805Died: June 27, 1844 [age 39]Cause of death: gunshotSpouse(s) Emma Smith & other plural wives
Eric (Erik Jansson) JansonBorn: December 19, 1808Died: May 13, 1850 [age 41]Cause of death: gunshotSpouse Maja Stina died of cholera. Janson remarried in September 1849. Plural wives? Not to my knowledge.
Smith was swept up in the American “Second Great Awakening. In Sweden, Janson was part of the Pietist Movement that had spread northward from Germany.
Smith had visions of a golden book. Janson had mystical experiences and claimed his rheumatism was cured.
1831 Smith and his followers moved from western New York to Ohio, to Missouri, and then to Nauvoo, Illinois. Janson led his pietist sect to emigrate from Sweden to US in 1846. They settled in west central Illinois. They Americanized themselves by learning the language and, in some cases, changing their names.
For a time, Nauvoo grew to be second largest city outside of Chicago. Bishop Hill, named for Janson’s birthplace, also grew but not nearly as much. Bishop Hill colonists used John Deere’s new plow to break the prairie and grow sustaining crops. Their letters sent back to Sweden sparked a wave of immigration to the US.
Smith landed in jail in Carthage, IL, and was fatally attacked by a mob. Janson was jailed in Sweden prior to escaping for America. His beliefs conflicted with the state religion. He was at the Henry County courthouse on business when he was attacked by former colonist John Root.
After Janson’s death, Bishop Hill colony had a group of trustees take control of the colony business. Which was in very bad shape. In no small part because a doctor Janson had called in during a cholera outbreak sued to get his bill paid.
Where did Dr. Robert Foster come from? —Nauvoo.
Nearing bankruptcy and depopulated by desertions, the Bishop Hill colony could still list the following: “100 men, 250 women, 200 children. It owned 4000 acres, a church, grist and flour mills, 3 dwelling houses, and 5 other buildings.” This list doesn’t begin to do justice to the imposing scale of those colony buildings. Most still exist.
The dissolution of the Bishop Hill colony began in 1862 but, because of the Civil War, was not finalized until 1879. The 200 remaining “Janssonists” dispersed among: the Methodist church, Pleasant Hill Shakers, and Seventh Day Adventists.
I found these rough similarities uncanny, but Jon Krakauer’s book plumbed a depth of violence in the background of the Mormon religion and its fundamentalist factions that I never experienced in my time living in Bishop Hill. I would subscribe to the following quote:
“The Bishop Hill colony was not insular & makes a useful contrast to Mormons in Nauvoo & the Amanas, both contemporaries.”
https://en.wikipedia.org/wiki/Eric_Ja...

Valuable Marketing Tool

The saga of the orange “Crush” pencil stub or the review of Book Marketing Basics, either way you look at it, there’s a valuable marketing tool here.
I’ve known that marketing was Jodie Toohey’s passion since the first time I laid eyes on her. It was at a 2008 launch event for Crush and Other Love Poems for Girls and everything had an orange theme. I picked up an orange pencil. There wasn’t much left of that pencil after my husband used it for a carpentry project, but I saved the nub all these years. Printed on that four-inch piece of orange wood is “CRUSH” and a web address. I’ve kept it because it was, and still is, a valuable reminder of the essence of marketing: getting your name and your product out into the world, and letting people know how to find you.
Book Marketing Basics: The 5 Ps; Applying the Fundamentals to your Book is Toohey’s latest book. I was thrilled to receive a free early copy so I could provide a review. I have watched Toohey hone her approach to marketing by leading traditional classes, holding multi-day workshops, and experimenting with online avenues for instruction. She’s always made her educational tools interactive and relevant.
My favorite chapters from Book Marketing Basics :Developmental Editing—a great money saving idea that’s easy to implement.Line or Copy Editing—offers solid examples to help your writing.Copyright—or now not to stress out about protection.What To Charge? & Discounts—numbers are always important for the bottom line.There are too many chapters on where to sell and how to promote to list them all separately.
I found things I knew and needed to be reminded of, plus new things I’d like to try out. There are tips for saving money and advice on spending your money wisely. Throughout is the mantra of knowing your readers and connecting with them either in person or online. The list of resources at the end of Book Marketing Basics is a gem all by itself. 

As a writer, I started out at the lowest level and I sure wish this practical resource book had been there for me. 

Iron Pen 2019 part 2

I was sorting through files looking for one thing and found another. This quote from Barbara Kingsolver is a favorite and worth sharing. I strive to follow this advice and look for joy and be hopeful. It's easiest in a garden. Hardest at the keyboard.



Excerpt from High Tide in Tucson

“Every one of us is called upon, probably many times, to start a new life. A frightening diagnosis, a marriage, a move, loss of a job or a limb or a loved one, a graduation, bringing a new baby home: it’s impossible to think at first how this all will be possible. Eventually, what moves it all forward is the subterranean ebb and flow of being alive among the living.
In my own worst seasons, I’ve come back from the colorless world of despair by forcing myself to look hard, for a long time at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again.
It’s not such a wide gulf to cross, then, from survival to poetry. We hold fast to the passions of endurance that buckle and creak beneath us, dovetailed, tight as a good wooden boat to carry us onward. And onward full tilt we go, pitched and wrecked and absurdly resolute, driven in spite of everything to make good on a new shore. To be hopeful, to embrace one possibility after another—that is surely the basic instinct. Baser even than hate, the thing with teeth, which can be stilled with a tone of voice or stunned by beauty. If the whole world of the living has to turn on the single point of remaining alive, that pointed endurance is the poetry of hope. The thing with feathers.”

Barbara Kingsolver from High Tide in Tucson, Essays from Now or Never

Iron Pen 2019

The Iron Pen twenty-four-hour rapid writing contest for 2019 is history. The entries are in and awaiting judgement within the three major categories: poetry, fiction, and non-fiction. My judgement, however, doesn’t need to be tallied. I totally froze up on the prompt. Which has left me wondering what happened?
In 2010 I came through with a win when the prompt was about broken bones. I eked out a win with the quote from Bird by Birda couple of years later. I’ve always managed an entry of some kind for every other year. My best guess at this point is that some time ago I stopped flexing my writing muscles. I let my skills go lax along with my blog. The main exceptions were a few stints on my next novel. 

Missing out on this year’s Iron Pen was a shame. Especially once I found out this year’s prompt was from a short story by Roxane Gay. Some Iron Penners don’t like knowing anything about the origin of the chosen prompt. But I do. Even if I don’t use that information for my work. I just like having the background. (Sadly, my Google search couldn’t find it for me.)
I read Gay’s Difficult Women for a book club last fall and enjoyed the variety in her short stories. What I liked most about The Dissection of the Human Heart was its similarity to Bullet in the Brain, a short story by Tobias Wolff. I was so impressed with that one I’ve remembered it decades later. Gay’s story does indeed use the anatomical sections of a human heart as repositories for memories and emotions, while Wolff’s story uses the path of the bullet to excite synapses for a single memory while bypassing a host of other possible last thoughts. Gay’s piece offers the perfect feminine counterpoint to the masculine viewpoint of Wolff’s Andre, the protagonist whose snarky attitude led to his demise.
I haven’t been one to make New Year’s resolutions, but I guess, as late as this may be, it is time to make one. Starting now: MORE WRITING.
If only my Fitbit would count words as well as steps.

A Book on Every Bed

Yes, I am one of those people who read advice columnists on a regular basis. I’m usually looking for pointers on coping with the world and the human condition. I was thrilled recently when columnist Amy Dickinson’s devoted her entire space for the promotion for literacy: Starting with children! Thrilled because I gave books to my great-nieces and great-nephews this Christmas. Books are the presents that get opened and quickly put down, so the youngster can attack the next wrapped present. They’re probably hoping for something with batteries that will entertain them with the modern version of bells and whistles that can possibly leave out a very important ingredient—human interaction. A book on every bed is a great project because it unites a young reader with a parent or other adult and could provide a perfect part of any day. That kind of magic is real.
Sharing your favorite picture books is not just for babies and younger children, it’s possible to find books that might entice teenagersto read on their own. I found one such gem with the latest volume of “The Atlas”, a publication by teens for teens that is created through the Midwest Writing Center’s YEW summer program. YEW stands for Young Emerging Writers, and yes, every summer a whole new crew learns how to write, edit, and publish a magazine that’s all their own work. Another reason the Midwest Writing Center is a valuable resource for the Quad-City area.
Learn more about starting your own “book on every bed” tradition by going to childrensreadingconnection.org or Amy Dickinson’s Facebook page: facebook.com/ADickinsonDaily.
The current volume of “The Atlas” is available for $10 at The Midwest Writing Center: http://www.mwcqc.org/books/the-atlas-13/

Review for The Boys in the Bunkhouse

I’m go to a lot of book clubs through the Davenport Public Library: Shorts & Sweets, Stranger than Fiction, See YA, and the West End. I have to confess the reason I joined all these clubs is because I get intimidated whenever I walk into the library or a book shop—I’m overwhelmed by all the choices. Is that fear of the unknown or laziness? I can’t do the research? Whatever, it’s a long-standing problem I solved by having someone else pick out the books I read. I’ve only had a few that I couldn’t finish. Many have been wonderful discoveries.
The perfect case in point was reading The Boys in the Bunkhouse by Dan Barry for Stranger than Fiction. It’s a new-this-year book club. I’ve found the selections a bit of a rocky road for me. These non-fiction books can be totally eye-opening or not, an easy read or a challenging one. Reading about the boys from the bunkhouse in Atalissa, Iowa, practically in my back yard, was definitely an amazing experience that I wouldn’t have had any other way.
I enjoyed Dan Barry’s writing for both style and the in-depth research. He found the most amazing tidbits of information and skillfully wove them into the fabric of his text.
Thank you, Bill Fuhr and the rest of the Davenport library staff, for a great experience.

Review of the Replacement

The above is what I wrote when I finished the book and wanted to get something posted to Amazon and Goodreads to let the author know she had one more review. She’s up to twelve. Not bad.
What I didn’t talk about in my haste to get the posts up was how impressed I was with her writing style. It’s crisp, clean and hits all the important plot points without overdoing it. That’s good in this case because she has a lot of action to cover timewise, fifteen years’ worth, in the small space of this book. On top of that she’s worldbuilding a complex society of aliens that aren’t necessarily all that alien anymore. She’s introducing new terminology. And, of course, laying the groundwork for all kinds of conflict: between individuals, between the main groups, between the long-lived Lymerian’s and those pesky humans who aren’t as primitive as they once were.
Did I mention Author Bianca Sierra-Luebke wrote her book in first person PRESENT tense? It’s something YA authors strive for these days and not all can pull off with consistent good results. It works well here, and I was quite a way into the book before I caught on. Kudos for that.
My only problem was losing track of who was speaking occasionally. Backtracking on dialog tends to drop one out of the narrative. Using a lot of “He says” or “She says” is a pain, but it keeps the reading pace going and they really don’t register after a while.
Now, the ending. The fact that this is part of a series was made clear up front. I can’t find fault with that. The ending is good. We readers have a lot more to find out about our protagonist. And there were a lot of juicy, tantalizing hints aimed at a great world-changing struggle ahead, but I must admit I wanted a bigger ending for this first book. However, I’m thinking that when the series is complete maybe all the books can be combined into one volume—the story line will be fluid and connected and grand—an epic saga in its own right. One can hope.

Questions to Start a Discussion for Any Book

Questions for a book discussion1.     How did you experience the book? Were you drawn into the story early or later? How did you feel while reading it—amused, sad, confused, disturbed…?2.     Do you find the characters convincing? Are they believable? 3.     Which characters do you particularly admire or dislike? What are their primary characteristics? 4.     What motivates a given character’s actions? Do you think those actions are justified or ethical? 5.     Do any characters grow or change during the novel? If so, in what way? 6.     Who in the book would you like to meet? What would you ask, or say? 7.     If you could insert yourself as a character in the book, what role would you play? You might be a new character or take the place of an existing one.8.     Is the plot well developed? Is it believable? Do you feel manipulated along the way? 9.     Consider the ending.Did you expect it or were you surprised? Was it manipulative or forced? Was it neatly wrapped up—maybe too neatly?10.  If you could rewrite the ending, would you? In other words, did you find the ending satisfying? Why or why not?11.  Can you pick out a passage that strikes you as particularly profound or interesting? 12.  Does the book remind you of your own life? An event? A person—like a friend, family member, boss, co-worker? 13.  If you were to talk with the author, what would you want to know?

[I always strive to acknowledge the sources for my quotes and for material that isn't my own. The source for this list of questions came from an internet search. I couldn't find a definitive author. It appears that they, the questions, are often used as a springboard to personalize discussions for many books. In that spirit I altered them for my use and to fit onto one page.]

A Tale of Two T-shirts

I have two t-shirts that I don’t wear very often. Well, hardly ever. I had to buy them. They were mementos from two of the three writing conferences I went to last year.
I always take lots of notes at the workshops and panel discussions I attend; they help me remember the important points, the tips on writing, and the things I need to research later. Notes make nice keepsakes, but the overall festive mood let me get hooked on purchasing commemorative apparel from the out-of-town venues: Nashville and Chicago.
So, I have two shirts and they’re both black. Black may be popular but it’s not my color, … and I brought them home anyway. They’ve sat in my closet, pretty much untouched, ever since. I did use one for a play where I needed to dress all in black as a sort of a neutral background color to set off a red hat and scarf that were my main props. Turned inside out and with the tag trimmed off the T with the least amount of printing passed quite well.
Not wearing a garment leaves it in great condition for an upcoming event such as my reading at RIVER LIGHTS BOOKSTORE in Dubuque this coming Saturday. But do I have the courage to wear a black shirt that has “KILLER NASHVILLE” splashed across the front in blood-red lettering? At least it has “Writers’ Conference” sedately written underneath the crimson headline. The bonus feature is the large moon that peers ominously over the silhouette of the Nashville skyline. This is important because there’ll be a full moon around 4 PM Friday afternoon. Saturday would have been better, but I’ll take what I can get.
I still must find the bravery to actually wear this shirt in a public place where I’ll quite likely be asked to explain it all. The four-day conference. The fact that my novel is a COZY MYSTERY and not some of the hardcore stuff other people write. At the very least, it will give me a starting point in my talk. It will all be good. 

That leaves the "MURDER AND MAYHEM" shirt for another author-ish occasion.

Guidelines for a Productive Critique

“Here are some guidelines for reading and doing the workshop letters. Best, Amy” Fall Novel Writing Workshop with Amy Parker, 2012.
Writers: When you submit your work, please make sure it’s in 12-point font and double spaced.  Number the pages so we can refer to them in discussion.  Please include a synopsis for context if the pages you submit are from the middle of the manuscript.
Readers: read the material twice. First go through with a “magazine read”, reading as you would if you just picked the story up and were reading for pleasure.  What’s your first impression? Read like a reader. On the second read, read like a writer. Go through the story and mark up the manuscript—mark passages that delight you, things that confuse you, areas where you have questions. Write comments in the margins. 
The letter: write a letter to the author, about a page. The letter should do the following:
First, describe the story. On the most basic level, what happens? (We do this so the author gets a sense of what the reader understands. It may seem obvious, but sometimes readers pick up on things the author didn’t intend, and the author should investigate why). Where do you think the story is going? 
Next, note what the story does well. What do you admire? What moved you? What worked and why?  Be specific. Quote as necessary. (Few things are more pleasurable than having one’s work quoted.)
Finally, what confused you? Where does the story need developing or clarifying? Are there gaps, inconsistencies? Is the language unclear? Are there scenes that could be compressed, or summaries that need to be amplified? What questions do you have about the material?