Matt Dovey's Blog, page 2

Awards Eligibility 2018

Good grief, how is it that time again already? In brief--and I really can keep it brief this year--my best story this year (IMHO) is The Bone Poet & God, which is still only available in the Sword & Sonnet anthology, so you can only read it if you buy that. Which you should! But let's be honest: a story still exclusive to an anthology is not a story with much chance in a world filled with more free online stuff than any one person can read. So it goes. For clarity, I'm also no longer eligible for the Campbell. Many excellent people are, but I, alas, am now too grizzled and embittered a veteran to be considered a newcomer. But there's always some introspection to be done too, isn't there? Circumstance means this post will form something of a counterpart to last year's post, moreso than you'd expect from simply being a post of a similar nature. We'll do stories first, waffling after.

New story: “The Bone Poet & God” in Sword and Sonnet

It is an all-too-rare delight to write something with a specific aim in mind and have that pan out. To sell something where you hoped to sell it. To be involved in a project you desperately want to be a part of. And, more than that, to have the story come out the way you'd hoped it would, when it was just a shining, nebulous dream in your head, a shifting canvas of possible scenes and emotional moments. Because most of the time when I actually sit down to write, that floating cloud of possibility resplendent with golden sunlight and soaring birds collapses into a slightly dreary grey raincloud low overheard. A Tuesday sort of cloud. There's something particularly banal and dull about Tuesdays, even more so than Mondays. By the time you get to Tuesday you can't even muster the energy to hate it. That sort of cloud. Anyway.

Homebrew Wine Recipes for One Favourable Effect, That Effect being Drunkeness, from the Dog-eared Notebook of the Author

"Write what you know," they say. Easier said than done with sci-fi & fantasy though, innit? I've never actually worked in a magic cotton factory or cut a barbarian's knob off or run experiments on a Jovian moonbase. But I have brewed wine--lots and lots of wine--and now I've written a story about brewing wine, too! (When I say now, I mean it was published three months ago. I am not very good at timely blog posts.) And whilst I can't guarantee the magical effects of the recipes in that story (though you never know), I can guarantee that all the recipes are real recipes, describing a real method, and would get you real wine at the end of the day. Probably real drunk, too. The story doesn't make the recipes particularly readable, though, and some of the quantities are a bit off (my fault, sorry), so here's a proper breakdown of the four recipes. And don't worry: unlike the story, you can just use tap water.

Event Horizon 2018 - the Campbell Anthology

As with last year, Jake Kerr of Shirtsleeve Press has very kindly compiled the free anthology of stories from the Campbell eligible authors. The John W Campbell Award for Best New Writer is awarded alongside the Hugos, for the best new writer (defined as having their first professional publication in the preceding two years). That, astute reader, includes me, in my second and final year of eligibility. This year's anthology--available for free again--has nearly a quarter of a million words' worth of fiction from 58 authors. Print editions should follow shortly, but for now you need only exchange your email address to get a DRM-free ePub, MOBI or PDF copy of the book. The anthology is only available for a short while--until the Campbell is awarded at Worldcon, sometime this summer--so get on it while you can! Event Horizon 2018--a free anthology of authors eligible for the John W. Campbell award

Hurt and Harm: An Apology

I had a story come out on the 1st March in Galaxy's Edge: Things Said to Me in the Anxari 12 Station Bar When I Said I Wasn't a Xenosexual (and the Things I Wish I'd Had the Courage to Say in Reply). It's a small thing; only 444 words. Please don't read it if you're queer, especially genderqueer, at least not until you've read this post. A week ago I'd have said this story was a silly thing, but it turns out that's not true. It turns out it's quite a harmful thing, fails to do the things I meant it to do, and then fails even more for other reasons I completely failed to anticipate. It's my biggest fuck up in writing, and something I need to apologise for unreservedly and explain at length. I'm very fortunate that people have had the grace, patience and forbearance to send me private emails detailing the ways I got this so wrong and thus allow me the time to process this fully and react correctly. You know who you are, and sincerely: thank you, thank you, thank you. I'll be quoting anonymously from their emails, with permission, because they phrase it better (and more authoritatively) than I could. And let me say this up front, because no-one should have to dig through more of my words to get to this important point: I am sorry, without deflection or excuse, for the hurt I've caused and the harm I've perpetuated. I have done both of those things, both upset people personally and contributed to stereotyped narratives that create and support real world problems for people. I'm mortified I didn't catch this one, and I can't apologise enough. I've donated my payment for this story (£25) to Mermaids UK, a UK charity supporting trans and gender nonconforming children in the UK. This will take a few thousand words, and it'll be broadly split into two parts: the specific failures here, and the general lessons to take away. Please bear with me, because this apology is

Awards Eligibility 2017, Self-Care and Momentum

>It's that most self-conscious tiiiiime of the year! >When the writers are posting >And tweeting and hoping >You'll think of their woooooorks >It's that most self-conscious time of the year! Yeah, it's an awards post, yeah I feel awkward about it, but I am going to use it as a springboard for a bigger discussion. Skip to that if you like, or enjoy my awkwardness as I summarise my year in publications.

On Offence, Harm, and Near Misses

I have a story out today! The Lies I've Told to Keep You Safe went up on Daily Science Fiction today, and I'm rather proud of it, because I don't think I've ever been quite so concise in my heartbreak. I was so very nearly ashamed of it instead. It wasn't until six hours before it went up that I had a reply from DSF saying some last-minute edits had been made; until then, I was chewing myself up over the realisation that despite all my best intentions, despite all my vocal and public efforts to the contrary, I was about to perpetuate harm and ableist stereotypes. So I want to talk about that. About the responsibility that comes with being a writer. And I also want to include kitten pictures, because this is going to get long.

Five Years On: Some Messages to Baby Writer Matt

It's been five years since I received my first rejection (and more on that at the end), and by sheer coincidence I sent my 300th submission the day before the anniversary, so this seems an excellent moment for some introspection. Here's some messages to the me of five years ago, in the hopes that some of them save you some time and grief.

Stories, stories, everywhere

I am habitually terrible at writing blog posts in a timely fashion (I'm just as bad with the mailing list) and so I have not posted about all the stories I've had out lately. I've had a lot out in the last couple of months, some of them my favourite things. It's been a good year so far! Here we go:

Event Horizon 2017 - the Campbell Anthology

The John W Campbell Award for Best New Writer is awarded at Worldcon each year, alongside the Hugos, for the best new writer (defined as having their first professional publication in the preceding two years). Muggins here is eligible for the first year, and so I'm in the 2017 anthology of Campbell eligible authors, Event Horizon 2017. It has 75 authors, 350,000 words, and some absolutely incredible stories. And it's free. Particular thanks to Jake Kerr of Shirtsleeve Press, who stepped up to the mark at the very last minute and put this together in a fortnight when it became clear the previous publisher was dropping the task. He's volunteered his time and infrastructure to put this together and support