Mitchell Hadley's Blog: It's About TV!, page 106

This week in TV Guide: November 21, 1970

Let me be among the first to which you all a happy Thanksgiving! Of course, that shouldn't be too difficult, since this year, as was the case 50 years ago, Thanksgiving is still five days away. It's coming, though, and Thanksgiving week has always been a big one when it comes to specials of all kinds, and 1970 is no exception.

Thanksgiving Day on the West Coast starts at 7:30 a.m. PT with my personal favorite of the era, The CBS All-American Thanksgiving Day Parades, three hours of fun featuring CBS personalities announcing four department store-sponsored parades: Macy's in New York, with Peter Graves and Julie Sommars; Gimbels' in Philadelphia, with Harvey Korman and Vicki Lawrence; J.L. Hudson's in Detroit, with New York Mets pitcher Tom Seaver and his wife Nancy; and, taped in Toronto,* the Eaton's Santa Claus Parade, with Mike Connors and Amanda Blake. For many years Bob Keeshan and the Captain Kangaroo gang hosted the overall coverage, but I don't know who (if anyone) was doing it by 1970.

When I say that Toronto's parade is on tape, in actuality all four parades are taped for Pacific Coast viewing, since the coverage actually started at 6:00 a.m. PT. If you really want to check out a tape-delay broadcast, go to NBC, where its Macy's coverage doesn't begin until noon—six hours after the fact, because for the first time, NBC has NFL football on Thanksgiving. We'll discuss football later, but because live coverage of the game begins at 9:00 a.m., there's no alternative but to show the parade afterwards. Lorne Greene and Betty White, NBC's longtime team, are back this year, along with Today's Joe Garagiola.

Besides the parades, there's more fun in store for the kids, with carton specials. At 10:30 a.m., CBS has a 90-minute animated adaptation of A Connecticut Yankee in King Arthur's Court, with Orson Bean as the voice of the Connecticut Yankee, which you can see  here . At 3:00 p.m. on NBC, it's a repeat of the Rankin-Bass special The Mouse on the Mayflower, with Tennessee Ernie Ford, Eddie Albert, John Gary and Joanie Sommers, and you can see that here.

Thanksgiving night gives us one of the week's biggest plums, the television premiere of the 1955 hit musical Oklahoma—uncut (CBS, 8:00 p.m.). It's no turkey, according to Judith Crist, who asks rhetorically, "what more would one want to top off a feast?" The screen is aglow with Shirley Jones and Gordon MacRae "charming" as the embattled love interests, Rod Steiger "properly repulsive" as Jud, the villain trying to steal Shirley, and Gloria Grahame "delicious" as Ado Annie. It's one of the great movie musicals of all time.

It's not the only special on Thursday night though; NBC counters with Festival at Ford's, an all-star musical special in the recently reopened (in 1968) Ford's Theatre, which had remained closed since Lincoln's assassination in 1865, serving as a warehouse and office building until its renovation. While Festival may not be the spectacle that Oklahoma is, it's not short on star power, with Andy Williams as host, and guests Pearl Bailey, Tennessee Ernie Ford, Bobby Gentry, Henry Mancini, The Supremes, Dionne Warwick, and Jimmy Stewart with a tribute to Lincoln.

Quite a day, wouldn't you say? And that doesn't even include the football; we'll get to a big week in sports, along with the rest of a special week, after these words from Cleveland Amory.

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Throughout the 60s and early 70s, TV Guide's weekly reviews were written by the witty and acerbic Cleveland Amory. Whenever we get the chance, we'll look at Cleve's latest take on the series of the era. 

Youth will be served—if not by America's leaders, at least by America's television networks. We've already had The Young Lawyers, which Cleveland Amory tells us "are really great guys when you get to know them," and now it's ABC's Revolutionary War story The Young Rebels, which is apparently supposed to show us that "the youth of yesterday were no different from the youth of today even if they were a little—well, older." Like today's youth, these young rebels blow things up, only back then it was the British. "The youth, in other words, will not only set you free—they did set you free." In fact, young people back then aren't really any different than they are today. The heroes of The Young Rebels (or, as Amory puts it, "a kind of Mod Squad Spirit of '76") include a student painter whose father doesn't understand him; a pioneer women's libber who's all girl at heart; a freed slave who's now a blacksmith; and his former owner, who looks like Benjamin Franklin. In other words, a little something for everyone.

Sometimes you look at a movie or television show that's so bad, so improbable, that you wonder how it ever got greenlighted, but I can easily see The Young Rebels coming out of a network boardroom., with executives who desperately want to be seen as relevant and, in turn, see young people as another demographic to try and attract. Now, I know this sounds cynical, and heaven forbid that I ever give you that impression; let's just call me cautious. And I'll also admit that I never saw even a single episode of The Young Rebels, which really isn't my fault since it was only on for 15 weeks. It's just that when I read Amory's account of one episode in which General Washington (!) tell our heroes that "General Lafayette wouldn't trust anyone over 30 with a mission like this," I get a little—cautious.

Lafayette, in fact, is one of the characters in The Young Rebels, played by French actor Philippe Forquet; Amory says he's so good that he'd be the star of the show if it weren't for Alex Henteloff as the ersatz Ben Franklin, who is "as good an actor as we have seen this year." It's almost easy to overlook future Oscar winner Louis Gossett Jr., as the blacksmith, but he's passionate and true to his cause as well. Unfortunately for this very good cast, they're drafted in service of a show that doesn't keep up its end of the bargain. The British, who are supposed to be the bad guys, "are made so ridiculous that if you can believe them at all, you certainly can't believe them as a real threat." And, of course, there's that line from Washington about being over 30. In fact, he says, the show would be better if it were a little worse, "because then it would be supposed to be funny." It's too bad, because many of the heroes of the Revolution were young; Lafayette was 20, Nathan Hale 21. They're just unfortunate to be in a situation where they only have one role to give for their series.

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Thanksgiving week has traditionally been big for college football, starting with Saturday's slate of games, many deciding spots in major bowl games. Back in 1970, the Rose Bowl still holds an honored place in America's sports pantheon—it's never just "one" of the bowls—and the Big Ten half of the equation is settled with the battle of the unbeatens: #4 Michigan at #5 Ohio State (10:15 a.m., ABC). The Buckeyes carry the day, soundly defeating the Wolverines 20-9 to punch their ticket to Pasadena. Ordinarily, their opponent would have been decided by the second-half of the doubleheader, USC vs. UCLA (5:00 p.m, ABC). This year's a little different though, as Stanford, led by Heisman Trophy winner Jim Plunkett, has already locked up the Pacific-8 title and Rose Bowl berth. The game between the Trojans and Bruins is strictly for pride, and UCLA takes it, 45-20.

I mentioned earlier that one reason for the Macy's parade scheduling challenge in the Pacific time zone was NBC's first-ever NFL Thanksgiving Day game. Now, that's not to say that NBC never showed football on Thanksgiving; for the last few years, the network has featured an AFL Turkey Day contest, usually including the Kansas City Chiefs. It's a new era, though; the two leagues have merged, with the result that NBC and CBS each get half of the Thanksgiving doubleheader wishbone. This year it's NBC's turn for the early game, the traditional clash hosted by the Detroit Lions, as they take on the powerful Oakland Raiders (9:00 a.m.), and the Lions rise to the occasion with a 28-14 upset victory. That leaves the second game to CBS, as the Green Bay Packers take on the Dallas Cowboys (12:30 p.m.); the Cowboys emerge triumphant, 16-3.

The college game on Thanksgiving is kind of lackluster; Houston vs. Florida State from Tampa (4:30 p.m., ABC), with Houston winning 53-21. I would imagine the network was constrained somewhat in which game they could show due to the limits on how many times during the season a school could appear on national television (for example, #1 Texas dismantled Texas A&M 52-14 that afternoon), but don't worry—ABC makes up for it next year . Following the game, Chris Schenkel and Bud Wilkinson look at the "Greatest College Football Players of the Last Decade" (7:30 p.m., ABC). And ABC comes up with a bonus on Friday, taking advantage of a free afternoon for an NBA game between the defending champion New York Knicks, led by last year's MVP Willis Reed, and the Milwaukee Bucks, with last year's Rookie of the Year Lew Alcindor (soon to be Kareem Abdul-Jabbar) and all-time great Oscar Robertson. The Knicks win 103-94, but the Bucks get the last laugh next spring, sweeping the Baltimore Bullets to win their first NBA championship in only their third season of existence.

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I mentioned at the outset that we're in for some big programs this week, so let's get to it.

On Saturday, Lawrence Welk follows college football with "A red, white and blue Thanksgiving spectacular" (8:00 p.m., ABC), a program of songs devoted to love of God and country, neither of which would be cool on network TV today. On Adam-12 (8:30 p.m., NBC), a unique, dialogue-free episode called "Elegy for a Pig" traces the on- and off-duty life of a policeman killed in action. Martin Milner narrates. And at 9:00 p.m., KATU shows the sci-fi classic When Worlds Collide—definitely not MST3K fodder. Moving ahead to Sunday, Ed Sullivan presents a tribute to composer Richard Rodgers (8:00 p.m., CBS), telecast from the Hollywood Bowl, with Cass Elliot, Johnny Mathis, the Lennon Sisters, Shirley Jones, John Davidson, and others singing Rodgers favorites from such classics as Oklahoma, The Girl Friend, The King and I and The Sound of Music. 

One way you can tell that Thanksgiving is near is when Today starts acting like the Food Network; on Monday (7:00 a.m., NBC), it's cooking expert Roy Andries De Groot on how to prepare a Thanksgiving dinner. Meanwhile, on Captain Kangaroo (8:00 a.m., CBS), the Captain and friends celebrate Thanksgiving week with part one of "The Legend of 12 Moons," a three-part history of the American Indian. And I've not seen this before, but KATU shows ABC's Monday Night Football  on a one-hour delay, at 7:00 p.m. rather than 6:00. (Surprising for a city the size of Portland, don't you think?) If I'm coming home from work I love it, but it would be hard to do nowadays with social media.

The Undersea World of Jacques Cousteau returns for it's fourth season of specials on Tuesday (7:30 p.m., ABC), with a visit to Alaska's Kodiak Island and the amazing upstream spawn of the red sockeye salmon, narrated by Rod Serling. That's followed at 8:30 by ABC's Movie of the Week, the "World Premiere" (but aren't they all, in that series?) of Crowhaven Farm, a "chilling story of vengeance from beyond the grave" with a very familiar cast, including Hope Lange, Paul Burke, Lloyd Bochner, John Carradine and Milton Selzer. Late night, The Tonight Show (11:30 p.m., NBC) is in its third week out in Hollywood, and Johnny's guests are Bob Hope, Jack Lemmon, George Carlin and Lulu.

Wednesday includes another big movie musical premiere, Debbie Reynolds' The Unsinkable Molly Brown (7:30 p.m., NBC), the 1964 story of the Denver socialite who became famous after having survived the sinking of the Titanic in 1912. Molly doesn't quite fare as well with Judith Crist; she says that Molly seems devoted "only to the vulgar and venal" in her quest for social climbing, and that Reynolds' plays her "with raucous and desperate energy," countered by her Prince Charming, played by Harve Presnell "with good voice and no inspiration." Even Oral Roberts gets into the Thansgiving act; his holiday special, syndicated around the country and airing Wednesday night on most of the stations in our Oregon edition, features an eclectic guest list including Jerry Lewis (!), singer Kay Starr, and Jay Silverheels, aka Tonto. The televangelist's sermon is on Samson and Delilah, which should make for an interesting Thanksgiving message.

If you thought we'd already finished with Thursday, you've got another think coming. David Frost is in Hollywood this week as well, and he's got an eclectic guest list with Lorne Grene, Buck Owens, Godfrey Cambridge, Tim Conway, and Bill Medley. (8:30 p.m., KPTV) At 9:00 p.m. on KEZI, it's the Oscar-nominated Days of Wine and Roses, with Jack Lemmon and Lee Remick, and while it's a great movie, it's kind of a downer for Thanksgiving, don't you think? I mean, it's not the kind of thing I'd want to watch while I was digesting my turkey sandwich. On the other hand, we know there are a few families out there who tend to hit the bottle during holidays, so maybe this could be a cautionary tale. And speaking of drink, Dean Martin is first-run tonight, with Mike Donnors, Dom DeLuise, Rich Buzzi and Laurie Ichino. (10:00 p.m., NBC)

Friday night ABC has part one of what's essentially a two-part infomercial on behalf of UNICEF. Tonight it's "To All the World's Children" (7:30 p.m.), a look at how UNICEF helps needy children of the emerging nations. The infome—I mean, special concludes on Sunday morning with a profile of Arizona artist Paladin, known for his portrayals of Indian children for UNICEF cards.

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Sally at a vegetarian lunchWe've often wrapped up our TV Guide reviews with a look at the starlet du jour; this week, the question on the cover asks "What it takes to be a starlet in the '70s." Our guide through this odyssey is Sally Marr—not the Sally Marr who was Lenny Bruce's mother; no, our Sally is 29, from Texas, and is the starlet of today: "creative but no aesthete, not beautiful but gives the illusion of classic beauty; she wants to be an actress not a star; she is, above all, nonconformist. . . She doesn't go to Hollywood parties, chic eating places, premieres, or any other place which might be politic for her career if she wanted to be the starlet of the year." She gardens, paints, has a dog and a cat, is into astrology, clairvoyance, palms, handwriting. She could lie about her age, she says, but she doesn't.

She always wanted to be an actress, but felt too self-conscious, so one day she decided to up and go to Paris. While on the boat, she met a model who helped her get into modeling. In Paris, she got a boyfriend who taught her about the right wines, the right restaurants, and operas. Meanwhile, her friend from the ocean voyage decided to go to Majorca with her boyfriend, but insisted that Sally go with her. While on the plane to Majorca (I know, this is better than a movie, isn't it?), she noticed a Frenchman flirting with her, and after they landed he asked her to dinner. He turned out to be Gilbert Becaud ("the French Frank Sinatra"), which she only found out because the other diners applauded until he got up and sang a song.

When she got tired of modeling in Paris ("We were doing bathing suits on the Seine in the middle of winter"), she moved to London, where she appeared in Harper's Bazaar, Vanity Fair, Flair, and other fashion mags. That's where she met her current boyfriend, John Bloom, who accompanied her to New York, where she made a movie called The Drifter that "won a lot of prizes at the Venice Film Festival." While in Los Angeles, she did more modeling, and found herself doing roles in movies and television shows: Mayberry RF.D., The Men from Shiloh, and besides her modeling, "now I've got a great role in an Italian film. Right on."

Here's Sally modeling for a line of mannequinsAs I said, quite a story, isn't it? So no sitting around at Schwab's Drugstore in a tight sweater waiting to be discovered; this, apparently, is how it is to be a starlet nowadays. And, especially as a model, she's had a good bit of success. But I know, you're all wondering how this story ends. I wish I could tell you, but the not-always-reliable IMDb has failed in this regard. For example, the episode of The Men from Shiloh that she did? According to IMDb, that was the other Sally Marr, Lenny Bruce's mother. Then there's an episode of the 1979 series A Man Called Sloane called "The Seduction Squad" that features international supermodels brainwashed into engaging in industrial espionage (which I suspect happens all the time)—"Sally Marr" plays one of the models, but considering that she was 73 at the time, I rather suspect that this could have been our Sally as well. And there's The Facts of Life Goes to Paris, made in 1982, and—hell, who knows what the truth of the matter is? It proves the importance of research—good research, not just easy research. There is more than one Sally Marr in the world.

Yes, I know that with a bit of that good research and a little effort, I could get to the bottom of it all, but as much as I love all of you out there, I'm not about to spend hours of my life trying to find this out just to write one paragraph for this article. I'm sorry, but that's the way it is. Now, if any of you want to take it on. . . TV  

Around the dial

Don't look now, but Thanksgiving is next week, which means those can't-miss Christmas programs aren't far behind. (But I wish they'd at least wait until December.) For the up-to-the-minute details on when you can catch your favorites, or avoid your non-favorites, as the case may be, be sure to check out Joanna's list at Christmas TV History.
Cult TV Blog takes another look at an American series; this time, John's checking out "Dangerous Games," an episode of the series Police Story, with James Farentino. It's John's intro to the series, so you'll want to get his impressions on how the 1970s look from an American perspective.
As a fan of classic sports, one of the things I enjoy is the chance to see an entire game, rather than just the highlights, so I can take those big plays in context. It's somewhat the same when you get to share an entire article rather than just summarize it, as Jodie points out at Garroway at Large with a 1953 article from Esquire which is now out from behind a paywall and available for us all to read.
At bare-bones e-zine, Jack's Hitchcock Project continues with the works of Alfred Hayes; this week, it's the eight-season episode "Paragon," from the Alfred Hitchcock Hour version of the show, based on the story by Dame Rebecca West and well worth reading about. 
Norm Crosby, king of the malaprops, was a staple on television for decades beginning in the 1960s, certainly one of the most popular stand-up comedians of the era. He died last Friday, and at A Shroud of Thoughts Terence has a rundown on his career for those who might have forgotten about him, or younger readers who might not have had the chance to enjoy his comedy. TV  

The midnight hour

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ccording to various Christian traditions, it is the archangel Gabriel who will blow the horn announcing the Lord's return to Earth and the Time of Final Judgment, as described in the Apocalypse of John.
With that as the preface, I thought that, since we've been spending some time lately looking at "cultural" programs of the past, it would be appropriate to continue the trend with The Horn Blows at Midnight, Jack Benny's fabled comedy, as seen in a live television broadcast on Omnibus from November 29, 1953, and inroduced by the series host, none other than Alistair Cooke. Before we get to that, though, a little background.
The Horn Blows at Midnight originally debuted as a big-screen movie in 1945. It tells the story of a studio musician, played by Benny, who falls asleep and dreams that he's Athanael, a junior grade angel ("third phalanx, fifteenth cohort") who's been given a small but important assignment: to travel to one of the fairly insignificant planets—Earth—and blow the horn that signifies the end of the world. A variety of complications ensue, all of which conspire to prevent Benny from carrying out his assignment, at which point Benny awakens from his dream and returns to reality.
I don't know if the word "bomb" is an appropriate description for the movie's reception, but it certainly underperformed, critically and at the box office, considering the presence of a star like Benny. Shrewdly, Jack adopted the movie as one of his longest-running punch lines on both his radio and television programs, building it up (or tearing it down, as it were) until it had attained a status as an epic failure, if not one of the worst movies ever made. ("When the horn blew at midnight," he once said, "it blew taps for my movie career.") This, of course, gave the movie far more publicity than it would have gotten otherwise (after all, people thought, it couldn't possibly be that bad!), burnishing Benny's reputation for self-deprecating humor, and helping the movie recoup its investment.
Benny with angelic girlfriend Dorothy Malone
and Lester Matthews as The Chief A version of The Horn Blows at Midnight was produced for the radio program Ford Theater in 1949 with Benny reprising his role, and this version differs a bit from the movie, most significantly in the dropping of the framing device that begins and ends the story. Here, it's no dream; Benny actually is Athanael the angel, and he really has been sent to blow the horn and drop the curtain on Earth's existence. However, as Athanael goes from one predicament to another, with the clock edging ever closer to midnight, he begins to question his assignment, asking "whether or not the people of Earth, just suffering World War II, deserved to be extinguished with the Earth or given another chance." In the end, after Athanael pleas for mercy on behalf of humanity, The Chief (God? St. Peter? Gabriel?) relents, giving the planet and its people one final chance. It is the radio verison, rather than the movie, that serves as the basis for the Omnibus adaptation. 
The change adds a level of genuine poignancy to the story. Athanael looks at the suffering residents of Earth, many of whom bear no responsiblity for the atrocities of the global war, and confronts the implicit moral dilemma as to whether they should pay this price without even having had a chance to build a world of their own. With a compassion and humility not unlike that of the Old Testament prophet Abraham praying for God to spare Sodom from destruction, Athanael pleads that the people of Earth be spared. He tells of the good, decent people he's met, and the young couple who've learned that their love for each other is more important than any other problems that might exist. "There are millions of others just like them, just hoping and praying for a better world. If you'd just give them a little more time," Athanael explains to the Chief. "You’ve waited so long, thousands and thousands of years, suppose you wait just a little while longer, and then maybe everything can straighten itself out and be exactly the way you want it to be." 

Before we completely let the curtain fall on this bucolic scene, however, we'd do well to consider that final exchange between Athanael and The Chief. Reflecting on a conversation he'd heard between a couple of taxi drivers, Athanael points out that "if there’s another war, the whole world would destroy itself and then there’d be no more Earth." Then he appeals to The Chief's sense of justice, as well as his practicality: "Remember Chief, if that happened, then the responsibility wouldn’t be yours. You wouldn’t be to blame." Won over by Athaneal's argument, The Chief agrees to stay his hand—for now. It is, if not a happy ending, at least a hopeful one.
I know what you're thinking: don't go there. And I shouldn't, but I can't not. There is, of course, more than one way for the world to end; it can happen, as T.S. Eliot put it, "not with a bang but with a whimper." In our headlong rush toward iconoclasm and nihilism, we seem—quite literally—hell bent on self-destruction. And so, we should be hoping that The Chief shows as much patience with us as he did in 1953. Either that, or we have someone as eloquent as Jack Benny pleading our case for us 
Meanwhile, night falls, and the clock continues to go tick, tick, tick . . . TV  

What's on TV? Tuesday, November 14, 1972

There's something particularly enjoyable about today's programming. It's not just the notables—for instance, Bonanza's ill-fated move to Tuesdays, which culminates in the show's cancellation after 14 seasons, or the premiere of America, which we discussed on Saturday, or the debut on WNET of Coronation Street, the beloved British soap that dates back to 1960, and is still on today. (I wonder at what point they picked it up?) But, let's face it, Saturday's articlFlorese was a little grim, wasn't it? So it's only proper that we try to find something fun in this issue. Take channel 3 at 6:20 a.m.—Making of a Jew. Well, when a male Jew loves a female Jew very much . . . On channel 4's Not for Women Only at 9:00 a.m., opera great Anna Moffo discusses acupuncture. At 7:30 p.m., channel 6 has Hess department store's annual Chrismas Toy Show, which has to be one of the first holiday specials of the season. And Dick Cavett's guests tonight include professors Radu Florescu and Raymond McNally, discussing the origins of Dracula. Might have been better to have on before Halloween, but better late than never, right?    2  WCBS (NYC) (CBS)   MORNING       6:20 NEWS, WEATHER       6:30 SUNRISE SEMESTER 20th-Century American Art       7:00 CBS NEWS—John Hart       8:00 CAPTAIN KANGAROO       9:00 JOHN BARTHOLOMEW TUCKER     10:00 JOKER’S WILD—Game     10:30 PRICE IS RIGHT     11:00 GAMBIT—Game     11:30 LOVE OF LIFE   AFTERNOON     12:00 WHERE THE HEART IS     12:25 CBS NEWS—Edwards     12:30 SEARCH FOR TOMORROW       1:00 WHAT’S MY LINE?       1:30 AS THE WORLD TURNS       2:00 GUIDING LIGHT       2:30 EDGE OF NIGHT       3:00 LOVE IS A MANY SPLENDORED THING       3:30 SECRET STORM       4:00 FAMILY AFFAIR       4:30 MIKE DOUGLAS Co-host: Wayne Newton. Guests: Dorothy Lamour, Bobby Vinton, Dave Barry   EVENING       6:00 NEWS       7:00 CBS NEWS—Walter Cronkite       7:30 I’VE GOT A SECRET Guest: Charles Nelson Reilly. Panel: Pat Carroll, Richard Dawson, Nanette Fabray, Gene Rayburn       8:00 MAUDE       8:30 HAWAII FIVE-O       9:30 MOVIE—Crime Drama “The Strangers in 7A” (Made-for-TV; 1972)     11:00 NEWS     11:30 MOVIE—Comedy-Drama “The Priest’s Wife” (Italian; 1971)       1:30 MOVIE—Western “Rancho Notorious” (1952)       3:20 MOVIE—Drama BW  “South Sea Sinner” (1950)        3  KYW (PHILA) (NBC)   MORNING       6:10 FARM MARKET REPORT       6:15 NEWS       6:20 MAKING OF A JEW       6:50 FARM, HOME AND GARDEN       7:00 TODAY       9:00 SOMERSET       9:30 JEOPARDY     10:00 DINAH SHORE Guest: Barbara Walters     10:30 CONCENTRATION     11:00 SALE OF THE CENTURY     11:30 HOLLYWOOD SQUARES Edie Adams, Arte Johnson, Rose Marie, Martin Milner, Jan Murray, Jo Anne Pflug, Hugh O’Brian, Wally Cox, Paul Lynde   AFTERNOON     12:00 NEWS     12:30 McLEAN       1:30 THREE ON A MATCH—Game       2:00 DAYS OF OUR LIVES       2:30 DOCTORS       3:00 ANOTHER WORLD       3:30 RETURN TO PEYTON PLACE       4:00 MIKE DOUGLAS Co-host: Jackie Gleason. Guests: Side Caesar, Fran Jeffries, Timmie Rogers, Taffy Truedall and his trick bear Victor       5:30 NEWSWATCH   EVENING       6:00 NEWS       6:30 NBC NEWS—John Chancellor       7:00 WHAT’S MY LINE? Panel: Alan Alda, Arlene Francis, Soupy Sales, Dana Valery       7:30 ADVENTURER—Drama       8:00 BONANZA       9:00 BOLD ONES     10:00 AMERICA—Documentary Debut: Part I: “The New Found Land”     11:00 NEWS     11:30 JOHNNY CARSON From New York: Guests: Phyllis Newman, Bobby Goldsboro       1:00 NEWS       1:05 HIGHWAY PATROL BW         4  WNBC (NYC) (NBC)   MORNING       6:30 THE RIGHT TO       7:00 TODAY       9:00 NOT FOR WOMEN ONLY Guest: Anna Moffo       9:30 WATCH YOUR CHILD     10:00 DINAH SHORE Guest: Barbara Walters     10:30 CONCENTRATION     11:00 SALE OF THE CENTURY     11:30 HOLLYWOOD SQUARES Edie Adams, Arte Johnson, Rose Marie, Martin Milner, Jan Murray, Jo Anne Pflug, Hugh O’Brian, Wally Cox, Paul Lynde   AFTERNOON     12:00 JEOPARDY     12:30 WHO, WHAT OR WHERE—Game     12:55 NBC NEWS—Floyd Kalber       1:00 IT’S YOUR BET       1:30 THREE ON A MATCH—Game       2:00 DAYS OF OUR LIVES       2:30 DOCTORS       3:00 ANOTHER WORLD       3:30 RETURN TO PEYTON PLACE       4:00 SOMERSET       4:30 MOVIE—Comedy “Promise Her Anything” (1966)   EVENING       6:00 NEWS       7:00 NBC NEWS—John Chancellor       7:30 WAIT TILL YOUR FATHER GETS HOME       8:00 BONANZA       9:00 BOLD ONES     10:00 AMERICA—Documentary Debut: Part I: “The New Found Land”     11:00 NEWS     11:30 JOHNNY CARSON From New York: Guests: Phyllis Newman, Bobby Goldsboro       1:00 NEWS       1:15 MOVIE—Drama BW  “Wing and a Prayer” (1944)        5  WNEW (NYC) (Ind.)   MORNING       6:30 NEW ZOO REVUE       7:00 UNDERDOG       7:30 FLINTSTONES       8:00 SUPER HEROES       8:30 BUGS BUNNY       9:00 FLYING NUN—Comedy       9:30 MOTHERS-IN-LAW—Comedy     10:00 I LOVE LUCY—Comedy BW      10:30 HAZEL—Comedy BW      11:00 ANDY GRIFITH—Comedy     11:30 MIDDAY LIVE Guest: Rod McKuen   AFTERNOON       1:00 MOVIE—Drama BW  “Song of Surrender” (1949)       3:00 CASPER—Cartoons       3:30 BUGS BUNNY       4:00 SUPER HEROES       4:30 DENNIS THE MENACE—Comedy BW        5:00 FLINTSTONES       5:30 PETTICOAT JUNCTION—Comedy   EVENING       6:00 FLINTSTONES       6:30 I LOVE LUCY—Comedy BW        7:00 ANDY GRIFFITH—Comedy BW        7:30 THAT GIRL—Comedy       8:00 HOGAN’S HEROES—Comedy       8:30 MERV GRIFFIN     10:00 NEWS     11:00 ALFRED HITCHCOCK—Drama BW      11:30 OUTER LIMITS—Science Fiction BW      12:30 ALFRED HITCHCOCK—Drama BW        1:00 MOVIE—Drama BW  “Madame Butterfly” (1932)       3:05 MOVIE—Drama BW  “Song of Surrender” (1949)       4:55 COMBAT—Drama BW        5:55 TRUTH OR CONSEQUENCES        6  WPVI (PHILA) (ABC)   MORNING       6:00 OPERATION ALPHABET BW        6:30 TARGET—Interview       6:55 NEWS       7:00 TENNESSEE TUXEDO       7:30 CAPTAIN NOAH       9:00 LUCILLE RIVERS—Sewing       9:10 CONNIE ROUSSIN       9:25 NEWS       9:30 LOVE, AMERICAN STYLE     10:00 PHIL DONAHUE Guest: Margaret Mead     11:00 PASSWORD Bill Bixby, Lynda Day George     11:30 BEWITCHED   AFTERNOON     12:00 NEWS     12:30 SPLIT SECOND—Game       1:00 ALL MY CHILDREN       1:30 LET’S MAKE A DEAL       2:00 NEWLYWED GAME       2:30 DATING GAME       3:00 GENERAL HOSPITAL       3:30 ONE LIFE TO LIVE       4:00 I LOVE LUCY—Comedy BW        4:30 BIG VALLEY—Western       5:30 TRUTH OR CONSEQUENCES   EVENING       6:00 NEWS       6:30 ABC NEWS—Smith/Reasoner       7:00 TO TELL THE TRUTH Panel: Orson Bean, Kitty Carlisle, Peggy Cass, Bill Cullen       7:30 HOLIDAY SPECIAL Special: Hess Christmas Toy Show       8:00 TEMPERATURES RISING—Comedy       8:30 MOVIE—Thriller “The Victim” (Made-for-TV; 1972)     10:00 MARCUS WELBY, M.D.     11:00 NEWS     11:30 DICK CAVETT Guests: Profs. Radu Floescu and Raymond McNally, Melba Moore       1:00 TARGET        7  WABC (NYC) (ABC)   MORNING       6:00         6:30 LISTEN AND LEARN       7:00 A.M. NEW YORK       9:00 MOVIE—Drama BW  “In the French Style” (1963)     11:30 BEWITCHED   AFTERNOON     12:00 PASSWORD Bill Bixby, Lynda Day George     12:30 SPLIT SECOND—Game       1:00 ALL MY CHILDREN       1:30 LET’S MAKE A DEAL       2:00 NEWLYWED GAME       2:30 DATING GAME       3:00 GENERAL HOSPITAL       3:30 ONE LIFE TO LIVE       4:00 LOVE, AMERICAN STYLE       4:30 MOVIE—Drama “Raintree County” (1967) part 1   EVENING       6:00 NEWS, SPORTS, WEATHER       7:00 ABC NEWS—Smith/Reasoner       7:30 SAFARI TO ADVENTURE       8:00 TEMPERATURES RISING—Comedy       8:30 MOVIE—Thriller “The Victim” (Made-for-TV; 1972)     10:00 MARCUS WELBY, M.D.     11:00 NEWS     11:30 DICK CAVETT Guests: Profs. Radu Floescu and Raymond McNally, Melba Moore       1:00 TO BE ANNOUNCED        9  WOR (NYC) (Ind.)   MORNING       7:30 NEWS BW       8:00 GARNER TED ARMSTRONG       8:30 TENNESSEE TUXEDO       9:00 YOGA FOR HEATH       9:30 MANTRAP     10:00 ROMPER ROOM     11:00 STRAIGHT TALK   AFTERNOON     12:00 HERMANOS CORAJES-Novela BW      12:55 NOTICAS       1:00 JOURNEY TO ADVENTURE       1:30 JOE FRANKLIN       2:30 JOANNE CARSON’S VIPS Guest: Polly Bergen       3:00 MOVIE—Comedy BW  “It Happened One Night” (1934)       5:00 NEWS—Tom Dunn       5:30 BEVERLY HILLBILLIES—Comedy   EVENING       6:00 AVENGERS—Adventure BW        7:00 IT TAKES A THIEF—Adventure       8:00 BORIS KARLOFF PRESENTS THRILLER—Drama BW        9:00 MEET THE MAYORS       9:30 BLACK ON WHITE     10:00 DATELINE: UN     11:00 BORIS KARLOFF PRESENTS THRILLER—Drama BW      12:00 MOVIE—Mystery BW  “Somewhere in the Night” (1946)       2:15 JOE FRANKLIN       3:15 NEWS       10 WCAU (PHILA) (CBS)   MORNING       6:00 SUNRISE SEMESTER       6:30 COLLEGE SEMINAR Civil War History       7:00 CBS NEWS—John Hart       8:00 CAPTAIN KANGAROO       9:00 BETTY HUGHES       9:30 IT’S YOUR BET     10:00 JOKER’S WILD—Game     10:30 PRICE IS RIGHT     11:00 GAMBIT—Game     11:30 LOVE OF LIFE   AFTERNOON     12:00 WHERE THE HEART IS     12;25 CBS NEWS—Edwards     12:30 SEARCH FOR TOMORROW       1:00 WHAT’S HAPPENING       1:30 AS THE WORLD TURNS       2:00 GUIDING LIGHT       2:30 EDGE OF NIGHT       3:00 LOVE IS A MANY SPLENDORED THING       3:30 SECRET STORM       4:00 FAMILY AFFAIR       4:30 MOVIE—Adventure “Shark!” (1970)   EVENING       6:00 NEWS       7:00 CBS NEWS—Walter Cronkite       7:30 JOHNNY MANN’S STAND UP AND CHEER Guest: Florence Henderson       8:00 MAUDE       8:30 HAWAII FIVE-O       9:30 MOVIE—Crime Drama “The Strangers in 7A” (Made-for-TV; 1972)     11:00 NEWS     11:30 MOVIE—Comedy-Drama “The Priest’s Wife” (Italian; 1971)       1:30 MOVIE—Drama “Hot Rods to Hell” (1967)       3:25 GIVE US THIS DAY       3:30 MOVIE—Western “Run for Cover” (1955)       11 WPIX (NYC) (Ind.)   MORNING       7:00 YOUR FUTURE IS NOW       7:30 POPEYE—Cartoon       9:00 BACHELOR FATHER       9:30 LUCILLE RIVERS—Sewing       9:40 JACK LaLANNE—Exercise     10:10 NEWS     10:30 PUERTO RICAN NEW YORKER     11:00 FOCUS: NEW YORK     11:30 ROCKY AND FRIENDS—Cartoons   AFTERNOON     12:00 FELIX THE CAT     12:30 GALLOPING GOURMET French sea-food mold       1:00 MOVIE—Drama BW  “The Saxon Charm” (1948)       2:30 LUCILLE RIVERS       2:40 ABBOTT AND COSTELLO—Comedy BW        3:00 POPYEYE AND FRIENDS       3:30 MAGILLA GORILLA       4:00 SPIDERMAN       4:30 MUNSTERS—Comedy BW        5:00 BATMAN—Adventure Guest Villain: Cesar Romero (The Joker)       5:30 BATMAN—Adventure Guest Villain: Eartha Kitt (Catwoman)   EVENING       6:00 GILLIGAN’S ISLAND—Comedy       6:30 BEAT THE CLOCK Guest: Gene Rayburn       7:00 I DREAM OF JEANNIE—Comedy       7:30 COURTSHIP OF EDDIE’S FATHER—Comedy-Drama       8:00 NANNY AND THE PROFESSOR       8:30 GET SMART—Comedy       9:00 DRAGNET       9:30 DRAGNET—Crime Drama     10:00 NEWS     11:00 PERRY MASON BW      12:00 BURNS AND ALLEN     12:30 NEWS—Roy Whitfield       12 WHYY (PHILA) (PBS)   MORNING       9:00 SESAME STREET   AFTERNOON       1:30 ELECTRIC COMPANY Guest: Rita Moreno       3:00 ON-AIR AUCTION Special   EVENING       6:00 AUCTION CONTINUES       9:00 AUCTION CONTINUES Special       13 WNET (NYC) (PBS)   MORNING       7:00 MAGGIE AND THE BEAUTIFUL MACHINE       7:30 51ST STATE—Patrick Watson       9:00 SESAME STREET   AFTERNOON       1:30 ELECTRIC COMPANY Guest: Rita Moreno       3:00 FRENCH CHEF       3:30 MAGGIE AND THE BEAUTIFUL MACHINE       4:00 SESAME STREET       5:00 MISTER ROGERS Guest: Van Cliburn       5:30 ELECTRIC COMPANY—Children Guest: Rita Moreno   EVENING       6:00 HODGEPODGE LODGE       6:30 YOUR FUTURE IS NOW       7:00 ZOOM       7:30 51ST STATE—Patrick Watson       8:00 REALIDADES       8:30 BILL MOYERS’ JOURNAL Debut       9:00 BEHIND THE LINES—Analysis       9:30 BLACK JOURNAL     10:00 CORONATION STREET Debut     10:30 ESSENE—Documentary BW        17 WPHL (PHILA) (Ind.)   MORNING     11:45 BULLETIN BOARD   AFTERNOON     12:00 AMERICAN RELIGIOUS TOWN HALL MEETING     12:30 WHO, WHAT OR WHERE—Game     12:55 NBC NEWS—Floyd Kalber       1:00 WATCH YOUR CHILD       1:30 RUN FOR YOUR LIFE—Drama       2:30 GALLOPING GOURMET Swiss trout with herbs and a thin wine sauce       3:00 FRIENDLY GIANT       3:15 CASPER/MILTON       4:00 ROCKET ROBIN HOOD       4:30 GEORGE OF THE JUNGLE       5:00 SPIDERMAN       5:30 ULTRA MAN   EVENING       6:00 PATTY DUKE BW       6:30 HIGH CHAPPARAL       7:30 GOMER PYLE, USMC—Comedy       8:00 ELIZABETH R       9:30 MANCINI GENERATION Guests: David Clayton-Thomas and the Sanctuary Band, Linda Ronstadt     10:00 SECRET AGENT—Adventure BW      11:00 TWILIGHT ZONE—Drama BW      11:30 SUSPENSE THEATRE—Drama     12:30 RUN FOR YOUR LIFE       1:30 BULLETIN BOARD       29 WTAF (PHILA) (Ind.)   MORNING       9:00 MAYBERRY R.F.D.—Comedy       9:30 JACK LaLANNE—Exercise     10:00 DIVORCE COURT—Drama     10:30 LUCILLE RIVERS—Sewing     10:40 ALL ABOUT CRAFTS     10:55 COVER UP WITH ADELE     11:00 CARTOONS     11:30 ROMPER ROOM—Children   AFTERNOON     12:00 HAZEL     12:30 NOT FOR WOMEN ONLY       1:00 JOANNE CARSON’S VIPs Guest: Agnes Moorhead       1:30 PARSLEY, SAGE, JANI AND LOVE Guest: Johnny Bench       2:00 ALL ABOUT FACES Guests: Phil Ford and Mimi Hines, the Gene Rayburns       2:30 LONE RANGER—Cartoon       3:00 SUPERMAN, AQUAMAN, BATMAN       3:30 THREE STOOGES AND CARTOONS BW        4:00 THRILLER—Drama BW        5:00 PETTICOAT JUNCTION—Comedy       5:30 NANNY AND THE PROFESSOR   EVENING       6:00 PLEASE DON’T EAT THE DAISIES—Comedy       6:30 I DREAM OF JEANNIE—Comedy       7:00 THAT GIRL—Comedy       7:30 DRAGNET—Crime Drama       8:00 HOGAN’S HEROES—Comedy       8:30 SAFARI—Travel       9:30 I SPY     10:30 NEWS PROBE     11:00 N.Y.P.D.—Crime Drama     11:30 FELONY SQUAD—Crime Drama     12:00 BOWLING       1:00 COVER UP WITH ADELE       48 KWBS (PHILA) (Ind.)   MORNING     11:15 NEWS—Marty Jacobs   AFTERNOON     12:00 NEW ZOO REVUE     12:30 BANANA SPLITS       1:00 MOVIE—Drama BW  “The Hard Way” (1942)       3:00 UNDERDOG       3:30 YOGI BEAR       4:00 SPEED RACER       4:30 MUNSTERS—Comedy BW        5:00 FLINTSTONES HOUR   EVENING       6:00 GILLIGAN’S ISLAND—Comedy       6:30 STAR TREK—Adventure       7:30 DICK VAN DYKE—Comedy BW        8:00 GET SMART—Comedy       8:30 MERV GRIFFIN     10:00 PERRY MASON BW      11:00 MOVIE—Drama BW  “Conflict” (1940)  
TV  

This week in TV Guide: November 11, 1972

What would Alistair Cooke make of America today? Now, we're all friends here, and I know you won't mind me speaking frankly, or hold it against me. 
It was 48 years ago this week that Cooke introduced his landmark, thirteen-episode series America, to viewers. Cooke, the longtime American correspondent for England's Guardian newspaper, had been approached by the BBC and asked to make a television series about this country, the land in which he had lived for over thirty years, and try to, in the words of BBC producer Michael Gill, "distill this whole experience into a series of television programs." After a couple of days of deliberation, Cooke arrived at the format for his series: "to try to tell the history of the United States on television in 13 hours." 
Cooke and his team decided early on that there would be no recreations, no attempts to cast actors in the roles of the Founding Fathers, no experts sharing their interpretations in monologues before the cameras. Only Cooke would face the camera, in what he calls "a one-man tour through the history of the land and the people who made it the United States of America. It took two years and more than 100,000 miles of travel, visiting Americans who were "doing their thing—selling a cow in Illinois, selling bloomers on New York's Lower East Side, rehearsing the War Alert on a submarine, bidding on the floor of the commodity exchange." 
Cooke felt that he was uniquely qualified to take such a look at his adoped country; "I believe that there is a true American heritage which, in dpite of its almost continuous betrayal since the beginning is something most Americans are only vaguely aware of." And indeed it's no surprise that Amercians should be so unfamiliar with their heritage, since history has so often done such a bad job of presenting it. Cooke hoped that America could be, in some small way, a correction to that, a chance to reacquaint them with their own remarkable story. "If I can reawaken Americans to the best of their story, and remind them of the worst, if we succeed in shaking up in your mind the myths and sentimentalities of your high-school textbook, we'll feel it was well worth doing."
Much has changed in the 48 years since America was telecast. For that matter, much has changed in the last 48 months, or the last 48 weeks. George Will once said that Cooke believed it was "the value of the simple virtues and decencies that can make communities flourish and that have made America great and exemplary." Today, communities that once pulled together now view each other with suspicion and distrust; those who dare to voice opinions are censored by those who view those opinions as unacceptable; those who fail to toe the party line regularly lose their jobs for no reason other than that they dare to believe in freedom of expression. The "people," who once made America, have now turned it into a bitter and divided country, prodded by groups preaching anarchy instead of order, division rather than unity, and an open contempt for "deplorables" whom they would seek to strip of their opnions, their rights, their lives. Leaders of business, government and religion work in an unholy alliance, seeking to control rather than serve, and to pay us off with the promises of bread and circuses, while their computers go about gathering information on our habits, our preferences, our movements. Immigrants who once came to this country because of its freedom—its liberalism—see that liberalism being replaced by the very thing they fled: totalitarianism. The America that once proclaimed itself One Nation Under God now worships at the foot of Moloch rather than the foot of the Cross. 
Today we see very little of the best that America has to offer, and far too much of the worst. The American heritage that Cooke admired, exemplified in the Founding Fathers, has been disparaged; their legacy has been slandered, their statues torn down, their names taken off of schools and buildings. Mobs gather in cities around America burning buildings and looting stores, all the while chanting slogans about bringing down the country. The "news" is, so many times, presented by a media more suited to propaganda than fact-finding, led by men who have more in common with Joseph Goebbels than William S. Paley. With few exceptions, educators fill their students with hate instead of learning, and practice intolerance against their own colleagues.
Even the colors of the flag have been distorted into a grotesque image; where red once stood for hardiness and valor, white meant purity and innocence, and blue symbolized vigilance, perseverance and justice, red and blue now stand for two unreconcilable sides openly discussing civil war, and white has become a dirty word. Meanwhile, that same flag is often found burning in the streets. Social media spreads its own unique blend of brutality and depravity, and seeks to shut down anyone who voices a dissenting opinion; we put on masks and lose the face of humanity. Even the results of elections have now fallen under a shadow. It's all the more depressing because I have friends on both sides of the political aisle, and I pride myself on never letting that interfere with friendship, but now I wonder—do I have cause to worry whether they still feel the same way? The United States of America? Not hardly. And our leaders fiddle like so many Neros while Rome—or Minneapolis, or Portland, or Baltimore—burns. 
As you probably know from the many TV Guides I've looked at over the years, I've spent most of my life in the Twin Cities. It's always been my home, even when I lived somewhere else. But it was my childhood neighborhood that burned this spring; the buildings that were scorched were the landmarks of my youth. And now Minneapolis disgusts me; the people who live there feel more like enemies. The city's leadership has not only broken the city, they've broken my heart, and in the end they're driving me out.
What would Alistair Cooke think of America today? How would he feel seeing the county he loved (he became an American citizen in 1941) turned into a tinderbox of hatred and resentment? What would his reaction be to the great American Experiment turned into a banana republic? My hunch is that his heart would be broken, too.
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Throughout the 60s and early 70s, TV Guide's weekly reviews were written by the witty and acerbic Cleveland Amory. Whenever we get the chance, we'll look at Cleve's latest take on the series of the era. 

Cleveland Amory has a big problem with The Little People, NBC's sitcom starring Brian Keith and Shelley Fabares as father-daughter doctors working in Hawaii. It's all those children, the "little people" of the title, who are the doctors' patients. And, good curmudgeon that he is, this thrills Cleve no end. "There are more 'little people' here than in any show since the Children's Crusade," he says. "[T]hey come in all ages, sizes, races, etc.—each of them a little darling, cuter, and more precocious and more all-around obnoxious than the rest. Our theory is they aren't children. They're midgets who are overacting."
As was the case in Keith's previous series, Family Affair, his character, Dr. Sean Jamison, is single and surrounded by children who aren't his, although his nurse, Puni, is played by Keith's real-life wife, Victoria Young. (No Mr. French for the Doc!) The theory, according to Amory, is that this makes him more appealing, and "The Little People will stop at nothing to get appeal. Four thousand kids, Hawaii and an unmarried pediatrician. What more could you ask? —except, maybe, a little less." Not only this, but the plots—well, "the plots are so saccharine, they stick in your throat,"
And yet, Cleve is forced to acknowledge that the show does have its funny moments, such as the one in which Dr. Jamison tries to get parents to stop making up stories about where babies come from. It was going well until the kid who says that babies come from cross-eyed bears. Seems her mother had said that "babies were a cross she had to bear." I'm sure the viewers could identify with that. 
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It's a big week for movies—I mean, a really big week—starting on NBC's Saturday Night at the Movies (9:00 p.m. ET) with part one of the TV premiere of Giant, the sprawling 1956 epic with James Dean totally overshadowing both Elizabeth Taylor and Rock Hudson, which isn't easy. The movie earned Dean his second posthumous Best Actor nomination; his first was for East of Eden, and the only movie for which he didn't get nominated was Rebel Without a Cause, which is a pretty fair track record, if you ask me. 
Giant concludes on Monday night, which leaves Sunday open for another TV premiere, that of 1969's True Grit (9:00 p.m., ABC), the magnificent Western which earned John Wayne his Best Actor Oscar. Judith Crist limes the supporting performances of Kim Darby and Glen Campbell, but "it's Wayne, eye-patched, wide in the waist and high in the saddle, belching and burping his way to gallant action and shrewd valor, who makes the movie his—by right indeed." Roger Ebert once pointed out that, sentiment aside, John Wayne deserved that Oscar, and if you want to see why, just watch it sometime.
Wednesday night is another premiere, that of Paul Newman's The Left-Handed Gun (11:30 p.m., CBS), which doubles as director Arthur Penn's big-screen debut. In Newman's portrayal of Billy the Kid, Crist sees shadows of his performance as Butch Cassidy a dozen years later. And Thursday night brings the TV debut of 1967's In Cold Blood (9:00 p.m., CBS), the chilling true (more or less) story of the 1959 murder of four members of the Clutter family in Holcomb, Kansas, based on the storied best-seller by Truman Capote (and his research assistant, Harper Lee). It's filmed in black-and-white using many of the actual locations, powered by the performances of Robert Blake and Scott Wilson as the killers, and garnered a Best Director nomination for Richard Brooks.
Not everything movie-related is on the networks, though. I'm looking at Saturday's late-night lineup, for instance. At 11:30 p.m., WCBS has Cat Ballou, with Lee Marvin's Oscar-winning performance; KYW  counters with Alfred Hitchcock's The Birds, starring Rod Taylor and Tippi Hedren; WPVI has the shocker Hush. . . Hush, Sweet Charlotte, with Bette Davis, Olivia de Haviland and Agnes Moorehead; WABC offers Joe, with Peter Boyle's Oscar-nominated performance as the factory worker who hates hippies and social workers; and WCAU has the Irving Wallace tale The Prize, with Paul Newman and Edward G. Robinson. And that doesn't even include fun films like The Scarlet Claw (Basil Rathbone and Nigel Bruce as Holmes and Watson), The Bride of Frankenstein, starring Boris Karloff, and Morocco, with Gary Cooper and Marlene Dietrich. And this all on Saturday night—there's plenty more the rest of the week. Now, I know that you can dial up all of these movies, and more, through various on-demand services (commercial-free!), but imagine how exciting it must have been to live in a market with a dozen or so stations available, and have these to choose from. And you wonder why I'm always talking about what it was like when local stations ran movies.
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This Friday evening marks the 100th presentation of the Hallmark Hall of Fame, "The Hands of Cormac Joyce," starring Stephen Boyd and Colleen Dewhurst. (8:30 p.m., NBC) The decline of Hall of Fame from one of the prestige programs on television to telemovies barely suitable for Lifetime is one of the great disasters of television's evolution, but that's in the future; right now, Terrence O'Flaherty takes a look at the glorious history of the program, beginning with Amahl and the Night Visitors , the 1951 Christmas Eve opera. And how is it that Hallmark came to sponsor a program that wouldn't air until everyone had already purchased their Christmas cards? By taking the time to thank all those viewers out there who'd sent Hallmark cards.
You can see this attitude expressed in the comments of J.C. Hall , the founder of Hallmark, who says he has "no interest" in ratings. "Just because people watch your show doesn't mean they are buying your product," he declares. "I'd rather make eight million good impressions than 28 million bad ones." And you get those good impressions from presenting quality programs, thanks in large part to director George Schaefer, "a director who respected the playwright, the actors and the audience and realied all three were linked in the success of any drama." From Schaefer's direction came "a succession of dramatic gems" including Hamlet, King RIchard II, Macbeth, The Corn is Green, The Taming of the Shrew, Man and Superman, Abe Lincoln in Illinois, That Fantasticks, The Tempist, and Blythe Spirit among them. And then there are the stars: Dame Judith Anderson, Mauric Evans, Katharine Cornell, Sir John Gielgud, Mary Martin, George C. Scott, Julie Harris, Richard Burton, and the husband-and-wife team of Alfred Lunt and Lynn Fontanne. Talk about a hall of fame of talent.
Four years ago the series began introducing stories from the contemporary scene, without compromising quality. Dramas like Teacher, Teacher (a broken teacher's relationship with a retarted child), A Storm in Summer (the uneasy friendship between a Jewish delicatesen owner and a black youngster), and A Punt, a Pass and a Prayer (an aging athlete coming to terms with the end of his career) have led the series into a new era. For years this will continue, as staged plays yield to filmed classics, but this, too, eventually fades away. Today, the brand exists only on Hallmark's television channel, with movies more appropriate for Bravo, Oprah, Oxygen, and, yes, Lifetime. Your mileage may vary, of course, but I read O'Flaherty's closing words with more than a pang of loss: Hallmark Hall of Fame, he rightly says, has always been "the Rolls-Royce of television entertainment, a handcrafted vehicle of comfort, style and precision. The very best." 
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On a somewhat related note, I mentioned on Wednesday that the BBC, which is funded through the "television license" (£154.50 per household per year), has come under increasing scrutiny over the last few years due to an alleged political bias in its news reporting—with the result that there's now a movement afoot to abolish the license and force the Beeb to become a more "commercial" network. Undoubtedly, this would affect the BBC's commitment to arts programming, just as funding cuts to PBS did in this country. But could things have turned out differently?
In the Doan Report, Richard K. reports that "PBS's days as the fledgling public-TV network may already be numbered." The new president of the Corporation for Public Broadcasting, Henry Loomis, says the whole structure is "under review," including "whether PBS is to survive as the vehicle for national programming." The new CPB board of directors is already centralizing control, even when the Nixon administration has been advocating more "localism." (This is one reason why KTCA, the St. Paul-Minneapolis educational channel, was reluctant to join NET; even today, KTCA is one of the most-watched PBS channels in America.) One of the most controversial aspects of public broadcasting is its perceived liberal content, leading critics to urge the Corporation to "get out of 'news and public affairs' programming." Recently, the White House vetoed (for the second time) an HEW bill containing funding for CPB, which is likely to force the service to curtail prime-time programming.
Throughtout PBS's history, it has come under fire for its liberal bias, a criticism with which, by and large, I'm in agreement.* The Nixon and Reagan administrations, in particular,  sought to slash funding; consequently, as the Corporation became ever more dependent on pledges and corporate sponsorship, it became ever more necessary to concentrate on popular, crowd-pleasing shows, which is why Pledge Week now looks like Oldies Night at the casino. Just as network cultural programming was first pushed into the Sunday afternoon ghetto and then off the nets entirely—"Let PBS do it; that's what they're for!"—we now seldom see dance, theater, music, drama, or other types of cultural programming on PBS on any kind of regular basis. (And no, Downton Abbey isn't the kind of "drama" I'm talking about.) Even niche cable networks like A&E, Bravo and Ovation wound up dumping their arts programs in favor of endless reruns of NCIS and Real Housewives of Dhaka, Bangladesh, or something like that. 
*Notwithstanding that in the 1980s I was a proud member of KTCA, to show my support for their broadcasting of Doctor Who. After all, man does not live by politics alone.
It's speculation, of course, but had CPB gotten the network out of "news and public affairs programming" back in 1972, could they have avoided the budget cuts that saw cultural programming gradually disappear from their airwaves? Could it, in fact, have preserved the diversity of programming that was part of educational television's original charge? We'll never know, of course (I've got a book on the shelf that might have some answers, if I ever get the time to read it), but it's a question worth asking.
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Finally, speaking of cultural programming as we've been, Sunday mornings today are pretty much dominated by political chatfests, but it wasn't always that way. CBS's Camera Three (11:00 a.m.) takes a look at "The dark side of life as photographed by Diane Arbus , who died last year. Her subjects include prostitutes, tranvestites, the deformed and insane" 
Maybe it is about those people in Washington after all. TV 

Around the dial

HONEY, THE KIDS ARE WATCHING THOSE CHARACTERS IN WASHINGTON AGAIN.



Let's start off the week at Television's New Frontier: The 1960s, with a look at The Jack Benny Program in 1962. The Benny show, in both its radio and TV incarnations, was frequently hilarious, in no small part because Jack Benny was a generous performer who felt it didn't matter whether or not he had the best lines, as long as they got a laugh. This is a very good glimpse at some of the show's great storylines and guests. 
The comic strip Blondie not only spawned nearly 30 big-screen movies, but a couple of television series as well; while I recall the version from the late 1960s , I don't know that I've ever seen the 50s edition that starred Arthur Lake, who also played Dagwood in the movies, and Pamela Britton. Good thing Television Obscurities is around to rectify a gap in my education.
I only saw Alex Trebek in person once; it was at the Minnesota State Fair back in the 1990s, and he was at the KARE 11 booth (Channel 11 showed Jeopardy in the Twin Cities). When his segment was over, he didn't want to leave; he chose to stick around even after the show to make sure as many people as wanted autographs got them. I was always impressed with that, just as I'm impressed with Terence's write-up of the good man's career  at A Shroud of Thoughts following his death this week after a long and courageous fight against cancer.
At Shadow & Substance, Paul has a plug for an appearance that he and Steven Jay Rubin had on Pop Culture Man Arlen Schumer's Night Light Radio, as they discussed TZ and how often its stories seem to serve as a reminder—or warning—for today's times. (For those of you who missed it, I wrote about one of those instances here .)
Speaking of audio, Ed Robertson's latest TV Confidential podcast has a conversation with Liliana Tandon , who wrote and starrs in the Christmas movie A Ring for Christmas, a new romantic comedy that also features Lorraine Bracco and Michael Gross. I had the immense pleasure of talking with Ed last week myself, and you can look for my appearance on TV Confidential in late November or December; stay tuned for all the details.
One of my favorite sayings is "Words Mean Things," which I suppose isn't surprising to hear coming from a writer, but it's true; when asked why he was fond of using polysyllabic words so often, William F. Buckley Jr. said, "Because they say what I wish to say." (Well, actually he said, "I Am Lapidary But Not Eristic.") Anyway, at Garroway at Large, Jodie discusses the power of words, and how they still can pack a punch .

No Hitchcock Project from Jack this week; it's an every-other-week feature. But not to say Hitch is gone completely, because at Classic Film & TV Café, Rick looks at the second season of Alfred Hitchcock Presents, currently streaming on Peacock (I wish they had more shows like that in their library, but they do have the Premier League, which is something), and highlights some of the best episodes .
Finally, and appropriately enough, we go to David at Comfort TV, where the topic is five classic shows with great final seasons . It's something that shouldn't be taken for granted, considerng how many series over the years have left with a whimper, not a bang. As for what those five shows are—well, you're just going to have to read it for yourself. TV  

What we lose when television ignores the arts

Given the choice between a cartoon of cats watching television and a video of musicians playing music, I opted to go with the latter this week. (You can let me know whether or not I chose wisely.) This video ties in with last week's clip of Glenn Gould discussing Mozart, in that it's from a time when arts programming was more common on television, although it comes from a BBC broadcast in 1954, and the Beeb still devotes some time and effort to this kind of programming today.*
*It should be noted, however, that the BBC can afford such programming because 1) it's a state-financed television network, and 2) people pay an annual television fee that subsidizes the BBC family of networks. I'll also mention that BBC news coverage is considered to have a decided liberal bias, which in turn has provoked a move against the fee. I'll have more on this kind of thing Saturday.
Anyway, back to the video! The conductor is the immortal Leopold Stokowski, and the piece in question is "When I am laid in earth," popularly known as "Dido's Lament," from the 1688 opera Dido and Aeneas by the English composer Henry Purcell (being performed with an orchestral arrangement by Stokowski himself). In Stokowski's prefacing remarks, he mentions how known and loved this piece is; it's annually played as part of the Remembrance Sunday ceremonies in England, and since today is Remembrance/Veterans Day, it's an appropriate example for us to us. 
I don't know how familiar it is in this country other than for classical music aficionados; It's been used in movies and television shows over the years, including Band of Brothers. If it is true, as I believe it is, that music can soothe the savage breast, what better for our savage and discouraging age than something like this, which demonstrates the often-otherworldly quality that music possesses. This is the kind of thing that should be familiar to us, and of all the responsibilities that television has abrogated in the last few decades, that ability to provide this kind of programming is perhaps the most unfortunate.

TV  

What we miss when television ignores the arts

Given the choice between a cartoon of cats watching television and a video of musicians playing music, I opted to go with the latter this week. (You can let me know whether or not I chose wisely.) This video ties in with last week's clip of Glenn Gould discussing Mozart, in that it's from a time when arts programming was more common on television, although it comes from a BBC broadcast in 1954, and the Beeb still devotes some time and effort to this kind of programming today.*
*It should be noted, however, that the BBC can afford such programming because 1) it's a state-financed television network, and 2) people pay an annual television fee that subsidizes the BBC family of networks. I'll also mention that BBC news coverage is considered to have a decided liberal bias, which in turn has provoked a move against the fee. I'll have more on this kind of thing Saturday.
Anyway, back to the video! The conductor is the immortal Leopold Stokowski, and the piece in question is "When I am laid in earth," popularly known as "Dido's Lament," from the 1688 opera Dido and Aeneas by the English composer Henry Purcell (being performed with an orchestral arrangement by Stokowski himself). In Stokowski's prefacing remarks, he mentions how known and loved this piece is; it's annually played as part of the Remembrance Sunday ceremonies in England, and since today is Remembrance/Veterans Day, it's an appropriate example for us to us. 
I don't know how familiar it is in this country other than for classical music aficionados; It's been used in movies and television shows over the years, including Band of Brothers. If it is true, as I believe it is, that music can soothe the savage breast, what better for our savage and discouraging age than something like this, which demonstrates the often-otherworldly quality that music possesses. This is the kind of thing that should be familiar to us, and of all the responsibilities that television has abrogated in the last few decades, that ability to provide this kind of programming is perhaps the most unfortunate.

TV  

What's on TV? Friday, November 13, 1964

There's something about Fridays that always makes them fun to look at—even if it happens to be Friday the 13th. After all, you're not constrained by having to get up for work or school the next day, and that makes it convenient if you're watching something like the Miss Teenage America Pageant on CBS, which lasts until 10:30 p.m. (And that's in the Central time zone!) You can stay up and watch the late movie, like Invasion, U.S.A., at 11:00 p.m. on WCCO. You can just relax, and in the end, isn't that the primary benefit of television, that you can put your feet up and take it easy after a hard week? At any rate, it should be. It's even relaxing typing these mega-listings, which come from the Minnesota State Edition.    2  KTCA (EDUC.)   Morning       9:15 SPANISH—Grade 4       9:30 GERMAN—Grade 5       9:45 PORTFOLIO—Grades 11-12     10:10 SPANISH—Grade 5     10:25 MATHEMATICS—Grade 6     10:40 SPANISH—Grade 6     10:55 PORTFOLIO—Grades 11-12     11:20 ANATOMY, PHYSIOLOGY   Afternoon     12:25 PSYCHOLOGY—Dr. Bentley     12:55 MUSIC—Grade 6       1:10 AMERICANS AT WORK       1:25 SPANISH—Grade 4       1:40 GERMAN—Grade 4       1:55 SPANISH—Grade 5       2:10 TO BE ANNOUNCED       2:25 GERMAN—Grade 6       2:40 SPANISH—Grade 6       3:00 PSYCHOLOGY—Dr. Bentley       5:15 FUN—Smith and Sirois       5:30 KINDERGARTEN—Education   Evening       6:00 ANTIQUES—Art       6:30 CONTINENTAL COMMENT       7:00 INQUIRY—Schwartzwalder       7:30 BUTLER FOUNDATION       8:00 TO BE ANNOUNCED       8:30 COLLEGE OF ST. CATHERINE—Biology       9:00 GIRLS IN CONFLICT       9:30 GUIDELINES     10:00 AMERICANS AT WORK     10:15 INDUSTRY ON PARADE     10:30 TO BE ANNOUNCED        3  KDAL (DULUTH) (CBS)   Morning       7:35 FARM AND HOME TIME       7:45 TREE TOP HOUSE—Janes Ogston       8:00 CAPTAIN KANGAROO—Children       9:00 JACK LA LANNE—Exercise       9:30 I LOVE LUCY     10:00 ANDY GRIFFITH—Comedy     10:30 McCOYS     11:00 LOVE OF LIFE     11:25 NEWS—Trout     11:30 SEARCH FOR TOMORROW—Serial     11:45 GUIDING LIGHT—Serial   Afternoon     12:00 TOWN AND COUNTRY—Becker     12:30 AS THE WORLD TURNS—Serial       1:00 PASSWORD Guests: Jessica Tandy, Hume Cronyn. Host: Allen Ludden       1:30 HOUSE PARTY Guests: Al Lewis, James Peterson       2:00 TO TELL THE TRUTH—Panel Guests: Marty Ingels, Joan Fontaine, Phyllis Newman, Skitch Henderson. Bud Collyer is the moderator       2:25 NEWS—Edwards       2:30 EDGE OF NIGHT—Serial       3:00 SECRET STORM—Serial       3:30 JACK BENNY       4:00 TRAILMASTER—Western       5:00 CHIEF CHARLIE—Children       5:30 NEWS—Cronkite   Evening       6:00 NEWS       6:30 RAWHIDE       7:30 ENTERTAINERS—Variety       8:30 GOMER PYLE, USMC—Comedy       9:00 MISS TEENAGE AMERICA PAGEANT—Dallas   SPECIAL  Hosts: Allen Ludden and Betty White “The Reporter” is pre-empted     10:30 NEWS     10:45 TARGET: CORRUPTORS—Drama     11:45 MOVIE—Drama “Journey into Nowhere” (1962)       2   3  KGLO (MASON CITY) (CBS)   Morning       7:30 SUNRISE SEMESTER       8:00 CAPTAIN KANGAROO—Children       9:00 SPANISH I—Duran       9:25 SPANISH II—Duran       9:45 INDUSTRY ON PARADE     10:00 ANDY GRIFFITH—Comedy     10:30 McCOYS     11:00 LOVE OF LIFE     11:25 NEWS—Trout     11:30 SEARCH FOR TOMORROW—Serial     11:45 GUIDING LIGHT—Serial   Afternoon     12:00 NEWS     12:30 AS THE WORLD TURNS—Serial       1:00 PASSWORD Guests: Jessica Tandy, Hume Cronyn. Host: Allen Ludden       1:30 HOUSE PARTY Guests: Al Lewis, James Peterson       2:00 TO TELL THE TRUTH—Panel Guests: Marty Ingels, Joan Fontaine, Phyllis Newman, Skitch Henderson. Bud Collyer is the moderator       2:25 NEWS—Edwards       2:30 EDGE OF NIGHT—Serial       3:00 SECRET STORM—Serial       3:30 JACK BENNY       4:00 BART’S CLUBHOUSE—Children       5:00 SUPERMAN—Adventure       5:30 NEWS—Cronkite   Evening       6:00 NEWS       6:30 RAWHIDE       7:30 ENTERTAINERS—Variety       8:30 GOMER PYLE, USMC—Comedy       9:00 MISS TEENAGE AMERICA PAGEANT—Dallas   SPECIAL  Hosts: Allen Ludden and Betty White “The Reporter” is pre-empted     10:30 NEWS     11:00 MOVIE—Comedy “Gidget” (1959)        4  WCCO (CBS)   Morning       6:30 SUNRISE SEMESTER—Education       7:00 CLANCY AND AXEL—Children       8:00 CAPTAIN KANGAROO—Children       9:00 NEWS—Dean Montgomery       9:15 WHAT’S NEW?—Women       9:25 DR. REUBEN K. YOUNGDAHL       9:30 I LOVE LUCY     10:00 ANDY GRIFFITH—Comedy     10:30 McCOYS     11:00 LOVE OF LIFE     11:25 NEWS—Trout     11:30 SEARCH FOR TOMORROW—Serial     11:45 GUIDING LIGHT—Serial   Afternoon     12:00 NEWS     12:15 SOMETHING SPECIAL     12:25 WEATHER—Bud Kraehling     12:30 AS THE WORLD TURNS—Serial       1:00 PASSWORD Guests: Jessica Tandy, Hume Cronyn. Host: Allen Ludden       1:30 HOUSE PARTY Guests: Al Lewis, James Peterson       2:00 TO TELL THE TRUTH—Panel Guests: Marty Ingels, Joan Fontaine, Phyllis Newman, Skitch Henderson. Bud Collyer is the moderator       2:25 NEWS—Edwards       2:30 EDGE OF NIGHT—Serial       3:00 SECRET STORM—Serial       3:30 JACK BENNY       4:00 DEAR FASHGIONABLES       4:15 AROUND THE TOWN—Interviews       4:30 AXEL AND DEPUTY DAWG       5:00 CLANCY AND COMPANY       5:30 NEWS—Cronkite   Evening       6:00 NEWS       6:20 DIRECTION—Religion       6:25 WEATHER—Don O’Brien       6:30 RAWHIDE       7:30 ENTERTAINERS—Variety       8:30 GOMER PYLE, USMC—Comedy       9:00 MISS TEENAGE AMERICA PAGEANT—Dallas   SPECIAL  Hosts: Allen Ludden and Betty White “The Reporter” is pre-empted     10:30 NEWS     11:00 MOVIE—Science Fiction “Invasion, U.S.A.” (1953)     12:30 SPORTS—Hal Scott     12:35 MOVIE—Western “Arrow in the Dust” (1954)        5  KSTP (NBC)   Morning       6:30 CITY AND COUNTRY       7:00 TODAY Local news at 7:25 and 8:25 A.M.       9:00 MAKE ROOM FOR DADDY—Comedy       9:30 WHAT’S THIS SONG?—Game   COLOR  Guests: Rose Marie, Andy Devine. Win Martindale is the moderator       9:55 NEWS—Newman     10:00 CONCENTRATION—Game     10:30 JEOPARDY—Game   COLOR      11:00 SAY WHEN!—Game   COLOR      11:30 TRUTH OR CONSEQUENCES—Game   COLOR      11:55 NEWS—Scherer   Afternoon     12:00 NEWS AND WEATHER   COLOR      12:20 WOMAN’S WORLD   COLOR      12:30 LET’S MAKE A DEAL—Game   COLOR      12:55 NEWS—Kalber       1:00 LORETTA YOUNG—Drama       1:30 DOCTORS       2:00 ANOTHER WORLD—Serial       2:30 YOU DON’T SAY!—Game   COLOR  Guests: Joanie Sommers, Darryl Hickman       3:00 MATCH GAME Guests: Gisele MacKenzie, Milt Kamen       3:25 NEWS       3:30 DIALING FOR DOLLARS—Jim Hutton   COLOR        4:30 LLOYD THAXTON—Variety Guest: Sonny Knight       5:25 DOCTOR’S HOUSE CALL—Fox       5:30 NEWS—Chet Huntley, David Brinkley   Evening       6:00 NEWS   COLOR        6:30 INTERNATIONAL SHOWTIME—Circus       7:30 DANNY THOMAS—Variety   SPECIAL    COLOR  Guests: Dick Van Dyke, Juliet Prowse, Piccola Pupa, Semina DeLaurentis       8:30 JACK BENNY       9:00 JACK PAAR   COLOR  Guests: Nat King Cole, Joe E. Lewis, Tippy Walker     10:00 NEWS   COLOR      10:30 JOHNNY CARSON   COLOR      12:15 MOVIE—Melodrama “The Cat Creeps” (1946)       1:00 AMOS ‘N’ ANDY—Comedy        6  WDSM (DULUTH) (NBC)   Morning       7:00 TODAY Local news at 7:25 and 8:25 A.M.       9:00 MAKE ROOM FOR DADDY—Comedy       9:30 WHAT’S THIS SONG?—Game   COLOR  Guests: Rose Marie, Andy Devine. Win Martindale is the moderator       9:55 NEWS—Newman     10:00 CONCENTRATION—Game     10:30 JEOPARDY—Game   COLOR      11:00 SAY WHEN!—Game   COLOR      11:30 TRUTH OR CONSEQUENCES—Game   COLOR      11:55 NEWS—Scherer   Afternoon     12:00 GENERAL HOSPITAL—Serial     12:30 LET’S MAKE A DEAL—Game   COLOR      12:55 NEWS—Kalber       1:00 LORETTA YOUNG—Drama       1:30 DOCTORS       2:00 ANOTHER WORLD—Serial       2:30 YOU DON’T SAY!—Game   COLOR  Guests: Joanie Sommers, Darryl Hickman       3:00 MATCH GAME Guests: Gisele MacKenzie, Milt Kamen       3:25 NEWS       3:30 PRICE IS RIGHT—Game       4:00 HOPPITY HOOPER—Cartoons       4:30 BOZO AND HIS PALS   COLOR        5:30 ROCKY TELLER   COLOR        5:40 WEATHER, SPORTS   COLOR        5:50 NEWS—Lew Martin, Don Wright   Evening       6:00 NEWS—Chet Huntley, David Brinkley       6:30 INTERNATIONAL SHOWTIME—Circus       7:30 DANNY THOMAS—Variety   SPECIAL    COLOR  Guests: Dick Van Dyke, Juliet Prowse, Piccola Pupa, Semina DeLaurentis       8:30 JACK BENNY       9:00 JACK PAAR   COLOR  Guests: Nat King Cole, Joe E. Lewis, Tippy Walker     10:00 NEWS     10:30 McHALE’S NAVY—Comedy     11:00 JOHNNY CARSON   COLOR        6  KAUS (AUSTIN) (ABC)   Morning       9:30 PRICE IS RIGHT—Game Guest: Leslie Uggams. Bill Cullen is the moderator     10:00 GET THE MESSAGE—Game Guests: Mitch Miller, Julia Meade, Frank Buxton, Georgia Brow. Robert Q. Lewis hosts.     10:30 MISSING LINKS—Game Darryl Hickman, Tom Poston, Barbara Feldon     11:00 FATHER KNOWS BEST     11:30 ERNIE FORD—Variety Guests: Stewardesses Velma Halleman, Helen Seepo   Afternoon     12:00 FARM MARKETS     12:05 CARTOONS—Children       1:30 DAY IN COURT—Drama       1:55 NEWS       2:00 GENERAL HOSPITAL—Serial       2:30 YOUNG MARRIEDS—Serial       3:00 TRAILMASTER—Western       4:00 THEATER 6—Uncle Rob       5:45 NEWS—Ron Cochran   Evening       6:00 NEWS       6:30 JONNY QUEST—Cartoon       7:00 FARMER’S DAUGHTER       7:30 ADDAMS FAMILY—Comedy       8:00 VALENTINE’S DAY—Comedy       8:30 12 O’CLOCK HIGH—Drama       9:30 PIONEERS—Drama     10:00 NEWS     10:15 LES CRANE—Variety Guest: H.L. Hunt     12:00 NEWS        7  KCMT (ALEXANDRIA) (NBC, ABC)   Morning       7:00 TODAY Local news at 7:25 and 8:25 A.M.       9:00 MAKE ROOM FOR DADDY—Comedy       9:30 WHAT’S THIS SONG?—Game   COLOR  Guests: Rose Marie, Andy Devine. Win Martindale is the moderator       9:55 NEWS—Newman     10:00 CONCENTRATION—Game     10:30 JEOPARDY—Game   COLOR      11:00 SAY WHEN!—Game   COLOR      11:30 TRUTH OR CONSEQUENCES—Game   COLOR      11:55 NEWS—Scherer   Afternoon     12:15 TRADING POST—Jim Syrdal     12:30 LET’S MAKE A DEAL—Game   COLOR      12:55 NEWS—Kalber       1:00 LORETTA YOUNG—Drama       1:30 DOCTORS       2:00 ANOTHER WORLD—Serial       2:30 YOU DON’T SAY!—Game   COLOR  Guests: Joanie Sommers, Darryl Hickman       3:00 MATCH GAME Guests: Gisele MacKenzie, Milt Kamen       3:25 NEWS       3:30 GENERAL HOSPITAL—Serial       4:00 FATHER KNOWS BEST—Comedy       4:30 HOPPITY HOOPER-Cartoons       5:00 YOGI BEAR—Cartoons       5:30 NEWS—Chet Huntley, David Brinkley   Evening       6:00 NEWS       6:30 INTERNATIONAL SHOWTIME—Circus       7:30 DANNY THOMAS—Variety   SPECIAL    COLOR  Guests: Dick Van Dyke, Juliet Prowse, Piccola Pupa, Semina DeLaurentis       8:30 JACK BENNY       9:00 JACK PAAR   COLOR  Guests: Nat King Cole, Joe E. Lewis, Tippy Walker     10:00 NEWS     10:30 BURKE’S LAW—Mystery     11:30 JOHNNY CARSON   COLOR         8  WDSE (DULUTH) (EDUC.)   Morning       9:15 SPANISH—Grade 4       9:30 GERMAN—-Grade 4       9:45 PORTFOLIO—Grades 11-12     10:25 MATHEMATICS—Grade 6     10:55 PORTFOLIO—Grades 11-12     11:20 ANATOMY, PHYSIOLOGY   Afternoon     12:25 PSYCHOLOGY—Dr. Bentley     12:55 MUSIC—Grade 6       1:10 AMERICANS AT WORK       1:25 SPANISH—Grade 4       2:15 MATHEMATICS—Grade 5       2:30 MATHEMATICS—Grade 6       2:45 SPANISH—Grade 4       3:00 PSYCHOLOGY—Dr. Bentley       5:15 FUN-Smith and Sirois       5:30 KINDERGARTEN—Education   Evening       6:00 ANTIQUES—Art       6:30 CONTINENTAL COMMENT       7:00 INQUIRY—Schwartzwalder       7:30 BUTLER FOUNDATION       8:00 TO BE ANNOUNCED       8:30 COLLEGE OF ST. CATHERINE—Biology       9:00 GIRLS IN CONFLICT       9:30 GUIDELINES     10:00 AMERICANS AT WORK     10:15 INDUSTRY ON PARADE     10:30 TO BE ANNOUNCED       8  WKBT (LA CROSSE) (CBS)   Morning       7:45 DEBBIE DRAKE—Exercise       8:00 CAPTAIN KANGAROO—Children       9:00 NEWS—Mike Wallace       9:30 I LOVE LUCY     10:00 ANDY GRIFFITH—Comedy     10:30 McCOYS     11:00 LOVE OF LIFE     11:25 NEWS—Trout     11:30 SEARCH FOR TOMORROW—Serial     11:45 GUIDING LIGHT—Serial   Afternoon     12:30 AS THE WORLD TURNS—Serial       1:00 PASSWORD Guests: Jessica Tandy, Hume Cronyn. Host: Allen Ludden       1:30 HOUSE PARTY Guests: Al Lewis, James Peterson       2:00 TO TELL THE TRUTH—Panel Guests: Marty Ingels, Joan Fontaine, Phyllis Newman, Skitch Henderson. Bud Collyer is the moderator       2:25 NEWS—Edwards       2:30 EDGE OF NIGHT—Serial       3:00 SECRET STORM—Serial       3:30 JACK BENNY       4:00 GENERAL HOSPITAL—Serial       4:30 MICKEY MOUSE CLUB—Children       5:00 YOGI BEAR—Cartoons       5:30 NEWS—Cronkite   Evening       6:00 NEWS       6:30 RAWHIDE       7:30 ENTERTAINERS—Variety       8:30 GOMER PYLE, USMC—Comedy       9:00 WEATHER, NEWS, SPORTS       9:30 MISS TEENAGE AMERICA PAGEANT—Dallas   SPECIAL  Hosts: Allen Ludden and Betty White This program is joined in progress     10:30 DICK POWELL THEATRE—Drama     11:30 ZANE GREY—Western        9  KMSP (ABC)   Morning       7:45 BREAKFAST—Grandpa Ken       8:30 ROMPER ROOM—Miss Betty       9:30 PRICE IS RIGHT—Game Guest: Leslie Uggams. Bill Cullen is the moderator     10:00 GET THE MESSAGE—Game Guests: Mitch Miller, Julia Meade, Frank Buxton, Georgia Brow. Robert Q. Lewis hosts.     10:30 MISSING LINKS—Game Darryl Hickman, Tom Poston, Barbara Feldon     11:00 FATHER KNOWS BEST     11:30 ERNIE FORD—Variety Guests: Stewardesses Velma Halleman, Helen Seepo   Afternoon     12:00 CIRCUS BOY—Adventure     12:30 PEOPLE’S CHOICE—Comedy       1:00 LOIS LEPPART—Interview       1:30 DAY IN COURT—Drama       1:55 NEWS       2:00 GENERAL HOSPITAL—Serial       2:30 YOUNG MARRIEDS—Serial       3:00 TRAILMASTER—Western       4:00 MAVERICK—Western       5:00 NEWS—Ron Cochran       5:15 NEWS AND WEATHER       5:30 LEAVE IT TO BEAVER—Comedy   Evening       6:00 WOODY WOODPECKER—Cartoons       6:30 JONNY QUEST—Cartoon   COLOR        7:00 FARMER’S DAUGHTER       7:30 ADDAMS FAMILY—Comedy       8:00 VALENTINE’S DAY—Comedy       8:30 12 O’CLOCK HIGH—Drama       9:30 DEATH VALLEY DAYS—Drama     10:00 NEWS     10:30 MOVIE—Comedy-Drama   COLOR  “Mr. Roberts” (1955)      10 KROC (ROCHESTER) (NBC)   Morning       7:00 TODAY Local news at 7:25 and 8:25 A.M.       9:00 MAKE ROOM FOR DADDY—Comedy       9:30 WHAT’S THIS SONG?—Game   COLOR  Guests: Rose Marie, Andy Devine. Win Martindale is the moderator       9:55 NEWS—Newman     10:00 CONCENTRATION—Game     10:30 JEOPARDY—Game   COLOR      11:00 DESILU PLAYHOUSE—Drama     11:30 TRUTH OR CONSEQUENCES—Game   COLOR      11:55 NEWS—Scherer   Afternoon     12:15 SHOW AND TELL—Mary Bea     12:30 LET’S MAKE A DEAL—Game   COLOR      12:55 NEWS—Kalber       1:00 LORETTA YOUNG—Drama       1:30 DOCTORS       2:00 ANOTHER WORLD—Serial       2:30 YOU PDON’T SAY!—Game   COLOR  Guests: Joanie Sommers, Darryl Hickman       3:00 MATCH GAME Guests: Gisele MacKenzie, Milt Kamen       3:25 NEWS       3:30 LOVE THAT BOB!—Comedy       4:00 LONE RANGER—Western       4:30 LEAVE IT TO BEAVER—Comedy       5:30 NEWS—Chet Huntley, David Brinkley   Evening       6:00 NEWS       6:30 INTERNATIONAL SHOWTIME—Circus       7:30 DANNY THOMAS—Variety   SPECIAL    COLOR  Guests: Dick Van Dyke, Juliet Prowse, Piccola Pupa, Semina DeLaurentis       8:30 JACK BENNY       9:00 JACK PAAR   COLOR  Guests: Nat King Cole, Joe E. Lewis, Tippy Walker     10:00 NEWS     10:30 JOHNNY CARSON   COLOR        11 WTCN (IND.)   Morning     10:40 KUKLA AND OLLIE—Children     10:50 HANK MEADOWS—Foods     11:55 NEWS—Dick Ford   Afternoon     12:00 LUNCH WITH CASEY—Children     12:45 KING AND ODIE—Cartoons       1:00 MOVIE—Drama “Back Street” (1941)       3:00 BACHELOR FATHER—Comedy       3:30 DAVE LEE AND PETE—Children       4:30 SUPERMAN—Adventure       5:30 CASEY AND ROUNDHOUSE       5:45 ROCKY AND HIS FRIENDS   Evening       6:00 RIFLEMAN—Western       6:30 BOLD JOURNEY—Travel       7:00 ADVENTURE THEATER—Travel       7:30 MOVIE—Adventure “Constantine and the Cross” (Italian-Yugoslavian; 1960)       9:30 NEWS, WEATHER, SPORTS     10:00 WANTED—DEAD OR ALIVE     10:30 MOVIE—Drama “The Dark at the Top of the Stairs” (1960)       12 KEYC (MANKATO) (CBS)   Morning       7:30 SUNRISE SEMESTER       8:00 CAPTAIN KANGAROO—Children       9:00 NEWS—Mike Wallace       9:30 I LOVE LUCY     10:00 ANDY GRIFFITH—Comedy     10:30 McCOYS     11:00 LOVE OF LIFE     11:25 NEWS—Trout     11:30 SEARCH FOR TOMORROW—Serial     11:45 GUIDING LIGHT—Serial   Afternoon     12:00 RFD 12—Mankato     12:30 AS THE WORLD TURNS—Serial       1:00 PASSWORD Guests: Jessica Tandy, Hume Cronyn. Host: Allen Ludden       1:30 HOUSE PARTY Guests: Al Lewis, James Peterson       2:00 TO TELL THE TRUTH—Panel Guests: Marty Ingels, Joan Fontaine, Phyllis Newman, Skitch Henderson. Bud Collyer is the moderator       2:25 NEWS—Edwards       2:30 EDGE OF NIGHT—Serial       3:00 SECRET STORM—Serial       3:30 JACK BENNY       4:00 TAKE 12—Interviews       4:30 BART’S CLUBHOUSE—Children       5:00 SUPERMAN—Adventure       5:30 NEWS—Cronkite   Evening       6:00 NEWS       6:30 RAWHIDE       7:30 ENTERTAINERS—Variety       8:30 GOMER PYLE, USMC—Comedy       9:00 MISS TEENAGE AMERICA PAGEANT—Dallas   SPECIAL  Hosts: Allen Ludden and Betty White “The Reporter” is pre-empted     10:30 NEWS     11:00 MOVIE—Comedy “Gidget” (1959)      13 WEAU (EAU CLAIRE) (NBC)   Morning       7:00 TODAY Local news at 7:25 and 8:25 A.M.       9:00 MAKE ROOM FOR DADDY—Comedy       9:30 ROMPER ROOM—Children       9:55 NEWS—Newman     10:00 CONCENTRATION—Game     10:30 JEOPARDY—Game   COLOR      11:00 SAY WHEN!—Game   COLOR      11:30 TRUTH OR CONSEQUENCES—Game   COLOR      11:55 NEWS—Scherer   Afternoon     12:00 FARM AND HOME—Discussion       1:00 LORETTA YOUNG—Drama       1:30 DOCTORS       2:00 ANOTHER WORLD—Serial       2:30 YOU DON’T SAY!—Game   COLOR  Guests: Joanie Sommers, Darryl Hickman       3:00 MATCH GAME Guests: Gisele MacKenzie, Milt Kamen       3:25 NEWS       3:30 FATHER KNOWS BEST—Comedy       4:00 HIGH SCHOOL REPORTER       4:30 LLOYD THAXTON—Variety       5:30 NEWS—Chet Huntley, David Brinkley   Evening       6:00 NEWS       6:30 INTERNATIONAL SHOWTIME—Circus       7:30 DANNY THOMAS—Variety  SPECIAL    COLOR  Guests: Dick Van Dyke, Juliet Prowse, Piccola Pupa, Semina DeLaurentis       8:30 JACK BENNY     10:00 NEWS     10:30 MOVIE—Drama “Strangers When We Meet” (1960)  TV  

This week in TV Guide: November 7, 1964

 This week, Arthur C. Nielsen, Jr. defends the accuracy of the television ratings system against the slings and arrows of outrageous critics. "Ratings are today's TV scapegoat" he writes. "Shows with low ratings blame the raters; those who think television quality can an dshould be elevated blame the raters; and some owners of magazines and newspapers which lose advertising revenue to television attack the raters."
Nielsen, as the man behind the ratings service that bears his name, has a vested interest in defending the system. First, he wants you to know, a show's ratings should not be taken as a commentary on the program's intrinsic merit; while one may affect the other, ratings "are not critical measures of any program's intrinsic merit." Instead, the ratings indicate, "with objectivity and impartiality," the appeal of a given program.
It starts with an automatic recorder called an Audimeter, which the company places in a cross-section of the nation's homes. In case you've ever wondered how a gizmo like that worked back in the day, here's your chance: "These Audimeters are placed out of sight—in closets, basements, etc.—and by electronic 'photographs' on film, record minute-by-minute whether the sets are on or offi, and to what channel they are tuned. This record is kept 24 hours a day, week in an d week out, and the film records are mailed back to our production center twice a month, when the sample home receives a fresh film magazine." After the film is developed, information is transferred to punch cards, matched up with TV schedules, and fed into computers, and extrapolated into ratings. The accuracy of the rating depends, of course, on the sample, and Nielsen spends almost two pages explaining how sampling works and how his organization arrives at the selection of their Nielsen families. Think of the ratings system as you would a soup spoon; if the soup needs more salt, you don't blame the spoon, do you? So if you have any complaints about your favorite shows being cancelled, don't write Nielsen; take your complaints to the networks, who make their decisions, correctly or incorrectly, based on reliable information.
It's ironic, I suppose (if that's the right word for it), that we're looking at the accuracy of television ratings in the aftermath of yet another fiasco on the part of political pollsters who, regardless of the election's outcome, were far off in their projections. Without a shred of irony, Nielsen even writes that "the best-known evidence that sampling is practical is found in political polling," in which case we should be fairly confident that the highest-rated shows of the season should be The Baileys of Balboa, Harris Against the World, and Mr. Broadway. Charitably, Nielsen says that the political pollster's job is much more difficult, since he's measuring opinions on future actions rather than tangible evidence of what a viewer is doing now. This is undoubtedly true, and yet there's a distrust of television ratings that quite mirrors the distrust of political pollsters that we see today.
In fact, it's just too easy to make fun of the whole thing, so I won't. I've never been asked my opinion by a political pollster, but I did do a Nielsen diary back when I was in college—I guess they figured we didn't rate an Audimeter. I was pledged by my word of honor (and a dollar) to faithfully and honestly record my viewing habits over the span of a couple of weeks. Having no particular motive to lie, I naturally did as I was asked; the point, however, is that I was absolutely free to write down whatever I wanted, for whatever reason. If, hypothetically, let's say, I wanted to lend some support to the ratings-inpaired Police Squad! but for whatever reason was unable to watch it in these pre-VCR days, I could still write it down, and as far as the A.C. Nielsen Company was concerned, it made for one more household committed to Police Squad! (It didn't do any good, unfortunately.) It occurs to me that this could, in the hands of someone less scrupulous than I, lead to results that are hardly reflective of the actual situation. Kind of like someone who's asked—oh, I don't know—how they were voting for president. Imagine if such a person was afraid to answer truthfully, or was mistrustful of the polling organization. There goes your accuracy, out the window, But then, I'm only speaking hypothetically. Right?
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During the 60s, the Ed Sullivan Show and The Hollywood Palace were the premiere variety shows on television. Whenever they appear in TV Guide together, we'll match them up and see who has the best lineup..
Sullivan: Jimmy Durante headlines this show with comedian Nipsel Russell, singer Jean Paul Vignon, London's rock 'n' rolling Bachelors, comic Richard "Mr. Pastry" Hearne, pianist Ginny Tiu and her singing-dancing company, the juggling Del Ray Brothers, and Brizio the clown.

Palace: Host Gene "Burke's Law" Barry introduces two actresses seldom seen on television: Bette Davis and Olivia de Havilland, who do "The Twilight Shore," a dramatic sketch. Barry also greets comics Carl Reiner and Mel Brooks, who do a "2000-year-old man" sketch; U.S. Olympic Gold Medal winners; songstress Monique Van Vooren; pantomimist Ben Blue; musical clown Yonely; and the Back Porch Majority, folk singers.

It's not that Ed has a bad show this week; as a matter of fact, it might well come out on top with Jimmy Durante leading the way. (Complete with the headline "Sullivan wins by a nose.") But let's be real here: Bette Davis and Olivia de Havilland, together on the same stage, and doing a dramatic scene—not unprecedented on Sullivan, but very rare for the Palace. Throw in Amos Burke, whom I like a lot, and Reiner and Brooks, whose bit is always funny, and it makes for a legendary week for The Palace.
And, as an added bonus for your viewing pleasure, here are the legends themselves, Bette Davis and Olivia de Havilland, in that dramatic performance from Palace.

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Throughout the 60s and early 70s, TV Guide's weekly reviews were written by the witty and acerbic Cleveland Amory. Whenever we get the chance, we'll look at Cleve's latest take on the series of the era. 

It could be that I wasn't of viewing age when Kentucky Jones was originally on, but this NBC dramedy strikes me as one of those programs about which one knows very little. As far as I'm aware of, it's never been a regular on the syndication circuit (it only ran for 26 episodes), it's not on YouTube (except for the theme), and the only place it's ever gotten a DVD release is Germany (go figure). And, according to Cleveland Amory, that ignorance might well be a good thing.
As I recall, the premise of Kentucky Jones features Dennis Weaver, finally allowed to stand on his own two legs, as a veterinarian who, along with his wife, adopt a Korean orphan. Unfortunately, Mrs. Jones dies before the child arrives, and the good doctor finds out it's too late to stop the process, so, in the best traditions of Bachelor Father, et al—instant family. The boy, played by Rickey Der, carries the charming name of Dwight Eisenhower Wong—of course he does—and, Cleve assures us, he "knows right from Wong." In the great tradition of television kids, and despite the fact he's a newcomer to America, there's no chance of any adult getting the best of him; if so, it's "purely occidental." But, as is also the case with child actors, a little of Ike, as they call him, goes a long way. 
Weaver, says Amory, is a fine actor, and this could be a fine show, "but so far, apparently because of its scriptwriters' love for heavy symbolism, it has not lived up to its high promise." It took four episodes for the show to explore what one would think fertile ground, the world of the farm veterinarian. (See: All Creatures Great and Small.) He also finds tiresome the episode in which Ike struggles after being told at school that he has to learn without an abacus ("Man without abacus is junk without sail."). Of course, he eventually sees the light and tosses his abacus into a fire, a bit of cultural triumphalism that even William F. Buckley Jr. might find irritating. Another story features Ike and his girl friend, and Cleve things 9 is far too young for things like this, especially if plots like that turn into a steady diet. That, he says, would surely be "junk without fail."
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Premiering this Sunday afternoon on NBC is Profiles in Courage, based on the Pulitzer Prize-winning book "written" by the late president John F. Kennedy.* The book contained biographics of eight United States Senators who had displayed particular political courage while in office; in order to provide enough material for a television series, Kennedy had authorized producer Robert Saudek to add additional portraits, including men and women outside the political arena, and it is one of these new profiles, that of Senator Oscar W. Underwood (Sidney Blackmer), who took a strong stand against the Ku Klux Klan at the 1924 Democratic Convention at the expense of winning the party's nomination, that appears as the inaugural episode. 
*I don't think it's trampling on JFK's memory to suggest that Profiles in Courage was actually written by Kennedy speechwriter Ted Sorenson. Columnist Drew Pearson said as much to Mike Wallace in an interview—in 1957.
Crane and his friend Mike
Another program making its debut this week is The Les Crane Show (10:15 p.m.), ABC's entry* in the late-night sweepstakes. From the listing: "Topics as well as guests will hold the spotlight when Les enters the late-night sweepstakes. A variety of moods will prevail: Leading proponents of opposing views will come face to face; exerpts from Broadway and off-Broadway shows; comedy acts and other light entertainment; and taped interviews with prominent personalities. Crane's shotgun mike permits participation from the studio audience.
*In Minneapolis, Crane's show appeared not on KMSP, the ABC affiliate, but WCOO, the CBS station. It's on tape-delay at 11:45 p.m. Even when Joey Bishop comes on-line, KMSP carries him after their late movie.
Crane came from New York, where he'd hosted a similar show, Late Night, on WABC. The Les Crane Show, which becomes ABC's Nightlife (it's a long story) is off the air by next November. Perhaps his style was too confrontational (cross Phil Donahue with Tom Snyder?), perhaps Carson was already too popular for him, perhaps it just wasn't the right time, or maybe audiences just wanted less of Les. But compared to what's on late-night nowadays, it sounds—well, almost refreshing.
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It's been awhile since we've done a sports roundup; nothing special on this week, it's just good to keep track of what's on, and at this time of the year what's on is football. The college football game of the week pits Illinois, the defending Big 10 champion, against Michigan, on the way to being this season's title winner (12:15 p.m., NBC). Michigan wins, 21-6. By the way, it's good to know, in this pandemic season we're having, that back in 1964 each team only played nine regular-season games, meaning this year's lineup isn't so bad after all.
No NFL football in the Twin Cities this Sunday, because the Vikings are at home, playing San Francisco in a game available in Duluth and Mason City (outside the blackout radius). That's just the way it is at this time, in order to protect the live gate, and it's this tactical error on the part of the NFL that allows the AFL to gain a foothold, because if you live in Minneapolis and want to see a pro football game on Sunday, the AFL's your only choice. And speaking of choice, it's a choice matcup indeed, between two of the AFL's most bitter rivals, the Oakland Raiders and Kansas City Chiefs (2:30 p.m., ABC). The Chiefs come out on top handily in this one, winning 42-7.
On Wednesday, it's the Canadian Football League's turn, with the Eastern Semi-Final between the Montreal Alouettes and Ottawa Rough Riders (7:30 p.m., WTCN), in a game taped Saturday. Ottawa takes the game 27-0, but winds up losing in the Eastern Final to the Hamilton Tiger-Cats. 
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If you were with us a couple of weeks ago , you might recall ABC's special With Love. . . Sophia, in which the delightful Signora Loren takes us on a tour of her beloved Rome. This wasn't the first time the network had teamed up with the Italian beauty; this Thursday at 9:00 p.m., it's Sophia Loren in Rome, as the star takes us on a tour of her beloved Rome, with her special guest star Marcelo Mastroianni, her co-star in this year's Marriage Italian Style. As we can see from this week's cover, Richard Chamberlain and the rest of the Dr. Kildare cast were recently over in Rome filming episodes; I wonder if they ran into Sophia and Marcelo while they were there?
One of the guests on the 1967 Loren special was Jonathan Winters, and this Monday (8:00 p.m.) the comedian stars in the first of eight specials he's doing for NBC. For this special, Winters is working without a script, while his guests—Mickey Rooney, Connie Francis and Noelle Adam—have rehearsed their bits, but have no idea what their genial host plans to do.
Danny Thomas is doing five specials for NBC as well, the first of which airs at 7:30 Friday evening, with Dick Van Dyke, Juliet Prowse, singer Piccola Pupa and 14-year-old talent contest winner Semina DeLaurentis. Expect plenty of dancing and mime, along with Dannty's comedy.
And finally, on the local scene, we've got a couple of movies that devoted television fans will recognize from Mystery Science Theater 3000. (There's also Messalina Against the Son of Hercules on WTCN Saturday afternoon; alas, it's not the same Sons of Hercules movie that Rifftrax has.) Up first is It Conquered the World (10:30 p.m., KSTP), with Peter Graves, Beverly Garland and Lee Van Cleef. If you get nothing else out of this movie, you'll learn that man is a feeling creature, one who has to make his own way and make his own mistakes. On Friday, it's Invasion. U.S.A. (11:00 p.m., WCCO), a 1952 Cold War thriller with Gerald Mohr, Dan O'Herlihy and Peggie Castle. What, I wonder, are the odds? TV