E.G. Stone's Blog, page 12

Author Interview: Laura M. Drake

What is your name?*

Laura M. Drake

We’ll skip the “tell us about yourself” because coming up with something on the spot is, truly, the bane of an author’s existence. So, let’s start with something a little easier! Tell me what you’re working on at the moment.*

My first stand-alone novel that takes place in a world between life and death called the In-Between. It’s an enemies to lovers, stand-alone paranormal romance novel.

In as much detail as you would like, tell me about your book(s) that are already out/on the way.*

My first trilogy is fantasy, and I like to tell people it’s sort of like Harry Potter meets Avatar: the Last Airbender with a touch of Anastasia thrown in. It’s got elemental magic, a magical academy, a country on the brink of civil war, a missing princess, and a group of four best friends. My second series is a quartet of Japanese ghost stories based on my time living in Japan. (No, I didn’t encounter any ghosts, but all the cultural details and even some of the spooky things were from my friends and time there. I love Japan!) Some of the reviews compare it to The Grudge, so they’re perfect for readers looking for something spooky. Another reader had a fun comparison calling it a crossover of Luigi’s Mansion and Persona 4. It’s an interesting blend of romance, lots of suspense, and a hint of humor mixed into the plot and culture. I’m trying to build my brand as an author whose books are completely clean and appropriate for people of any ages. I’ve had kids as young as eight read my stories and men and women in their sixties enjoy the stories, and I love trying to create an engaging world that anyone could enjoy without having to worry about the content.

As far as the writing process goes—including such things as conception of idea all the way through to money in the bank—what is the least favourite bit? (Everyone has one!)*

My least favorite part of writing is the very end of the revision process and when I read each chapter aloud. Even though I love watching the book get better, it’s so slow and boring. I’m generally facing serious burn-out at that point because I’ve already gone through so many revisions, and I just desperately want to be done.

Conversely, what is the bit of the writing process that gets your writery brain grinning?*

I love the very beginning of the writing process when I first talk through my plot idea with my sister. She’s an English teacher and always asks all the right questions. I get completely stoked about the new world and the new ideas for the plot, and I can’t wait to start writing right away! Also, I love after the book is published and I get to hear good reviews. They make me grin like few other things can.

If you could steal any author’s ability to improve your own work, who would you steal from and why? (e.g. Tolkien’s language skills, Douglas Adams’ humour, etc.)*

Ooh, good question. I’d love to take Tolkien’s world building skills, Shannon Hale’s humor/originality, Sarah J Mass’ excellent description, and Julianne Donaldson’s ability to make me fall in love with her male MC.

Now for some fun! The main character of the book you’re working on (or have recently finished) has kidnapped you for ruining their life. How will you explain that what you’re doing is for the best?

haha oh no. It’s hard to explain why having her father stolen by a Japanese ghost is for the best, but I guess I’d tell Selena that in the process of losing (and looking for) her father she grew into herself and found someone else to love and support her.

You, your main character(s), and the protagonist of the last book you read are playing poker. What are the stakes? Who will win and why?

If I’m playing poker with Emmie and her friends and and the MC of the book I’m currently reading, I’m honestly not sure who’d win haha. I’ve never played poker in my life and have no idea about the rules, so I’m definitely not going to win. It’s not a game in Emmie’s world, so I’m not sure they’d do much better than me. I guess that means the MC of my current read would win. Hopefully, we wouldn’t play for very big stakes since we wouldn’t know how to play.

Let’s face it, writing is hard. What do you think are some traps to avoid in your particular area of expertise? (Whether that be your genre, your knowledge of plot, your character building, your world building, etc.)*

“Area of expertise” haha That seems like a bit of a stretch. If I HAD to choose something I was good at, it’d be cranking words out and not letting worries about not getting it right the first time stop me. I’m all about getting it down and figuring it out as I go, then tightening it up with revisions. I think some people worry too much about writing something perfect or amazing and end up not really writing anything at all. Another thing I’ve really learned to do better at is receiving feedback. I think one of the biggest traps to avoid (especially as a new writer) is being scared of sharing your work and receiving feedback. You shouldn’t let fear of people pointing out your writing flaws deter you but make you into a better writer. It can be hard to hear at first, but when I see how much better my stories get after listening to feedback, I’m always so grateful.

Anything else you’d like to add? Plots to take over the world, for example. Upcoming release dates, links and things, maybe even your favourite chocolate cake recipe.

I’m currently on a writing break for November since I just cranked out my entire Japanese Hauntings series in October. I was facing some serious burnout and decided to focus on my marketing for the month. But I’m stoked to jump into my stand-alone novel in a few weeks and get back to writing. I’m hoping to release that book in early 2022, plus another book in a series I’m co-writing under a pen name. (So I’ll keep it a secret for now. hehe) Here’s a link to both of my current series. https://www.amazon.com/Unexpected-Mag... https://www.amazon.com/dp/B09HP57917

Book Review: Braxton by Hadley Finn

I love romance, so it’s odd that I rarely get a chance to review romance books. But when I had the opportunity to read and review Hadley Finn’s Braxton, I leaped at it. 

1. Thoughts on the plot

This book follows Braxton, who discovers he’s a father of six-month-old Colt after Colt’s mother dies in a car accident. The only problem is that her twin sister, Emberleigh, is prepared to do anything to stay in her nephew’s life. 

I will admit, I very nearly DNF’d this book within the first 10% because there were just a few situations (such as Emberleigh moving in to Braxton’s house without permission) that were just so illogical as to be enough to almost ruin the story. But, then, the author actually does something not a lot of other authors do, and explains things! And it works! I love that and appreciate it a great deal. I will say that the plot of this book borders on the overdramatic/unrealistic, especially at the end, however it manages to work relatively well with the story that is presented. I do feel like some of the motivations (esp. Bronwyn) are a little rushed, or are missing altogether, but a few small paragraph long explanations being missing aren’t going to ruin the plot for me.

2. Thoughts on the characters

Just as I was not super keen on the first 10% of the plot, nor did I immediately like Braxton and Emberleigh. Braxton started off like a bunch of other alpha romance heros I’ve read and hated; a little quick to judge, a little quick to dismiss, and a little loud in his very angry opinions. But he grew on me massively and actually had some of the best dialogue in the whole book. Emberleigh became more interesting, also, once it was explained that her rash actions weren’t because she was, at heart, a rash and unthinking person, but because she actually cared so much that she couldn’t contain it. I appreciate that a lot, as I have read a bunch of stories where people are rash just because and it rarely ends well for the book. 

I think, again, there were some scenes missing that could have added a lot of background info with the characters, such as direct interactions with Emberleigh and her parents before the plot happenings happened. Or Braxton and Colt’s mother, even in thought. But those were fairly minor things and I still like the characters regardless.

3. Favourite part

Braxton’s dialogue, and the overall way that he treated Emberleigh and people. I just…swoon.

4. Critique

My only real critique are those potentially missing scenes/details mentioned above. Not major, did not ruin the plot or characters at all, but could have really expanded the story in parts where it was lacking.

Overall, I would say that Braxton was a steamy, well-crafted romance novel with characters to love and a story I can get behind. A very good book.

Author Interview: Elizabeth Morris

Elizabeth Morris

We’ll skip the “tell us about yourself” because coming up with something on the spot is, truly, the bane of an author’s existence. So, let’s start with something a little easier! Tell me what you’re working on at the moment.*

I’m currently working on my third book in the “Blood of the Beast” series. The third installment is titled “Return of the Ambush” and it is a fantasy book continuing the story of Kira, Ethan, Noah, Chase and many more characters who come along.

In as much detail as you would like, tell me about your book(s) that are already out/on the way.

*My first book which is currently out on Amazon and B&N is called “Tiger’s Blood” and is about a world called Bitotem full of half-animal half-human shapeshifters called Bloods. A young girl named Kira discovers early on she is the rare White Tiger Blood and goes on a quest to kill the treacherous Lion Blood King. Andrew Kingsley murdered all of the remaining Tiger Bloods left on Bitotem. On her journey, Kira meets some Bloods who help her along the way. Noah, a kind-hearted Wolf Blood, Chase a clever Eagle Blood and Ethan a rebellious Lion Blood. Will Kira succeed in killing the king? My second book which is also out on Amazon and B&N is called “Rise of the Rebels” and is the sequel to “Tiger’s Blood.” After a tragic event, a new king takes over the Lion Blood Kingdom and is seeking revenge against the group of rebels; Chase, Ethan, Noah and Kira as their leader. The rebels have been on their own, when they meet a pair of mysterious Bloods. When one of the rebels is kidnapped, its up to the rest of the Bloods to save them. Will these new Bloods be friends or foes?

As far as the writing process goes—including such things as conception of idea all the way through to money in the bank—what is the least favourite bit? (Everyone has one!)*

Editing for sure. Writing the book down with your ideas is the easy part but editing… oh boy. I can’t stand editing but it has to get done. Editing is the crucial part of publishing a book and you want to make your book as perfect as it can be (because no book is perfect).

Conversely, what is the bit of the writing process that gets your writery brain grinning?

Dialogue is my favorite part of writing and always has me laughing or grinning. I’ve actually read my dialogue out loud for some of my peers and loved ones to hear and they adore it. The hardest part of dialogue is making it believable on what the characters are saying. Once you get that down, you’ll have killer dialogue.

If you could steal any author’s ability to improve your own work, who would you steal from and why? (e.g. Tolkien’s language skills, Douglas Adams’ humour, etc.)*

I would steal George R.R. Martin’s character development because he knows how to make his characters change and grow. One minute you’re hating Theon Greyjoy because he took over Winterfell, and the next minute you’re feeling bad for “Reek” because of Ramsay Bolton’s torture. I admire Martin’s ability to really make a character horrible and I strive to be that type of writer.

Now for some fun! The main character of the book you’re working on (or have recently finished) has kidnapped you for ruining their life. How will you explain that what you’re doing is for the best?

Oooh good question. I would say to my main character (Kira) that everything happens for a reason and there are silver linings ahead of her. She may be miserable now, but things will come together in the end.

You, your main character(s), and the protagonist of the last book you read are playing poker. What are the stakes? Who will win and why?

Okay, so me, Kira, Ethan, Chase, Noah and the character of the book I am reading (Elara) are all playing poker. I think Chase would win because he’s the clever one and would probably be able to read everyone’s “poker face”

Let’s face it, writing is hard. What do you think are some traps to avoid in your particular area of expertise? (Whether that be your genre, your knowledge of plot, your character building, your world building, etc.)*

Characters first, World Building second. When it comes to first drafts, lets face is no one is perfect. What I do to try and avoid traps or blocks are focus on what the characters are doing, and get them to where they need to be first. Then, world building comes second when you are editing your draft. You can write simple on your first draft then add in all the flowery language and details later. That’s how I get through my writing.

Anything else you’d like to add? Plots to take over the world, for example. Upcoming release dates, links and things, maybe even your favourite chocolate cake recipe.

I am on chapter 7 of my third book and I can’t wait to finish this novel! I think it’s going to be my best work yet.

Book Review: The Empty Night by Nicholas Poe

What happens to AI when it’s not in use? Does it still think? Learn? What happens when AIs begin to want something? Such is the exploration of Nicholas Poe’s The Empty Night, and an expertly done exploration it is.

1. Thoughts on the plot

This story follows Dante, a five-year-old AI system who is in his last year to compete for Selection to be a human’s companion. He is a little outdated and has hardly managed to shine before now, but he is determined to show that he is a worthy companion, because the alternative is “retirement”, or the equivalent of AI work in a drab office block. 

I think the premise of AIs competing to be chosen as companions for humans is really quite interesting, especially in this age of growing technology. I really enjoyed going through the competition and seeing how the AIs problem solved and tried to be the best companion for us unpredictable, emotional humans that they could be. And Dante’s ultimate realisation at the end, well that was very nicely done, indeed.

2. Thoughts on the characters

It can be difficult to portray AI in a way that makes them seem other enough to know we’re not reading about humans. Especially given the fact that AIs are literally built to think and learn and do things that people can do, only better. I think this book managed to maintain the right combination between technological logic and a hint of emotions to make the characters more relatable. I think that Dante is perhaps the most human of the AIs that I read, simply by virtue of the readers spending more time in his head. It was mentioned in the book that the AIs were meant to balance out the emotional unpredictability of humans, but I think that wasn’t really focused on as much in the character development. Completely fine by me; I am content reading about human-esque AIs.

3. Favourite part

The bits with Michael, which I cannot discuss, because spoilers. But I liked those pieces!

4. Critique

My only real critique for this book is that the AIs feel almost too human. But, as previously mentioned, I liked reading about the characters even if they were less tech and more emotion, so I guess the point is moot.

Overall, I would say that The Empty Night is a very good story about exploring one’s own purpose, no matter what that purpose may be. A great AI story.

Book Review: The Move by Laura Drake

I’ve read horror, fantasy, sci-fi, paranomral, romance, and more, but rarely have I read paranormal romantic suspense. So when I got the chance to read Laura Drake’s The Move, I was intrigued.

1. Thoughts on the plot

This book follows Selena as she moves from California to Oregon with her dad. Only, the house where she lives has a mysterious and ominous past and not everything is quite right within its walls. With the help of her neighbour, she has to solve the mystery of the house before things go from bad to much, much worse.

The book was sort of a standard haunted house story, only with a touch of romance thrown in. I really enjoyed the plot, the way the characters investigated, and the ultimate cause for the hauntings. I think all the elements worked well together, which really made the story for me.

2. Thoughts on the characters

For a novella, these characters are quite deep. I really appreciate the way that the little details fleshed out Selena’s personality in a way that made the most of the shorter word count. It’s a difficult thing to do in a novella and I really enjoyed it. I think I would liked to have known more about her dad, but that may be a topic for the next book.

3. Favourite part

Okay, okay, I know that this is a ghost story with a touch of romance, but honestly? I liked the depictions of food. Sue me.

4. Critique

I don’t really have a critique for this book. It followed the genre perfectly, had characters to root for and left you wondering what would happen next. I will say that I think the police officer is an idiot, but that’s not a critique of the book, just a reader razzing a character.

Overall, I would say that The Move is a charming paranormal romantic suspense novel. It takes all the elements of a ghost story that we love, added a dash of romance, and really made it work. An excellent novella.

Book Review: The Crown’s Valor by Kelly Blanchard and Matthew Dale

I enjoy getting further into a series, because it means I can explore the world more with characters I get to know better and better every chapter. Such it was with the latest instalment of Kelly Blanchard and Matthew Dale’s Hand of Sorrow series.

1. Thoughts on the plot

This book is where the previous events of the series really start coming together. Ensula is leading her armies against the tyrannical forces of the Fane and Adrik is called in to help her. They have a great deal of work ahead of them, though, and things only get more complicated as the book goes on. 

While there is a very lovely amount of drama in this book, it felt a little…predictable. I could tell pretty much exactly where the story was going to go. Granted, for me, there are only a few ways a fantasy novel featuring an actual war can go, which is why I don’t often read and enjoy military fantasy fiction. I liked the zooming in on the individual characters and their interactions rather than the broad strokes of the battles, but even that felt a little predictable. 

2. Thoughts on the characters

These characters have been great throughout the series. I think, out of all the characters in this world, that Ensula and Adrik are some of the most complex, which is quite impressive. However, in this book, they felt almost flat. I know that their interactions were meant to follow a prescribed route, meant to line up with certain facts from the Chronicles of Lorrek series, but it felt like the authors were trying too hard to have the characters follow that route, in spite of every obstacle that they placed in the way prior. I get it, I do, and if it were a different genre or done by different authors, I doubt I would have noticed the somewhat flat interactions. But from these two authors, it was a little disappointing.

3. Favourite part

Sindric and the dragon.

4. Critique

I think the biggest reason that this book felt a little flat to me was that the author parts did not mesh up the way they did in previous books. It was very obvious to me where one author’s voice ended and the other’s began, and the transition was very jarring. Again, it felt like they were just following the prescribed route that had been laid down in CoL, which limited the chance for exploration. 

Overall, I did like The Crown’s Valor, but I think it didn’t quite match up with the quality of the previous books. It was a good book, and I think it will lead into a very interesting fifth book, but I was a little bummed by the predictability.

Author Interview: Michael K Falciani

Michael K. Falciani

We’ll skip the “tell us about yourself” because coming up with something on the spot is, truly, the bane of an author’s existence. So, let’s start with something a little easier! Tell me what you’re working on at the moment.

My current work is a personal love of mine. It’s a new dwarven novel that is part epic fantasy part steampunk. An absolute joy to write! I was tired of dwarves being so stereotypically cast as fodder for comic relief or dour earth dwellers scraping about in the dirt. I had some fun with them. We’ve got dwarven mages and engineers mixed in with troll seers and orc witch doctors. I have a goblin shaman that is irascibly likable despite his less than savoury nature alongside a dwarven bard and haughty princess who knows a thing or two about the crossbow. This was pure fun to write and, I hope, to read.

In as much detail as you would like, tell me about your book(s) that are already out/on the way.

This past summer I released my first novel. It’s an epic fantasy titled, “The Raven and the Crow: Dark Storm Rising” It’s the first of a planned six book series. So far it has recived wonderful reviews on both Amazon and Goodreads. It just came out as an audiobook with the ridiculously talented Joshua Saxon as the narrator. If you are a fan of epic fantasy like I am, it is my belief you will greatly enjoy the book. The second book in the series is titled, “The Raven and the Crow: The Gray Throne.” It should be out in January or February of 2022. I can’t say much about it without giving away too much of the first book, but my earlier readers are raving about it. They are impatiently demanding the third book as soon as possible! I also just released a short story in an anthology put out by my publisher, Three Ravens Publishing. The book is called, “It came from the Trailer Park,” and it just hit #1 on Amazon new releases last weekend. Mine is a story called, “Hell Hath No Fury.” It’s an Urban Fantasy that I greatly enjoyed writing because it was so different from my usual genre.

As far as the writing process goes—including such things as conception of idea all the way through to money in the bank—what is the least favourite bit? (Everyone has one!)

I will tell you, I used to think, “Hey, I’ll write the book and that will be that.” They say ignorance is bliss and they were right. Marketing, building an audience, getting your name

and work out there—it’s all part of the game. Of all the things that go with writing a book, this is my least favourite. Not because I don’t like it, I actually do, but it takes away from

the creative process which I thoroughly enjoy.

Conversely, what is the bit of the writing process that gets your writery brain grinning?

Oh, there are so many things to choose from. I’d have to say creating story arcs for characters is my favourite thing to do. Why do they act as they do? What happened in their lives that influenced their decisions. This takes planning and great attention to detail. However, even with all the planning, things still crop up. I love those little surprises that even take me of guard, because if I didn’t know those twists were going to happen, how can the reader?

If you could steal any author’s ability to improve your own work, who would you steal from and why? (e.g. Tolkien’s language skills, Douglas Adams’ humour, etc.)

As a huge fan of David Gemmell, I’d say I steal his knack for creating heroism in his characters. He can bring the most powerful of warrior kings down low and raise a peasant to greatness. There are so many things he does well, I’d wish I’d gotten a chance to meet him.

Now for some fun! The main character of the book you’re working on (or have recently finished) has kidnapped you for ruining their life. How will you explain that what you’re doing is for the best?

Knowing my main character, I’m not sure any of my explanations would appease him. However, I’d point out that there is a larger purpose in life and we all have a destiny to fulfil. His is no less or greater than anyone else’s. He can either rail against how unfair life can be, or he can face it like a man should. Shouting at life, “Do your worst, for I shall do mine!”

You, your main character(s), and the protagonist of the last book you read are playing poker. What are the stakes? Who will win and why?

Oh that would pit Zedaine and Kildare, my two main protagonists against Parmenion from the Lion of Macedon and myself. The stakes would be who is leading the attack in the morning. Zedaine and I would bow out early, while Kildare and Parmenion, the greatest general serving Alexander the Great, would start betting their children for the honor. Gotta go with Parmenion here as he has the greater experience and training, though I’d wager Kildare and Zedaine would love serving under him!

Let’s face it, writing is hard. What do you think are some traps to avoid in your particular area of expertise? (Whether that be your genre, your knowledge of plot, your character building, your world building, etc.)

I think the traps are just being lazy. Folks complain all the time about tropes and reading about things have been done to death, and all of that is true. However, any writing can be good if you are a strong enough writer. Don’t settle for good, make it great. Romance writers, for example. You know the couple in question are getting together, but make it fun, engaging, interesting. Who cares if you know the outcome? Entertain your reader! Fantasy is not different. There have been a million epic duels, what makes yours stand out? You’re writing doesn’t have to be the most original there is, but make it entertaining.

Anything else you’d like to add? Plots to take over the world, for example. Upcoming release dates, links and things, maybe even your favourite chocolate cake recipe.

I wanted to add that my Raven and Crow books have cover art done by students at the local high school here in Carson City Nevada. What a talenting group of kids and that goodness they have such a fantasitic teacher! She has been a joy to work with. My publisher and I are thrilled we decided to ask them to do the art. Here is a link to my epic fantasy, The Raven and the Crow: Dark Storm Rising. The sequel is out this winter! Thanks for you time! The Raven And The Crow: Dark Storm Rising – Kindle edition by Falciani, Michael K.. Literature & Fiction Kindle eBooks @ Amazon.com.

Book Review: Crescent Vendetta by Desiree Scott

I don’t often get a chance to read paranormal shifter romance, but I like paranormal stories, I like shifter stories, and I like romance, so I’m usually pleased with the result. Desiree Scott’s Crescent Vendetta was one such example.

1. Thoughts on the plot

This book follows Vanessa and Travis as they escape from an underground fighting ring meant for shifters. Travis is the leader of his own pack and Vanessa is an outsider. But in the aftermath of their trials, he takes her in. Only, no one quite expected that things might get more dangerous.

I actually really enjoyed this plot for a reason I hadn’t anticipated but am thoroughly pleased with: the author does not treat the reader like an idiot. Sometimes in worlds that are almost, but not quite like our own (e.g. urban fantasy or paranormal stories) the author takes if upon themselves to explain every nuance of this not quite our reality. That can be helpful in situations where the magic system is incredibly complex, such as one might find in epic fantasy, but it’s rarely necessary in urban or paranormal fiction. This author does not do this and I really appreciate that.

Otherwise, the plot is fairly standard for this sort of story. Difficult situation leads to hero rescuing/helping heroine, which leads to sparks/feelings but also causes danger, onwards into bits that involve spoilers. A straightforward plot, but one I enjoyed.

2. Thoughts on the characters

I almost felt like I was supposed to have met these characters before. I think that might be because there is another series by this author featuring other characters mentioned in the book, but I’m not entirely sure. Either way, I think it works out well enough. The characters are interesting and fun, though there isn’t a massive amount of depth in the backstory or development area. For a book like this, though it’s not necessary.

3. Favourite part

The fact that our hero gives our heroine agency. I am super frustrated by how few books of any genre do this and I really appreciate it when it does happen.

4. Critique

My only real critique for this book is that the relationship moved a little quickly, almost creating feelings spontaneously from a few interactions. Realistically, I know time has passed for the characters, but I wouldn’t mind a few more on-screen interactions.

Overall, I would say that Crescent Vendetta is a very good paranormal shifter romance with an entertaining plot and characters to root for. Note: this book does contain darker themes such as sexual assault and potential abortion. 

Author Interview: Rebecca Laffar-Smith

Name, please!

Hey there, I’m Rebecca Laffar-Smith. I’m a Y.A. Sci-Fi & Fantasy Author.

We’ll skip the “tell us about yourself” because coming up with something on the spot is, truly, the bane of an author’s existence. So, let’s start with something a little easier! Tell me what you’re working on at the moment.

Right now, I’m working on two books. The first is a Y.A. Fantasy that I’m cowriting with my daughter about a dragon-winged girl who must venture into the land of dreams to save her sister from a sleeping sickness that is ravaging her people. The other is book two in my Shadows of Nar Y.A. Dystopian Sci-Fi series. In this book, they venture to another world where advanced medicine has cured all illness and babies are born genetically perfect or are terminated. They get caught up in an uprising of the divergana who believe it shouldn’t be a crime punishable by death to be born different.

In as much detail as you would like, tell me about your book(s) that are already out/on the way.

I have three Y.A. titles out in the world. My debut, The Flight of Torque, is about a young woman kidnapped by snake worshippers who, despite her guardian angel’s attempts to save her, is transformed into a serpenthrope, a snake-shifter.

My second Y.A. book, City of Light, is a Dystopian Sci-Fi. After two-hundred years the ship sent out into the Universe to find a cure is finally returning. Aboard are two sisters, genetic clones (mostly) of the former captain and his brother. They’re determined to fulfil the original mission, but not everyone on Nar wants to be saved.

And my new release, Spirit Talker, is a Y.A. Contemporary with a supernatural kicker. After the death of her mother, Sara begins to see things, impossible things, dead things. She’s diagnosed with schizophrenia but starts to wonder if what she’s seeing is real. It’s a coming-of-age story that deals in mental illness, grief, depression, friendship, hope, and learning to trust yourself.

As far as the writing process goes—including such things as conception of idea all the way through to money in the bank—what is the least favourite bit? (Everyone has one!)

Ironically, the writing part. lol I’m a huge fan of brainstorming and ideas and story outlines. I love Plot Storming my books and fleshing out my characters and getting to know my story worlds. I’ve also been an editor for so many years that I find that part of the process natural and fun. I might be an oddity in that regard, but I love having the raw work to shape into something truly beautiful. And I love connecting with readers and sharing my books with the world. It’s just that middle bit, getting that first draft down on the page that’s hard. I’m constantly plagued by doubts and anxiety during that stage. I’m always afraid I can never do the idea justice. So yes, the writing is my least favourite because it feels the most challenging.

Conversely, what is the bit of the writing process that gets your writery brain grinning?

Outlines! It’s the part I love helping other authors with too. I love seeing the shape of stories in the things I read and the things I watch. I love deconstructing great structure in stories, or seeing the way people put their own unique twist on the way stories have been told for millennia. And developing that story arc, finding the parts that make the story sing, and exploring who a character is and who they need to become over the course of the story is so much fun.

If you could steal any author’s ability to improve your own work, who would you steal from and why? (e.g. Tolkien’s language skills, Douglas Adams’ humour, etc.)

Wow, this is actually a really difficult question. There are so many authors I admire and who have done fantastic things with their writing over the centuries. Honestly, although I admire Tolkien’s ability to create whole languages, it’s his world building and the simplicity of complicated characters I admire him for even more. It’s not given as much credit because the languages is something he uniquely did that no one else was doing at the time. I know I’d love to be able to incorporate more humour but it doesn’t come naturally to me and I think it’s important to lean into your strengths rather than try to shore up your weaknesses. For me, I’m a lover of words so I’ve been influenced by the works of Roald Dahl, Dr Seuss, even Shakespeare who all invented words and did unique things with language.

Now for some fun! The main character of the book you’re working on (or have recently finished) has kidnapped you for ruining their life. How will you explain that what you’re doing is for the best?

By the end of Spirit Talker, I think Sara understands the whole point of it. But earlier in the book I imagine she’d want to rant and rave at me about how unfair it all is. Why would I torment her by making her crazy like this? Why would I put her through so much pain? And because she cares about others and Will’s experience is possibly even worse than her own, she’d be angry about that too. How could I do that to him, or to Grae, or to Bobby. But I’d have to tell her that facing the most challenging things our life throws at us is how we grow into who we are meant to become. Her pain, Will’s pain, it’s part of discovering their gifts. For Sara, losing her mother and developing an ability to see spirit gives her an incredible capacity to help people on both sides of the veil. I like to think the books I write help people want to live into ultimate possibility. The universe is infinite and expanding but we exist in our human condition, making the most of the life we’ve been given. The whole point is to live your best life and through doing that make a positive change in the lives of those around you. So yes, I put my characters through hell, because it challenges them to step up into who they are meant to become. Life does that. And sharing that raw, honest experience with readers gives them the opportunity to do it too.

You, your main character(s), and the protagonist of the last book you read are playing poker. What are the stakes? Who will win and why?

This might be a little unfair because the last book I read was a series of contemporary romances where the guys were all expert spies and the women were all extremely brilliant professionals in their own various careers whereas Sara is a normal teenager who loves art and roller skating and spending time at the beach. She hasn’t really had a chance to play poker with any real stakes. In fact, I don’t imagine it’s even something she plays with her family. Her dad would be more into Cluedo. Although, I’d like to think maybe the Norcross Security Agency would play for the right to add her skillset to their team. It would be cool to add a paranormal investigator to the crew and although she’s still just a teen she might be that someday. Trouble is, the deck is stacked in their favour because not only would they likely be deeply familiar with the game, they’re masters at schooling their features and lying convincingly. Thankfully, they’d make sure to make their win something that benefits Sara and her family too.

Let’s face it, writing is hard. What do you think are some traps to avoid in your particular area of expertise? (Whether that be your genre, your knowledge of plot, your character building, your world building, etc.)

Because I’m a huge advocate of outlining I tend to be biased here in saying that planning your book in advance can help avoid plot holes and tangents and blank page syndrome. For me, facing a blank page and writing into the void is a pit of anxiety. And I avoid it by planning every scene before I begin. But it’s a two-edged sword because it can lead to the trap of feeling locked into the plan, so it’s important to remain flexible. No matter how meticulously you plan a story it will always deviate, and you need to be able to roll with it and change the plan when it’s no longer working for you.

Anything else you’d like to add? Plots to take over the world, for example. Upcoming release dates, links and things, maybe even your favourite chocolate cake recipe.

Actually, since you’ve given me room for my plan for world domination, I’d love to share my TEDx Talk. I’m driven, both in my fiction and my public speaking, to help people face their darkness and find their strength. Be that in dealing with mental illness or neurodivergence, or just facing the tough battles life throws at us. I hope my fiction gives people a place of light to explore strength through adversity. And I hope this talk does that too. https://www.youtube.com/watch?v=c1zclgFC99g

Author Interview: J.E. Taylor

Jane E. Taylor writing as J.E. Taylor

1. We’ll skip the “tell us about yourself” because coming up with something on the spot is, truly, the bane of an author’s existence. So, let’s start with something a little easier! Tell me what you’re working on at the moment.

A: I am working on two books at this moment. The first is a first in an Urban Fantasy trilogy about a vampire huntress who has gotten herself in a bit of trouble and needs to hunt down the bastard who turned her before the next new moon – or else she will become one of the hunted. The second is a first in a Fantasy series about three witches that bring forth and control dragons during the time of the pre-Mayan empire. And this series will have an ancient tie in to Season of the Dragon.

2. In as much detail as you would like, tell me about your book(s) that are already out/on the way.

A: My next release is due out on December 21, 2021 and it is the last of a post apocalyptic Urban Fantasy trilogy that takes place in New York City after a pandemic renders the earth quiet, which awakens the monsters. Season of the Dragon trilogy ends with Dragon Dawn and my main character’s rocky alliance with a rogue dragon.

Here is the teaser for Dragon Dawn:

Our short history together proved one thing. Trust is a four-letter word.

I doubt Mikhail St. Clare will ever truly trust me again after my colossal screw up that nearly led to his death. And I’m not sure I trust Mikhail now that he thinks humans are just as monstrous as our enemies.

The only thing we seem to agree on is our desire to annihilate the leviathans and unseat the Serpent King. Our personal futures depend on ridding the earth of these murderous overlords who have been hunting us since I escaped, and Mikhail betrayed them.

What they don’t know is that we have a plan.

Of course, nothing about our scheme is easy.

We thought the monsters were our most deadly hurdle. But building a bomb large enough to wipe out an entire species is tricky. One wrong move and we could destroy everyone living in New York instead.

3. As far as the writing process goes—including such things as conception of idea all the way through to money in the bank—what is the least favourite bit? (Everyone has one!)

A: Promoting my book. I’m not good at waving the “buy my book” flag. While I’m great at waving it for other authors, doing that for myself is awkward for me. I’ve never been a great advocate for my work. But I’m trying to overcome that particular hurdle.

4. Conversely, what is the bit of the writing process that gets your writery brain grinning?

A: Seeing stunning cover art. I’m a cover whore. I have amassed more covers than the books I have already written, so I have quite a long backlist of stories to write along with short ideas for the story for most of them. Covers spark ideas for me and that starts the process. It is rare now that I start a story without a cover already in the bag.

5. If you could steal any author’s ability to improve your own work, who would you steal from and why? (e.g. Tolkien’s language skills, Douglas Adams’ humour, etc.)

A: Because it is so fresh for me right now, I’d steal Laura Thalassa’s ability to suck the reader into the story. I have tried to dissect her stories, but every single time I do, her books just suck me into the story and that objective critic gets trampled. Besides, she can string together such beautiful prose.

6. Now for some fun! The main character of the book you’re working on (or have recently finished) has kidnapped you for ruining their life. How will you explain that what you’re doing is for the best?

A: Trust me, I know I’ve put you through the gauntlet, but you are strong and will eventually find your way out of all these hellish situations… well, maybe you will. Just look on the bright side. I haven’t killed you yet.

7. You, your main character(s), and the protagonist of the last book you read are playing poker. What are the stakes? Who will win and why?

A: All the shiny things including weapons. The dragon will win, because he covets shiny things, and he might just cheat to get them.

8. Let’s face it, writing is hard. What do you think are some traps to avoid in your particular area of expertise? (Whether that be your genre, your knowledge of plot, your character building, your world building, etc.)

A: Telling versus showing. That is one of the basic story-telling elements that new writers fail at. I certainly did when I started, but this falls back to question 5 above and the ability to suck people into a story which all stems from making the reader care about the characters or the situation and then hooks them with visceral elements to play with the reader’s emotions. It’s a dance of words that truly can make or break a story.

9. Anything else you’d like to add? Plots to take over the world, for example. Upcoming release dates, links and things, maybe even your favourite chocolate cake recipe.

A: Taking over the world is overrated. Too much responsibility for a girl who just wants to have fun.

Website: https://jetaylor75.com/

FB Page: https://www.facebook.com/JETaylor

Twitter: @JETaylor75

Amazon Page: https://www.amazon.com/J-E-Taylor/e/B003FER8M6