Brett Ann Stanciu's Blog, page 38

The Whole World.

In the beaver dam realm, we spy the quicksilver flash of wet fur, bright eyes. The ice there is thin, barely beginning its winter’s work. We cross the snow-shallow field, then head into the woods and cut down again where the swamp lies in the fold between two hillsides, ghostly in its black-water, dead tree beauty. Then up, up, up we trudge, the dogs eager. We find bootprints in the snow, a few drops of blood from a wounded prey, and then we’re back again to the dirt road. All day, the light seems like twilight, and then we pass through twilight and into the night, and still we’re awake, talking, circling back to the same old subjects. In the morning’s dark, I scrape ashes from the stove and carry out the hot bucket. My brother stands on the porch, watching his dog nose at my herb garden. The damp rushes at my face.

“Like Maine,” I say.

“Yeah,” my brother answers. “But it’s Vermont.”

Happy Thanksgiving, wherever you might be.

“Assurance”

You will never be alone, you hear so deep a sound when autumn comes. Yellow pulls across the hills and thrums, or in the silence after lightning before it says its names — and then the clouds’ wide-mouthed apologies. You were aimed from birth: you will never be alone. Rain will come, a gutter filled, an Amazon, long aisles — you never heard so deep a sound, moss on rock, and years. You turn your head — that’s what the silence meant: you’re not alone. The whole wide world pours down.

— William Stafford

Days of Little Light.

Night has fallen down all the way by the time I leave work. Just below freezing, the wind cuts up with a taste of wet — the feel of sugaring season but the light is all wrong. It’s a month before the solstice, and now I’ve given into the darkness utterly. The truth is, much as I rail against the scantness of light at this annual time, I relish it, too. This time of year entices us to go deep, soul-search, spread out the cards and see what’s there.

Dark to dark, our days go. My daughter phones on her way to work, two stray cats yowling in her car. She’s bathed these hungry creatures and found a home for them, a tiny bit of kindness in the midst of a complicated world. Ever in her blur, she hands off these cats to a new home, blessing them in her own way, and moves on into her day.

“What does it mean to grow rich?… Is it to retain a capacity for awe and astonishment in our lives, to continue to hunger after what is genuine and worthy? Is it to live at moral peace with the universe?” 

— Barry Lopez

Snapshot. Vermont Thursday.

In Newport, at the Vermont/Canadian border, a woman in a bubble-gum pink blazer strikes up a conversation with me in a parking lot about the snow falling into Lake Memphremagog. Mid-morning, dense clouds, fat snowflakes disappearing into the gray lake. I’ve never been around the Canadian edges of this lake.

In Newport, I stopped first to visit my new acquaintance Lila Bennett to check out the work she and her colleagues are doing at the Journey to Recovery Community Center. The center is suffused with natural light, alive with plants and colors, and it’s immediately obvious that they’re engaged in that old-fashioned phrase, “the good fight,” work that saves and salvages lives. Lila shows me the stack of my books, too, that the center is giving away for free, to anyone who wants to read it. I thank her profusely.

I’m in Newport, too, to find my way into a state building, up through a reverse rabbit warren into a large and light-filled room where the state’s staff tells Selectboard members and volunteers from Vermont’s tiny Northeast Kingdom towns about the chunks of federal money in the state’s coffers and asks how to get that money to the needy and broken places in our rural communities.

The room is packed. I sit in the back beside a state senator who offers me advice while I knit a sweater cuff. My blue and orange balls of fingerling yarn roll beneath a stranger’s chair.

The snow falls all morning. A woman I knew 25 years ago comes up and reintroduces herself and launches into her enthusiasm for the rail trail. I chat with the Department of Libraries staff member who reads my blog.

Finished, I hurry down to the lake’s boardwalk before I leave, to breathe in some of that cold wet air. Years ago, my little girl lost a flipflop in this lake. I was talking to someone from the farmers market where I worked, and I turned around when my daughter cried out. She had stuck her foot through the railings and lost her shoe. My friend tried to save her shoe with a stick, but the pink- and purple-flowered flipflop bobbed away, headed northward.

I can’t see my future clearly…

The road becomes itself

single stone after single stone

made of limitless possibility,

endless awe.

— Jacqueline Suskin

First Snowfall, Again.

In a race with the season’s first impending snowstorm, I drive home from southern Vermont in those numberless hours of the night. I-91 northward to St. Johnsbury is bereft on traffic on an ordinary day. In the pocket of night, it’s me, a few rocketing cars from New York and Connecticut, interspersed long-haul truckers hurrying elsewhere.

I drink espresso and listen to This American Life, and when my attention wanes, Sam Birger and Fresh Air keep me company with Michael Imperioli. In the vessel of my Subaru, swathed with the blindness of night, my radio is oddly intimate.

Somewhere in that stretch, I do what I’ve cautioned my daughters never to do: I stop at a closed rest area and walk up and down the sidewalk vigorously. The night, with its promise of snow rushing in, bites coldly. Two trucks idle. The rest area is lit by lights tinged an orange-yellow, suffused with mist, as if we’re in a nether world, maybe the Underworld, maybe a halfway point between two realms. There’s such a strange, almost heady relief in being this unknown place, the allure of endless miles unfolding before me. My mind is filled with the night’s experiences — an enchanting home, the stories of strangers, a woman who poured out her heart about a funeral she attended that afternoon — the embrace of what’s resilient in our Vermont towns and what’s broken, cracked, fissured. I follow my advice to strangers and take my time, breathing in that damp and diesel-choked air, the freshness of wetlands at the far end of the lot, where the ground has not yet frozen. I wear my wool hat and a thin cotton dress. The night goes on and on.

In the morning, snow falls steadily. My daughter and I drink coffee and eat Helga’s delicious blueberry torte and lemon mascarpone. A shift already, from gray November to winter’s enchanting light.

Stick Season.

On this sunny November morning, before our first expected snow, a few lines from Robert Frost:

Not yesterday I learned to know
     The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
     And they are better for her praise.

“My November Guest”

Sunday.

My father emails me a Chris Hedges’ article, “Death of an Oracle,” about the recent death of poet Gerald Stern. I toss a few slivers of bark on my stove’s embers and listen while my cat stares out the window at two cardinals in the twiggy mock orange. The birds are brilliant crimson in the merciless November gray.

I’ve just submitted a 100-word story of Thankfulness to the zillion and more that the New York Times will receive this week. Mine is precisely 100 words, drenched with gratitude and, honestly, rage. My little cat flicks his tail at me, as if asking if I, too, see that pretty bird my cat would like to hunt. Indeed, I do. The birds are wise enough to understand the merits of glass and peck away at the grass, unperturbed. Sunday morning, and my list lies on the table. A long week looms ahead. As I listen, however, a kind of peace settles around me, and not simply because of the warming fire. I’m reminded that I never sought a life of blandness.

My cat yawns and naps. The cardinals disappear. I brew another pot of espresso. My brother’s coming for Thanksgiving, bringing steak and endless conversations about the utterly mundane, like Wordle, the downright silly, and gritty existential pondering about the afterlife. November is looking up.

If the Buddhist’s job is to be detached, I think that the artist’s job is to be both detached and attached.

— Gerald Stern

Darkness.

My daughter comes in the house tonight and says, “The world smells of rain.”

I put the enchiladas in the oven and walk out in a warm drizzle. The darkness already lies impenetrably. By a scant light from the neighbors’ house, I head into the woods behind our house and then walk by feel and memory, knowing where the blackberry canes meet the white pines. There’s months ahead of the darkness to come; I need to step into it again, know it fully not as foe.

As I head through the back side streets into the village, I think of this deep darkness like drinking. How I feared for so long even the scent of liquor. Now, sober for so many years, I’ve been to countless bars with my brother the brewery owner, hung out with him in good times and terrible, and what’s in his glass or his hand seems nothing to me. Then, this: just recently, a horrific thing happened to someone I know slightly, an occurrence he did not cause and tried, in fact, very hard to prevent. When I learned of what happened, I sensed the tsunami of suffering that would wash through this man’s life. The utter enigma and apparent injustice of the world.

At home, that evening, I leaned against our house’s clapboards, let the cold breeze tug my hair into my eyelashes. I was alone that night, and I remembered, again, what I sought for so many years in the darkness of drinking, my own private little story in such a multifaceted universe. Crucible, I thought. I am a crucible.

Returning to our house tonight savory with dinner, bright with the little lights my daughter hung up in the kitchen, I flung open my bedroom window and let the warm rain blow in. The million mysteries and more of this world.

…. And last, I’ve been graciously invited to the Rockingham Free Public Library, Rockingham, Vermont, this Tuesday, November 15, 6 p.m. Come if you’re in town.

Which Way?

Midday, I walk along Caspian Lake’s edge. By now, the summer people have long since gone elsewhere, back to their own tangled lives. In no mood to see anyone and chat, I take the woods path. I know my way well enough now — all these little wanders — that I know where to turn and hide when I hear voices through the woods. The day is clear, the water so transparent I can almost imagine swimming across its blue surface.

I’m so caught up in my mind’s little narrative that when I cross out of the trees and into a meadow I nearly step into a woman walking her dog. We nod and exchange little greetings about nice day and who knew November could be so pleasant? Her golden retriever rubs my knee. I crouch down and let her dog touch the palm of my hands with her nose. There’s nothing more between the stranger and me but this: the dog, the wet nose, the creature hungry to know me.

November is the beaver moon, sunlight falling through bare branches, and the question of winter: which way will this go?

Upon a withered branch
A crow has stopped this
Autumn evening

— Bashō

Election Day.

On this election day, I hang out the laundry in a bitter wind, sharply turned from the weekend’s balminess. Pinning up t-shirts and dresses, I think of Henry David Thoreau’s famous words:

“Take long walks in stormy weather or through deep snows in the fields and woods, if you would keep your spirits up. Deal with brute nature. Be cold and hungry and weary.” 

I read in Walden in high school and took that copy with me when I moved to Vermont. I simply never returned it, and imagined Thoreau wouldn’t have been particularly opposed to my theft. On this windy day, the laundry won’t need long to dry, which is perhaps just as well as the dark moves in now by suppertime. Last night, in the passenger seat of my daughter’s car, the early night pressed around us — enchanting or foreboding? I could have leaned either way. As I pin up the last of the kitchen towels, I keep thinking of the line There will be no catharsis. These words came in a conversation about a recent death in our town. How much we all seem to long for a revelation, the loaves and fishes thing, the who’s in the know and has the real scoop about the true and genuine causes of this or that unhappiness. History, of course, prevails upon all of us, pushing down our small lives, our dear dramas.

Like Thoreau, I am a New Englander, and November leans in with her force.We all might be the wiser for being out in her wind today.

Time Out of Mind.

On the town forest trails, I spy two deer. Across the fallen leaves, now brown and dry, we eye each other. If I hadn’t seen a flicker of white tail, I would have kept running. But I have seen them, and so I determine to wait. I’m in shorts and a t-shirt; it’s so freakishly warm for November that people seem to be in a tizzy of utter delight tinged with dawning horror that this climate change thing, it’s really moving along. Nonetheless, these days are sweet.

The deer nearer me turns her? his? head just over one shoulder, checking in perhaps with the companion. Then they turn together and run. At the top of the hill, white tails bouncing, the creatures stop and look back at me, perhaps in nothing but curiosity. They vanish into the woods.

This is a November when I let the fire extinguish in the woodstove, hang the laundry outside, open the windows and make my cats happy. I chop apples into halves and quarters and eighths and throw the pieces into muffin batter, as if the world can measured and understood by rudimentary math, by counting two eggs and a quarter-cup of milk. In the afternoon, I abandon my thoughtful list of chores and lie in the weeds behind our house, reading Maggie O’Farrell, journeying imaginatively back in time to a Duchess’s life. It’s the same question that’s mesmerized me for years: how much of our lives do we determine and how much is dumb fate?

In the sunlight, I sleep and then wake breathing the complex scents of warm, humusy soil and spicy green leaves, and around all the dry crumbles of what this year’s frost has already bitten. In the cemetery behind my house, a man and a boy fly red kites, the long tails fluttering like ribbons.