Paul Levinson's Blog: Levinson at Large, page 388
October 2, 2011
The Good Wife 3.2: Periwigs and Skype
The Good Wife 3.2 was again delayed on CBS tonight due to a football game. Wreaks havoc on DVRs, and this is the second week in a row, but the show, at least, was quite good. Among the themes -
Alicia's defending an author against double libel charges - double, that is, because he's acquitted at the beginning of the show, in America, only to have charges filed against him in the UK, where libel charges are easier to sustain (hence the term "libel tourism"). We're treated to a delightful bi-national court, with Will talking about periwigs, and a British judge presiding over a hearing held in Lockhart Gardner offices in Chicago. Score another moment for Skype, Web Ex, or whatever. (And Twitter was mentioned, too - a good night for New New Media.)Eli seeks Kalinda's investigative aid to get information for a potential client - who turns out to be a Republican presidential candidate. We don't learn his or her name. But if Eli is willing to be hired by this candidate, he's probably not that bad a Republican. Maybe Huntsman? Meanwhile, good to see Eli and Kalinda working together.Peter says he wants to hire Lockhart Gardner as his personal firm - but needs to examine their books, first. Is this just to make sure they have no dirty money from having represented a drug dealer for his legal activities - as Peter says - or because Peter want to get dirt on the firm? Alicia advises Diane not to go along with this, and Diane agrees ... but, in the last scene, she gets Will to promise that Alicia will be sent packing if any evidence arises that Alicia's been working against the firm. I doubt that Will will go along with this even if such evidence does come to light (which it shouldn't, because I don't think Alicia's ever worked against the firm) ...So it looks as if The Good Wife has some good stories in store for us. But that little jaunt to the British courtroom got me in the mood to see more of Law and Order: UK, the second season of which I believe is now on BBC America. Cherio!
See also The Good Wife 3.1: Recusal and Rosh Hashanah
And see also The Good Wife Starts Second Season on CBS ... The Good Wife 2.2: Lou Dobbs, Joe Trippi, and Obama Girl ... The Good Wife 2.4: Surprise Candidate, Intimate Interpsonal Distance ... The Good Wife 2.9 Takes on Capital Punishment ... The Good Wife 2.16: Information Wars
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Paul Levinson's books ... Paul Levinson's music
Alicia's defending an author against double libel charges - double, that is, because he's acquitted at the beginning of the show, in America, only to have charges filed against him in the UK, where libel charges are easier to sustain (hence the term "libel tourism"). We're treated to a delightful bi-national court, with Will talking about periwigs, and a British judge presiding over a hearing held in Lockhart Gardner offices in Chicago. Score another moment for Skype, Web Ex, or whatever. (And Twitter was mentioned, too - a good night for New New Media.)Eli seeks Kalinda's investigative aid to get information for a potential client - who turns out to be a Republican presidential candidate. We don't learn his or her name. But if Eli is willing to be hired by this candidate, he's probably not that bad a Republican. Maybe Huntsman? Meanwhile, good to see Eli and Kalinda working together.Peter says he wants to hire Lockhart Gardner as his personal firm - but needs to examine their books, first. Is this just to make sure they have no dirty money from having represented a drug dealer for his legal activities - as Peter says - or because Peter want to get dirt on the firm? Alicia advises Diane not to go along with this, and Diane agrees ... but, in the last scene, she gets Will to promise that Alicia will be sent packing if any evidence arises that Alicia's been working against the firm. I doubt that Will will go along with this even if such evidence does come to light (which it shouldn't, because I don't think Alicia's ever worked against the firm) ...So it looks as if The Good Wife has some good stories in store for us. But that little jaunt to the British courtroom got me in the mood to see more of Law and Order: UK, the second season of which I believe is now on BBC America. Cherio!
See also The Good Wife 3.1: Recusal and Rosh Hashanah
And see also The Good Wife Starts Second Season on CBS ... The Good Wife 2.2: Lou Dobbs, Joe Trippi, and Obama Girl ... The Good Wife 2.4: Surprise Candidate, Intimate Interpsonal Distance ... The Good Wife 2.9 Takes on Capital Punishment ... The Good Wife 2.16: Information Wars
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Paul Levinson's books ... Paul Levinson's music
October 1, 2011
The Playboy Club
I twisted my arm and saw the first two episodes of The Playboy Club on NBC - reviewing is a tough job but somebody has to do it. The Playboy Club would make the second new series - along with Pan Am - inspired by the success of Mad Men and its 1960s setting.
But make no mistake about it. Although The Playboy Club takes in place in early 1960s Chicago, it has little of the meticulous period detail that dresses up Mad Men and Pan Am. What The Playboy Club does have is very pretty women - including, like Pan Am, a blond lead (Maureen, played by Amber Heard) who is knock-out gorgeous - and a lead man (Nick Dalton, played by Eddie Cibrian) who looks a lot like Booth from Bones and sounds like Don Draper.
The story mines the sleazy side of 1960s Chicago - with a corrupt Mayor Daley, and a big mob presence in the town as well as the club. The plot has Maureen accidentally killing a mob boss, as she was defending herself from his attempt to rape her in a back room of the club, and Nick coming to the rescue to dispose of the body. Turns out he used to do this very work for the mob. But he now he his eye on the State Attorney job (what is it with State Attorneys in Illinois on television these days? - the job also figures in The Good Wife). He also has his eye on Maureen, even though he has a relationship with Bunny-Mother Carol-Lynne, whom he genuinely cares for.
The real Hugh Hefner did the voice-over intro for the pilot, and his character has a continuing role in the story as a faceless character shot from behind or in ways that otherwise obscure his face. David Krumholtz plays Billy, who runs the club, but they have poor David looking like Bosley from the original Charlie's Angels (what's the point? - that the only kind of a guy who can work around highly attractive women is someone who looks like a frog?).
Playboy - the magazine and the clubs - has been controversial, to say the least, in reality. Hefner has always claimed the magazine broke through the repression of sexuality in the 1950s (undoubtedly true) and empowered women (that's the point that's controversial). The series gets points for continuing this theme, but would be worth watching even if it didn't.
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
But make no mistake about it. Although The Playboy Club takes in place in early 1960s Chicago, it has little of the meticulous period detail that dresses up Mad Men and Pan Am. What The Playboy Club does have is very pretty women - including, like Pan Am, a blond lead (Maureen, played by Amber Heard) who is knock-out gorgeous - and a lead man (Nick Dalton, played by Eddie Cibrian) who looks a lot like Booth from Bones and sounds like Don Draper.
The story mines the sleazy side of 1960s Chicago - with a corrupt Mayor Daley, and a big mob presence in the town as well as the club. The plot has Maureen accidentally killing a mob boss, as she was defending herself from his attempt to rape her in a back room of the club, and Nick coming to the rescue to dispose of the body. Turns out he used to do this very work for the mob. But he now he his eye on the State Attorney job (what is it with State Attorneys in Illinois on television these days? - the job also figures in The Good Wife). He also has his eye on Maureen, even though he has a relationship with Bunny-Mother Carol-Lynne, whom he genuinely cares for.
The real Hugh Hefner did the voice-over intro for the pilot, and his character has a continuing role in the story as a faceless character shot from behind or in ways that otherwise obscure his face. David Krumholtz plays Billy, who runs the club, but they have poor David looking like Bosley from the original Charlie's Angels (what's the point? - that the only kind of a guy who can work around highly attractive women is someone who looks like a frog?).
Playboy - the magazine and the clubs - has been controversial, to say the least, in reality. Hefner has always claimed the magazine broke through the repression of sexuality in the 1950s (undoubtedly true) and empowered women (that's the point that's controversial). The series gets points for continuing this theme, but would be worth watching even if it didn't.
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
September 30, 2011
Fringe 4.2: Better and Worse Selves
A fine Fringe 4.2, with a story that was an excellent science fiction tale on it own, with great resonance to the larger dual-reality narrative of Fringe.
The standalone story features a genius serial killer in the alternate reality, whose analog in our reality is a professor who studies serial killers. Fauxlivia asks our Broyles if our Olivia can bring the professor over to the alternate reality to help stop the serial killer. Alternate Broyles has come up with this idea-
Wait! Wasn't alternate Broyles killed last year? He was indeed, but apparently he's alive and well now, which means that Peter's disappearance, which of course had to change the nature of the war between the realities, in some way resulted in alt-Broyles not being killed. Nice touch! (And, on a minor detail level, so is gas selling for 99 cents a gallon over there - I paid over four bucks a gallon for it today on Delancey Street in New York City.)
Meanwhile, things of course don't work out quite as expected when our professor is brought over to the other side. He's managed to stay healthy because a woman named Margery showed him kindness as a boy - the boy on the side had no such luck, and so grew up to be a psycho. And the psycho gets the drop on the prof, and starts sucking out the prof's happy memory, which is the psycho's MO and the way he keeps from being totally engulfed by the darkness. The alt-Fringe team - with Fauxlivia, Faux-Lee (though he seems more like real Lee with our Lee the faux), and our Olivia on the other side stop the psycho just time - the prof is not dead, just drained of his happy memory of Margery.
And here's the best part. Back on our side, Broyles and Olivia wonder if the prof will turn into a serial killer, because he has no saving memory of Margery (it having been extracted from his mind by his psycho alternate, who by the way committed suicide on the other side rather than surrender to the alt-Fringe team). But Olivia talks to the prof, who says something about stepping into the light - the words that Margery told him, which kept him sane. Olivia tells Broyles about this, who remarks that when people make powerful impressions on us, those can never be erased, even if we no longer remember the specific person who made them.
A perfect set-up for Walter feeling Peter's absence, right, which I'd say will sooner or later happen to Olivia, too. Pretty cool - and one good story.
Meanwhile, I from time to time talk about rock music in my classes at Fordham ... Maybe I'm a rock star somewhere on the other side. If only life could be so easy and crazy ...
In the meantime, check out my essay The Return of 1950s Science Fiction in Fringe in this new anthology ...
See also Fringe Returns for Season 4: Almost with Peter
See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate ... Fringe 3.19 meets Inception, The Walking Dead, Tron ... Fringe 3.20: Countdown to Season 3 Finale 1 of 3 ... Fringe 3.21: Ben Frankin, Rimbaldi, and the Future ... Fringe Season 3 Finale: Here's What Happened ... Death Not Death in Fringe
See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ... New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22: Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch
See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
The standalone story features a genius serial killer in the alternate reality, whose analog in our reality is a professor who studies serial killers. Fauxlivia asks our Broyles if our Olivia can bring the professor over to the alternate reality to help stop the serial killer. Alternate Broyles has come up with this idea-
Wait! Wasn't alternate Broyles killed last year? He was indeed, but apparently he's alive and well now, which means that Peter's disappearance, which of course had to change the nature of the war between the realities, in some way resulted in alt-Broyles not being killed. Nice touch! (And, on a minor detail level, so is gas selling for 99 cents a gallon over there - I paid over four bucks a gallon for it today on Delancey Street in New York City.)
Meanwhile, things of course don't work out quite as expected when our professor is brought over to the other side. He's managed to stay healthy because a woman named Margery showed him kindness as a boy - the boy on the side had no such luck, and so grew up to be a psycho. And the psycho gets the drop on the prof, and starts sucking out the prof's happy memory, which is the psycho's MO and the way he keeps from being totally engulfed by the darkness. The alt-Fringe team - with Fauxlivia, Faux-Lee (though he seems more like real Lee with our Lee the faux), and our Olivia on the other side stop the psycho just time - the prof is not dead, just drained of his happy memory of Margery.
And here's the best part. Back on our side, Broyles and Olivia wonder if the prof will turn into a serial killer, because he has no saving memory of Margery (it having been extracted from his mind by his psycho alternate, who by the way committed suicide on the other side rather than surrender to the alt-Fringe team). But Olivia talks to the prof, who says something about stepping into the light - the words that Margery told him, which kept him sane. Olivia tells Broyles about this, who remarks that when people make powerful impressions on us, those can never be erased, even if we no longer remember the specific person who made them.
A perfect set-up for Walter feeling Peter's absence, right, which I'd say will sooner or later happen to Olivia, too. Pretty cool - and one good story.
Meanwhile, I from time to time talk about rock music in my classes at Fordham ... Maybe I'm a rock star somewhere on the other side. If only life could be so easy and crazy ...
In the meantime, check out my essay The Return of 1950s Science Fiction in Fringe in this new anthology ...
See also Fringe Returns for Season 4: Almost with Peter
See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate ... Fringe 3.19 meets Inception, The Walking Dead, Tron ... Fringe 3.20: Countdown to Season 3 Finale 1 of 3 ... Fringe 3.21: Ben Frankin, Rimbaldi, and the Future ... Fringe Season 3 Finale: Here's What Happened ... Death Not Death in Fringe
See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ... New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22: Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch
See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
Prime Suspect
Prime Suspect on NBC has been getting some excellent press - as has its star, Maria Bello as NYPD Det. Jane Timoney - and it's all deserved. Timoney is a sassy, take-no-guff, courageous, bright, fearless police woman who may be the best police woman on television since ... well, Angie Dickinson as Police Woman.
And the supporting cast is stellar, too. Kirk Acevedo (from Fringe) as Det. Calderon, Brian F. O'Byrne (from Brotherhood and Flashforward), Kenny Johnson (Lem from The Shield!) as Jane's love, and Aidan Quinn (Legends of the Fall) as Jane's boss all make memorable contributions to the series and every scene they're in.
Prime Suspect was a long running show over in England - the NBC series is a new adaptation - and said to have influenced The Closer, which also features a high-powered woman steering a course in a police department dominated by men. But Brenda Leigh Johnson on The Closer, though tough enough, is no match for Jane Timoney, who mixes it up with the best of them, and gives chase to bad guys twice her size. (We're going to Netflix the British series.)
It's also good to see Peter Berg involved in the production of another show after Friday Night Lights, and set so palpably in the streets of New York. With Law and Order down to one series, and Blue Bloods a little too formulaic for my tastes, New York's primed for a new, hard-hitting cop show.
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
And the supporting cast is stellar, too. Kirk Acevedo (from Fringe) as Det. Calderon, Brian F. O'Byrne (from Brotherhood and Flashforward), Kenny Johnson (Lem from The Shield!) as Jane's love, and Aidan Quinn (Legends of the Fall) as Jane's boss all make memorable contributions to the series and every scene they're in.
Prime Suspect was a long running show over in England - the NBC series is a new adaptation - and said to have influenced The Closer, which also features a high-powered woman steering a course in a police department dominated by men. But Brenda Leigh Johnson on The Closer, though tough enough, is no match for Jane Timoney, who mixes it up with the best of them, and gives chase to bad guys twice her size. (We're going to Netflix the British series.)
It's also good to see Peter Berg involved in the production of another show after Friday Night Lights, and set so palpably in the streets of New York. With Law and Order down to one series, and Blue Bloods a little too formulaic for my tastes, New York's primed for a new, hard-hitting cop show.
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
Pan Am Takes Off
Hey, Pan Am premiered on ABC last week. It's billed as a Mad Men kind of show - because both are glimmering 1960s period pieces - but I actually thought Pan Am may in some ways be even better than Mad Men.
Not only are the four stewardesses on Pan Am great to look at, but they have compelling personal stories, especially Kate, who's been recruited by the CIA, and her sister Laura, who's so gorgeous she has her picture on the cover of Life Magazine. This makes the conversations and situations a lot more interesting than chit chat about girdles, though that was fun, too.
I love the unbridled optimism of the pilot and co-pilot, who are beaming from ear to ear as they take their clipper jet on its maiden voyage from New York to London. The early 1960s were the last time we felt so good about our technologies and their capacity to improve our lives, and it feels good to see that again, if only on the screen. (I actually never lost that feeling - see any of my books.) Just about everyone in the air has a zest for their work - refreshing! - and the stewardesses are multi-lingual, true citizens of the world. Pan Am is cosmopolitan through and through, just as Mad Men is quintessentially New York.
The attention to period detail is meticulous, just as in Mad Men. But just like Mad Men, Pan Am had one little glitch in this episode - the bearded guy in Maggie's apartment is supposed to be what? A beatnik? His beard was off (beatniks had goatees). He looked more like a well-groomed hippie - but hippies were still a few years away.
Pan Am is now in 1963, before JFK was assassinated. That terrible event changed everything in 1960s reality, and Pan Am will need to deal with it. If the premiere is any indication, the show will do a sterling job.
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
Not only are the four stewardesses on Pan Am great to look at, but they have compelling personal stories, especially Kate, who's been recruited by the CIA, and her sister Laura, who's so gorgeous she has her picture on the cover of Life Magazine. This makes the conversations and situations a lot more interesting than chit chat about girdles, though that was fun, too.
I love the unbridled optimism of the pilot and co-pilot, who are beaming from ear to ear as they take their clipper jet on its maiden voyage from New York to London. The early 1960s were the last time we felt so good about our technologies and their capacity to improve our lives, and it feels good to see that again, if only on the screen. (I actually never lost that feeling - see any of my books.) Just about everyone in the air has a zest for their work - refreshing! - and the stewardesses are multi-lingual, true citizens of the world. Pan Am is cosmopolitan through and through, just as Mad Men is quintessentially New York.
The attention to period detail is meticulous, just as in Mad Men. But just like Mad Men, Pan Am had one little glitch in this episode - the bearded guy in Maggie's apartment is supposed to be what? A beatnik? His beard was off (beatniks had goatees). He looked more like a well-groomed hippie - but hippies were still a few years away.
Pan Am is now in 1963, before JFK was assassinated. That terrible event changed everything in 1960s reality, and Pan Am will need to deal with it. If the premiere is any indication, the show will do a sterling job.
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
September 29, 2011
Person of Interest 1.2: Reese and Finch
We learn some interesting things in Person of Interest 1.2:
Reese, though powerful, is not indestructible. The bad guy assassin gets the better of Reese hand-to-hand, who is only able to stop the bad guy at the last minute with some fast gun play (which only stops the bad guy temporarily - he's wearing a bullet-proof vest).Finch likes hiding in plain sight - working in a cubicle in the huge company that he really owns.Finch ain't too bad in the field himself, limp and all, which makes him more interesting. He manages to save the girl from the assassin long enough - until Reese gets there.The dynamic between Reese and Finch really defines the show. Finch is Reese's boss, but that doesn't stop Reese from doing everything he can to find out more about Finch, even though Finch doesn't want that (he's a private person, as he tells Reese, along with saying he likes hiding in plain sight). And Reese doesn't find out too much. But we do in this episode, courtesy of flashbacks which show how Finch started the super-computer, discovered that it also picked up potential non-terrorist crimes, which Finch at first claimed he didn't care about, or didn't want to distract from the mandate to stop terrorism.
What changed Finch's mind? Presumably the death of his partner, whose bust with a 2010 death date we see in the lobby as Finch leaves his building, on the way to establishing yet another identity or job for himself, since Reese has broken through the current one. How did Finch's partner die? Likely as a result of some sort of crime, which Finch might have prevented, had he had done something about the non-terrorist data from the computer omni-surveillance system.
Good interesting stuff, and I'm looking forward to more.
See also Person of Interest of Interest
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
Reese, though powerful, is not indestructible. The bad guy assassin gets the better of Reese hand-to-hand, who is only able to stop the bad guy at the last minute with some fast gun play (which only stops the bad guy temporarily - he's wearing a bullet-proof vest).Finch likes hiding in plain sight - working in a cubicle in the huge company that he really owns.Finch ain't too bad in the field himself, limp and all, which makes him more interesting. He manages to save the girl from the assassin long enough - until Reese gets there.The dynamic between Reese and Finch really defines the show. Finch is Reese's boss, but that doesn't stop Reese from doing everything he can to find out more about Finch, even though Finch doesn't want that (he's a private person, as he tells Reese, along with saying he likes hiding in plain sight). And Reese doesn't find out too much. But we do in this episode, courtesy of flashbacks which show how Finch started the super-computer, discovered that it also picked up potential non-terrorist crimes, which Finch at first claimed he didn't care about, or didn't want to distract from the mandate to stop terrorism.
What changed Finch's mind? Presumably the death of his partner, whose bust with a 2010 death date we see in the lobby as Finch leaves his building, on the way to establishing yet another identity or job for himself, since Reese has broken through the current one. How did Finch's partner die? Likely as a result of some sort of crime, which Finch might have prevented, had he had done something about the non-terrorist data from the computer omni-surveillance system.
Good interesting stuff, and I'm looking forward to more.
See also Person of Interest of Interest
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The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
September 28, 2011
Person of Interest of Interest
I was interested enough to see the first episode of Person of Interest. It's Minority Report (an operation identifies crimes before they're committed, and tries to stop them), Medium (sees the future), Mission Impossible (you know what that is), a bit of 1984, and a few other touches all its own. I liked it a lot.
Michael Emerson (Ben from Lost) is one of the major characters (Finch) who is so much like Ben (Finch even gets roughed up like Ben) that it could have been Ben, but that's ok, because Ben was one of the more fascinating, provocative characters on Lost. Here he plays a computer genius who built a device, in the aftermath of 9/11, that could track potential terrorist attacks, with a view towards our government's intercepting them. An unintended consequence is that this special super-computer could also ID potential non-terrorist crimes like individual murders and kidnappings. Ben - sorry, Finch - built a back-door to his program, and he's determined to stop as many of these one-on-one crimes as possible. Not as easy, of course, as it sounds, and complicated by the fact that the computer program cannot be sure whether the person of interest it identifies is the victim or the perpetrator.
Finch needs eyes in the field. Not only only eyes, but moves that can stop the crimes. He's not government, but he has plenty of money, he's off the grid, and he's in the market for a James Bond kind of agent. That's where Reese comes in, played by James Caviezel (who was excellent in another science fiction story, Frequency, one of the best communication-back-through-time movies ever made - in fact, the best). My Mission Impossible reference gets to the complexity of Reese's assignments, and 1984 points to our government still watching all of us through Finch's massive computer and its omnipresent lenses.
The premiere was good, the show has potential, and I'll keep watching it. I'm always a sucker for stories about the government watching me. And, hey, J. J. Abrams - one of the executive producers - has done some pretty good previous work with Felicity, Lost (except for the ending, which I don't think was his fault), and Fringe.
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The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
Michael Emerson (Ben from Lost) is one of the major characters (Finch) who is so much like Ben (Finch even gets roughed up like Ben) that it could have been Ben, but that's ok, because Ben was one of the more fascinating, provocative characters on Lost. Here he plays a computer genius who built a device, in the aftermath of 9/11, that could track potential terrorist attacks, with a view towards our government's intercepting them. An unintended consequence is that this special super-computer could also ID potential non-terrorist crimes like individual murders and kidnappings. Ben - sorry, Finch - built a back-door to his program, and he's determined to stop as many of these one-on-one crimes as possible. Not as easy, of course, as it sounds, and complicated by the fact that the computer program cannot be sure whether the person of interest it identifies is the victim or the perpetrator.
Finch needs eyes in the field. Not only only eyes, but moves that can stop the crimes. He's not government, but he has plenty of money, he's off the grid, and he's in the market for a James Bond kind of agent. That's where Reese comes in, played by James Caviezel (who was excellent in another science fiction story, Frequency, one of the best communication-back-through-time movies ever made - in fact, the best). My Mission Impossible reference gets to the complexity of Reese's assignments, and 1984 points to our government still watching all of us through Finch's massive computer and its omnipresent lenses.
The premiere was good, the show has potential, and I'll keep watching it. I'm always a sucker for stories about the government watching me. And, hey, J. J. Abrams - one of the executive producers - has done some pretty good previous work with Felicity, Lost (except for the ending, which I don't think was his fault), and Fringe.
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ... Paul Levinson's books ... Paul Levinson's music
NCIS 9.2: Lying to Yourself
A good NCIS 9.2 last night, in which lying to oneself was a central theme for two different characters.
First, when a Marine is stabbed to death, the NCIS team encounters a family who made a home for girl who claims to be in her teens. It turns out that she is 10 years older, but truly believes she is younger, on account of trauma she encountered when she really was younger.
Meanwhile, DiNozzo wants to apologize for a prank he conducted on a classmate years ago. When he finally finds the victim, DiNozzo learns that he was the victim himself, because the prank was perpetrated on him by the guy whom DiNozzo remembered as the victim, not vice versa.
This actually provides us with an important piece of insight into DiNozzo's personality. The jokester became that way because he was the victim of bullying himself. The smooth, devil-may-care persona was developed as a defense. This makes DiNozzo more human and even more appealing as a character.
And Gibbs was especially humane in this episode, too, softly telling DiNozzo that he doesn't have to let McGee know that DiNozzo was really the victim. DiNozzo responds that he knows that, but he should tell McGee, anyway, and I couldn't helping thinking that scenes like this are what make NCIS so good, because it shows the team to be human beings, not cartoon characters, in an almost off-hand way that makes no big deal of it, and that's no lie at all.
See also NCIS 9.1: Unpacking Partial Amnesia
And see also NCIS Back in Season 8 Action ... NCIS 8.2: Interns! ... NCIS 8.3: Tiff! ... NCIS 8.4: Gary Cooper not John Wayne ... NCIS 8.5: Dead DJ, DiNozzo Hoarse, and Baseball ... NCIS 8.6: The Written Woman ... NCIS 8.7: "James Bond Movie Directed by Fellini" ... NCIS 8.8: Ziva's Father
... NCIS 8.9: Leon's Story ... NCIS 8.10: DiNozzo In and Out ... NCIS 8.11: "The Sister Went Viral" ... Bob Newhart on NCIS 8.12 ... NCIS 8.13: The Wife or the Girlfriend ... NCIS 8.14: Kate ... NCIS 8.15: McGee and DiNozzo's Badges ... NCIS 8.16: Computer Games ... NCIS 8.17: Budget Cuts ... NCIS 8.18: Gibbs vs. the Kid ... NCIS 8.19: The Deadly Book ... NCIS 8.20: CIRay ... NCIS 8.21: Mask and Eye ... NCIS 8.22: "I'd Rather Have a Lead" ... NCIS 8.23: Answers and Questions ... NCIS Season 8 Finale
And see also NCIS ... NCIS 7.16: Gibbs' Mother-in-Law Dilemma ... NCIS 7.17: Ducky's Ties ... NCIS 7.18: Bogus Treasure and Real Locker ... NCIS 7.21: NCIS Meets Laura ... NCIS Season 7 Finale: Retribution
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
First, when a Marine is stabbed to death, the NCIS team encounters a family who made a home for girl who claims to be in her teens. It turns out that she is 10 years older, but truly believes she is younger, on account of trauma she encountered when she really was younger.
Meanwhile, DiNozzo wants to apologize for a prank he conducted on a classmate years ago. When he finally finds the victim, DiNozzo learns that he was the victim himself, because the prank was perpetrated on him by the guy whom DiNozzo remembered as the victim, not vice versa.
This actually provides us with an important piece of insight into DiNozzo's personality. The jokester became that way because he was the victim of bullying himself. The smooth, devil-may-care persona was developed as a defense. This makes DiNozzo more human and even more appealing as a character.
And Gibbs was especially humane in this episode, too, softly telling DiNozzo that he doesn't have to let McGee know that DiNozzo was really the victim. DiNozzo responds that he knows that, but he should tell McGee, anyway, and I couldn't helping thinking that scenes like this are what make NCIS so good, because it shows the team to be human beings, not cartoon characters, in an almost off-hand way that makes no big deal of it, and that's no lie at all.
See also NCIS 9.1: Unpacking Partial Amnesia
And see also NCIS Back in Season 8 Action ... NCIS 8.2: Interns! ... NCIS 8.3: Tiff! ... NCIS 8.4: Gary Cooper not John Wayne ... NCIS 8.5: Dead DJ, DiNozzo Hoarse, and Baseball ... NCIS 8.6: The Written Woman ... NCIS 8.7: "James Bond Movie Directed by Fellini" ... NCIS 8.8: Ziva's Father
... NCIS 8.9: Leon's Story ... NCIS 8.10: DiNozzo In and Out ... NCIS 8.11: "The Sister Went Viral" ... Bob Newhart on NCIS 8.12 ... NCIS 8.13: The Wife or the Girlfriend ... NCIS 8.14: Kate ... NCIS 8.15: McGee and DiNozzo's Badges ... NCIS 8.16: Computer Games ... NCIS 8.17: Budget Cuts ... NCIS 8.18: Gibbs vs. the Kid ... NCIS 8.19: The Deadly Book ... NCIS 8.20: CIRay ... NCIS 8.21: Mask and Eye ... NCIS 8.22: "I'd Rather Have a Lead" ... NCIS 8.23: Answers and Questions ... NCIS Season 8 Finale
And see also NCIS ... NCIS 7.16: Gibbs' Mother-in-Law Dilemma ... NCIS 7.17: Ducky's Ties ... NCIS 7.18: Bogus Treasure and Real Locker ... NCIS 7.21: NCIS Meets Laura ... NCIS Season 7 Finale: Retribution
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
September 27, 2011
Breaking Bad 4.11: Tightening Vice
Breaking Bad has been a little sluggish for a lot of this 4th season, but all that changed last week, with Gus, Mike, and Jesse wiping out the cartel in Mexico - Mike and Gus nearly being wiped out themselves - and Jesse being the hero. Episode 4.10 was a quintessentially scalding Breaking Bad, but episode 4.11 was even better this week.
Skyler finally gets Ted to take her 600 grand and pay the Feds - and that was a superb, delightfully nasty little story in itself - only to be confronted at the end of episode by Walt, who now needs the money for an even more desperate reason: to save their lives with brand new identities. And how did this come to be?
Hank's closing in on the cooking factory, Gus tells Walter that Gus is going to kill Hank. Not only that, But Walt knows that only Jesse's insistence is keeping Walt alive, given that Jesse can do the cooking just fine all on his own now. Walt gets Saul to warn Hank, but Walt knows that Gus will realize that Walt tipped off Hank, which will mean that Gus will kill not only Walt but his family, as Gus told Walt he would do if Walt gave Gus any more problems. Which is why Walter needed all that money to pay for the new identities. Money now in the mail to the IRS to pay Ted's bill.
So the vice is right where we like it best on Breaking Bad - closing in inexorably on Walt, who seems to have not only no money but no options left. The genius of this show is that either Walt or lucky breaks will conspire somehow to get Walt out of this mess, and maybe even in better shape than he was before.
But it's hard to see how Walt or events - barring another plane falling from the sky, this time on Gus - will do this, and that's precisely what's making this season so adrenalin evoking at last. It may be that, like last year, Jesse will somehow save Walt and the day. Mike could be a wild card - will he be as devoted to Gus, in the aftermath of what happened in Mexico, if and when he learns that Gus's docs were focused on Gus and in no hurry to save Mike, and Jesse was his greatest advocate? Or, maybe the IRS Feds, looking into what happened to Ted, can somehow be leveraged into serving Walt's purposes.
Just two more episodes to see how this all works out.
See also My Prediction about Breaking Bad ... Breaking Bad Season 4 Debuts ... Breaking Bad 4.2: Gun and Question
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
Skyler finally gets Ted to take her 600 grand and pay the Feds - and that was a superb, delightfully nasty little story in itself - only to be confronted at the end of episode by Walt, who now needs the money for an even more desperate reason: to save their lives with brand new identities. And how did this come to be?
Hank's closing in on the cooking factory, Gus tells Walter that Gus is going to kill Hank. Not only that, But Walt knows that only Jesse's insistence is keeping Walt alive, given that Jesse can do the cooking just fine all on his own now. Walt gets Saul to warn Hank, but Walt knows that Gus will realize that Walt tipped off Hank, which will mean that Gus will kill not only Walt but his family, as Gus told Walt he would do if Walt gave Gus any more problems. Which is why Walter needed all that money to pay for the new identities. Money now in the mail to the IRS to pay Ted's bill.
So the vice is right where we like it best on Breaking Bad - closing in inexorably on Walt, who seems to have not only no money but no options left. The genius of this show is that either Walt or lucky breaks will conspire somehow to get Walt out of this mess, and maybe even in better shape than he was before.
But it's hard to see how Walt or events - barring another plane falling from the sky, this time on Gus - will do this, and that's precisely what's making this season so adrenalin evoking at last. It may be that, like last year, Jesse will somehow save Walt and the day. Mike could be a wild card - will he be as devoted to Gus, in the aftermath of what happened in Mexico, if and when he learns that Gus's docs were focused on Gus and in no hurry to save Mike, and Jesse was his greatest advocate? Or, maybe the IRS Feds, looking into what happened to Ted, can somehow be leveraged into serving Walt's purposes.
Just two more episodes to see how this all works out.
See also My Prediction about Breaking Bad ... Breaking Bad Season 4 Debuts ... Breaking Bad 4.2: Gun and Question
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
Paul Levinson's books ... Paul Levinson's music
NYC Police Disgrace Themselves in Brutal Treatment of Wall Street Protesters
I've lived in New York City all of my life, and have never been a big fan of our police. As a teenager, I was roughed up by cops in their search for fire crackers. I saw them point blank attack protesters in the Vietnam War era. I've heard first hand, from friends I believe, about police double-standard treatment of African-Americans. And their shooting to death of Amadou Diallo who was unarmed, and their sodomizing of Abner Louima (two separate incidents), were beyond horrendous.
But they've reached a new low in mass, continuing violation of human beings and human rights in their response to the Occupy Wall Street protesters. These are not isolated cases of cops gone crazy. The tear-gassing of people behind barricades, the throwing to the ground of protesters who have no weapons and pose no threat, is a systematic, widespread attack on human decency, the First Amendment and its guarantee of peaceful assembly, as well as on the bodies and spirits of protesters expressing their non-violent opinion. (See videos here.)
Police Commissioner Kelly justifiably takes great pride in how well the NYPD have defended New Yorkers from terrorist attacks. He should also take pride in, or at very least insist upon, the NYPD defending and protecting the rights of New Yorkers and any one who visits our city to express their opinions.
Based on what has happened so far, Kelly obviously does not. Mayor Bloomberg should replace him with someone who can grasp the difference between a criminal and a peaceful protester, between throwing a protester violently to the ground versus firmly escorting the protester off unlawfully occupied premises.
Social media - or, what I call new new media - are empowering people not only in the Middle East, but all over the world, including here in America. We have a right to express our critique of Wall Street and the sad pass in the economy - the financial disaster - Wall Street moguls have brought us to.
Mayors would be wise to respect this and restrain out-of-control police, lest the voters boot them out of office in the next election. And the Federal government would be wise to do something constructive, and bring any police officer who violates the rights of protesters up on charges.
And mainstream news media - I'm talking to you, CNN, Fox News, MSNBC, CBS, ABC, NBC - what is taking you so long to catch up with the sustained coverage Keith Olbermann has been giving this spectacle of police misconduct on his Countdown show on Current TV?
Paul Levinson's books ... Paul Levinson's music
But they've reached a new low in mass, continuing violation of human beings and human rights in their response to the Occupy Wall Street protesters. These are not isolated cases of cops gone crazy. The tear-gassing of people behind barricades, the throwing to the ground of protesters who have no weapons and pose no threat, is a systematic, widespread attack on human decency, the First Amendment and its guarantee of peaceful assembly, as well as on the bodies and spirits of protesters expressing their non-violent opinion. (See videos here.)
Police Commissioner Kelly justifiably takes great pride in how well the NYPD have defended New Yorkers from terrorist attacks. He should also take pride in, or at very least insist upon, the NYPD defending and protecting the rights of New Yorkers and any one who visits our city to express their opinions.
Based on what has happened so far, Kelly obviously does not. Mayor Bloomberg should replace him with someone who can grasp the difference between a criminal and a peaceful protester, between throwing a protester violently to the ground versus firmly escorting the protester off unlawfully occupied premises.
Social media - or, what I call new new media - are empowering people not only in the Middle East, but all over the world, including here in America. We have a right to express our critique of Wall Street and the sad pass in the economy - the financial disaster - Wall Street moguls have brought us to.
Mayors would be wise to respect this and restrain out-of-control police, lest the voters boot them out of office in the next election. And the Federal government would be wise to do something constructive, and bring any police officer who violates the rights of protesters up on charges.
And mainstream news media - I'm talking to you, CNN, Fox News, MSNBC, CBS, ABC, NBC - what is taking you so long to catch up with the sustained coverage Keith Olbermann has been giving this spectacle of police misconduct on his Countdown show on Current TV?
Paul Levinson's books ... Paul Levinson's music
Levinson at Large
At present, I'll be automatically porting over blog posts from my main blog, Paul Levinson's Infinite Regress. These consist of literate (I hope) reviews of mostly television, with some reviews of mov
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