Paul Levinson's Blog: Levinson at Large, page 265

December 23, 2015

My Concern about Trump: A Scenario

Trump is now leading in the GOP polls, by as much as 20 percent over his Republican rivals.  One way of making ourselves feel not that worried about this is to point out that polls are not the same as ballots cast in an actual election, and polls have been wrong before.

So, what would happen if Trump were to lose the first few Republican primaries, despite leading in those states by sizable margins in the polls?   Again, a common prediction, that makes those who oppose Trump feel better, is that faced with such results, Trump would fold up and go home.  His ego would not allow him to continue in the race as a loser.

But what if his ego leads to another result?   Imagine Trump losing in Iowa, then in New Hampshire, then in South Carolina.  His supporters would go ballistic.  They might well scream that those elections had been rigged - that the votes were wrongly counted against Trump by the GOP establishment.

What would Trump's response be to such a groundswell of rage?  Would he tell his supporters, no, they need to calm down and accept the reality that Trump had lost?  Again, that is what we'd like to think, but -

Let's say Trump, still riding high on the adrenalin of all that vocal support, decides to buy into what his supporters would be screaming - that the elections he had lost had been rigged?  With his billions of dollars, he could go to court, and petition the courts to overturn the primary results.

Eventually, that could well go to the Supreme Court, which would need to hear those cases in a hurry.And, as in the election of 2000, the Supreme Court would again be in a position to decide on the American Presidency - who would next hold the office.

Far-fetched?  Probably ... maybe ... but it did happen once before.




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Published on December 23, 2015 19:18

Bones 11.5 meets Sleepy Hollow 3.5: Time Travel


Catching up with the Bones-Sleepy Hollow cross-over show that was on around Halloween, about two months ago.  One might wonder what the two shows could possibly have in common, given that Bones is about hard forensic science and Sleepy Hollow is ghostly fantasy.

Well, Booth from Bones and Abbie from Sleepy Hollow are both FBI agents - and unorthodox, when need be - so there's that.  And, as Booth points out to James, Booth does have an usual first name, Seeley, which gives him something in common with Icabod.

But there was something even more intriguing running through the two hours.  The reality of Sleepy Hollow is that Icabod Crane has indeed time traveled from his origins in the American Revolutionary War to our present day.   Since time travel, as far as we know, is impossible - see my Tricky Business of Time Travel for more of why I think this is the case - Bones is confronted with an intractable paradox when confronted with irrefutable forensic evidence that Icabod has come from the past.

Drawing on Sherlock Holmes, she correctly says that when you remove everything that's impossible, whatever remains is likely the truth, however highly improbably that might seem.  In a crucial scene in the first hour, Bones is left with two highly improbable possibilities: (1) Icabod in 2015 had an ancestor in the 18th century with identical handwriting (something which she rightly says has never been seen before) and time travel (which we all know has so far never been seen, at least in no way that's been reliably recorded).

Since Sleepy Hollow is fantasy in many more ways than just time travel, Icabod's time travel is not so surprising in that universe or series.   But the world of Bones has, till now, been our world, including even the possibility of UFOs some seasons ago (unlike time travel, there's nothing paradoxical or explosive of logic in space travel by aliens).

But what about time travel?  Will its possible admission into the world of Bones result in its playing a role in some future Bones scenario?  Probably not, but good for Bones for even opening that door a little.

See also Bones Back for Season 11: Aubrey and 'Audrey' ... Bones 11.2: Back in Place

See also Bones 10.1: The Fulcrum Changes ... Bones 10.2: J. Edgar and the DNA Confession ... Bones 10.3: Meets Rush and a Dominatrix ... Bones 10.4: Brennan and Angela on a Bench in the Playground ... Bones 10.5: Two Jokes and Three Times ... Bones 10.6: A Thousand Cuts ... Bones 10.7: The A-Word and Quarks ... Bones 10.8: Daisy's Doula ... Bones 10.9: The Milgram Experiment and the Birds ... Bones 200: 10.10: Just like Bogey and Bacall ... Bones 10.11: Life after Death, and Sweets in Wonderland ...Bones 10.12: The Digital Revolution ... Bones 10.13: The Almost-Serial Killer ...Bones 10.14: meets La Parure ... Bones 10.15: Cards in Hand ...Bones 10.16: Hodgins' Money ... Bones 10.17-18: Bullies and Capital Punishment ... Bones 10.19: Do You Buy Booth's Gambling Addiction? ...Bones 10.20: Intimations of a New Jeffersonian ... Bones 10.21: Ten Years Isn't Enough ... Bones Season 10 Finale: Rehearsals for Retirement?
And see also Bones 9.1: The Sweet Misery of Love ... Bones 9.2: Bobcat, Identity Theft, and Sweets ... Bones 9.3 and NCIS 11.2: Sweets and Ziva ... Bones 9.4: Metaphysics of Death in a Television Series ... Bones 9.5: Val and Deep Blue ... Bones 9.6: The Wedding ... Bones 9.7: Watch Out, Buenos Aires ...Bones 9.8: The Bug in the Neck ... Bones 9.9: Friday Night Bones in the Courtroom ... Bones 9.10: Horse Pucky ... Bones 9.11: Angels in Equations ... Bones 9.12: Fingernails ... Bones 9.13: Meets Nashville, and Wendell ... Bones 9.14: "You Cannot Drink Your Glass Away" ... Bones 9.15: Hodgins' Brother and the Ripped Off Toe ... Bones 9.16: Lampreys, Professors, and Insurance Companies ... Bones 9.17: Spartacus in the Kitchen ... Bones 9.18: Meets Day of the Triffids ... Bones 9.19: The Cornucopic Urn ... Bones 9.20: Above the Law ... Bones 9.21: Freezing and Thawing ... Bones 9.22: Promotion ... Bones 9.23: The New Intern ... Bones Season 9 Finale: Upping the Ante

And see also Bones 8.1: Walk Like an Egyptian ... Bones 8.2 of Contention ... Bones 8.3: Not Rotting Behind a Desk  ... Bones 8.4: Slashing Tiger and Donald Trump ... Bones 8.5: Applesauce on Election Eve ... Bones 8.6: Election Day ... Bones 8.7: Dollops in the Sky with Diamonds ...Bones 8.8: The Talking Remains ... Bones 8.9: I Am A Camera ... Bones 8.10-11: Double Bones ...Bones 8.12: Face of Enigmatic Evil ... Bones 8.13: Two for the Price of One ... Bones 8.14: Real Life ... Bones 8.15: The Magic Bullet and the Be-Spontaneous Paradox ... Bones 8.16: Bitter-Sweet Sweets and Honest Finn ... Bones 8.17: "Not Time Share, Time Travel" ... Bones 8.18: Couples ... Bones 8.19: The Head in the Toilet ... Bones 8.20: On Camera ... Bones 8.21: Christine, Hot Sauce, and the Judge ... Bones 8.22: Musical-Chair Parents ... Bones 8.23: The Bluff ... Bones Season 8 Finale: Can't Buy the Last Few Minutes

And see also Bones 7.1: Almost Home Sweet Home ... Bones 7.2: The New Kid and the Fluke ...Bones 7.3: Lance Bond and Prince Charmington ... Bones 7.4: The Tush on the Xerox ... Bones 7.5: Sexy Vehicle ... Bones 7.6: The Reassembler ... Bones 7.7: Baby! ... Bones 7.8: Parents ...Bones 7.9: Tabitha's Salon ... Bones 7.10: Mobile ... Bones 7.11: Truffles and Max ... Bones 7.12: The Corpse is Hanson ... Bones Season 7 Finale: Suspect Bones

And see also Bones 6.1: The Linchpin ... Bones 6.2: Hannah and her Prospects ... Bones 6.3 at the Jersey Shore, Yo, and Plymouth Rock ... Bones 6.4 Sans Hannah ... Bones 6.5: Shot and Pretty ... Bones 6.6: Accidental Relations ... Bones 6.7:  Newman and "Death by Chocolate" ...Bones 6.8: Melted Bones ... Bones 6.9: Adelbert Ames, Jr. ... Bones 6.10: Reflections ... Bones 6.11: The End and the Beginning of a Mystery ... Bones 6.12 Meets Big Love ... Bones 6.13: The Marrying Kind ... Bones 6.14: Bones' Acting Ability ... Bones 6.15: "Lunch for the Palin Family" ...Bones 6.16: Stuck in an Elevator, Stuck in Times ... Bones 6.17: The 8th Pair of Feet ... Bones 6.18: The Wile E. Chupacabra ... Bones 6.19 Test Runs The Finder ... Bones 6.20: This Very Statement is a Lie ... Bones 6.21: Sensitive Bones ... Bones 6.22: Phoenix Love ... Bones Season 6 Finale: Beautiful

And see also Bones: Hilarity and Crime and Bones is Back For Season 5: What Is Love? and 5.2: Anonymous Donors and Pipes and 5.3: Bones in Amish Country and 5.4: Bones Meets Peyton Place and Desperate Housewives and Ancient Bones 5.5 and Bones 5.6: A Chicken in Every Viewer's Pot and Psychological Bones 5.7 and Bones 5.8: Booth's "Pops" and Bones 5.9 Meets Avatar and Videogamers ... Bad Santa, Heart-Warming Bones 5.10 ... Bones 5.11: Of UFOs, Bloggers, and Triangles ... Bones 5.12: A Famous Skeleton and Angela's Baby ... Love with Teeth on Bones 5.13 ... Faith vs. Science vs. Psychology in Bones 5.14 ... Page 187 in Bones 5.15 ...Bones 100: Two Deep Kisses and One Wild Relationship ... Bones 5.17: The Deadly Stars ...Bones Under Water in 5.18 ... Bones 5.19: Ergo Together ...  Bones 5.20: Ergo Together ... Bones 5.21: The Rarity of Happy Endings ... Bones Season 5 Finale: Eye and Evolution
See also Sleepy Hollow Debuts: Sleepers, Dollar Bills, and Witches and Sleepy Hollow 1.2: Patriotic Gothic Horror

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Published on December 23, 2015 17:24

December 21, 2015

Star Wars: The Force Awakens: Shakespearean and Fun

So here, at long last, is my review of Star Wars: The Force Awakens: fabulous!

Further, J. J. Abrams made a brilliant move in bringing back the father/son Greek drama conflict that animated the original trilogy, except reversing who was good and who was bad, that is, making the father good and the son bad.  That was brilliant.

And though I just hated Han Solo being killed by his son, I would have hated Han Solo killed by just about anyone else even more, because the son killing the father is also perfect classic Greek tragedy, and Shakespearean too, while we're on it.

J. J. Abrams had already shown in his Star Trek reboot that he knows how to weave in iconic, central characters from the original series.  Indeed, Han in The Force Awakens had an even more crucial role than the older Spock in Abrams' 2009 Star Trek, and that's saying a lot.  Harrison Ford is a powerful and subtle actor - a rare combination - and he brought that to this swan song in Star Wars, bringing Han's swagger, sense of humor, and soul in fine proportion to the role.

Women played a much bigger and better role than in the original trilogy, especially Rey (well played by Daisy Ridley) and her wielding of the light saber and keen sense of right and wrong, and Leia, who I actually thought was a lot better in The Force Awakens than in the original trilogy. And/or, maybe Carrie Fisher is a much better actress now.   The combination of Leia and Rey set up - what, an aunt and niece dynamic? - that compliments the father and son motif, and has the saving grace of both being on the side of light.  (I think it likely that Rey is Luke's daughter, almost certainly not Leia's.  Leia doesn't hug Rey in the way a mother would hug a daughter, certainly not one she hadn't seen in years. And Rey starting out on that backwater world reprises the way we first found Luke, in the very first Star Wars move.)

By the way, though I've been talking about the original trilogy, let me point out that unlike many dyspeptic critics, I loved the second, prequel trilogy, too, and I recommend anyone starting out on these movies should see all six, in the order in which they were originally released, before seeing The Force Awakens.

Other things: the new robot was great, it was fun to see the old ones again, and I would have liked to hear Luke at least say a word when he meets Rey at the end. Max von Sydow could have been on the screen longer, as an Obi wan Kenobi kind of character - he was on so briefly that I can't even recall his name.

This movie was so good that I wish it was twice as long.  I was glad to see Hillary Clinton say "the force be with you" at the end of the Democratic debate on Saturday, because you could say she's Leia and Trump was Snoke or maybe General Hux, or someone in between in age.   Right, I'm mixing politics into this, and if you don't like it, too bad, it's definitely something Han Solo would have done, may he rest in peace.

Star Wars, when first movie came out, brought science fiction out of the cult and into the mainstream, as I told AM New York and AP and Roy Green on his radio show.  The Force Awakens continues this grand tradition of science fiction as a Shakespearean form of our time, and hey those special effects and aliens in Maz's cantina's were a real treat, too.

See also this thoughtful review by James F. McGrath ... and here's my defense of Star Wars 2: Attack of the Clones, published back in 2002 in Locus Online ...



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Published on December 21, 2015 22:26

Homeland Season 5 Finale: RIPs

Homeland wrapped up its 5th season last night with a surprisingly low key episode - in view of what we saw last week - and which was rather, well, grim.

[Spoiler ensue ... ]

First and foremost in the downers was the (apparent) death of Quinn, at the hands of Carrie in a mercy killing.  I suppose there was no place left for Quinn to go in the story, but, still, it have would been better to see him go in a more dynamic way. (I say "apparent" because I guess there's always a chance that he could bounce back after flatlining.)

Allison got what she deserved, but was killed all but offscreen, as bullets riddled the trunk of the car in which she was being driven to Russia.  There was some satisfaction in Saul being the one to finally get her, but her death seemed oddly anti-climactic, too.

And then there was Carrie, who of course didn't die, but swears she can longer work for the agency, because she's not the person she used to be.   Haven't we seen that very storyline before?  And isn't it as much a set-up as it always was, and always will be, as long as Homeland continues, because the essence of Homeland always was and always will be what Carrier does best, super, inspired spying?

And so this very uneven season of Homeland concludes.  It started out slowly, had some brilliant episodes leading up to last night, but I found the finale weak and disappointing.

With all that's going on in the world, Homeland fortunately or unfortunately has an ideal backdrop for its 6th season next year, which I'm very much looking forward to seeing.

See also Homeland 5.1: Moving into the Age of Snowden ... Homeland 5.2: Who Wants to Kill Carrie ... Homeland 5.3: Carrie and Kerry ... Homeland 5.5: All Quinn ... Homeland 5.6: Saul Wises Up ... Homeland 5.7: Tough to Watch ... Homeland 5.9: Finally! ... Homeland 5.10: Homeland and Homeland ... Homeland 5.11: Allison as Primo Villain
And see also Homeland 4.1-2: Carrie's State of Mind ... Homeland 4.3: Quinn and Carrie ... Homeland 4.4: Carrie's Counterpart ... Homeland 4.5: Righteous Seduction ... Homeland 4.6: The Biggest Reveal ... Homeland 4.7: The Manifestation ... Homeland 4.8: Saving Someone's Life ... Homeland 4.9: Hitchcock Would've Loved It ... Homeland 4.10: The List ... Homeland 4.12: Out of this Together
And see also Homeland 3.1: Sneak Preview Review ... Homeland 3.2: Sneak Preview Review ... Homeland 3.3: Two Prisons ... Homeland 3.4: Twist! ...Homeland 3.6: Further Down the Rabbit Hole ... Homeland 3.7: Revealing What We Already Knew ... Homeland 3.8: Signs of Life ...Homeland 3.9: Perfect Timing ... Homeland 3.10: Someone Has to Die ... Homeland 3.11: The Loyalist ... Homeland Season 3 Finale: Redemption and Betrayal
And see Homeland 2.1-2: Sneak Preview Review ... Homeland 2.3-5: Sneak Preview Review ... Homeland 2.6: What Brody Knows ... Homeland 2.7: Love Me Tinder ... Homeland 2.8: The Personal and the Professional ...Homeland Season 2 Finale: The Shocker and the Reality
And see also  Homeland on Showtime ... Homeland 1.8: Surprises ... Homeland Concludes First Season: Exceptional

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Published on December 21, 2015 16:03

December 20, 2015

The Affair Season 2 Finale: No One's Fault

A stunningly good finale to season 2 of The Affair on Showtime tonight, in which we finally find out who killed Scotty and--  [big spoilers ahead]

Like in an Agatha Christie novel - such as Murder on the Orient Express - it turns out that Scotty died from more than one hand.  But unlike in Agatha Christie, none of perpetrators intended to hurt Scotty, and his death was really none of their faults.

Alison pushes Scotty out into the road, where he's hit by the car.  But she's doing this to fight Scotty off, as he's trying have unconsensual sex with her, i.e., rape her.

Helen, drunk, is the driver.  But she didn't want to be driving in that condition - she was driving only because Noah, also drunk, gave her no choice.  And even if she had been cold sober, there was no likely way she could have swerved out of the way and not hit Scotty, given that he was pushed right in front of the car.

We finally learn the meaning of what Noah has been seeing in his dreams or visions all season: he was been seeing Alison on the road, because he in fact saw her there on that fateful evening.

Noah's character is also handled exceedingly well.  For most of the season and most of tonight, he was a selfish, not very sympathetic character.  But in the last scene, forced to choose between Helen the mother of  his children and Alison not the mother of his daughter but someone he nonetheless truly loves, he chooses to save them both, and confess to a crime he didn't commit.

Earlier, in his 30-minute story, he's furious at Alison about her sleeping with Cole, the height of hypocrisy, given that he twice was on the verge of sleeping with his pretty publicist - and didn't only because she pulled back the first time and Noah encountered his daughter the second time.

But you couldn't ask for a better redemption than we saw at the end tonight, and I'm looking forward to season 3 next year, in this drama that is unique on television.

PS - One final point: Scotty deserves a big round applause for his rendition of "House of the Rising Sun," a powerful swan song for his character.

See also The Affair 2.1: Advances ... The Affair 2.2: Loving a Writer ... The Affair 2.3: The Half-Wolf ... The Affair 2.4: Helen at Distraction ... The Affair 2.5: Golden Cole ... The Affair 2.6: The End (of Noah's Novel) ... The Affair 2.7: Stunner ... The Affair 2.8: The Reading, the Review, the Prize ...And see also The Affair Premiere: Sneak Preview Review ... The Affair 1.2: Time Travel! ... The Affair 1.3: The Agent and the Sleepers ... The Affair 1.4: Come Together ... The Affair 1.5: Alison's Episode ... The Affair 1.6: Drugs and Vision ... The Affair 1.7: True Confessions ... The Affair 1.8: "I Love You / I Love You, Too" ... The Affair 1.9: Who Else on the Train? ... The Affair Season 1 Finale: The Arrest and the Rest

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Published on December 20, 2015 20:44

December 17, 2015

Touching the Face of the Cosmos just published



Click here, and then on Look Inside, to see Table of Contents

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Published on December 17, 2015 15:41

Childhood's End 1.3: Literally

There's no denying that Childhood's End, which concluded its mini-series on SyFy last night, is a masterful rendition of Arthur C. Clarke's 1954 novel, which was itself a masterpiece.  Indeed, the story rendered on the screen in many scenes had more power than the novel.

But as I said in my review of the first episode, I didn't like the ending when I first read the novel in the late 1950s, and I felt the same, maybe even more so, when I saw it on television last night.

[Spoilers ensue ... read on only if you've already seen the third episode, or don't care ... ]

We learn in the third part of the mini-series, as in the novel, that the reason that Karellen doesn't want Ricky and his current wife to have children is he wants to spare them the exquisite pain of losing them.   This is an inevitable part of the literal ascension of humanity into a higher stage of evolution, in which human children become no longer children but the first expressions of this new species.

As such, this childhood's end is, in effect, a brief on behalf of children becoming liberated from and superior to their parents.  I have no problem with that at all - in fact, it's already our way of life.  But why can they never see their parents again - why is the ascension of the children mutually exclusive to continuing their relationship with their parents, aunts, uncles, grandparents, and adult members of their families?  That's the part I've always had a problem with - first, as a boy in the 1950s, and now as a parent myself.

The reason in the narrative, of course, is that the Earth itself is ending.  But why must that be?  Why couldn't humans continue on Earth, even as their children went out into the cosmos as a higher power?

Well, Clarke wrote the story, I didn't, and he's more than entitled to write the story he wanted to write.   And as I said, he did it masterfully, as did the makers of this mini-series.   So, by all means see it, but don't look for me to recommend it and its profoundly unhappy ending.


See also Childhood's End 1.1: Familiar Territory ... 1.2: Losing My Religion



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Published on December 17, 2015 13:24

December 16, 2015

Childhood's End 1.2: Losing My Religion

A really good episode of Childhood's End last night - 1.2 in the three day mini-series - which dealt with the impact of aliens on Earth on our terrestrial religions.

The first episode, and part of this second episode, focused on the impact of the Overloads on Earthling science.   The vastly superior tech of the aliens makes our science unnecessary and obsolete.   The impact on religion is even more destructive.

Religion is more than unnecessary in light of the Overloads.  Their presence here on Earth is incompatible with the very bases of most of our religions.  Karellen says this quite clearly near the end, when he points out that we already knew that all of our religions, with their competing views of existence and the universe, could not be right.  But now we see that none could be right.

This, by the way, could well happen as humans go out into the cosmos as encounter alien intelligences - we don't have to be invaded to come upon this challenge to religion.  Some of the essays and stories in Touching the Face of the Cosmos: On the Intersection of Space Travel and Religion delve into this issue.

It was portrayed cogently and beautifully in Childhood' End last night.  The ending was also powerful, when Karellen reveals why he prevented our leading human couple from having children. It was to save them the pain that would ensue.

Tonight we'll see exactly what he was alluding to.  In the meantime, hats off to Charles Dance for his customarily superb performance, and to Childhood's End for now breaking some powerful new ground on television.

See also Childhood's End 1.1: Familiar Territory

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Published on December 16, 2015 12:53

December 14, 2015

Childhood's End 1.1: Familiar Territory

The first of the three-part Childhood's End mini-series began on the SyFy Channel tonight with a statement that Arthur C. Clarke's 1954 novel of that name changed and influenced science fiction for decades.   That's true.   When I read the novel a few years after its publication, it certainly changed my view of science fiction, making it more relevant to human life than even the great works by Isaac Asimov and Robert Heinlein, which I still enjoyed more.  But the quietly breathtaking revelations of Childhood's End and the questions they raised were not to be matched.

The problem, though, as far as tonight's mini-series is concerned, was the pervasiveness of the influence of Childhood's End and its story of an alien visitation on Earth - a pervasiveness in all forms of science fiction, but especially on the television screen.  Damon Knight's "To Serve Man" on The Twilight Zone a few years later, The Invaders with Roy Thinnes the next decade, V at its beginning and best in decades after that, all drew upon the story of Childhood's End in different and memorable ways.   And that, inevitably, makes Childhood's End on television tonight less original, and therefore a little less compelling than it was as a novel in 1954.

Still, it was pretty good.  I knew the truth of what the Overlords looked like, but their unveiling was still a strong moment, and I'd imagine especially so and more so for anyone who hadn't read the novel.   I'm interested enough to see where this goes, and if the mini-series diverges in any way from the novel, whose ending was something that I didn't much like back then.

But it will be tough going.  Unlike The Man in the High Castle, whose daring, stunning alternate history was something we haven't seen at all on any television screen, Childhood's End is too familiar, too reminiscent of too many science fiction motifs, to be great - at least, so far.  And we'll see how the next two days go.


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Published on December 14, 2015 22:39

Homeland 5.11: Allison as Primo Villain

Allison has graduated into a really first-class, high octane villain on Homeland 5.11.   I mean, shooting yourself in a perfect way - to do plenty of damage, but not yourself - that's an impressive move in any double-agent's handbook.  I was impressed.

Saul, of course, is slow on the uptake, as he's been most of the season.  But he finally sees what's going on, and in enough time to make what will happen next week really up from grabs.

There are crucial possibilities on all sides of the equation.  The terrorist with a conscience, along with Carrie at the train station, may well save the day.  (My wife wondered, though, why the Germans didn't deploy some heavy security at the train station, in view of the perceived threat to the airport. Doesn't security up all antes at every vulnerable place, when they receive a threat to any one place?)

Allison, though, to get back to the possibilities on both sides, is an amazing piece of villainous work. She leaves the hospital before Saul can stop her, and even in her weakened condition is still a serious threat with her quick and ruthless thinking.

The Russians who are now 100% directing Allison are not quite believable in their zeal to see the Berlin airport ravaged by sarin gas.  The stated reason is that Putin wants Obama and the West to wake up to the threat of ISIS - that's certainly true - but would the Russians be willing to kill so many lives in Berlin to make this happen?  I don't know, I'm no expert in counter-terrorism geopolitics, but that seems a little much.

Homeland, though, has really woken up in the past few episodes.  I'm looking forward to the season finale next week!

See also Homeland 5.1: Moving into the Age of Snowden ... Homeland 5.2: Who Wants to Kill Carrie ... Homeland 5.3: Carrie and Kerry ... Homeland 5.5: All Quinn ... Homeland 5.6: Saul Wises Up ... Homeland 5.7: Tough to Watch ... Homeland 5.9: Finally! ... Homeland 5.10: Homeland and Homeland
And see also Homeland 4.1-2: Carrie's State of Mind ... Homeland 4.3: Quinn and Carrie ... Homeland 4.4: Carrie's Counterpart ... Homeland 4.5: Righteous Seduction ... Homeland 4.6: The Biggest Reveal ... Homeland 4.7: The Manifestation ... Homeland 4.8: Saving Someone's Life ... Homeland 4.9: Hitchcock Would've Loved It ... Homeland 4.10: The List ... Homeland 4.12: Out of this Together
And see also Homeland 3.1: Sneak Preview Review ... Homeland 3.2: Sneak Preview Review ... Homeland 3.3: Two Prisons ... Homeland 3.4: Twist! ...Homeland 3.6: Further Down the Rabbit Hole ... Homeland 3.7: Revealing What We Already Knew ... Homeland 3.8: Signs of Life ...Homeland 3.9: Perfect Timing ... Homeland 3.10: Someone Has to Die ... Homeland 3.11: The Loyalist ... Homeland Season 3 Finale: Redemption and Betrayal
And see Homeland 2.1-2: Sneak Preview Review ... Homeland 2.3-5: Sneak Preview Review ... Homeland 2.6: What Brody Knows ... Homeland 2.7: Love Me Tinder ... Homeland 2.8: The Personal and the Professional ...Homeland Season 2 Finale: The Shocker and the Reality
And see also  Homeland on Showtime ... Homeland 1.8: Surprises ... Homeland Concludes First Season: Exceptional

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Published on December 14, 2015 13:28

Levinson at Large

Paul Levinson
At present, I'll be automatically porting over blog posts from my main blog, Paul Levinson's Infinite Regress. These consist of literate (I hope) reviews of mostly television, with some reviews of mov ...more
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