K.Z. Snow's Blog, page 10
February 22, 2013
A Modest Proposal . . . or Three
Let me say straight up that I've never been to Gay Rom Lit. My spending $2,000 to $3,000 on a conference just ain't gonna happen until FedEx delivers that sugar daddy I ordered. But I've read countless posts over the past couple of days (and I suspect you have too) about how this year's GRL is being handled, or mishandled, and how ironic it is that six top-tier authors have proved such dismal communicators.
Seems to me some changes are in order if GRL is to run smoothly in the future and avoid being known as GRRRR.
Any thinking person can easily understand the need for cost management and registration caps. So, how to address these issues? Here are the most logical options.
Book the con at larger, more accommodating venues. Considering that's easier said than done, let's move on.(This is something I suggested elsewhere.) Make it clear well in advance of registration that a limited number of spaces are available for readers as well as authors. Then proceed to accept registrants on a first-come, first-served basis. This is the most equitable approach, because it levels the playing field for everybody. However, organizers have made it clear they're resistant to taking this route because it could glut the con with relatively unknown authors -- and those aren't the ones readers want to meet.(More and more, I'm convinced this might be best solution.) Refashion GRL. Rather than putzing around trying to define author "tiers" and figure out how to divvy up spaces among them (which, let's face it, only generates resentment), make GRL an invitation-only event for authors and an open-registration event for readers. This means, of course, the vast majority of writers in the genre will be left out. But really, so what? We small fry all realize we can't compete with the big fish in this pond. And we all know there are other gay-lit meets we're welcome to attend. Organizers have stated over and over again that readers go to GRL in the hope of meeting the genre's superstars. They become flustered and disappointed (so say the organizers, and they should know) if ID tags they want to see are lost in an ocean of names they don't recognize.So, based on the multitude of contradictions I've seen as organizers stress out and their CYA impulses reach record levels, and the hurt (as well as fear) on the part of "ordinary" authors, and the indignation on the part of readers . . . in the name of all that is sane, I encourage organizers to adopt option #3. Make GRL a reader-inclusive event that focuses on fan favorites. This is the only way to assure that all attendees will get what they want out of it.
I find this the most manageable and profitable way to go. And the most honest.
Seems to me some changes are in order if GRL is to run smoothly in the future and avoid being known as GRRRR.
Any thinking person can easily understand the need for cost management and registration caps. So, how to address these issues? Here are the most logical options.
Book the con at larger, more accommodating venues. Considering that's easier said than done, let's move on.(This is something I suggested elsewhere.) Make it clear well in advance of registration that a limited number of spaces are available for readers as well as authors. Then proceed to accept registrants on a first-come, first-served basis. This is the most equitable approach, because it levels the playing field for everybody. However, organizers have made it clear they're resistant to taking this route because it could glut the con with relatively unknown authors -- and those aren't the ones readers want to meet.(More and more, I'm convinced this might be best solution.) Refashion GRL. Rather than putzing around trying to define author "tiers" and figure out how to divvy up spaces among them (which, let's face it, only generates resentment), make GRL an invitation-only event for authors and an open-registration event for readers. This means, of course, the vast majority of writers in the genre will be left out. But really, so what? We small fry all realize we can't compete with the big fish in this pond. And we all know there are other gay-lit meets we're welcome to attend. Organizers have stated over and over again that readers go to GRL in the hope of meeting the genre's superstars. They become flustered and disappointed (so say the organizers, and they should know) if ID tags they want to see are lost in an ocean of names they don't recognize.So, based on the multitude of contradictions I've seen as organizers stress out and their CYA impulses reach record levels, and the hurt (as well as fear) on the part of "ordinary" authors, and the indignation on the part of readers . . . in the name of all that is sane, I encourage organizers to adopt option #3. Make GRL a reader-inclusive event that focuses on fan favorites. This is the only way to assure that all attendees will get what they want out of it.
I find this the most manageable and profitable way to go. And the most honest.
February 17, 2013
Upcoming Appearances
I don't do blog hops 'cause my knees can't take the strain ;-), but I do make occasional intrusions into guest appearances at online venues.
On February 25, I'll be at the wonderful TRUE COLORZ Young Adult LGBTQ Literature site, where I'll be babbling about my young adult characters (when I thought about it, I realized I had quite a few). So if you'd like to know why I wrote those characters and which one I'd like to be for a day, stop by. I'll also talk about how Red in The Zero Knot came to be, and something important I didn't learn from Oprah.
Then, on March 20, I'll be at Coffee Time Romance's new STEAMPUNK ROMANCE site, where (you guessed it!) Mongrel and Merman and my thoughts about steampunk will be the topics of my interview.
BTW, Merman should be finished by the end of the month. Phrew!
February 4, 2013
Author Reincarnation
I think I'd like to try this.
The Current Big Thing at Goodreads hasn't been spawned by blog hops or favorites lists or any given publisher. A lot of readers seem to be jumping on a new bandwagon: free online fiction or inexpensive self-published fiction that breaks from genre norms. It might be waaaaaay longer than the usual m/m stories. Or waaaaaay shorter. Often it's written by people with quirky handles like stained_skirt and BrainMassacre. Sometimes it's spawned by fandoms.
So . . . what's driving people to read, rate, and review this stuff (and rave about it, even if it isn't particularly good)? Is it disaffection or boredom with standard genre offerings? Cheapness? Curiosity? A desire to support "deviant" writers (you know, like deviant artists)? Is it a fad, or an indication of where publishing is headed? (Don't sell it; give it away!) In any case, this trend has an air of rebellion about it -- like, "I'm thumbing my nose at the establishment, because they're all wankers. Except, of course, my favorite authors, who can do no wrong."
I'm creeping toward the point where I'd like, or maybe need, to reinvent myself. It would be interesting, very interesting, to find out how an oddball work would be received if it didn't have my usual pseudonym on it, and maybe didn't even have cover art.
I wonder if other authors ever feel this way.
The Current Big Thing at Goodreads hasn't been spawned by blog hops or favorites lists or any given publisher. A lot of readers seem to be jumping on a new bandwagon: free online fiction or inexpensive self-published fiction that breaks from genre norms. It might be waaaaaay longer than the usual m/m stories. Or waaaaaay shorter. Often it's written by people with quirky handles like stained_skirt and BrainMassacre. Sometimes it's spawned by fandoms.
So . . . what's driving people to read, rate, and review this stuff (and rave about it, even if it isn't particularly good)? Is it disaffection or boredom with standard genre offerings? Cheapness? Curiosity? A desire to support "deviant" writers (you know, like deviant artists)? Is it a fad, or an indication of where publishing is headed? (Don't sell it; give it away!) In any case, this trend has an air of rebellion about it -- like, "I'm thumbing my nose at the establishment, because they're all wankers. Except, of course, my favorite authors, who can do no wrong."
I'm creeping toward the point where I'd like, or maybe need, to reinvent myself. It would be interesting, very interesting, to find out how an oddball work would be received if it didn't have my usual pseudonym on it, and maybe didn't even have cover art.
I wonder if other authors ever feel this way.
January 28, 2013
The Curse of the Twelfth Month
Writers beware. It isn't wise to publish a book in December unless it's a Christmas story. Why?
It will be swamped by holiday-themed fiction.A December publication date means you won't make "lists" for that year, because your book came out too late, yet you won't make "lists" for the following year, because your book wasn't published in that year. So keep in mind that a December non-holiday release will likely be consigned to a black hole.In the Grand Scheme of Things, this certainly doesn't matter. But it can be a bit depressing.
Just sayin'.
It will be swamped by holiday-themed fiction.A December publication date means you won't make "lists" for that year, because your book came out too late, yet you won't make "lists" for the following year, because your book wasn't published in that year. So keep in mind that a December non-holiday release will likely be consigned to a black hole.In the Grand Scheme of Things, this certainly doesn't matter. But it can be a bit depressing.
Just sayin'.
January 10, 2013
What I Learned in 2012
FIAT LUX
It's waaaaaaaay too easy to shop online.Computer experts predict the Internet will soon be unable to accommodate all the blog tours going on. I'm getting nervous about people showing up at my house, demanding books and chocolate.Kindle with wifi off is far preferable to Kindle with wifi on.My underarm hair has mysteriously disappeared. I think it's now in JLA's ears.I still don't understand contests -- primarily, how they're judged and why writers shell out good money to to enter them (when, that is, the shelling out of money is required).Now that I have my own sanctum sanctorum in the house, my fondest dream is to have an unlimited movie-buying budget. I absolutely love whiling away the weekends watching movies!Dogs keep me sane.Maintaining gardens during a drought is hard work and often depressing.I'm a sucker for vitamin, mineral, and herbal supplements, even though I have no concrete evidence they do any kind of good whatsoever.I suspect I'd earn more as an editor than a writer.My aversion to m/f romance has passed the point of no return.M/m romance saved me money by keeping me from buying Season 5 of "Queer as Folk." I couldn't stand watching an ending that wasn't a HEA or HFN.Readers can be weird.Writers can be weirder.Only Lanyon's Jake Riordan can get away with calling his sweetheart -- Adrien, of course -- "baby." (WTF is that about?)I can make money on Craigslist . . . and not by being an escort. (Yeah, had to give that up.)I'm going to chew the baseboards if Bart Yates doesn't release another book pretty soon.Crap rises to the top more easily than cream.I can live without a cell phone.My tolerance for small talk, ill-behaved children, homophobic bullshit, Internet wankery, and people without a sense of humor has reached an all-time low.Twitter is no longer a mystery to me.Facebook remains a mystery to me.Pinterest has no discernible reason for being.The Green Bay Packers aren't the worst team in the NFL, but they're far from the best.There's no longer any excuse for bad cover art.Goodreads is only good for me when I avoid my books' pages as well as the M/M Romance group.I'll never again be as prolific a writer as I once was.Now that I'm addicted to Gorton's tilapia, Marie Callender's Parmesan chicken pot pies, Progresso soups, Arby's roast beef sandwiches, Southern Comfort egg nog, and Heath candy bars, I no longer need to cook.I can keep my clothing budget to $12 a year by taking advantage of my local resale shop's bag sales.I'm sick to death of politics and politicians.Gun worship gone mad, schools turning out idiots, Christian fundamentalism, and the lack of universal heath care are our biggest national embarrassments.Only if I'm extraordinarily lucky will Merman have any readers once it's published.I'd like to write another YA novel, maybe set in the 1950s or '60s.
December 31, 2012
New Website for YA LGBTQ Fiction
Three very talented and caring people -- Jeff Erno, Jackie Nacht, and Madison Parker -- have started a website (and a very well-designed one, I might add) devoted exclusively to GLBTQ young adult fiction. You can, and should, can check out HERE.
December 18, 2012
The Attitude Is Gratitude
It's the perfect time of year to acknowledge people who've made my world a little brighter.
I'm not a Big Cheese in this genre, but readers and fellow authors have a way of making that fact irrelevant.
Therefore . . .
Thank you, first and foremost, to everybody who's bought and read even one of my books. That requires faith. A reader putting his/her faith in my work is both humbling and gratifying - and not something I take lightly. I treasure each of you.
Thank you to readers who took the time (a precious commodity), to express their opinions of Carny's Magic, A Hole in God's Pocket, and Xylophone. I wasn't sure how the last two, especially, would be received. Religion and child molestation are pretty sensitive issues. So whether you emailed me or left a comment on my blog, put up ratings or reviews on Goodreads or Amazon, posted your critiques on a dedicated review site . . . man, I really appreciate it!
Thank you, as well, to my small cadre of Internet spies. (Okay, they're not really spies, just people who pay more attention to things than I do. :)) In fact, if it hadn't been for one of them, I would never have known about these nominations for A Hole In God's Pocket:
Which leads me to another thank you, this one to the dear, considerate readers who cared enough to make these nominations. (Honestly, it never occurs to me to check out such contests.) And to Sammy, a reviewer at Joyfully Jay, who listed AHIGP as one of her five favorite books of 2012.
Which in turn leads me to this thank you, directed at whatever kind person entered The Zero Knot in the Rainbow Awards, and the judges who deemed it worthy of high-enough scores to net my coming-of-age novel a "Best" in its category. (All books that land in the top three are considered bests. Mine was actually second. But hey, I'll take it. ;-))
Finally, thank you to the writers who agreed to appear on my blog in 2012, including the incomparable Tam Ames and a whole slew of Dreamspinner and Loose Id authors who contributed to my two-part post (here and here) on old farts maturity and m/m romance. (Bonus thanks to Tam for highlighting my backlist on her blog.) And to the tireless Chris at Stumbling Over Chaos for generously hosting giveaways of my books. And to Josh Lanyon, as well as all the members of his wonderful Goodreads group, for providing a friendly place where writers and readers can gather without fear of any doodoo hitting the fan.
Hem your blessings with thankfulness, so they don't unravel.
December 12, 2012
There, on your right.
That's today's news. :)
December 10, 2012
The Theme Song
So, you probably thought I was going to sock it to ya with polkas.
I was (and a few other musical pieces, too).
Until I listened to this again, and realized it encapsulates what Xylophone is all about.
I can't tell you how much this song, and Adam Lambert's brilliant interpretation, move me.
Close your eyes and listen.
I was (and a few other musical pieces, too).
Until I listened to this again, and realized it encapsulates what Xylophone is all about.
I can't tell you how much this song, and Adam Lambert's brilliant interpretation, move me.
Close your eyes and listen.
December 5, 2012
The Origin of (Story) Species
For me, this time, it started with three seeds: "Molly B. Polka Party," a reader's conundrum, and a scandal.One or two of you might remember me posting about lounging around one weekend, pushing buttons on the TV remote. I couldn't find anything worth watching. Weekends are infuriating that way. On the very days you can kick back and relax, there's nothing on the tube except Independence Day, reruns of "The Andy Griffith Show," and atrociously bad movies on Sy Fy (or Psi Phi or however cute way they spell it now). Maybe it's a corporate conspiracy to get us out shopping to boost the economy. Maybe the owners of cable and satellite networks are too damned cheap to pay people to work on weekends.
Anyway, just as I was about to lumber off the bed and, I don't know, clean the dogs' ears or something, I heard it -- music from my youth, the songs of my heritage.
POLKAS!
Listening to the music put some boogie in my blood and made me smile. Someday, I thought, I have to write a story that features a polka band. Hell yeah. The genre's glutted with rock stars. And who doesn't like polka bands? Well, probably most people, but that didn't deter me. I can be contrary.
On another day, I stopped by a blog where a little discussion was going on about one of those weird Goodreads challenges. You know, like "Read three books that mention three different vehicles, then three more books with characters who get into accidents involving those vehicles." The particular discussion I came across involved an alphabet challenge -- specifically, how difficult it was to find titles beginning with certain letters. I remember feeling fortunate The Zero Knot was out then, because it provided readers with a Z option. Then the discussion slipped into my subconscious and, apparently, lodged there.
The scandal? That input came later. I won't get any more explicit. Gotta leave something for you to wonder about.
So those are the origins of Xylophone. It's an example of how most writers' minds work: absorbing a nugget here, a tidbit there; storing them away intentionally or unwittingly; rattling along life's track, unaware of mental scraps being thrown together and some spontaneous alchemy suddenly binding the scraps into a story.
Mobry's Dick and Abercrombie Zombie began as titles that just popped into my mind. Fugly might've too, as well as Bastards and Pretty Boys. The British "Queer as Folk" -- or rather, one of the soundtrack songs (the lyrics of which I misunderstood because we had a cheap, crappy bedroom TV at the time) -- inspired precious_boy. A young Charlie Hunnam contributed.Sometimes I just want to explore new territory, which is how the Utopia-X series and Mongrel came to be. Sometimes I want to pay homage to old stomping grounds, which is how Electric Melty Tingles came to be. Certain themes have intrigued me for a long time, like the nature of religion, and magic. And I've always loved vampires.
The "X" book is coming out on December 12. Between now and then, expect some music on this blog. ;-)
