Kent Shaw's Blog, page 15

November 26, 2013

lehmannmaupin:

Installation shots of Do Ho Suh's...









lehmannmaupin:



Installation shots of Do Ho Suh's incredible Home within Home at the MMCA, Seoul, Korea. For more information about the exhibition, please click here



What is the inside of materials, really? Do Ho Suh is like filmy remembering all the time!

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Published on November 26, 2013 10:12

November 22, 2013

A map of a made-up world suspended from the ceiling.



A map of a made-up world suspended from the ceiling.

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Published on November 22, 2013 17:55

wetheurban:

SPOTLIGHT: Doublefaced by Sebastian...











wetheurban:



SPOTLIGHT: Doublefaced by Sebastian Bieniek


Doublefaced is an intriguing series by Berlin-based German artist Sebastian Bieniek that features portraits of a girl with the illusion of two faces.


By simply drawing on each side of his model’s head with common makeup products like eyeliner and lipstick, Bieniek transforms the young woman into a eerie set of twins. More after the jump:



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I can’t get over the Picasso nodding happening here.

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Published on November 22, 2013 14:03

November 20, 2013

November 15, 2013

"THE CAGE, by Pierre Mortary
====
Have you gone into the cage? The emptiest one?
Suddenly everything..."

THE CAGE, by Pierre Mortary

====

Have you gone into the cage? The emptiest one?

Suddenly everything slides to the other side without jarring:

Trees, buildings, pedestrians, newspapers;

Suddenly everything is swept clean of its habitual colors

The direction of the winds, the unrolling of afternoons;

Suddenly everything is forgotten: geometry, poetry,

The weight of the heart, the roots, the years.

Only a splendid virgin-forest hunger moves in

And it’s that that makes you leave the cage.



Henceforth you’re no longer the same,

Not even in your bed, in a woman’s arms,

not even in your dreams where you stride across a desert

Traversed by the scent of gazelles;

Not even in the contemplation in you of this strange phenomenon

Of which you lose consciousness and which means nothing to you.



Everything is forgotten, the cage and the immense yawn of the crowd,

And the incalculable satisfaction of being right where you belong.



-

from The Landscapist: Selected Poems, by Pierre Martory. Translated by John Ashbery. Personally, I can’t think of “cage” without seeing one of those cartoon cages that fall right around you. Keeping you in. But this cage is different. The first line might give you a vision like that cartoon cage. But the actual cage in this poem is like a life. Or like the life your mind has trapped you in. And it makes everything around you feel like it’s closed in your brain. Be careful in that brain! Things might tilt to the side!


But then there is an after-cage time. And whatever led you into the cave originally is now so beneficial. Because everything is different. You’re different. You can even forget the “incalculable satisfaction” of the very present moment. And my favorite part of the poem? You can’t even tell whether that’s good or bad. It’s just “satisfaction.” It’s only “incalculable.”

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Published on November 15, 2013 10:07

November 13, 2013

moma:

What does violence smell like? Anne-Marie Slaughter...



moma:



What does violence smell like? Anne-Marie Slaughter writes about a scent made up of sweat samples taken at cage fighting matches on Design and Violence


Design and Violence, our new online curatorial experiment, explores the idea of violence through design. The site, which pairs critical thinkers with examples of challenging design work, is now live.



MOMA making a whole new way to keep it real.

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Published on November 13, 2013 18:17

deyoungmuseum:

In this 9-canvas painting, “Bigger Trees Nearer...



deyoungmuseum:



In this 9-canvas painting, “Bigger Trees Nearer Water, Winter 2008,” David Hockney uses an art-historical trope that can also be seen in The Sermon on the Mount, the subject of his subsequent 2010 painting, “A Bigger Message.” By placing the majority of the image’s content in the center of the canvas, with varying perspectives receding off to either side, Hockney guides the viewer’s gaze upward. In this way, Hockney forces his viewer to look up and increases the already monumental experience of the work. http://buzz.mw/bidyg_l

David Hockney (British, b. 1937). “Bigger Trees Nearer Warter, Winter 2008.” Oil on 9 canvases © David Hockney. Photo Credit: Richard Schmidt



Perspective extravaganza!

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Published on November 13, 2013 14:28

November 11, 2013

artslant:

Watchlist Artist: Vanessa...









artslant:



Watchlist Artist: Vanessa Billy


www.artslant.com/ber/articles/show/37439



It’s like a hide and go seek game in a plain, white room.

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Published on November 11, 2013 06:37

November 9, 2013

A dance crew in sweater vests! At last!



A dance crew in sweater vests! At last!

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Published on November 09, 2013 10:47

November 7, 2013

artruby:

Paola Pivi, Untitled, (2010). 

Sun for seating.



artruby:



Paola Pivi, Untitled, (2010). 



Sun for seating.

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Published on November 07, 2013 20:45