Joe Haldeman's Blog, page 35
September 24, 2012
movin' on
September 22, 2012
left-overs
So I'm lugging around this 497-page pile of paper that's called THE BEST OF JOE HALDEMAN. It occurred to me to haul out my bibliography and make a list of all the stories that weren't good enough for that 19-story collection. Amazingly (to me), it comes to 58 tales, which might be compiled in --
THE SECOND-BEST OF JOE HALDEMAN
26 Days, on Earth
A !Tangled Web
A Mind of His Own
A Separate War
A Time to Live
All the Universe in a Mason Jar
Anniversary Project
Armaja Das
Beachhead
Blood Brothers
Brochure
Civil Disobedience
Diminished Chord
End Game
Expedition, With Recipes
Faces
Fantasy for 6 Electrodes
Feedback
Finding My Shadow
Foreclosure
Forever Bound
Four in One
Giza
Graves
Heartwired
I of Newton
If I Had the Wings of an Angel
Images
Job Security
John's Other Life
Juryrigged
Never Blood Enough
No Future in It
None So Blind
Odd Coupling
Out of Phase
Passages
Power Complex
Saul's Death
Seasons
Seven and the Stars
Starschool on Hell*
Starschool*
Summer's Lease
The Best of All Possible Worlds
The Cure
The Mazel Tov Revolution
The Moon and Marcek
The Private War of Private Jacob
The Woman Hurter
The Only War We've Got
Time Lapse
Time Piece
To Fit the Crime
To Howard Hughes: A Modest Proposal
We Are Very Happy Here
What Johnny Did on His Summer Vacation
You Can Never Go Back
-- and yes, there are a few I might have kept in the book. But editor Jonathan Strahan did have to draw the line somewhere, and I wouldn't criticize his judgment. I'm just really surprised the number is so large. I didn't think I'd written nearly so many short stories. (The two starred titles are collaborations with my brother Jack.)September 21, 2012
up in coffee country
September 19, 2012
letter to a student
Answering some questions from a young writer headed to college:
. . . I definitely would discourage getting a degree in writing. Too wishy-washy. Writers ought to use college to learn stuff to write about. Classics is perfect. What you learn studying the ancients is applicable everywhere, and knowing Latin and/or Greek sets you apart nowadays. (Used to be common, when it was generally required. I was right on the cusp of that – my brother was a year ahead of me in public school, and he had to take Latin. When I got to the ninth grade I was allowed the option of General Science, and jumped at it. A pity, because a curious kid picks up science everywhere. You don't just stumble onto Cicero and Virgil, though.)
The question "What do you do if/when you are roughly halfway through a novel and discover the plot could have gone in a totally different direction, and your fresh idea appeals to you more than the original?" is interesting because it has happened to me in many novels. I always abandon the original idea and follow the new one. (Unless a book is "work done for hire," where the person with the paycheck has already okayed a specific plot.)
I wrote to the Iowa Writers Workshop and sent along a copy of my first novel (not sf), saying "I want to write for a living, and if you give me a teaching assistantship (plus the GI Bill) I can go for two years without getting a job." They signed me on, and that's what I did. In fact, I was pulling down three or four hundred dollars a month (when rent was $100) from short stories in the sf magazines. So we were pretty rich by graduate-school standards. (They would never have accepted me if they'd known I was a, gasp, science fiction writer.)
What I meant by the "invisible cage" metaphor is that the pursuit of writing for money does put restraints on how experimental your work can be, but after you've been doing it for some years, you no longer notice the restraints.
You should follow your own star. I had to stay in school because I knew that I would be drafted and sent to Vietnam as soon as I graduated. I might have learned more with a library card and free time. (Of course the caveat to that is that there are really useful things that you would never try if not for the demands of curriculum. In my case, differential equations and advanced symbolic logic.)
Good luck
Joe HaldemanSeptember 18, 2012
Entering the lists
Well, la de da. NPR did a poll of 60,000 readers to come up with a list of the best 100 science fiction and fantasy books, and The Forever War came in around the middle, #56.
fan mail
This morning in the fan mail was a letter from a student who wanted to know "what it is about writing that most compels you. Why have you chosen (or perhaps the subject has chosen you, as the case may be) science fiction as your main focus?
I told her "It's hard to say what 'compels' me as a writer. It's something I do every morning; I have no more need of compulsion than anybody else who has to work for a living. Sometimes an idea does grab you by the throat and almost writes itself – that is compulsion and it's wonderful. But if I waited for it, I wouldn't have written many books.
"I think I mainly write science fiction because that's what I most enjoyed reading when I was young. It was a fortunate choice, since you have a great latitude in what you write about. Not so much latitude, perhaps, on how you write. (You grow not to notice that. A cage with no visible bars.)"
Joe
September 17, 2012
How do you say "oink" in Mongolian?
September 16, 2012
Pigging out in Beantown
Wonderful where a subway pass and undefined hunger can take you. Looking for coffee and a nibble and a place to work, I biked down to South Station. Found out that Sunday is not a great time to look for a place to work in downtown Boston. Even Starbuck's is closed. South Station had coffee and such, but not a single place to sit, and a bad level of crowd noise, everybody going out for their Sunday holidays.
I decided not to bike downtown – I did a long ride yesterday and don't want to overdo it – so I hopped on the T and rolled on down to Harvard Square. Surely, with all those studious Crimson lads and lasses, there would be plenty of coffee.
Not really. The Starbuck's was open but jammed. I walked around and descended into weirdness. Fire & Ice, which I normally thought of as an evening place, was open – and wild! At least for someone who will eat almost anything and lots of it. Lively calypso music and dozens of beers on tap.
Not a breakfast for the oatmeal crowd. It's a Mongolian-barbecue-type place, where you pay a set fee ($16) and fill your bowl with a combination of meats, vegetables, starches, and spices, and give it to a guy who's manning a huge wok, a metal circle about twenty feet in diameter. He sprays a square foot or so with oil and stir-fries your mélange. I did a combination of beef, pork, lamb, and bacon, with lots of onions and scallions, with a scoop of noodles and a ladle of spicy garlic sauce.
It was good. It was so-o-o good. It was so good I did it again. I hadn't even gone to the seafood station, which I know I should have done first. Not limited by formalism, though, I got a couple of nice fish filets (tilapia and trout) and some shrimp and crab meat, along with green onions and lots of garlic and a heap of transparent Chinese noodles and some chunks of potato. Laced them all with Mango Garlic Mojo sauce and had the guy stir-fry it all.
Oh me oh my. I'll have to come back when I'm hungry.
Joe
(Actually, a true trencherman would have gone on to the desert station, and perhaps would have started with the pastries. It is breakfast, after all.)
September 11, 2012
food and laughs
I can imagine the dinner problems, with one a Vegan. Two others probably from Betelgeuse and Arcturus. "Here, you must try the rock salt and gravel."
I wore myself out a bit yesterday biking. Only seventeen or eighteen miles, but it takes at least twice as much work to push this old thing around, compared to a modern road bike. Three times as much.
(That's usually okay if there aren't too many hills. Guess I'm a little out of shape.)
Feeling very good after all the exercise. May ache tomorrow.
Had a very pleasant dinner, a stand-up reception for the writing department, excellently catered at the very stfnal Stata Center (a Geary phantasmagoria). Lots of too-rich food and good imported wines and beers.
After dinner, Gay and I decided to walk over to the Kendall movie theatre and see what was on, and so slipped in a few minutes late to see Sleepwalk With Me, an endearing indie comedy about an earnest standup comic on the edge of making it in New York. A lot of the material that he stages is genuinely funny, and the parts that don't work are well calculated to advance the story. He does sleepwalk as he drives around the northeast doing gigs in Podunk towns, lending a frisson of danger to the amusing storyline. (Never get a room on the second floor.) His parents are perfect foils to his mixed success; his girlfriend is a good mixture of support and repressed why-can't-you-do-something-normal?
The walk/subway home took about 45 minutes, much of it through forbidding dark streets, and that's probably going to figure into our evening plans when it gets colder.
Joe
September 8, 2012
working and walking
Golly. I wonder why he never gets a ticket.
It was a nice day for walking. I went back and picked up Gay and we set off to a local café, Barlow's, where I had an excellent fresh fried fish filet. Then we wandered up the river a ways to an old favorite place, the Barking Crab, for a beer and some waterfront atmosphere. Crossed the river and went to a hokey tourist joint where they have a replica of one of the dangerously small ships that brought suckers over to the Massachusetts Colony. Didn't go in this time; just had a cup of tea and bought some loose tea at the tea room.
Then we looped around to a handy channel and got back to the apartment in time to avoid some rain.
Junot Diaz came by at five with Marjorie Liu, and we drove down to Chinatown for dinner at his favorite Chinese place, the Dumpling Cafe, where we dumpled well. On the way back we spotted an oddity, a little Australian restaurant, KO. Checked it out and picked up some Aussie stuff. Only a few blocks from here, so we'll check it out soon. (It has the true Aussie hamburger, with beetroot and all.)
Didn't rain until we were safely home. Slaved away over computers for awhile; I quit and played guitar for awhile. Will have to do a 30-minute concert in a few weeks at a con, so I'd better get some of my chops back.
Joe
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