Of our recently-acquired Evelyn Piper novels, perhaps the most immediately recognizable title is 1964’s The Nanny, which, in 1965, was made into the popular Bette Davis vehicle of the same name.
Looking at current and upcoming releases in the crime fiction genre, one may notice a trend: it is clear that the intense media attention given to the police killings of black men will have a large role to play in this year’s publications.