Sally Murphy's Blog, page 29

Why We Need Darkness in Kids’ Books

I’ve written and spoken before about why I write books on difficult topics – and why kids need these books – and I know I will write and speak about this topic again, and again. But I came across this article by Matt de la Peña, an American author, that just beautifully explains why we need what he terms ‘darkness in kid’s books.

Read the article. It’s short and it is beautifully written. But, if you want the precis, Matt talks about asking himself (and imagining asking Kate  Dicamillo) : “How honest should we be with our readers? Is the job of the writer for the very young to tell the truth or preserve innocence?”

He asked this in the wake of gun violence, natural disaster and political tensions in the ‘real’ world. Matt’s question really resonated with me because it’s the kind of thing I often ask myself: Can I go there? Should I go there? Why?

But  Matt goes on to talk about pressure he and his illustrator had received to change a scene in their forthcoming picture book, Love. The illustration showed a child hiding under a piano while his parents argue. The feedback was that “the moment was a little too heavy for children. And it might make parents uncomfortable.”

I shared this article on my personal Facebook wall, and it got lots of responses, but one response, from someone who is not an author or illustrator, but a very fine parent,  summed up WHY we need scenes like these in books. She said: “imagine being the kid hiding under the piano…reading nothing but happy stories and wondering why their own life story isn’t the same…they need to know that they aren’t alone with their story…that it isn’t just them…”  Yup. Brilliant answer.

We need darkness in kids’ books because kids have darkness in their own lives. They need to know they are not alone.

We need darkness in kids’ books because the world has many dark moments, which children are exposed to daily through media and through experience

We need darkness in kids’ books so that those children who are fortunate enough not to have experiences such as we write about can experience them vicariously and develop empathy

We need darkness in kids’ books so that we can also offer hope – ways out of the darkness, ways to find dots of light in the midst of darkness and ways to fight the darkness

We need darkness in kids’ books to encourage our new generations to want to make the world a better place.

Not all my books have this darkness. But with books about death, childhood illness, disability war, family trauma and more, I do often get asked why I do it, and get looks of horror when I tell a parent/teacher/librarian what the book they’ve picked up book is about.  Sometimes, when I cry over a scene I’m writing, I wonder myself why I’m doing it. Sometimes I want to take my character and hug them or just make their life one filled with sparkly rainbow unicorns.

And then I hear from a reader about the difference one of my books has made to them, and I know.

We need darkness in kids’ books so we can have light.

I’d love to hear your thoughts.

Poetry Friday: Three Poems from the Beach

It’s summer in my part of the world but most of my Poetry Friday friends are in the northern hemisphere,and so in the midst of winter. Last Friday there was a plethora of posts filled with snow and ice so, when I sat down to prepare my post for today, I thought it might be nice to warm my northern friends with some summer pictures and some poems from the beach.

This first one was written in January last year, and posted on the Poetry Tag blog I share with my friend Rebecca. In Poetry Tag we take turns challenging each other to write a poem incorporating whichever words we choose.Rebecca gave me: lazy, myself, print,  thousand and smell. At the time I was in the midst of a lazy summer, so that first word took me straight to the beach.

Summertime

On the beach   

I’m feeling lazy

Smell of sunscreen

Fills the air.

 

A thousand bushflies

Drive me crazy

As I make  my way

Down there.

 

I plunge myself

In cooling ocean

Feel inertia

Wash away.

 

Flies have vanished

No devotion

To watery fun

They’d rather stay

 

Beachside where they’ll

Leave their print

On backs of sunsoaked

Sandbound teens

 

Who’ve left the water

For a stint

Of games, or food,

Or magazines.

(Copyright Sally Murphy)

This next poem is new. I liked playing with short lines for the Flourish poem I shared last Friday,  so wanted to experiment with it again for this week’s topic. It seemed to fit with the playfulness  of a day at the beach.

At the Beach

 

There’s sand

and shells

and salty

smells

 

There’s water

too

so much

to do

 

Like splish

and splosh

swim

and wash

 

Build castles

moats

frolic

float

 

Throw balls

and play

stay

all day

 

Then say

goodbye

with happy

sigh.

(Copyright Sally Murphy)

This third poem is one I’ve shared before. I like it because it captures one of my favourite things to do at the beach- simply walk, with my toes in the water. I’m hoping to make some more poem videos this year,since it’s been a while since I made one.

I hope, Northern hemisphere friends, that all this beachyness  makes you warm rather than envious. I’m sending you as much virtual warmth as I can muster.

 

Today’s Poetry Friday roundup is hosted by  Jan at Bookseed Studio.

Making Plans for the New School Year

Now that the Christmas/New Year break is over, and people start to return to work, I’m starting to get emails and phone calls enquiring about my author visits and writing workshops. Hooray! The only thing I love to do as much as write is talk.

I love the variety of sessions I get asked to run, the amazing schools I visit, the even more amazing students and teachers I get to meet and – importantly – I love the feeling when my visit makes a difference to a child (or a while school full of children) –making reading, writing or both just a bit more special. I also love helping teachers to find new ways to teach writing and to instil a love of reading.

The sessions I did in 2017 included:

Dozens of meet-the-author sessions in schools and at libraries
Poetry writing workshops in primary schools
Narrative writing workshops in primary and secondary schools
A whole day workshop using Do Not Forget Australia as an inspiration to write poetry- every year 5 student present had at least two poems drafted by the end of the day.
Writing workshops for school children and the public in Sharjah in the UAE
A visit to a school where year 6 students had spent a term reading my verse novels as an author study
Leading a Bookweek rap at Bookweek assemblies
Professional development workshops in teaching narrative and poetry writing
And more!

In 2018 I look forward to visiting even more schools and libraries, spreading the love of reading and writing. If you’re a teacher, librarian or festival organiser and you’d like me to visit you,  drop me a line.

Poetry Friday: Things to Do in 2018

Things to Do in 2018

Flourish

Nourish

 

Thrive

Strive

 

Know

Grow

 

See

Be.

 

(Copyright Sally Murphy 2018)

As I mentioned earlier in the week, my focus word (or is it a guidance word?) for 2018, is Flourish. I want to flourish this year, and I want to help others flourish, and I want to do things with a flourish. So, what better way to start my Poetry Friday posts, than with a poem and a post about flourishing.

Interestingly, my first every Poetry Friday Post, three years ago was  a New Year post. Since I wrote that , I have been a regular part of Poetry Friday but not always consistent. Like many members, I have come and gone. Life has got in the way sometimes – so some of those periods of absence, I was busy flourishing, busy with career stuff. Other times, life was hard, and finding time for blogging took a back seat. But every time I got back to Friday posts, there were people there welcoming me back – commenting on my posts, or sharing wonderful things on their own blogs. And each time I’ve realised that I’m part of something big, a flourishing community of poets from around the world.

One special thing that the Poetry Friday community does is to organise poetry swaps. In these, participants are given a name (or two) and asked to send a poem to that person, via snail mail. My comings and goings have meant that I’ve never participated – I always seem to have missed the call outs.

Until the most recent two. At last, at the end of last year, I took part in the Winter Poem Swap. Of course, it isn’t winter in my part of the world, but that didn’t worry me. I duly sent a Christmas themed package off to my recipient, Keri, with a poem about the very fact that she was in cold and snow and I wasn’t, and some other goodies.  And then – hooray! – I received a package of my own, from the wonderful Irene Latham.

Here’s a picture of what was in the package:

The thought Irene had put into the package made me teary. She used my new profile picture as an inspiration for the poem:

Kaleidoscope Poem

(for Sally)

with a simple twist

of syllables

 

a new world

twirls into focus,

 

sets hearts a-whirl

in a blur

 

of ever-changing

light.

 

(Copyright Irene Latham)

 

Isn’t that awesome? The significance of the pouch is also special. Irene had read my posts about ‘old’ poems and poem-hoarding (which so many in the poetry Friday community related to), so she sent me a pocket in which to hard my poems. I plan to fill it with tiny poems, starting with the poem-stone. I also plan to fill the notebook with poems, of course!

Thanks so much Irene. This is why I am part of the Poetry Friday community – not for the gifts, but for the friendships which flourish!  I have the gift on my desk and every time I see it, I am reminded of the magic way that poetry brings us together.

The second exchange which I’m participating in is the New Year Postcard exchange. This time, it’s a poetry postcard. I wrote my ten cards on New Year’s Day, and they’ve been sent off across the seas (or the skies, really, since that’s how they’ll travel), connecting me with ten other Poetry Friday members again through poetry.  And, as cards start to arrive in my mail box (I’m watching it eagerly!), I’ll be reminded again that friendships flourish through poetry.

So, I look forward to being a more regular contributor to Poetry Friday this year (I’ll even be hosting the round up for the first time in February). It’s become an important part of my identity as a children’s poet – and, though I’ve only ever met two of the other members in person (yes, there are two other Aussies!) – it’s the friendships that make it so special.

I hope you’ll flourish with me in 2018. Happy New Year!  For more Poetry goodness, check out the other Poetry Friday posts. This week’s round-up is at Reading to the Core, where, coincidentally, Irene’s new book is also featured.

 

 

 

 

Happy New Year!

A new year

Is an unopened gift

A letter in the mail

A crisp new notebook

A story yet to be written.

(Copyright Sally Murphy)

 

Happy new Year!  Although I have mixed feelings about New Year’s resolutions (see my post about that here) I DO feel that there is something magical about a whole new year starting, with promise of new opportunities, new beginnings and crisp, clean pages.

Because I’m wanting to start as I mean to continue, I have registered for Anastasia Suen’s  30 for 30 Challenge, which challenges participants to write for 30 minutes every day for 30 days. Although the challenge starts tomorrow, I decided that the first of January was great time to get started (I guess that means I’m aiming for 30 for 31). So, the first thing I did this mronign was to sit down at my desk with my brand new journal and write for 30 minutes. Then I put a cross through the date on my  desk planner. I look forward to doing that 30 more times, and to really get some work done on the exciting stories which I want to write in 2018.

After my writing session, I headed off to the beach for my first walk of the year. Aaaaaah. I am so lucky to live where I do.

 

So, my year has started with a flourish, which is great, because that is the word I have chosen to use to guide my year.  Flourish works both as a verb (to grow and thrive in healthy, vigorous ways) and as a noun (a bold or successful act). And of course, if you are arty at all, you’ll also know that you can spice things up with a little flourish. So, I plan to flourish this year, and, hopefully, to help those around me (including YOU) to flourish, too.

Happy 2018!

 

 

 

 

 

 

 

 

 

 

 

 

 

PS. Do you like the picture? This is a photo of a sign at Yokine Reserve, a playground in Perth. The blue sky behind it hasn’t been edited.

What I Read in December

December was a busy month, but I still managed to get through 25 books, thanks especially to audio books.  I do love a real, physical book that I can cuddle up to on a couch, or in bed, or wherever, but for the car, or as company during housework or chores, audiobooks are wonderful – and the discovery of Borrowbox, which lets me borrow audiobooks straight to my phone for free, has enriched my life this year. (If you want to know more about BorrowBox, which is probably available to you, too, at your local library, there’s a good article here).

My favourite book for the month was, incidentally, one I discovered through Borrowbox, and which I am so in awe of! Artichoke Hearts,by Sita Brahmachari, made me cry and smile and feel all of the feels – and wish that I could write like that!

So, here’s the list of 25 with links to my reviews (or, where I haven’t reviewed them, to the book in a bookstore or elsewhere online). I’d love to hear what you’ve been reading.

Picture Books

Once Upon a Small Rhinoceros, by Meg McKinlay & Leila Rudge

Paddy O’Melon The Irish Kangaroo, by Julia Cooper & Daryl Dickson

A Bag and a Bird, by Pamela Allen

Reena’s Rainbow, by Dee White & Tracie Grimwood

A Perfectly Posh Pink Afternoon Tea, by Coral Vass & Gabriel Evans

Feathers, by Phil Cummings & Phil Lesnie

A Thousand Hugs from Daddy, by Anna Pignataro

Younger Readers

Game Day: Patty Hits the Court, by Patty Mills & Jared Thomas

Game Day: Patty and the Shadows, by Patty Mills and Jared Thomas

I Don’t Like Poetry, by Joshua Seigal

It’s OK to Feel the Way You Do, by Josh Langley

Artichoke Hearts,by Sita Brahmachari

Ruben, by Bruce Whatley

Young Adult Books

Sparrow, by Scot Gardner

In the Dark Spaces, by Cally Black

For Adults

Some Kind of Wonderful, by Giovanna Fletcher

The Way Back, by Kylie Ladd

Believe and Achieve, by Paul Hanna

The Mini Motivator, by Paul Hanna

The Sales Motivator, by Paul Hanna

The Money Motivator, by Paul Hanna

An Almost Perfect Christmas, by Nina Stibbe

How to Be Thin in a World of Chocolate, by Michele Connolly

The Kindness Pact, by Domonique Bertolucci

Playing the Matrix, by Mike Dooley

Having got this post ready to go, I realised that, of course, this was my last list for 2017, which lead me to go back and add up my total for the year. Pleasing to see that I managed 197 books in the midst of a busy year. But, of course, there are still thousands and thousands of books that I WANT to read.  Maybe in 2018 I’ll figure out how to read in my sleep

Poetry Friday: The Jetty Three Ways

Taking a break from my Christmassy poetry to  revisit as place which seems to be growing ever more a part of my life: the Busselton Jetty, a mile long jetty about half an hour from  where I live.

Anyway, I have lost count of the number of times I have walked on the jetty – either part way or the whole way, and last year I did it several times, and wrote this poem, which I’ve shared here before:

Earlier this year I met a long-term goal and, rather than walking along the jetty, I swam the whole way around it, in the annual Jetty Swim. And, yes, I posted about the experience here, too, with this poem:

The weather was grey

The ocean was choppy

It rolled and it swayed

But I’d planned for so long

For this one special day

When the starter said ‘go’

I was off and away.

AND

I did it I did it

I swam all the way

I did it I did it

So hip hip hooray!

I’m currently in training to do the swim again in February – though I am hoping it will be a slightly flatter sea.

Speaking of training, there is a third way to traverse the jetty: a little train which runs the length of the jetty. It’s slow, and although it looks fun, I’ve never done it before. But yesterday, I righted that wrong and finally travelled on the little red train, taking my mother with me As well as the train ride I had another new experience: under the jetty, at the end, is an observatory. It’s one of only a few underwater observatories in the world and is unique because it there are no captive or introduced fish. All the sea life you can see is there because it lives there.

SO, the thing is, although I’d walked along the jetty and I’d swum around the jetty, not only had I never ridden the train along the jetty, but I’d also never visited the observatory. I’d always intended to, but hadn’t got there – in part because I am a bit claustrophobic and wasn’t sure how I would feel. But my mum, who lives nearby , and had  visited once before when it was new, really wanted to go again. So we had a mother-daughter date, and we went and it was amazing. See – mums really do know best!

And, of course, there’s a poem:

Under the Sea

I’m under the sea

And I can see

Schools of fishes swimming by me.

 

I’m under the sea

And I can see

A lone diver waving at me!

 

I’m under the sea

And I can see

Both fish and diver are wetter than me!

(Poem Copyright Sally Murphy)

The diver was a bit of a surprise. And, when he realised we could see him, he put on a bit of a show for us.

I couldn’t figure out how to work the lovely coral and algae growing on the jetty pylons into the poem, but here’s a little peek. 

Have a great poetry Friday. The round up today is being hosted over at Random Noodling. Head over there for more poetry goodies.

Poetry Friday: An Aussie Christmas Song

Another Aussie Christmas offering this week. There’s a few very Aussie words in this one, so it will be interesting to see if it’s understandable to my Northern hemisphere poetry friends. Let me know if there’s anything you don’t get!

A Christmas Song

We sing of jingle bells and snow,

of warm red suits and ho ho ho;

but none of this is quite the way

when it is Christmas here below.

Downunder in good old Aussieland

it’s time for sun and surf and sand.

It’s hot, not cold, it’s summertime

and summer treats are in demand.

Hard work for reindeer in this heat.

Hot roofs would burn their tender feet

and racing through the summer skies

would surely leave them feeling beat.

And as for Santa in fur and such:

he’d soon feel overdressed a touch.

Being snug and warm in blistering heat

is not going to impress him much.

He also needs roos for the job

of sleigh-pulling – an Aussie mob

to get him moving all around

from Sydney town to Iron Knob.

His suit, too, needs an overthrow:

a new outfit, from head to toe.

Some boardies, singlet and some thongs

would seem to be the way to go.

So let’s not sing of snow and ice,

instead I’ll give you this advice:

roos, utes and summer are the go

for Christmas songs that sound real nice.

So ripper, bonza, beudy, strewth!

Though you might think my song uncouth

it’s true blue and it’s ridgy didge

to sing a song that tells the truth.

(Poem copyright Sally Murphy)

This week’s Poetry Friday roundup is being hosted by Steps and Staircases. Head over there to see what other poetry goodness is on offer this week.

Also, if you are looking for a quick Christmas craft activity, you can help your children make a a pair of Christmas antlers just like those Sage Cookson wears on the copy of my latest book. You can find printable pages, and instructions here.

Tis the Season for Rejections

Tis the season for rejections

Dammit dammit dam, dam gosh darn dam

Coming in from all directions

Dammit dammit dam, dam gosh darn dam

Gird your loins and grab your chocky

Dammit dammit dam, dam gosh darn dam

The writing life is getting rocky.

Dammit dammit dam, dam gosh darn dam!

 

Sing it with me! Or not. Either way, it seems that December is bringing with it the usual flurry of rejections to my writerly friends.  I’m not sure, but I suspect that there are two reasons for what seems like an extra high level of these harbingers of doom at this time of year: firstly,  because it’s the end of the year and the number of new releases drops, there is a bit more time to appraise the slush pile; and secondly, because it’s summer, and a good time to take summer holidays (because duh, when else would you take summer holidays?), there is a need for publishing staff to  do some desk clearing before they head to the beach.

Whatever the reason, every year around this time I notice lots of rejections appearing in the mailboxes of my friends – or myself. As I write this, I have yet to receive one this festive season, but there’s still time, and I’ve probably just jinxed myself.

So, what to do if you get one? Here are five tips.

See the song above. Grab some chocolate, or other comfort food/drink/activity and indulge. You’re allowed to feel sorry for yourself. You’ve been working at this game for years/months and rejection hurts.
Vent. It’s fine to vent. Everyone vents sometime. Vent to a friend, a loved one, your writers group, your mum, your mirror. A rider though: I recommend venting in closed circles. The friends I have seen venting online have done so in private groups. This is highly recommended. Much better than venting on a public page, or your blog. Why? Here’s a quick illustration. Imagine that I am blogging about my submissions

ME: Woe is me. My magnum opus has just been rejected by Bippity Boppity Publishers. Don’t they realise what a true genius I am? Did they even read it?

BIPPITY BOPPITY PUBLISHER (in a quiet moment): I think I’ll look at my Google Alerts and see what wonderful things are being said about my books online (GOOGLES MADLY). Oh. Sally Murphy thinks I’m a bad judge of quality, does she? She is saying mean things online. I don’t care what she submits to me in future, I won’t be publishing it.

ME (Blissfully unaware of Bippity’s attitude and posting again on my blog): I don’t care about that rejection I had last week. Today I am sending my magnum opus to Hippity Hoppity Publications. Wish me luck everyone. Fingers crossed that I succeed this time!

HIPPITY HOPPITY PUBLISHER (considering my manuscript): This isn’t bad. I wonder what Sally’s online presence is like. It’s important we know she can market herself. (GOOGLES MADLY). Oh. This manuscript has been rejected by Bippity Boppity. Scrolls. And four other publishers. Hmm. Maybe it isn’t as good as I thought. Reads some more. And she said mean things about other publishers. That’s not nice. I don’t think it’s worth the trouble. (Reaches for another offering from teetering slush pile).

You probably get my point.

Consider what the rejection says. There’s a good chance that your rejection letter/email is a standard rejection. This one goes something like: We have considered your manuscript carefully but regret to inform you… If you get one of these, you know that someone has at least looked at your manuscript.   But, if you get one that has been personalised, even the tiniest bit, read that tiny bit. I once had a publisher who sent me standard rejection after standard rejection but, after a while, she started adding a little handwritten note to the lettersr: “This one is getting close” she might say. Or “Cute. But we have enough animal manuscripts at the moment”.  Eventually, she accepted a manuscript, because I had listened to those notes and adapted my writing and what I subbed to her  I’ve had longer rejections which have told me what is wrong with the manuscript. And I’ve read them. What these messages tell you is that someone has looked closely at your work and seen enough promise to encourage you. So if it’s there, it is worth your while to closely consider the advice given – even if your initial thought is that it’s wrong. A publisher/publishing assistant/editor has seen something in your work worth commenting on. Smile and listen. After all, they work in the very business you are trying to break into.
Get your manuscript ready to send back out. This DOES NOT mean you should send it straight back out to the next one on your list. It actually means closely study what the next publisher publishes, what their submission guidelines say, even whether they are open to submissions. Taking the time to do this can save you months of waiting for the next rejection letter – and, of course, increase your chances of acceptance. Another important consideration here is how many times your manuscript has been rejected. If it has been multiple times and you’ve received standard rejections, now is the time to seriously consider whether your manuscript needs reworking. Getting some critiquing advice and revising before you resubmit could be what’s needed.
Be glad you’re not this guy. I’m pretty sure this is the worst rejection letter I’ve ever seen (is it bad that it made me laugh?). After you’ve finished laughing, use your own rejection note for something festive: rip it up and make streamers for your Christmas tree. Or cut it into the shape of a star and hang in on the wall. Or, if you’re in colder climes, use it to start a warming Christmas fire. I don’t keep my rejection letters, or even keep count of them. Why keep a record of failures?  Reycle and do something good for the planet!

Lastly, I’m sure you’ve all heard the stories of how many times people like JK Rowling were rejected. I’m not repeating those, because, to be honest, when I hear those figures I think ‘hah! I can top those numbers!’ Which probably isn’t the point. But the point IS that every writer gets rejected. And most of us continue to get rejected throughout our careers, even after we’ve had some successes. The rare few who don’t are exceptions, and probably celebrities writing about bodily functions. Or married to someone in publishing. (Hmmmm: I think this is a good point to refer you to my friend Sue Whiting’s awesome post about professional jealousy).

Got a good tip about handling rejection, or a question to ask? Leave me a comment. Otherwise, sing with me:

Dammit dammit dam, dam gosh darn daaaaaaaaam!

 

 

 

 

 

 

 

Happenings at the Backyard Bookfair

It’s always fun to get out and meet – and speak to – young readers. It’s an added bonus when I get to do with other authors and illustrators, which is just what happened on Saturday when I was part of the Backyard Bookfair at the State Library of WA.  Have a look at the program to see just how deep the talent pool was:

The theater was home to a series of shenanigans presentations, where we each had ten minutes to talk, present an activity, read, or whatever else took our fancy.

I had promised a craft activity, a promise that was made some time ago. And, although I did indeed deliver on this (see right for evidence of the wonderful threading of stars which took place), I also decided that what I do best  is words. SO, as well as the star activity, I wrote and performed a Christmas rap.  I had the audience participate in the chorus and it was a lot of fun.

So, if you’ve never heard me speak, or if you’ve ever wondered what I might sound like trying to rap, here’s the snippet my friend James Foley captured for me.

As well as rapping, I got to hang out with friends like Teena Raffa-Mulligan

and Frane Lessac:

I also met lots of young people and their parents, signed copies of Looking Up, and, of course, watched the other presenters.

Oh, and there were cupcakes!

What a wonderful day.  

PS

There are still 19 sleeps till Christmas. Plenty of time if you’d like to buy a book for the young reader in your life. If you’d like one of mine, signed and posted to you, contact me here.