Traci L. Slatton's Blog, page 6

Movie Review: Hieronymus Bosch: Touched By The Devil

Hieronymus Bosch: Touched By The Devil pleased me enormously. I love Bosch’s work, and there were several moments during this documentary when the camera lingered adoringly over his paintings.

The film tells the story of gathering Bosch’s paintings for a 500th anniversary show in Den Bosch. A group of museum guys—archivists, restorers, historians—track down the works, and then have to wheel-and-deal with assorted other museum types in order to borrow the paintings. The Venetian museum director said, “These paintings cannot leave the Galleria L’Academia unless they are restored.” That was a thinly veiled shake-down—the Dutch team had to pay for the restoration. Leave it to the Italians.

The Prado bureaucrats were hilarious. A lot of delicate negotiation happened off-screen, but was implied. I chortled a few times.

A painting and a drawing were newly attributed to Hieronymus, and one painting was de-attributed. There was a scene when the team was asking, “Who will call Ghent to tell them?” Meaning, what poor sap would have the misfortune of telling the museum in Ghent that their Hieronymus Bosch wasn’t painted by Hieronymus Bosch? The team leader, they decided.

Meantime, a painting in a Kansas City museum was newly confirmed as a Bosch. That was fun. It makes me imagine finding a dusty, cracked old painting in the attic…and having it attributed to a great master. I could write a novel about that. Maybe I will.

It is, ultimately, Bosch’s imagery that is the star of this film. I was delighted to realize that not all the fantastic figures hail from the astral plane. Many do, of course; you can see the same demons there, if you alter your consciousness so as to perceive the astral plane. However, several figures are actually from the Devic Kingdom. I exclaimed out loud, right there in the Film Forum theater, when I realized that. How cool! The Devic Kingdom represented in a painting from 500 years ago!

The Garden of Earthly Delights ranks among my top 10 favorite paintings, it’s just ravishingly beautiful, a feast for the senses. I get lost in it.

If you like Bosch or love art, then go see Hieronymus Bosch: Touched By The Devil. It won’t disappoint.

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Enchantment Overlooking Magic Mountain

Enchantment Overlooking Magic Mountain

Some lovely and generous-hearted friends invited us to stay in their beautiful Vermont home while they were elsewhere. So Sabin and I drove up and found ourselves in a sumptuous and homey palace. There’s a view over the rolling green hills and trees onto Magic Mountain, and a private pond with lights for night time swimming.

I find myself so relaxed that my adrenal glands are pulsing with let-down. My creative angst is nearly replaced with languor. Sabin has set himself up in the dining room to draw the relief panel for the WW1 Memorial.

Our labs Molly and Gabriel are ecstatic. I took them to the pond yesterday and Molly, our chocolate lab, ate some little green frogs before swimming around to look for ducks. Gabriel joined her. Then they ran out of the water to jump on me and I had to laugh even as their enthusiasm ensured that I was wet and smelly.

There are a zillion of these little green frogs, and when do you ever see frogs anymore?

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GoodReads Giveaway: Signed Copy! Fallen, Cold Light, Far Shore

GoodReads Giveaway! Two Signed Copies!

Goodreads Book Giveaway


Fallen, Cold Light, Far Shore
by Traci L. Slatton

Giveaway ends June 05, 2016.

See the giveaway details

at Goodreads.

Enter Giveaway

FALLEN: As chaos descends on a crippled Earth, survivors are tormented by strange psychic gifts. In this time of apocalyptic despair, love is put to the test. One woman with mysterious healing power guides seven children to safety. Charismatic Arthur offers her a haven. Slowly Emma falls for him. But at the moment of their sweetest love, his devastating secret is revealed, and they are lost to each other.

COLD LIGHT: The end of the world brings chaos, madness, and psychic powers. For Emma and Arthur, separated by an ocean, it brings a love that demands everything. Emma’s beloved daughter is kidnapped by vengeful raiders, and Emma embarks on a soul-crushing journey to rescue her. When Arthur finds Emma, can she trust him? Against impossible odds, Emma draws near the rogue camp, where she also confronts the deepest choice of her heart….

FAR SHORE: An old enemy wreaks new havoc at the end of the world…

After the mists’ lethal apocalypse, mankind’s only hope for survival lies broken and battered, the prisoner of a ruthless sociopath who will stop at nothing to hurt him. Emma sets out to rescue him. She faces an ultimatum and must relinquish everything she holds dear. As Arthur teeters on the brink of life and death, Emma’s healing ability fails. Her own despair tests her, and she must grow stronger than she ever dreamt possible as she confronts the truth of her own heart.

In a time of apocalyptic despair, love is put to the test…

A mystical odyssey, a haunting love…

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James Cooper’s Article in American Arts Quarterly noting Sabin Howard & Traci L. Slatton

My husband classical figurative sculptor Sabin Howard and I have been acquainted with Jim Cooper for many years. Jim is the editor and publisher of American Arts Quarterly, a quarterly arts magazine published by the Newington-Cropsey Cultural Studies Center. The magazine has published several articles about Sabin through the years, my favorite of which is “Recovering Beauty in Bronze,” in which Jim writes,

Howard’s sculptures have content as well as exquisite form. All art is about art, even with a recognizable subject, and Howard clearly states the importance of Michelangelo to him. Each of the bronze sculptures in his studio has a theme; many are inspired by Greco-Roman mythology. Others are intense psychological portraits. He subscribes to the literal translation of psyche logos, which means the study of the soul, psyche and anima.

Jim Cooper is an art critic who holds my husband in high esteem, for which I am grateful. To be candid, I think Sabin deserves it. In my opinion, Sabin is the finest figurative sculptor in centuries. I believe in Sabin and so I have supported him in his work, building his websites, providing tech support for his webinars, and writing books with him; Sabin and I have a partnership. I am grateful to say that Jim respects this partnership and, moreover, he’s willing to acknowledge it. Cooper wrote in that same article, “He [Sabin] credits his wife, writer Traci Slatton, for giving him the language and ideas to understand the deeper implications of his art: “She gave me a vocabulary to be able to talk about issues of closed energy systems, which is basically a modernist system, and an open energy system.””

So Jim and I keep in touch. A few months ago, I emailed to tell Jim about how Facebook wouldn’t let Sabin ‘boost’ an advertisement about our sculpture book, The Art of Life, because of the nudity on the cover of the book. Jim was intrigued and we exchange emails and a phone call. Our discussion resulted in Jim’s splendid new article, “The Classical Nude, Pornography and the New Philistines.”

Check out the Spring 2016 issue of American Arts Quarterly, Jim’s article is beautifully written and thought-provoking. I especially appreciate the nod Jim gives to me, calling our book “superb” and later on, noting that “Traci is a historian, a graduate of Columbia and Yale, and has written several novels, while covering cultural issues for The Huffington Post.” This business of making art and of being married to an artist in today’s world is fraught, and I’m grateful when an art critic of Jim’s standing honors the work we do.

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The Doctor As Entrepreneur

The Doctor As Entrepreneur

Medical technology is changing every day, advancing at an unprecedented rate. Inventions like contact lens that measure blood sugar, and other wearable technologies, are in the works. Within a decade, it’s likely that people will be able to assemble health information easily, without the need for finger pricks or trips to the doctor’s office.

Some weeks ago, author and medical technologist Robin Farmanfarmaian was a guest on my BlogTalkRadio show, Independent Artists & Thinkers. Farmanfarmaian, who works with silicon valley biotech and medical technology start-ups, talked about her book The Patient As CEO: How Technology Empowers the Healthcare Consumer. She commented on the speed of the medical technology revolution and how difficult it is for doctors to keep track of new developments. The patient, she advises, must see himself or herself as the head of a team of healthcare professionals who work together to help the patient achieve optimal health.

This revolution is occurring at the same time that managed health care is making it harder for physicians to make a good living at a profession for which they have studied and specialized for a decade or longer, while also undertaking huge student loans. Indeed, I worry about my stepdaughter in medical school. Will she be forced to see twenty-two patients per hour just to pay back her student loans? Will her options be limited by checklist medicine and by debt?

In the face of the medical technology revolution and ever more rigid and punitive insurance regulations, doctors do have their own ingenuity to fall back on. I was reminded of this recently when my friend dermatologist Debra Jaliman told me about new products that she herself developed, Sea Radiance skin care products.

Dr. Jaliman, a board-certified dermatologist and assistant professor at the Icahn School of Medicine at Mount Sinai, has been a resource for me for more than twenty years. She’s always on the cutting edge of dermatological products and techniques. I reviewed her book Skin Rules: Trade Secrets from a Top New York Dermatologist because I found it useful, informative, and well-written.

Cosmetic dermatology may not be in the same category as, say, paint-on ink that gauges blood pressure, but for women like me who care about looking their best, it matters. Life deals us all so many bad cards that when I can do something positive for myself, I seize the opportunity.

So I was intrigued when Dr. Jaliman announced her new cleanser that moisturizes as it cleanses and her new eye cream, both made from sea flora, organic flower essences, and advanced dermatological formulas. I wanted to know what the products could do for me. Thinking about my stepdaughter’s future in medicine, and about Farmanfarmaian’s appearance on my BlogTalkRadio show, I also wanted to know what had prompted Jaliman to develop them and how she had done so.

“I’ve been working with big companies for so many years, and I always had in mind that I’d create my own products,” Jaliman told me. She’s consulted with companies such as Johnson & Johnson, Proctor & Gamble, SKII, Lierac, and others, helping them develop products. “I don’t sign the standard non-compete clause, when I work with them.”

“But why these products, now?” I persisted.

“I listen to my patients. They want immediate results around their eyes,” Jaliman said. “And over the years in my practice, I hear the same complaints, especially from people with sensitive skin or adult acne. The usual cleansers dry them out or provoke redness; after many people wash their face, their skin feels tight and dry. My goal in developing gentle cleanser was to create a product that took off all the dirt and impurities but left the skin feeling hydrated.”

She also commented that patients would stand in her office and read labels, and some dismissed certain products because of their ingredients. So Jaliman sought out the purest ingredients–and a lab that would work with her to create the finest, most effective products.

“Not all labs wanted to do this because it’s incredibly difficult,” she admitted. “It was no easy goal. I made many different formulas.” She noted that her products have very low numbers on the Environmental Working Group‘s list. Her eye cream and cleanser are formulated without parabens, phthalates, sulfates, gluten, and synthetic dyes and fragrances.

She explained that while the big corporations have the advantage of big budgets for research and development and marketing and promotion, she has an advantage in immediacy of feedback. “I have thousands of patients that I could give the product to. They tested it for me and gave me honest feedback. We then changed the product many times over the course of the year and a half of development.”

Jaliman was a stickler for maintaining her products’ efficacy. Air inactivates antioxidants, so she sought out a high tech tube that wouldn’t allow air in for dispensing the eye cream. Before launching Sea Radiance, she had a beautiful and informational website built. The consummate marketer, she included the new products in a gift bag for stars at the Academy Awards.

She handed me samples so I could try them for myself. I felt so good about the purity of the products that I shared the cleanser with my 11 year old daughter. She left for school saying, “My face feels so good, mommy!” It’s a sentiment I’m happy to echo: my skin feels softer since using Sea Radiance cleanser, and my crow’s feet are smoother with the eye cream.

I’m also happy to see such positive, utilitarian results from Dr. Jaliman’s entrepreneurial efforts. The medical technology revolution doesn’t just benefit consumers–it also, with some responsiveness and inventiveness on their part, potentially benefits doctors.

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Modern Masters: Sabin Howard, Sculptor, on Fox TV

I am so delighted to announce that my husband, classical figurative sculptor Sabin Howard, was profiled on Fox Television in their beautiful Modern Masters series. Modern Masters: Sabin Howard, Sculptor aired on Friday, March 11.

In this wonderful segment, Sabin relates the story of his origins and being influenced by the powerful and gorgeous architecture of Torino and Italy. He talks about how he dropped out of college and then decided, at age 19, that he wanted to go to art school. He laughs at how his parents, who are both PhDs, wanted him to go somewhere like Harvard. “That wasn’t going to go down,” he says.

He was filmed sculpting, showing his process of breaking the body into cubes. The camera pans over him drawing. He speaks of the importance of the figure, and how it shows us as we can be. “Art has the ability to transform and elevate your spirit,” he states.

The World War 1 Memorial also came up. “World War 1 is a war that needs to be remembered because it changed the course of history,” Sabin says. He talks about how the figures in his design concept are relational and taking care of each other–the glorification of the human spirit.

Watch the piece, it’s amazing!

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BLOOD SKY is 2015 Indiefab Finalist

BLOOD SKY named Foreword Reviews’ 2015 INDIEFAB Book of the Year Awards Finalist

New York, New York —Today, Parvati Press is pleased to announce BLOOD SKY has been recognized as a finalist in the 18th annual Foreword Reviews’ INDIEFAB Book of the Year Awards. Here is the complete list:

https://indiefab.forewordreviews.com/finalists/2015/

Here is the page for Traci L. Slatton’s novel BLOOD SKY:

https://indiefab.forewordreviews.com/books/blood-sky/

Each year, Foreword Reviews shines a light on a select group of indie publishers, university presses, and self-published authors whose work stands out from the crowd. In the next three months, a panel of more than 100 volunteer librarians and booksellers will determine the winners in 63 categories based on their experience with readers and patrons.

“The 2015 INDIEFAB finalist selection process is as inspiring as it is rigorous,” said Victoria Sutherland, publisher of Foreword Reviews. “The strength of this list of finalists is further proof that small, independent publishers are taking their rightful place as the new driving force of the entire publishing industry.”

“I am honored and delighted to receive this recognition,” said author and publisher Traci L. Slatton. “Foreword Reviews is the ‘Library Journal’ for independent publishing, and this kind of spotlight is encouraging and gratifying.”

Foreword Reviews will celebrate the winners during a program at the American Library Association Annual Conference in Orlando, Florida in June. We will also name the Editor’s Choice Prize 2015 for Fiction, Nonfiction and Foreword Reviews’ 2015 INDIEFAB Publisher of the Year Award during the presentation.

About us: Parvati Press is an independent press with a vision of quality books in print, ebook and audiobook format. These books are often playful, metaphysical, serious, and thought-provoking; they will enrich your life.

About Foreword: Foreword Magazine, Inc is a media company featuring a Folio:-award-winning quarterly print magazine, Foreword Reviews, and a website devoted to independently published books. In the magazine, they feature reviews of the best 170 new titles from independent publishers, university presses, and noteworthy self-published authors. Their website features daily updates: reviews along with in-depth coverage and analysis of independent publishing from a team of more than 100 reviewers, journalists, and bloggers. The print magazine is available at most Barnes & Noble and Books-A-Million newsstands or by subscription. You can also connect with them on Facebook, Twitter, Google+, and Pinterest. They are headquartered in Traverse City, Michigan, USA.

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Latest on the HuffPo: The Phenomenon of Lashing Out

Here’s my latest on the Huffington Post, an article about The Phenomenon of Lashing Out

Trolls, Harassers, Haters, and Shamers: The Phenomenon of Lashing Out

I promote my books. For one novel, I hired a publicist who turned out engaging press releases. She sent them to me for approval and then emailed them to every contact on her extensive list. She sent out dozens. That’s what I paid her to do and she was a responsible publicist.

A junior editor looked at one release, decided I thought I was better than other authors, and initiated a Twitter shaming campaign that lasted about eight hours.

It struck out of the blue. Suddenly my Twitter feed lit up with nasty tweets, many personal, directed at me. It was shocking and confusing. It took me a while to figure out what was going on. Then I did the best damage control I could.

I can only imagine how horrible a longer Twitter shame-barrage would have been. Eight hours was enough to leave me with a few weeks of mild PTSD. I never understood the point of the shaming episode. What pleasure did the junior editor and her cohorts take in such scathing nastiness? What did they hope to accomplish beyond making me feel badly? I certainly never felt that I was better than other authors, though I will balance that by saying that I have worked hard over the decades to write thousands of pages of prose. I take pride in whatever craftsmanship I accomplish.

A very different episode. I went to pick up my daughter at her bus stop. As a writer, I work out of a small home office. I seldom dress up for that. I brushed my teeth that morning and swiped on sun block–that was the extent of my ablutions. I trotted to the bus stop in my usual stinky yoga clothes.

At the bus stop waited an attractive young African American woman. I sidled up to her and casually chatted, the way parents do.

She suddenly snapped, “I’m not the nanny! I’m the mom!”

Given the current racial tensions, I must preface my remarks by saying that this was a bus stop for a private school in Manhattan. I am sure that this well-turned-out young woman had been mistaken for the nanny. Probably more than once. Few of the private schools here are as well integrated as one would hope. Most are putting honest effort into greater diversity.

On this particular occasion, this young woman correctly noted the calculation in my eyes. Then she incorrectly interpreted it. Yes, I certainly did look at her and make a judgment. But it wasn’t the one she projected onto me.

I was thinking, “Traci, look how nice she looks. You need to dress better. You don’t have to come to the bus stop looking like a schlub. For pete’s sake, woman, take twenty minutes to make yourself presentable.”

I think women of any race will relate to this self-criticism. But until the other mother spoke up, the issue of race had never occurred to me. It was about me looking dowdy.

At the time, I was surprised and flustered. I murmured something like “That’s what I thought.” I felt badly for this woman whose life experience had brought her to this point of assuming that another mom was judging her when I was only judging myself.

Another example. Now I confess to a certain tolerance for unconventional people. There are many worthy trapezoidal pegs; I don’t want to force them into square holes. Unfortunately, this attitude means that sometimes nutters slip inside my sphere. I did business with one such. My husband and a friend gleaned that this person was shaky; they warned me. I didn’t heed them. I should have, because when I made a decision this person didn’t like, they sent me dozens of crazed, threatening emails full of violent imagery. I blogged about this before, because I was helped by an organization called haltabuse.org that works to stop email harassment.

What these painful and bewildering episodes have in common is the phenomenon of projection. The Twitterers, the other mom, and the business fruitcake took something within themselves and projected it outward onto me. I knew this intellectually at the time, but it didn’t solace me. I had to work with myself to return to my center in the face of the onslaught. I think, for the Shamers and the Harasser, that’s what they wanted: to hurt me.

Obviously the mom felt that she was standing up for herself. Though she was projecting onto me, my interaction with her fits into a different category because she didn’t intend to cause harm. Nor did I feel hurt by her. I felt surprised, then I felt compassion.

Indeed, what continually surprises me about our culture now is how little compassion there is, and how widespread the phenomenon of lashing out has become. It often goes along with high self-righteous indignation that reeks of self-pleasuring. I have come to believe that self-righteous indignation is best enjoyed in private.

Recently my husband sculptor Sabin Howard came into the spotlight when he, with architect-in-training Joe Weishaar, won the WW1 Memorial design competition. Someone used social media to disparage Sabin, claiming that Sabin’s beautiful neoclassical works were “Nazi-like.”

The irony is that Sabin is at least one-quarter Jewish. His grandmother was a German Jew. His mother is Italian and I will never forget the dinner when Zio Carlo, upon hearing that I am Jewish, leaned over and whispered, “Ours is an Italian Jewish name. We are descended from Jews who were forcibly converted.”

One hater posted a video of Sabin sculpting in a friend’s studio as “proof” that Sabin’s work is Nazi-esque. But this studio belonged to a dear friend who happens to be gay and recently married to his long time partner. Since Sabin is famed for his male nudes, which are sublimely beautiful but not eroticized, we have, in our inner circle, many cherished gay friends. The Nazis would not have appreciated Sabin’s Jewish heritage nor his inclusiveness. Nor, I dare say, his Jewish wife.

I remain proud of Sabin’s neoclassicism. Beauty is beauty; we don’t have to allow a single ideal of beauty to languish as the province of murderous sociopaths. I wouldn’t give the Nazis that satisfaction.

Ultimately, I don’t want to give satisfaction to those who lash out, either. But it’s worth noting that negative projection causes pain. We are all human beings here, even if social media and email allow for depersonalization and anonymity. “If you prick us, do we not bleed?” Indeed we all do.

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Vice Chair Edwin Fountain of WW1 Memorial Commission Unveiling Design

A video showing the unveiling of the winning WW1 Memorial design.

I’m so proud of my husband Sabin Howard and his design partner architect-in-training Joe Weishaar for winning the World War 1 Memorial Design Competition.

Here is Vice Chair Edwin Fountain unveiling their winning design. Mr. Fountain spoke of the jury convening and reaching a unanimous decision on the design that they would recommend to the committee.

Mr. Fountain said, “Sabin Howard…is considered one of the country’s leading classical sculptors. His works have been shown in more than 50 shows nationally and internationally, he has worked with the late, renowned architect Michael Graves, and the New York Times said of him, quote “When viewing his works, visitors may be reminded of the time Donatello and Rodin walked the earth.” That’s the kind of phrase I’d like to get someday.”

He spoke of the elegant simplicity of the design and the simple contained space reminiscent of the current park–an enclave for both contemplation and active recreation. The park will remain a park for people who just want to have their lunch there; this space always had to serve the dual purpose of remaining a park as well as hosting the memorial.

Weishaar and Howard met the design challenges, said Fountain. “It’s done in a classical sculptural style that would have been recognizable in the era of the war, yet will also stand up over time, yet will also be recognizable 100 years from now.”

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Sculptor Sabin Howard and Architect Joe Weishaar win WW1 Memorial Commission

I am overjoyed to announce that my husband classical figurative sculptor Sabin Howard and his partner architect Joe Weishaar won the WW1 Memorial Commission.

There will be more on the World War 1 Memorial Commission website.

Vice Chair Edwin Fountain spoke beautifully about the team and their design and a few minutes was captured on Periscope. Watch for yourself!

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