William Foxwell Albright
Born
in Coquimbo, Chile
May 24, 1891
Died
September 19, 1971
Genre
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From the Stone Age to Christianity
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published
1940
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27 editions
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Yahweh and the Gods of Canaan
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published
1968
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5 editions
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The Archaeology of Palestine
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published
1949
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24 editions
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The Biblical Period from Abraham to Ezra: An Historical Survey
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published
1963
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6 editions
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Archaeology and the Religion of Israel
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published
1956
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7 editions
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New Horizons in Biblical Research
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published
1966
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3 editions
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Amarna Letters from Palestine, Syria, the Philistines and Phoenicia
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published
1966
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3 editions
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The Proto-Sinaitic Inscriptions and their Decipherment
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published
1966
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5 editions
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From the Stone Age to Christianity: Second Edition with a New Introduction ( Anchor Book, A 100)
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The Archaeology of Palestine and the Bible
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published
2009
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“Empirical logic achieved a signal triumph in the Old Testament, where survivals from the early proto-logical stage are very few and far between. With it man reached a point where his best judgments about his relation to God, his fellow men and the world, were in most respects not appreciably inferior to ours. In fundamental ethical and spiritual matters we have not progressed at all beyond the empirico-logical world of the Old Testament or the unrivalled fusion of proto-logical intuition, 64 [see Coomaraswamy, Review of Religion, 1942, p. 138, paragraph 3] empirico-logical wisdom and logical deduction which we find in the New Testament. In fact a very large section of modern religion, literature and art actually represents a pronounced retrogression when compared with the Old Testament. For example, astrology, spiritism and kindred divagations, which have become religion to tens of millions of Europeans and Americans, are only the outgrowth of proto-logical interpretation of nature, fed by empirico-logical data and covered with a spurious shell of Aristotelian logic and scientific induction. Plastic and graphic art has swung violently away from logical perspective and perceptual accuracy, and has plunged into primordial depths of conceptual drawing and intuitive imagery. While it cannot be denied that this swing from classical art to conceptual and impressionistic art has yielded some valuable results, it is also true that it represents a very extreme retrogression into the proto-logical past. Much of the poetry, drama and fiction which has been written during the past half-century is also a reversion from classical and logical standards of morality and beauty into primitive savagery or pathological abnormality. Some of it has reached such paralogical levels of sophistication that it has lost all power to furnish any standards at all to a generation which has deliberately tried to abandon its entire heritage from the past. All systematic attempts to discredit inherited sexual morality, to substitute dream-states for reflection, and to replace logical writing by jargon, are retreats into the jungle from which man emerged through long and painful millennia of disillusionment. With the same brains and affective reactions as those which our ancestors possessed two thousand years ago, increasing sophistication has not been able to teach us any sounder fundamental principles of life than were known at that time. . . . Unless we can continue along the pathway of personal morality and spiritual growth which was marked out for civilized man by the founders of the Judaeo-Christian tradition, more than two thousand years ago, our superior skill in modifying and even in transforming the material world about us can lead only to repeated disasters, each more terrible than its predecessor. (Archaeology and the Religion of Israel, 5th Ed. New York: Doubleday Anchor, 31-33.)”
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Topics Mentioning This Author
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